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Books on the topic 'Chinese journalism (or newspaper) culture'

Author: Grafiati

Published: 19 February 2023

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1

Wan Qing bao ye shi. Jinan: Shandong hua bao chu ban she, 2003.

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2

Zheng mei jiao li xia de Taiwan bao ye. Taibei Shi: Yü shan she chu ban shi ye gu fen you xian gong si, 2010.

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3

Dong nan Ya Hua wen bao zhi yan jiu: A study of Chinese newspaper in Southeast Asia. Beijing Shi: She hui ke xue wen xian chu ban she, 2002.

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4

Zhongguo bao ye: Shi chang yu hu lian wang shi yu xia de zhuan xing = Chinese newspaper : transformation under the view of market and internet. Beijing Shi: She hui ke xue wen xian chu ban she, 2014.

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5

Dang bao jing ying xue tan xi: Dangbao jingyingxue tanxi. Changsha Shi: Hunan ren min chu ban she, 2011.

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6

The public prints: The newspaper in Anglo-American culture, 1665-1740. New York: Oxford University Press, 1993.

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7

Culture and adultery: The novel, the newspaper, and the law, 1857-1914. Philadelphia, Pa: University of Pennsylvania Press, 1999.

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8

1954-, Adams Katherine H., ed. Controlling representations: Depictions of women in a mainstream newspaper, 1900-1950. Cresskill, N.J: Hampton Press, 2009.

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9

Zong bian ji zhen xiang dang an: Malaixiya Hua wen bao li shi bu bai. Batu Caves, Selangor D.E. [i.e. Dahrul Ehsan], Malaysia: Da jiang chu ban she, 2008.

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10

Zong bian ji zhen xiang dang an: Malaixiya Hua wen bao li shi bu bai. Batu Caves, Selangor D.E. [i.e. Dahrul Ehsan], Malaysia: Da jiang chu ban she, 2008.

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11

Becker, Jules. The course of exclusion, 1882-1924: San Francisco newspaper coverage of the Chinese and Japanese in the United States. San Francisco: Mellen Research University Press, 1991.

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12

Huang, Weijia. Han yu yu wen hua du ben =: Chinese language and culture : an intermediate reader. Hong Kong: Chinese University Press, 2002.

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13

Lacey, Colin. The press as public educator: Cultures of understanding, cultures of ignorance. Luton: University of Luton Press, 1997.

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14

David, Longman, ed. The press as public educator: Cultures of understanding, cultures of ignorance. Luton: University of Luton Press, 1997.

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15

1963-, West Nancy Martha, ed. Tabloid, Inc: Crimes, newspapers, narratives. Columbus: Ohio State University Press, 2010.

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16

Huang, Weijia. Han yu yu wen hua du ben. Hong Kong: Chinese University Press, 2002.

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17

Hard news: The scandals at the New York times and their meaning for American media. New York: Random House, 2004.

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18

Matt, Taibbi, ed. The Exile: Sex, drugs, and libel in the new Russia. New York: Grove Press, 2000.

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19

Lasky, Melvin J. Language of Journalism: Volume 1, Newspaper Culture. Taylor & Francis Group, 2018.

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20

Lasky, Melvin J. The Language of Journalism: Volume One: Newspaper Culture. Transaction Publishers, 2000.

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21

Waters, Catherine. Special Correspondence and the Newspaper Press in Victorian Print Culture, 1850–1886. Palgrave Macmillan, 2019.

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22

Xiong feng chu ban she bian ji bu., ed. Ying Han xin wen ci dian: English Chinese dictionary of newspaper terms. Taibei Shi: Xiong feng chu ban she, 1993.

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23

Boyhood Dream Realized: Half a Century of Texas Culture, One Newspaper Column at a Time. University of North Texas Press, 2020.

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24

Boyhood Dream Realized: Half a Century of Texas Culture, One Newspaper Column at a Time. University of North Texas Press, 2019.

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25

Wang, Haiyan. Disrupting Chinese Journalism: Changing Politics, Policies and Practices of the Legacy Newspaper Press. Taylor & Francis Group, 2023.

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26

Wang, Haiyan. Disrupting Chinese Journalism: Changing Politics, Policies and Practices of the Legacy Newspaper Press. Taylor & Francis Group, 2023.

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27

Wang, Haiyan. Disrupting Chinese Journalism: Changing Politics, Policies and Practices of the Legacy Newspaper Press. Taylor & Francis Group, 2023.

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28

Huang, Weijia, and Qun Ao. Chinese Language and Culture. The Chinese University Press, 2003.

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29

Smith, Michael P. Values, culture, content: Three keys to journalism in a strategic newspaper (NMC media management library). NMC, 1997.

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30

Lafferty, Ben P. American Intelligence: Small-Town News and Political Culture in Federalist New Hampshire. University of Massachusetts Press, 2020.

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31

Lafferty, Ben P. American Intelligence: Small-Town News and Political Culture in Federalist New Hampshire. University of Massachusetts Press, 2019.

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32

American Intelligence: Small-Town News and Political Culture in Federalist New Hampshire. University of Massachusetts Press, 2019.

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33

Leckie, Barbara. Culture and Adultery: The Novel, the Newspaper, and the Law, 1857-1914. University of Pennsylvania Press, 2015.

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34

Zhongguo xin wen chu ban gong zuo quan shu =: China press and publication encyclopedia. Zhongguo you yi chu ban gong si, 1993.

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35

Qiaomu, Hu. Hu Qiaomu tan xin wen chu ban (Qiaomu wen cong). Ren min chu ban she, 1999.

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36

Kelsey, D. Media, Myth and Terrorism: A discourse-mythological analysis of the 'Blitz Spirit' in British Newspaper Responses to the July 7th Bombings. Palgrave Macmillan, 2015.

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37

Metaphor And Entertainment A Corpusbased Approach To Language In Chinese Online News. Palgrave Macmillan, 2013.

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38

Kelsey, D. Media, Myth and Terrorism: A discourse-mythological analysis of the 'Blitz Spirit' in British Newspaper Responses to the July 7th Bombings. Palgrave Macmillan, 2015.

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39

Kelsey, D. Media, Myth and Terrorism: A Discourse-Mythological Analysis of the 'Blitz Spirit' in British Newspaper Responses to the July 7th Bombings. Palgrave Macmillan, 2015.

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40

The Origins of the Modern Chinese Press: The Influence of the Protestant Missionary Press in Late Qing China (Routledge Media, Culture and Social Change in Asia). Routledge, 2007.

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41

Dickens Reynolds and Mayhew on Wellington Street the Print Culture of a Victorian Street. Taylor & Francis Group, 2015.

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42

Hargreaves, Ian. 2. Big Brother: journalism and the altered state. Oxford University Press, 2014. http://dx.doi.org/10.1093/actrade/9780199686872.003.0003.

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‘Big Brother: journalism and the altered state’ discusses the role of the state in journalism. Russia has retightened its grip on television and newspaper journalism despite its constitutional guarantee of press freedom. In China, a separate Chinese Internet has been created that allows a certain level of freedom, but which is contained and free from foreign intervention. The ‘Arab Spring’ of 2010 was triggered in part by social media activism, and Western news media are facing their own questions of neutrality. What does this all mean for journalism now set in a world of corporate media ambition, telecommunications regulation, and global Internet governance?

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43

Longman, David, and Colin Lacey. The Press as Public Educator. University Of Luton Press, 2003.

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44

Mnookin, Seth. Hard News: The Scandals at the New York Times and the Future of American Media. Penguin Random House, 2004.

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45

Hard News: Twenty-one Brutal Months at The New York Times and How They Changed the American Media. Random House Trade Paperbacks, 2005.

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46

Taibbi, Matt, and Mark Ames. The Exile: Sex, Drugs, and Libel in the New Russia. Grove Press, 2000.

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47

Jaroszyńska-Kirchmann, Anna D. Leter-Writing Communities in the Polish American Press. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039096.003.0007.

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This chapter places Ameryka-Echo within the context of other Polish American and ethnic newspapers, which adopted the letter-writing culture, and explores the different ways in which the editors used letters from readers, facilitating the creation of communities of readers-writers. Through the maintenance of the close connection between the newspaper and its readers, and the inclusion of the content provided by them, the press created a national as well as diasporic community of Polish immigrants, formed readers' networks loyal to a particular newspaper, and guided the immigrants in their adaptation to the new country through the adoption of personal service journalism and advice sections. Ameryka-Echo remained at the forefront of the Polish-language newspapers, engaging its readers in the process of direct communication and featuring long-lasting and popular sections based on correspondence from readers.

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48

Frisken, Amanda. Graphic News. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252042980.001.0001.

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This book explores sensationalism as it took hold of U.S. media between 1870 and 1900. During this period, print news publishers became adept at translating stories about sex, crime, and violence into emotion-based pictures. Analysis of significant episodes in media history shows how a range of news media producers engaged with the sensational style. As they pioneered the art of visual journalism, news publishers conveyed racial, class, and gender anxieties in a complex dialogue with audiences that established precedents for modern media. Prominent cases – obscenity litigation, anti-Chinese violence, the Ghost Dance, Jim Crow-era lynching, and domestic violence – demonstrate how efforts to maximize the dramatic power of the news transformed everyday reporting and established standards for visual journalism. Commercial newspaper editors exploited sensationalism’ economic benefits, while marginalized groups and social activists experimented with its power to challenge negative stereotyping and mobilize their own constituencies. By the 1890s, a wide range of publications had come to embrace, adapt, and expand the sensational style through news illustration – albeit in different ways for different audiences. The patterns prevalent in entertainment publications infiltrated the commercial dailies, and even low-budget political news sheets: few publications could afford to resist borrowing from the sensational toolkit. As sensationalism increasingly pervaded visual journalism, the very nature of the news changed.

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49

Carlson, Matt, Sue Robinson, and Seth C. Lewis. News After Trump. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197550342.001.0001.

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Donald Trump’s rapid—and seemingly improbable—ascension from reality show star to polarizing president threw into question many assumptions about how our media and political worlds work. His habit of lying, history of racist statements, and disdain for conventions upended traditional relations between journalists and political elites. Taking an expansive view of the contemporary media and political environment during the Trump years, News After Trump portrays a media culture in transition. As journalism’s very relevance comes to be increasingly questioned, we focus on how different actors—from Trump to small-town newspaper editors—use their cultural power to define journalism, assess its value, and question what the news should look like. The chapters chronicle how Trump and his allies turned attacks on journalists into a central component of a right-wing populist formula, with journalists positioned as just one more self-interested, out-of-touch elite. Over time, this anti-press rhetoric escalated, with Trump regularly debasing journalists as the enemy of the people. While journalists responded by falling back on cherished norms of objectivity and neutrality to trumpet their democratic role, many among their ranks questioned whether past commitments still had value in a changed media culture and if their reporting practices did more harm than good. To move forward, News After Trump does not advocate for a nostalgic return to the past, but instead argues for a journalism that is more assertive in speaking in a moral voice on behalf of communities, more comfortable in rendering judgments, and more self-aware of its shortcomings.

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50

Hee, Wai-Siam. Remapping the Sinophone. Hong Kong University Press, 2019. http://dx.doi.org/10.5790/hongkong/9789888528035.001.0001.

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In a work that will force scholars to re-evaluate how they approach Sinophone studies, Wai-Siam Hee demonstrates that many of the major issues raised by contemporary Sinophone studies were already hotly debated in the popular culture surrounding Chinese-language films made in Singapore and Malaya during the Cold War. Despite the high political stakes, the feature films, propaganda films, newsreels, documentaries, newspaper articles, memoirs, and other published materials of the time dealt in sophisticated ways with issues some mistakenly believe are only modern concerns. In the process, the book offers an alternative history to the often taken-for-granted versions of film and national history that sanction anything relating to the Malayan Communist Party during the early period of independence in the region as anti-nationalist. Drawing exhaustively on material from Asian, European, and North American archives, the author unfolds the complexities produced by British colonialism and anti-communism, identity struggles of the Chinese Malayans, American anti-communism, and transnational Sinophone cultural interactions. Hee shows how Sinophone multilingualism and the role of the local, in addition to other theoretical problems, were both illustrated and practised in Cold War Sinophone cinema. Remapping the Sinophone: The Cultural Production of Chinese-Language Cinema in Singapore and Malaya before and during the Cold War deftly shows how contemporary Sinophone studies can only move forward by looking backwards.

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