Academic literature on the topic 'Chinese journalism (or newspaper) culture'
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Journal articles on the topic "Chinese journalism (or newspaper) culture"
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Li, Ke. "Convergence and de-convergence of Chinese journalistic practice in the digital age." Journalism 19, no. 9-10 (April 15, 2018): 1380–96. http://dx.doi.org/10.1177/1464884918769463.
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The existing literature broadly suggests that newsrooms are adapting to the media convergence world at the cost of traditional quality journalism. However, based on my ethnographic study of the Beijing News, I propose a convergence and de-convergence model of journalistic practice. The model explains how one Chinese newspaper preserves the legacy of critical journalism, on the one hand, while negotiating the challenges of adapting to the converging trends on the other. I argue that a well-established organizational culture and a working routine are crucial in the newspaper’s transformation, which makes it impossible to redesign the newsroom and redefine journalism with technology alone. Moreover, the article calls for a more nuanced understanding of the transformation of legacy media in the digital age, especially considering a non-Western context. I argue that the Chinese newspaper’s response to technological and economic impacts brought by the Internet is in fact mediated by political concerns.
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Jiang, Shujun, Leen d’Haenens, and Li Zhang. "Differences in journalism culture or is there more to it? Comparing news on the European refugee issue in Western Europe and China." International Communication Gazette 83, no. 5 (June 30, 2021): 451–73. http://dx.doi.org/10.1177/17480485211029021.
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This study explores the country-specific, regional and cultural differences and similarities between China and two European countries in their coverage of the European refugee issue and seeks to provide a deeper understanding of the various political interests, social values, and journalism cultures in the countries under study. It analyzed and compared 2,368 news articles in Belgian, Swedish, and Chinese newspapers from 2015 to 2017. The analysis demonstrated that Chinese newspapers put less emphasis on welcoming the refugees by politicians and citizens, but are more prone to report on Islamic religion in their coverage of the refugees than the Belgian and Swedish newspapers. The empirical evidence suggests that the differences in reporting are not only a representation of different political interests and social engagement of the three countries, but, to a large extent, a result of different journalism cultures across nations.
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Kwan, Uganda Sze Pui. "Transferring Sinosphere Knowledge to the Public: James Summers (1828-91) as Printer, Editor and Cataloguer." East Asian Publishing and Society 8, no. 1 (April 5, 2018): 56–84. http://dx.doi.org/10.1163/22106286-12341317.
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Abstract James Summers occupied the professorship of Chinese for two decades at King’s College London. He was also a trailblazer in promoting the study of Japanese culture in Victorian Britain, but he has been an underrated and understudied figure in British history. Summers was an ardent supporter of modern printing. He believed printed media was the most effective medium to transform British perceptions of Asia, which in turn would help support Britain’s foreign political, commercial and missionary enterprise. He also orchestrated the printing of catalogues and journals in his capacity as library assistant to the British Museum and the India Office Library. He even set up his own press to print a newspaper in order to disseminate knowledge of East Asia to a broader readership. Based on primary materials that have rarely been used before, this paper positions Summers in the study of book history, material culture and print mediums in order to reassess his pioneering efforts in Sinological studies.
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Hopkins, Giles. "Política y kárate: influencias históricas en la práctica del Goju-ryu." Revista de Artes Marciales Asiáticas 2, no. 4 (July 18, 2012): 54. http://dx.doi.org/10.18002/rama.v2i4.333.
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<p class="MsoNormal" style="text-align: justify; margin: 0cm 0cm 6pt;"><span style="mso-ansi-language: EN-US;" lang="EN-US"><span style="font-size: small;"><span style="font-family: Calibri;">The 1936 “masters meeting” sponsored by the Ryukyu Newspaper Company—a gathering of karate masters, journalists, and government leaders—gives us some indication of the political realities at play in Japan in the early decades of the 20th century and how they may have affected Okinawan karate. Tradition often seems as though it is a safeguard against change. However, the reality is that a resurgence of nationalism fed an anti-Chinese bias and an effort to assimilate Okinawan culture; both affected karate. With economic hardships in Okinawa and a desire to popularize karate, traditions did change. Some teachers sought ways to preserve traditional Okinawan martial arts within this changing political landscape. But at what cost?</span></span></span></p>
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Kauz, Herman P. "Beneficios de la práctica de empuje de manos no competitiva." Revista de Artes Marciales Asiáticas 2, no. 4 (July 18, 2012): 84. http://dx.doi.org/10.18002/rama.v2i4.335.
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<p class="MsoNormal" style="text-align: justify; margin: 0cm 0cm 6pt;"><span style="mso-ansi-language: EN-US;" lang="EN-US"><span style="font-size: small;"><span style="font-family: Calibri;">The 1936 “masters meeting” sponsored by the Ryukyu Newspaper Company—a gathering of karate masters, journalists, and government leaders—gives us some indication of the political realities at play in Japan in the early decades of the 20th century and how they may have affected Okinawan karate. Tradition often seems as though it is a safeguard against change. However, the reality is that a resurgence of nationalism fed an anti-Chinese bias and an effort to assimilate Okinawan culture; both affected karate. With economic hardships in Okinawa and a desire to popularize karate, traditions did change. Some teachers sought ways to preserve traditional Okinawan martial arts within this changing political landscape. But at what cost?</span></span></span></p>
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Rixon, Paul. "Popular newspaper discourse." Journal of Historical Pragmatics 15, no. 2 (July 21, 2014): 314–30. http://dx.doi.org/10.1075/jhp.15.2.08rix.
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Journalistic discourse, the world over, has developed over time, reflecting changes in the news industry and the wider society. Likewise television criticism, a specific form of journalism, has also had to evolve over time. Initially, as television critics sought recognition and respectability in the quality newspapers, they developed a form of writing similar to the way other forms of culture and art were reviewed. However, as journalists began to develop more popular ways of writing, and with the spread of soft news throughout newspapers and into new magazine supplements, television critics also found themselves having to follow suit. This was such that by the 1970s a number of critics had moved away from trying to mimic other forms of reviewing or criticism to creating their own, more popular form of discourse. In this article I will explore some of the ways the language of critics changed between the 1950s and the 1980s, and how these developments were similar or different to the wider changes in journalism happening at this time.
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Zhang, Qitong. "English Newspaper Reading and Chinese Traditional Culture." OA Journal of Education Research 1, no. 5 (December 29, 2022): 411–14. http://dx.doi.org/10.26855/oajer.2022.11.024.
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Priyonggo, Ambang, and Hamedi Mohd Adnan. "Digitising Newspaper Content in Indonesia: The Challenge of Enforcing the Culture of Immediacy." Jurnal Komunikasi: Malaysian Journal of Communication 37, no. 2 (June 30, 2021): 257–71. http://dx.doi.org/10.17576/jkmjc-2021-3702-16.
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This research is aimed at examining how the culture of immediacy is implemented in a newspaper undergoing digital transformation. This paper is written based on the case of Harian Kompas, the most influential newspaper in Indonesia, that just officially launched its paywall-based digital site, kompas.id as an alternative platform. Within this context, the daily implemented the digital-first strategy to put the priority of rapid digital news production prior to its slow-pace print edition. Through ethnography fieldwork in the daily’s newsroom, relying on in-depth interviews and participant observations, the study highlights a notion that the culture of immediacy is not easy to implement. The challenge rests on the fact that it is not only contradictory to the common rhythm of rigid newspaper work-flow and deadline among reporters and editors, but further it is considered harmful to the daily’s prescribed core value of comprehensive journalism originated from its editorial philosophy as well as journalism credo of being credible. It is within the constant negotiations among all the newsroom’s actors, the culture of immediacy remains to be a contesting value that should be carried out by the daily as a way to excrete the old habit of print deadline while the digital-first transformation is still taking shape. Keywords: Immediacy, digital-first, digital journalism, news production, digital transformation.
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Orlitskiy, Yuri B. "Literary literature in Russian provincial journalism of the early 20th century." Philological Sciences. Scientific Essays of Higher Education, no. 1 (January 2023): 18–26. http://dx.doi.org/10.20339/phs.1-23.018.
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This article examines the range of real forms and genres of Russian journalism in the early 20th century, in one way or another related to literature, using newspapers from Nizhny Novgorod, Vladimir and Yaroslavl provinces as a case study; Nizhny Novgorod Leaf of 1912–1913 was chosen as the main study material. The study showed the importance of the literary component of the repertoire of a provincial newspaper, the variety of forms of presence of literature, both modern and classical, on the newspaper page. Literature itself is represented in the repertoire by poems, prose miniatures, and stories, often printed with a continuation. Humorous and satirical texts, literary parodies occupy an important place in the newspaper. The main object of critical reflection and parody in 1913 became I. Severyanin and other ego-futurists. Besides, the Leaflet regularly publishes critical and biographical articles, reviews, obituaries, retellings of book market novelties, publications of previously unknown works and memoirs, memoirs, reports on events of literary life. The main heroes of the newspaper of 1912–1913 are Turgenev, Nadson, L. Tolstoy, Gorky (as a famous countryman), Balmont. The main informational occasion for the appearance of literary materials in the newspaper are anniversaries or the publication of interesting books or publications. A significant part of literary publications are reprints from publications in the capital. The newspaper also pays a certain amount of attention to foreign literature, first of all, modern literature; O. Wilde, A. Strindberg, H. Hauptmann, and A. Frans. Particular attention is paid to the prose miniature (poem in prose), a specific newspaper genre characteristic of early twentieth-century periodicals. The large number of articles on literary themes testifies to the general literary centrism of early twentieth-century Russian culture.
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Janet Steele. "Journalism and Islam in The Malay Archipelago: Five Approaches." Konfrontasi: Jurnal Kultural, Ekonomi dan Perubahan Sosial 4, no. 1 (January 10, 2020): 65–83. http://dx.doi.org/10.33258/konfrontasi2.v4i1.57.
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Although the principles of journalism – truth, verification, balance, and independence from power – are arguably universal, they are interpreted through the prisms of local culture. Five news organizations in Indonesia and Malaysia suggest a variety of approaches to understanding the relationship between journalism and Islam. Whereas writers at Indonesia's Sabili magazine were selected based on their experience in the tarbiyah or education movement, at Republika (an Indonesian newspaper established to serve the Muslim community) journalistic skills are more important than outward demonstrations of piety. Muslim journalists at the two most liberal of these publications, Indonesia's Tempo magazine and Malaysia's news-portal Malaysiakini, see their work in substantive rather than scripturalist terms, and editors of Harakah, the newspaper of the Pan- Malaysian Islamic party, are outspoken champions of freedom of expression. These varied approaches suggest there is much to be learned from the influence of Islam on the practice of journalism in Southeast Asia.
Dissertations / Theses on the topic "Chinese journalism (or newspaper) culture"
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Flitton, Matthew. "Building the future newspaper culture and innovation /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2008. http://hdl.handle.net/10355/6676.
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Thesis (M.A.)--University of Missouri-Columbia, 2008.The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on July 13, 2009) Includes bibliographical references.
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Newman, Sarah Louise. "The celebrity gossip column and newspaper journalism in Britain, 1918-1939." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:30cc8c66-d243-4134-b891-2eb84ce7de2b.
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This thesis analyses the content, tone, form and authorship of the national newspaper gossip column 1918-1939, as a new means through which the qualities of the popular press in this period can be more closely defined. Often dismissed as an example of the sensational, Americanization of early twentieth-century popular culture, the celebrity gossip column has been loosely grouped with the friendly, informal language and bolder formatting of the ‘New Journalism’ of the late nineteenth century and the development of the dramatic ‘human-interest’ stories of ‘everyday life’ in the interwar period (LeMahieu, 1988; Wiener, 1988). Through a comparative study of six newspapers including the Daily Express, Daily Mail and News of the World, I analyse the changing representation of the celebrity subject, and, originally, the shifting character and persona of the gossip columnist. Whereas some historians have analysed the content of newspapers without considering the questions of the newspaper’s production, I analyse newspaper employment records, gossip columnists’ memoirs and their unpublished letters and diaries to define the specific economic, social and cultural circumstances which, I argue, influenced their public portrayal. Also, in examining the unpublished correspondence between editors, proprietors and columnists and the burgeoning print culture of journalistic training manuals and professional memoirs, I provide a history of the press’s professionalization in this period. The national popular press has often been used as a historical source to define national character and national identity in the interwar period (Bland, 2008; Kohn, 1992). By scrutinizing the content and production of the gossip column and particularly the class, behaviour, interactions and subject matter of the columnist, I argue that the gossip column presented a version of ‘Britishness’ that was not so inward-looking and domesticated as so many accounts of interwar Britain suggest.
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Meng, Chao. "A comparative study of Chinese and U.S. news coverage of the 2014 Hong Kong uprising." Thesis, Kansas State University, 2015. http://hdl.handle.net/2097/19146.
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Master of ScienceJournalism and Mass Communications
Angela M. Powers
Background: During the 2014 Hong Kong protests, with the growing concern of various perspectives in the international media, news coverage, as the main source of information transportation has become an issue of research interest. According to framing theory, for a certain event, media is likely to place it within a field of meaning. Furthermore, the message meaning, framed by media, influence audience’s information processing. Different media organizations might have different perspectives on framing same event. This study examined how Chinese news coverage and U.S. news coverage framed an event. Method: A quantitative content analysis was conducted among a sample of 152 news stories from China Daily and The New York Times. All the stories from August 17th 2014 to January 8th 2015 were analyzed to determine whether the 2014 Hong Kong protest was framed by China Daily and The New York Times differently. The code sheet was structured with key variables derived from former published articles. Furthermore, the categories of main issue and secondary issue came from pre-tests with another co-coder. Data analysis was conducted with frequency counts, cross tabulations and Pearson’s chi-square analysis in SPSS. Results: Findings suggested that news coverage of China Daily focused on the issues of politics and protest, as well as did the coverage of The New York Times. However they have significant differences on framing of history, profiles of protesters and others. The findings suggested that the China Daily and The New York Times have significant differences on overall bias in terms of Pro-change, Anti-change and Neutral. Conclusion: Samples in this study, as prosperous news organizations with the reputation and resources to conduct fair reporting and to set journalistic standards in China and the United States respectively, represented most perspectives in general. According to different factors of national interest, political ideology and history, Chinese news coverage and U.S. news coverage have significant differences on framing the issues and overall bias.
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Wong, Mei Mei. "Contrastive text analysis : Chinese and English newspaper accounts of fire accidents." HKBU Institutional Repository, 1996. http://repository.hkbu.edu.hk/etd_ra/74.
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Kim, Sa-Seong. "News organisational culture and crisis of journalism in the Internet environment : the development of newspaper specialism in Korean journalism." Thesis, University of Leicester, 2003. http://hdl.handle.net/2381/30561.
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This study intends to explore how news organisational culture in Korean journalism deals with new policies introduced in an effort to resolve current problems. It aims to identify how the established news organisational culture of Korean newspaper journalism relates to the specialist journalism that news organisations are introducing in order to deal with such problems as journalists' job prospects and Internet challenges.;This study posits three research questions: "Why do news organisations intend to introduce specialism?"; "What does specialism have to do with news organisational culture?" and "Is specialism effective in providing 'better journalism'?" This study conducts four pieces of field research: 26 in-depth interviews, two focus group discussions, a survey, and a brief content analysis. This study finds that specialism is a strategic choice which is arbitrarily adapted for problem-solving rather than an established culture. Secondly, specialism reveals some significant conflicts between specialists and generalist reporters regarding personnel management policies and the routines of news production. Accordingly, specialism is considerably restricted by the news organisational culture. Lastly, specialism does not necessarily provide better journalism, especially in terms of supplying mobilising information to guide audiences out of their grievances caused by government's mishandling of public policies.;The current news organisational routines of Korean newspapers is related more closely to resisting changes rather than bridging the individuals of news organisations with newly emerging environments, and these routines do not provide effective systems for the newsgathering activities of specialist reporters.
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Lattas, Andrew. "The new panopticon : newspaper discourse and the rationalisation of society and culture in New South Wales, 1803-1830 /." Title page, contents and abstract only, 1985. http://web4.library.adelaide.edu.au/theses/09PH/09phl364.pdf.
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Liu, Zhaoxi. "Journalism culture in Kunming: market competition, political constraint, and new technology in a Chinese metropolis." Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/3492.
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This study explores the occupational culture of journalism in a Southwestern China metropolis, Kunming, answering the questions of what and how journalists there give meaning to their work through analyzing the substance and form of the journalism culture. Over three months of fieldwork in four different local newspapers revealed a gap between the meanings these journalists aspire and the meanings they can materialize through practice, due to political and economic constraints. As a result, the journalists felt conflicted and deeply frustrated but at the same time tried to push the boundaries in different ways, including active use of digital technology and social media. The study also found that the journalism culture was intrinsically intertwined with the social, cultural and global environment within which it resided, as social conflict, widespread mistrust and global influences played important roles in shaping the meanings the journalists gave to their work. The journalism culture was also one of contradictions and uncertainties, still in the making and changing at a rapid pace. It is a journalism culture of a particular transitional era and place, with Chinese characteristics.
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Minami, Hiroko. "Newspaper Work in a Time of Digital Change: A Comparative Study of U.S. and Japanese Journalists." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11980.
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xi, 272 p. : ill. (some col.)This is a qualitative comparative study about perspectives and experiences of contemporary journalists at three newspapers in the United States and Japan. The newspaper industry in both the United States and Japan is going through an unprecedented transitional period driven by economic forces and technological changes. One purpose of the study is to shed light on everyday journalists who are exposed to industry-wide structural changes. Based on interviews with journalists of the three newspapers, this study explores journalists' experiences about economic and technological impacts and their perspectives about their work. Another purpose of this study is to compare and contrast these perspectives and experiences. By doing so, it is possible to examine how the interconnected economies of the countries and globally standardized technology influence the views and behavior of U.S. and Japanese journalists. Journalists of the three newspapers are confronting a dilemma between their journalistic ideals and increasing economic pressures that limit their activities. They are increasingly feeling insecure about employment in the newspaper industry. They show different attitudes toward employment with their newspapers. Journalists at the U.S. newspaper think of changing careers for better job security, while Japanese journalists seek solutions within the company, rather than leaving. This indicates that U.S. journalists have more freedom to choose, while Japanese journalists are bound to their company partly because of hiring and training practices specific to Japanese newspapers. Journalists have contradictory views about technological development. While they appreciate increased productivity brought by digital technology, they feel their labor has been cheapened partly because of the same technology. Similarities in journalists' experiences beyond newspapers and national borders occur as a result of homogenous impacts of interconnected economies of the two countries and globally standardized technology. However, shared ideas, values and norms specific to the workplace play an important role in determining journalists' perspectives and social behavior. This is why journalists' perspectives and attitudes vary by newspaper. This study concludes by emphasizing the importance of labor studies of newspaper journalists as information providers who are expected to make democracy function.
Committee in charge: Dr. John Russial, Chairperson; Dr. Gabriela Martinez, Member; Dr. Janet Wasko, Member; Dr. Jeffery Hanes, Outside Member
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Sandy, Jordan M. "Chinese Nationalism and the South China Sea." Wright State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=wright1598620673257404.
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Feng, Yayu. "Analysis of Moral Argumentation in Newspaper Editorial Contents with Kohlberg's Moral Development Model." Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1416916265.
Full textBooks on the topic "Chinese journalism (or newspaper) culture"
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Zheng mei jiao li xia de Taiwan bao ye. Taibei Shi: Yü shan she chu ban shi ye gu fen you xian gong si, 2010.
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Dong nan Ya Hua wen bao zhi yan jiu: A study of Chinese newspaper in Southeast Asia. Beijing Shi: She hui ke xue wen xian chu ban she, 2002.
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Zhongguo bao ye: Shi chang yu hu lian wang shi yu xia de zhuan xing = Chinese newspaper : transformation under the view of market and internet. Beijing Shi: She hui ke xue wen xian chu ban she, 2014.
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Dang bao jing ying xue tan xi: Dangbao jingyingxue tanxi. Changsha Shi: Hunan ren min chu ban she, 2011.
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The public prints: The newspaper in Anglo-American culture, 1665-1740. New York: Oxford University Press, 1993.
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Culture and adultery: The novel, the newspaper, and the law, 1857-1914. Philadelphia, Pa: University of Pennsylvania Press, 1999.
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1954-, Adams Katherine H., ed. Controlling representations: Depictions of women in a mainstream newspaper, 1900-1950. Cresskill, N.J: Hampton Press, 2009.
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Zong bian ji zhen xiang dang an: Malaixiya Hua wen bao li shi bu bai. Batu Caves, Selangor D.E. [i.e. Dahrul Ehsan], Malaysia: Da jiang chu ban she, 2008.
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Zong bian ji zhen xiang dang an: Malaixiya Hua wen bao li shi bu bai. Batu Caves, Selangor D.E. [i.e. Dahrul Ehsan], Malaysia: Da jiang chu ban she, 2008.
Find full textBook chapters on the topic "Chinese journalism (or newspaper) culture"
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Tong, Jingrong. "Investigative Journalism in China." In Routledge Handbook of Chinese Culture and Society, 395–408. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781315180243-30.
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Tshabangu, Thulani, and Abiodun Salawu. "Constructive Journalism and COVID-19 Safe Nation Narratives in The Herald Newspaper: Implications for Journalism Ethics in Zimbabwe." In Health Crises and Media Discourses in Sub-Saharan Africa, 95–108. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95100-9_6.
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AbstractThe coverage of crises such as the global health pandemic, COVID-19, is to a large extent guided by national interest, journalistic culture, and editorial policies of media outlets. This chapter argues that the state-controlled newspaper, The Herald, in Zimbabwe deployed constructive journalism as an approach to report COVID-19. Constructive journalism is about injecting positive angles into news reports whilst abiding by the core news values of accuracy, impartiality, and balance. The findings reveal that constructive journalism elements of solutions orientation, future orientation, and explanation and contextualisation were frequently deployed by The Herald to advance a safe nation narrative whose objective was to prevent public hysteria in the face of a deadly COVID-19 outbreak in the country. The chapter concludes that the deployment of constructive journalism in less developed countries like Zimbabwe to inspire hope through positive psychology in the face of global crises does not always yield the intended outcomes.
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"Journalism Culture With Chinese Characteristics." In Metro Newspaper Journalists in China, 98–112. Routledge, 2016. http://dx.doi.org/10.4324/9781315560922-14.
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Lei, Jiang. "Spiritual Resistance." In Manchukuo Perspectives, 44–63. Hong Kong University Press, 2020. http://dx.doi.org/10.5790/hongkong/9789888528134.003.0004.
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Although the Great Unity Herald was the Manchukuo State Council's official newspaper, hundreds of works of resistance literature were published in four supplements, where intellectuals wrote their history and expressed a spirit of resistance via literary channels. Supplements to the Great Unity Herald demonstrate strong deviations from political and cultural identities fostered by the Manchukuo state. This study excavates and analyses supplements and works of resistance literature, finding that Manchukuo authorities oppressed at least 49 editors, journalists, and authors, resulting in arrest, execution, or forced exile for the majority. With support of resistance organizations, and despite official oppression, a prevalent phenomenon of divergence from state narratives developed in supplements within Manchukuo's Chinese newspapers.
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"Journalism Culture in Context: Global Influence, Social Conflict, and Epidemic Mistrust." In Metro Newspaper Journalists in China, 68–83. Routledge, 2016. http://dx.doi.org/10.4324/9781315560922-12.
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March, Philip. "New Journalism." In The Edinburgh History of the British and Irish Press, Volume 2, 176–80. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474424882.003.0009.
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‘New Journalism’ commonly designates the developments introduced in the late-nineteenth century by W. T. Stead (1849–1912), the campaigning and investigative newspaper editor. Innovations included typological, technological, organisational, and content changes that brought a more commercial and increasingly populist approach to the newspaper industry. The term is said to have originated with Matthew Arnold (1822–1888), the poet and socio-cultural observer, who, in his article ‘Up to Easter’, published in May 1887, famously characterised Stead’s form of journalism, and, by association, its readers, as ‘feather-brained’. In so doing, he highlighted a connection of influence between culture, politics, and society that had long since exercised his interest. This case study examines and challenges the long-established historiography of the term by considering earlier instances of the expression’s usage. It particularly highlights the editorial rivalries, journalistic discourses, and wider cultural debates that contributed to the emergence of the concept of ‘New Journalism’.
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"Life and Death in a Small Town: Cultural Values and Memory in Community Newspaper Obituaries." In Journalism in a Culture of Grief, 85–100. Routledge, 2012. http://dx.doi.org/10.4324/9780203942000-10.
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Tankard, Paul. "Journalism." In The Oxford Handbook of Samuel Johnson, 103—C6.P39. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780198794660.013.7.
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Abstract In the eighteenth century, newspapers and the new medium of magazines were of vital importance in British metropolitan culture; this chapter describes the journalistic origins of much of Johnson’s work, and considers his engagement with both modes of publication. His poems, moral essays, political writings, and parliamentary reports first appeared in the periodical press, but not all of this can be usefully considered as journalism. This chapter examines, firstly, the newspaper pieces Johnson wrote as an invited spokesman for various publications, in which he holds journalists to high standards, insisting their work be valued by readers and publishers. Of his work for magazines, which was the medium he clearly preferred, this chapter considers the “Early Lives” for the Gentleman’s Magazine and the book reviews for the Literary Magazine. They deal with topics in which he may be presumed to have an interest, and he energetically tests these workaday genres, attending to method, ascertaining the facts and drawing conclusions only from evidence.
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Lonsdale, Sarah. "‘The Sheep and the Goats’: Interwar Women Journalists, the Society of Women Journalists, and the Woman Journalist." In Women's Periodicals and Print Culture in Britain, 1918-1939. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474412537.003.0036.
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By the outbreak of the Second World War, women made up approximately 20 per cent of journalists in Britain, doubling their participation in mainstream journalism since the turn of the twentieth century. They were mostly employed by women’s magazines, were precariously freelance or confined to the newspaper ‘women’s page’, and faced resistance from the powerful National Union of Journalists, which imposed limitations on women’s access to newspaper newsrooms. Women journalists had emerged from the First World War with prominent bylines on popular newspaper leader pages; however, many women struggled to maintain their elevated status through the interwar years and either retreated into, or were pushed back into, the women’s sections. Using content from the Woman Journalist, newspaper and magazine articles, and memoirs, this chapter will examine the role, status, and professional associations of interwar women journalists to piece together their lives and attitudes to work. There is no doubt that, as members of a subjugated group, women journalists faced many struggles, but this chapter will ask whether these struggles were outweighed by the opportunities for adventure and financial independence that journalism offered them. It will also examine whether female journalists’ contributions to interwar newspapers and magazines reinforced media messages limiting women’s lives to ‘hearth and home’, thus contributing to women’s ‘symbolic annihilation’ from the public sphere.1 It will also ask whether the professional organisation, the Society of Women Journalists (SWJ), and its organ, the Woman Journalist, helped women journalists challenge gender barriers or encouraged gender stereotyping in their work.
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Davis, Nancy E. "Return to the North." In The Chinese Lady, 169–95. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190645236.003.0008.
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As chapter 7 tells us, Afong Moy’s return to New York City in 1835 began her transition from a promoter of goods to that of spectacle herself. Her new manager, Henry Hannington, may have been responsible for that change. Such a transition exposed her to both the actions of moral reformers in New York and, later, the jibes of newspaper reporters in Boston. To publicize Afong Moy, her new manager joined her presentation with that of other performers in Salem, Massachusetts, New Haven, Connecticut, and Albany, New York. The public’s exposure to Afong Moy and China affected and influenced American material culture.
Conference papers on the topic "Chinese journalism (or newspaper) culture"
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Faust, Maria. "Revitalizing Eastern and Western Online Communication: A Micro-Meso-Macro Link of Temporal Digital Change." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.2-2.
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This paper explains in a de-westernized sense (Gunaratne, 2010) how internet-mediated communication changes the way we deal with and plan time both individually and culturally in Germany and China. Therefore, it blends Western and Eastern culture and media theories. The paper focuses on two distinct phenomena: temporal change due to social media, and Online journalism, as the core of Internet-mediated communication (for Germany 39% communication, media use 24% Projektgruppe ARD/ZDF-Multimedia, 2016; for China 90.7% instant messaging, 82% Internet news China Internet Network Information Center, 2017), with other temporal change via smart devices touched upon (Ash, 2018). General research on time in post modern societies, recently more focused on media’s temporal change phenomena (e.g. Barker, 2012; Barker, 2018; Castells, 2010; Eriksen, 2001; Hartmann, 2016; Hassan, 2003; Innis, 2004; Neverla, 2010a, 2010b; Nowotny, 1995; Rantanen, 2005; Wajcman, 2010; Wajcman and Dodd) has not yet linked the different societal and cultural levels of temporal change. Thus, we suggest the following to fill this research gap: For a micro perspective the notions of network theories (e.g. Granovetter, 1973; Schönhuth, 2013), media synchronicity (Dennis, Fuller, and Valacich, 2008) and the idea of permanent connectivity (Sonnentag, Reinecke, Mata, and Vorderer, 2018; van Dijck, 2013; Vorderer, Krömer, and Schneider, 2016) are linked. On a meso level, institutional change in Online journalism with a focus on acceleration is modeled (Ananny, 2016; Bødker and Sonnevend, 2017; Dimmick, Feaster, and Hoplamazian, 2011; Krüger, 2014; Neuberger, 2010). On a macro level, mediatization theory (Couldry and Hepp, 2017; Krotz, 2001, 2012) and recent acceleration theory (Rosa, 2005, 2012, 2017) is discussed. The levels are systematically linked suggesting a micro-meso-macro-link (Quandt, 2010) to then ask if and how many of the dimensions of the construct temporal understanding (Faust, 2016) can be changed through Internet-mediated communication. Temporal understanding consists of nine dimensions: General past, general future, instrumental experience (monochronicity), fatalism, interacting experience (polychronicity), pace of life, future as planned expectation and result of proximal goals as well as future as trust based interacting expectation and result of present positive behavior. Temporal understanding integrates the anthropological construct of polychronicity (Bluedorn, Kalliath, Strube, and Martin, 1999; Hall, 1984; Lindquist and Kaufman-Scarborough, 2007), pace of life (Levine, 1998) and temporal horizon (Klapproth, 2011) into a broader framework which goes beyond Western biased constructs through the theory driven incorporation of Confucian notions (Chinese Culture Connection, 1987). Finally, meta trends are laid out.
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Corkhill, Anna, and Amit Srivastava. "Alan Gilbert and Sarah Lo in Reform Era China and Hong Kong: A NSW Architect in Asia." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4015pq8jc.
Full textAbstract:
This paper is based on archival research done for a larger project looking at the impact of emergent transnational networks in Asia on the work of New South Wales architects. During the period of the Cultural Revolution in China (1966-1976), the neighbouring territories of Macau and Hong Kong served as centres of resistance, where an expatriate population interested in traditional Asian arts and culture would find growing support and patronage amongst the elite intellectual class. This brought influential international actors in the fields of journalism, filmmaking, art and architecture to the region, including a number of Australian architects. This paper traces the history of one such Australian émigré, Alan Gilbert, who arrived in Macau in 1963 just before the Cultural Revolution and continued to work as a professional filmmaker and photojournalist documenting the revolution. In 1967 he joined the influential design practice of Dale and Patricia Keller (DKA) in Hong Kong, where he met his future wife Sarah Lo. By the mid 1970s both Alan Gilbert and Sarah Lo had left to start their own design practice under Alan Gilbert and Associates (AGA) and Innerspace Design. The paper particularly explores their engagement with ‘reform-era’ China in the late 1970s and early 1980s when they secured one of the first and largest commissions awarded to a foreign design firm by the Chinese government to redesign a series of nine state- run hotels, two of which, the Minzu and Xiyuan Hotels in Beijing, are discussed here.
Reports on the topic "Chinese journalism (or newspaper) culture"
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Yatsymirska, Mariya. MODERN MEDIA TEXT: POLITICAL NARRATIVES, MEANINGS AND SENSES, EMOTIONAL MARKERS. Ivan Franko National University of Lviv, February 2022. http://dx.doi.org/10.30970/vjo.2022.51.11411.
Full textAbstract:
The article examines modern media texts in the field of political journalism; the role of information narratives and emotional markers in media doctrine is clarified; verbal expression of rational meanings in the articles of famous Ukrainian analysts is shown. Popular theories of emotions in the process of cognition are considered, their relationship with the author’s personality, reader psychology and gonzo journalism is shown. Since the media text, in contrast to the text, is a product of social communication, the main narrative is information with the intention of influencing public opinion. Media text implies the presence of the author as a creator of meanings. In addition, media texts have universal features: word, sound, visuality (stills, photos, videos). They are traditionally divided into radio, TV, newspaper and Internet texts. The concepts of multimedia and hypertext are related to online texts. Web combinations, especially in political journalism, have intensified the interactive branching of nonlinear texts that cannot be published in traditional media. The Internet as a medium has created the conditions for the exchange of ideas in the most emotional way. Hence Gonzo’s interest in journalism, which expresses impressions of certain events in words and epithets, regardless of their stylistic affiliation. There are many such examples on social media in connection with the events surrounding the Wagnerians, the Poroshenko case, Russia’s new aggression against Ukraine, and others. Thus, the study of new features of media text in the context of modern political narratives and emotional markers is important in media research. The article focuses review of etymology, origin and features of using lexemes “cмисл (meaning)” and “сенс (sense)” in linguistic practice of Ukrainians results in the development of meanings and functional stylistic coloring in the usage of these units. Lexemes “cмисл (meaning)” and “сенс (sense)” are used as synonyms, but there are specific fields of meanings where they cannot be interchanged: lexeme “сенс (sense)” should be used when it comes to reasonable grounds for something, lexeme “cмисл (meaning)” should be used when it comes to notion, concept, understanding. Modern political texts are most prominent in genres such as interviews with politicians, political commentaries, analytical articles by media experts and journalists, political reviews, political portraits, political talk shows, and conversations about recent events, accompanied by effective emotional narratives. Etymologically, the concept of “narrative” is associated with the Latin adjective “gnarus” – expert. Speakers, philosophers, and literary critics considered narrative an “example of the human mind.” In modern media texts it is not only “story”, “explanation”, “message techniques”, “chronological reproduction of events”, but first of all the semantic load and what subjective meanings the author voices; it is a process of logical presentation of arguments (narration). The highly professional narrator uses narration as a “method of organizing discourse” around facts and impressions, impresses with his political erudition, extraordinary intelligence and creativity. Some of the above theses are reflected in the following illustrations from the Ukrainian media: “Culture outside politics” – a pro-Russian narrative…” (MP Gabibullayeva); “The next will be Russia – in the post-Soviet space is the Arab Spring…” (journalist Vitaly Portnikov); “In Russia, only the collapse of Ukraine will be perceived as success” (Pavel Klimkin); “Our army is fighting, hiding from the leadership” (Yuri Butusov).