Dissertations / Theses on the topic 'Chinese journalism (or newspaper) culture'

Thesis (M.A.)--University of Missouri-Columbia, 2008.
The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on July 13, 2009) Includes bibliographical references.

This thesis analyses the content, tone, form and authorship of the national newspaper gossip column 1918-1939, as a new means through which the qualities of the popular press in this period can be more closely defined. Often dismissed as an example of the sensational, Americanization of early twentieth-century popular culture, the celebrity gossip column has been loosely grouped with the friendly, informal language and bolder formatting of the ‘New Journalism’ of the late nineteenth century and the development of the dramatic ‘human-interest’ stories of ‘everyday life’ in the interwar period (LeMahieu, 1988; Wiener, 1988). Through a comparative study of six newspapers including the Daily Express, Daily Mail and News of the World, I analyse the changing representation of the celebrity subject, and, originally, the shifting character and persona of the gossip columnist. Whereas some historians have analysed the content of newspapers without considering the questions of the newspaper’s production, I analyse newspaper employment records, gossip columnists’ memoirs and their unpublished letters and diaries to define the specific economic, social and cultural circumstances which, I argue, influenced their public portrayal. Also, in examining the unpublished correspondence between editors, proprietors and columnists and the burgeoning print culture of journalistic training manuals and professional memoirs, I provide a history of the press’s professionalization in this period. The national popular press has often been used as a historical source to define national character and national identity in the interwar period (Bland, 2008; Kohn, 1992). By scrutinizing the content and production of the gossip column and particularly the class, behaviour, interactions and subject matter of the columnist, I argue that the gossip column presented a version of ‘Britishness’ that was not so inward-looking and domesticated as so many accounts of interwar Britain suggest.

Master of Science
Journalism and Mass Communications
Angela M. Powers
Background: During the 2014 Hong Kong protests, with the growing concern of various perspectives in the international media, news coverage, as the main source of information transportation has become an issue of research interest. According to framing theory, for a certain event, media is likely to place it within a field of meaning. Furthermore, the message meaning, framed by media, influence audience’s information processing. Different media organizations might have different perspectives on framing same event. This study examined how Chinese news coverage and U.S. news coverage framed an event. Method: A quantitative content analysis was conducted among a sample of 152 news stories from China Daily and The New York Times. All the stories from August 17th 2014 to January 8th 2015 were analyzed to determine whether the 2014 Hong Kong protest was framed by China Daily and The New York Times differently. The code sheet was structured with key variables derived from former published articles. Furthermore, the categories of main issue and secondary issue came from pre-tests with another co-coder. Data analysis was conducted with frequency counts, cross tabulations and Pearson’s chi-square analysis in SPSS. Results: Findings suggested that news coverage of China Daily focused on the issues of politics and protest, as well as did the coverage of The New York Times. However they have significant differences on framing of history, profiles of protesters and others. The findings suggested that the China Daily and The New York Times have significant differences on overall bias in terms of Pro-change, Anti-change and Neutral. Conclusion: Samples in this study, as prosperous news organizations with the reputation and resources to conduct fair reporting and to set journalistic standards in China and the United States respectively, represented most perspectives in general. According to different factors of national interest, political ideology and history, Chinese news coverage and U.S. news coverage have significant differences on framing the issues and overall bias.

This study intends to explore how news organisational culture in Korean journalism deals with new policies introduced in an effort to resolve current problems. It aims to identify how the established news organisational culture of Korean newspaper journalism relates to the specialist journalism that news organisations are introducing in order to deal with such problems as journalists' job prospects and Internet challenges.;This study posits three research questions: "Why do news organisations intend to introduce specialism?"; "What does specialism have to do with news organisational culture?" and "Is specialism effective in providing 'better journalism'?" This study conducts four pieces of field research: 26 in-depth interviews, two focus group discussions, a survey, and a brief content analysis. This study finds that specialism is a strategic choice which is arbitrarily adapted for problem-solving rather than an established culture. Secondly, specialism reveals some significant conflicts between specialists and generalist reporters regarding personnel management policies and the routines of news production. Accordingly, specialism is considerably restricted by the news organisational culture. Lastly, specialism does not necessarily provide better journalism, especially in terms of supplying mobilising information to guide audiences out of their grievances caused by government's mishandling of public policies.;The current news organisational routines of Korean newspapers is related more closely to resisting changes rather than bridging the individuals of news organisations with newly emerging environments, and these routines do not provide effective systems for the newsgathering activities of specialist reporters.

This study explores the occupational culture of journalism in a Southwestern China metropolis, Kunming, answering the questions of what and how journalists there give meaning to their work through analyzing the substance and form of the journalism culture. Over three months of fieldwork in four different local newspapers revealed a gap between the meanings these journalists aspire and the meanings they can materialize through practice, due to political and economic constraints. As a result, the journalists felt conflicted and deeply frustrated but at the same time tried to push the boundaries in different ways, including active use of digital technology and social media. The study also found that the journalism culture was intrinsically intertwined with the social, cultural and global environment within which it resided, as social conflict, widespread mistrust and global influences played important roles in shaping the meanings the journalists gave to their work. The journalism culture was also one of contradictions and uncertainties, still in the making and changing at a rapid pace. It is a journalism culture of a particular transitional era and place, with Chinese characteristics.

xi, 272 p. : ill. (some col.)
This is a qualitative comparative study about perspectives and experiences of contemporary journalists at three newspapers in the United States and Japan. The newspaper industry in both the United States and Japan is going through an unprecedented transitional period driven by economic forces and technological changes. One purpose of the study is to shed light on everyday journalists who are exposed to industry-wide structural changes. Based on interviews with journalists of the three newspapers, this study explores journalists' experiences about economic and technological impacts and their perspectives about their work. Another purpose of this study is to compare and contrast these perspectives and experiences. By doing so, it is possible to examine how the interconnected economies of the countries and globally standardized technology influence the views and behavior of U.S. and Japanese journalists. Journalists of the three newspapers are confronting a dilemma between their journalistic ideals and increasing economic pressures that limit their activities. They are increasingly feeling insecure about employment in the newspaper industry. They show different attitudes toward employment with their newspapers. Journalists at the U.S. newspaper think of changing careers for better job security, while Japanese journalists seek solutions within the company, rather than leaving. This indicates that U.S. journalists have more freedom to choose, while Japanese journalists are bound to their company partly because of hiring and training practices specific to Japanese newspapers. Journalists have contradictory views about technological development. While they appreciate increased productivity brought by digital technology, they feel their labor has been cheapened partly because of the same technology. Similarities in journalists' experiences beyond newspapers and national borders occur as a result of homogenous impacts of interconnected economies of the two countries and globally standardized technology. However, shared ideas, values and norms specific to the workplace play an important role in determining journalists' perspectives and social behavior. This is why journalists' perspectives and attitudes vary by newspaper. This study concludes by emphasizing the importance of labor studies of newspaper journalists as information providers who are expected to make democracy function.
Committee in charge: Dr. John Russial, Chairperson; Dr. Gabriela Martinez, Member; Dr. Janet Wasko, Member; Dr. Jeffery Hanes, Outside Member

Thesis (MPhil)--Stellenbosch University, 2005.
ENGLISH ABSTRACT: Since South Africa’s transition from a nationalistic state to a democracy in 1994, debates about the media’s role have intensified as the challenges and complexities of the South African society unfolded. In this debate, which mainly played out between the government and the media, the liberal theory and the developmental theory were used as the two main normative positions from which to contest the media’s role. As normative theories they describe the ideal role of the press within societal systems and thus fall within the functionalist paradigm. Historically, the liberal approach was seen as the accepted normative framework for the media within a democracy to protect that very democracy. The liberal consensus adopted by the post-apartheid media therefore came as no surprise. However, the optimism initially experienced regarding the independence of the new, liberal media, its professionalisation and economic restructuring, is gradually being challenged by the critical perspective. This perspective questions the extent of transformation in a public sphere where entrance is still restricted by class structures. The argument of this paper is that although the above changes to the media landscape are recognised as important, they do not account for issues of class and how the poor, the spaces they live in and the factors impacting on their lives, are framed by the media. This paper is presented as a normative undertaking and presents civic journalism as alternative normative framework. It moves from the premise that the representations afforded to the poor in die media are being hampered by the individualistic aims of the Western, liberal, journalistic tradition. The argument is further that the use of a community-driven approach should lead to broader representation of the poor in the media and the inclusion of this currently marginalised group in the public sphere. Reframing, one of the most important methods of civic journalism, is singled out to explore the possibility of applying civic journalism to the South African context. The motivation for this paper is the belief that the need exists for a greater plurality of voices and discourses.
AFRIKAANSE OPSOMMING: Sedert Suid-Afrika in 1994 beweeg het van ’n nasionalistiese staat na ’n demokrasie, het die debat oor die rol van die media algaande verdiep namate die uitdagings en kompleksiteite van die Suid-Afrikaanse situasie ontvou het. In die debat tussen die postapartheid media en die regering was die twee normatiewe posisies van waar die media se rol by uitstek betwis is, die libertynse en ontwikkelingsteorie. As normatiewe teorieë wat die ideale rol van die pers binne samelewingsisteme verwoord, val dit binne die funksionalistiese paradigma. Histories word die liberale benadering gesien as die vanselfsprekende roete wat ’n media binne ’n demokrasie moet volg om daardie demokrasie te beskerm. Die liberale konsensus van die post-apartheid media was in die lig hiervan geen verrassing nie. Maar die optimisme wat aanvanklik ervaar is oor die onafhanklike, liberale media, sy professionalisering en ekonomiese herstrukturering, word algaande uitgedaag deur ’n kritiese perspektief. Hierdie perspektief bevraagteken die waarde van ’n getransformeerde media waar toelating tot die openbare sfeer steeds deur klasstrukture gereguleer word. Alhoewel die bogenoemde erken word as belangrike veranderinge, is die argument dat die liberale normatiewe paradigma nie genoeg was om kwessies van klas te verreken en hoe armes, die kwessies wat hulle lewens beïnvloed en die ruimtes waarin hulle ’n bestaan maak, deur die media beraam word nie. Hierdie werkstuk is ’n normatiewe onderneming wat burgerlike joernalistiek as normatiewe raamwerk wil voorstel. Die uitgangspunt is dat representasie van armes in die media deur die individualistiese doelstellings van die Westerse, liberale joernalistieke tradisie beperk word. Die argument is verder dat die toepassing van ’n gemeenskapsgerigte benadering behoort te lei tot ’n breër representasie van armes en die insluiting van dié tans gemarginaliseerde gemeenskappe by die openbare sfeer. Herberaming, een van die belangrikste metodes van burgerlike joernalistiek, word uitgesonder om die toepassingsmoontlikheid van burgerlike joernalistiek as alternatief te ondersoek. Die motivering vir die werkstuk is die oortuiging dat daar in die Suid-Afrikaanse mediakonteks ’n behoefte bestaan aan ’n groter diversiteit van stemme en diskoerse.

This thesis examines the development of Asian cultural modernity in the cities of Singapore, Hong Kong and Shanghai through their fashion magazines. These three cities have positioned themselves as aspirants to global city status, concurrently facilitating their ambitions by relaxing media laws and emphasising cultural production. One outcome is a growth in the production and consumption of fashion magazines. There has been a parallel growth in the consumption of and interest in fashion and self-adornment in these cities, particularly through global brand names. This thesis investigates these cultural transformations by examining the production of fashion texts in the context of their cities. It does this by utilising the concept of fashion journalism (as a product of fashion, journalism and the city) as a means of identifying the contemporary social, cultural and political articulations of these fashion texts. To do so, this research draws together a framework that takes into account different fields (fashion, journalism, modernity, city, Asia) that contribute to the concept of fashion journalism, thereby approaching fashion texts through a multi-disciplinary perspective anchored by establishing the contexts of each city and its specific magazine. The subsequent analyses of Vision (Shanghai), WestEast (Hong Kong) and Harper's Bazaar Singapore reflect and capture an evolution of these cities coming into their own. With particular emphasis on the cultural assertions of global Chinese identities in WestEast, an escape from national discourses through participating in cosmopolitanism in Harper's, and the emphasis on popular visual culture as a form of popular literacy and knowledge formation in Vision. These findings contribute firstly, towards an understanding of the issues occurring in the cultural modernisation of these cities and secondly, of fashion journalism as a promoter of the experiences of cultural modernity in Asia.

This thesis examines the development of Asian cultural modernity in the cities of Singapore, Hong Kong and Shanghai through their fashion magazines. These three cities have positioned themselves as aspirants to global city status, concurrently facilitating their ambitions by relaxing media laws and emphasising cultural production. One outcome is a growth in the production and consumption of fashion magazines. There has been a parallel growth in the consumption of and interest in fashion and self-adornment in these cities, particularly through global brand names. This thesis investigates these cultural transformations by examining the production of fashion texts in the context of their cities. It does this by utilising the concept of fashion journalism (as a product of fashion, journalism and the city) as a means of identifying the contemporary social, cultural and political articulations of these fashion texts. To do so, this research draws together a framework that takes into account different fields (fashion, journalism, modernity, city, Asia) that contribute to the concept of fashion journalism, thereby approaching fashion texts through a multi-disciplinary perspective anchored by establishing the contexts of each city and its specific magazine. The subsequent analyses of Vision (Shanghai), WestEast (Hong Kong) and Harper's Bazaar Singapore reflect and capture an evolution of these cities coming into their own. With particular emphasis on the cultural assertions of global Chinese identities in WestEast, an escape from national discourses through participating in cosmopolitanism in Harper's, and the emphasis on popular visual culture as a form of popular literacy and knowledge formation in Vision. These findings contribute firstly, towards an understanding of the issues occurring in the cultural modernisation of these cities and secondly, of fashion journalism as a promoter of the experiences of cultural modernity in Asia.

This thesis argues, based upon a comparison of the 2000 Olympics and the 2008 Beijing Olympics, that there is a very close relationship between nationalism, media and Olympics. For the purposes of cross-cultural analysis, the thesis undertakes a comparison of relevant media models ... will be argued that elements of propaganda infuse the Olympic coverage of both papers and events, albeit from within distinctly different social and ideological contexts. In the lead-up to the Sydney and Beijing events of 2000 and 2008, both the Australian and the People's Daily emphasised national unity over difference, even if the People's Daily appears to do so more systematically than the Australian"--Abstract.

This treatise is a study of media-related articles in the South African press February 1996 to April 1999. Through a discourse analysis approach, the treatise identifies two main discourses relating to normative press models: the watchdog discourse and the nation-building discourse. It is argued that the watchdog discourse largely resembles classical libertarian press ideals, while the nation-building discourse resembles social responsibility ideals. The analysis contains numerous examples of the tensions between the government and the newspaper industry in terms of normative press models. Finally, the treatise challenges the assumed tensions that exist between nation-building and watchdog discourses, and suggests communitarianism as an ideology which upholds the crucial interests of both the press and the government.
Thesis (M.A.)-University of Natal, Durban, 2001.

The literature on the use of public journalism suggests that it can lead to different news coverage than is traditionally provided by the news media. Specifically, these differences have been identified in story content, use of different sources and use of mobilising information. This thesis asks whether such differences can be identified in newspapers’ coverage of the 2001 Local Body Elections in New Zealand. The research involved content analysis of New Zealand’s six largest daily newspapers, three of them with experience of using public journalism and three with no such experience. Interviews were also conducted with two or three senior journalists involved in organising each paper’s election campaign in order to explore their goals for the election coverage and evaluation of it. The results mirror those of previous research by showing significant differences in the coverage of the newspapers with public journalism experience in relation to some factors, but not others. The papers with a public journalism background consistently used more non-elite sources than the traditional papers, but did not consistently use more female sources. They also included mobilising information in stories more frequently and made greater use of story features, or “elements”, associated with public journalism. However, one of the papers with no experience of public journalism also ranked highly in relation to these two factors. The interviews revealed some differences in goals among the journalists, but this was not a simple split between the journalists on papers with public journalism experience and the other journalists. For example, not all interviewees working for the papers experienced in using public journalism agreed that their goal should be to boost voter turnout. Nor was an overt commitment to supporting the democratic process expressed only by staff on the papers with public journalism experience. The interviews did, however, identify that only the three newspapers with a public journalism background used polling to identify the issues that were important to the public and proceeded to cover these issues during their election campaign

In the nineteenth century, theatre and newspapers were the dominant expressions of popular culture in the northeastern United States, and together formed a crucial discursive node in the ongoing negotiation of American national identity. Focusing on the five decades between 1820 and 1870, during which touring stars from Great Britain enjoyed their most lucrative years of popularity on United States stages, this dissertation examines three instances in which English performers entered into this nationalizing forum and became flashpoints for journalists seeking to define the nature and bounds of American citizenship and culture. In 1821, Edmund Kean’s refusal to perform in Boston caused a scandal that revealed a widespread fixation among social elites with delineating the ethnic and economic limits of citizenship in a republican nation. In 1849, an ongoing rivalry between the English tragedian William Charles Macready and his American competitor Edwin Forrest culminated in the deadly Astor Place riot. By configuring the actors as champions in a struggle between bourgeois authority and working-class populism, the New York press inserted these local events into international patterns of economic conflict and revolutionary violence. Nearly twenty years later, the arrival of the Lydia Thompson Burlesque Troupe in 1868 drew rhetoric that reflected the popular press’ growing preoccupation with gender, particularly the question of woman suffrage and the preservation of the United States’ international reputation as a powerfully masculine nation in the wake of the Civil War. Three distinct cultural currents pervade each of these case studies: the new nation’s anxieties about its former colonizer’s cultural influence, competing political and cultural ideologies within the United States, and the changing perspectives and agendas of the ascendant popular press. Exploring the points where these forces intersect, this dissertation aims to contribute to an understanding of how popular culture helped shape an emerging sense of American national identity. Ultimately, this dissertation argues that in the mid-nineteenth century northeastern United States, popular theatre, newspapers, and audiences all contributed to a single media formation in which controversial English performers became a rhetorical antipode against which “American” identity could be defined.
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