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Dissertations / Theses on the topic 'Chinese literature Chinese literature Women and literature War in literature. Women in literature'

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Published: 4 June 2021

Last updated: 1 February 2022

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1

Huang, Xincun. "Written in the ruins war and domesticity in Shanghai literature of the 1940s /." online access from Digital dissertation consortium, 1998. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9906138.

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2

Wang, Jing. "Strategies of Modern Chinese Women Writers' Autobiography." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392046947.

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3

Liu, Wen. "Representation of women and dramatization of ideology in modern Chinese literature /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3102175.

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Thesis (Ph. D.)--University of Oregon, 2003.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 192-198). Also available for download via the World Wide Web; free to University of Oregon users.

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4

Yu, Siu-hung, and 余小紅. "Representations of Chinese women in three modern literary texts." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31988271.

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Vickery, Eileen Frances. "Disease and the dilemmas of identity : representations of women in modern Chinese literature /." view abstract or download file of text, 2004. http://wwwlib.umi.com/cr/uoregon/fullcit?p3120629.

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Thesis (Ph. D.)--University of Oregon, 2004.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 162-169). Also available for download via the World Wide Web; free to University of Oregon users.

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6

Yu, Siu-hung. "Representations of Chinese women in three modern literary texts." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31988271.

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7

Mou, Sherry Jenq-yunn. "Gentlemen's prescriptions for women's lives: Liu Hsiang's The Biographies of Women and its influence on the Biographies of Women chapters in early Chinese dynastic histories /." The Ohio State University, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487857546388369.

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8

Chen, Yuling, and 陳玉玲. "A study of subjectivity in the autobiography of modern Chinese women =." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B44569713.

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9

李仕芬 and Shi-fan Lee. "The male characters in the fiction of contemporary Taiwanese women writers." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31235979.

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10

Ng, Po-chu. "Writing about women and women's writing a study of Hong Kong feminine fiction in 80s and 90s = Shu xie nü xing yu nü xing shu xie : ba, jiu shi nian dai xiang gang nü xing xiao shuo yan jiu /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B36259019.

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11

Wang, Bo. "Inventing a Discourse of Resistance: Rhetorical Women in Early Twentieth-Century China." Diss., Tucson, Arizona : University of Arizona, 2005. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu%5Fetd%5F1188%5F1%5Fm.pdf&type=application/pdf.

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12

Shen, Ruihua. "New woman, new fiction : autobiographical fictions by twentieth-century Chinese women writers /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3113028.

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Thesis (Ph. D.)--University of Oregon, 2003.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 339-366). Also available for download via the World Wide Web; free to University of Oregon users.

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13

Ng, Yor-ling Carly, and 吳若寧. "Representing Chineseness: the problem of ethnicity and sexuality in Chinese American female literature." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B47753158.

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The potential confrontation of Oriental and Occidental values represents one of the most important topics of scholarship since the twentieth century. Within this debate, American-born Chinese female writers occupy a unique position in their preoccupation with the two seemingly irreconcilable cultures. On the one hand, their Western upbringings entices the distortion of China from an Orientalistic perspective, on the other hand, they find their desire to come to terms with their ethnic cultural heritage to be equally difficult to supplant. It is a dilemma which sparked conflicts even wi

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14

Chan, Suet Ni. "Women at crossroads : a study of women's search for identity in twentieth century Chinese-American fiction." HKBU Institutional Repository, 2009. https://repository.hkbu.edu.hk/etd_ra/1095.

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15

Bai, Di. "A feminist brave new world : the cultural revolution model theater revisited." Connect to resource, 1997. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1129217899.

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Thesis (Ph. D.)--Ohio State University, 1997.<br>Advisors: Kirk Denton and Marlene Longenecker, Interdisciplinary Program. Includes bibliographical references (leaves 196-202). Available online via OhioLINK's ETD Center

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16

Hsieh, Hsin-Chin. "Life on the Move: Women's Migration and Re/making Home in Contemporary Chinese and Sinophone Literature and Film." Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/19322.

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My dissertation examines the transformation of family and the reinvention of home from migrant women’s perspectives as represented in contemporary Chinese and Sinophone literature and film. In the era of globalization, people are increasingly mobile both within and across borders, resulting in the reshaping of family structure and re-conceptualization of home. In this dissertation I contend that migration is closely related to family dynamics and that migration also facilitates women’s agency in transforming family structure, navigating cultural differences, and negotiating with local societie

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17

齊曉楓 and Hsiao-feng Chi. "Patterns of husband selection in traditional Chinese fiction and drama." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31238312.

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18

Le, Nga. "Women in Zhang Ailing's short stories : an insight into her vision of life and place in Chinese literature." Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/28416.

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My ultimate goal in writing this thesis is to define the uniqueness of Zhang Ailing's vision of life, based on specific meanings detected in the formal aspects of her fiction, and to assess Zhang's artistry in the context of Chinese literature. I proceed, first, by analyzing the reciprocal relationship of form and meaning in Zhang Ailing's short stories. The formal aspects of Zhang's works reveal meaningful details about the oppressive situations of her female characters. The way they each respond to their situations differs by their aggressive or submissive characters, and conformist, indepe

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19

Yan, Qigang. "A comparative study of contemporary Canadian and Chinese women writers." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21657.pdf.

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20

Lui, Hoi Ling. "Gender, emotions, and texts : writings to and about husbands in anthologies of Qing women's works." HKBU Institutional Repository, 2010. http://repository.hkbu.edu.hk/etd_ra/1201.

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21

Chang, Mei-tsu, and 張美足. "A study of the prose-writings of contemporary women writers in Taiwan (1980-2000) =." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B45014668.

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22

Wang, Jianhui. "Sexual politics in the works of Chinese American women writers Sui Sin Far, Maxine Hong Kingston, and Amy Tan /." Open access to IUP's electronic theses and dissertations, 2007. http://hdl.handle.net/2069/51.

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23

Zhu, Fan, and 朱凡. "The earthly world and the red chambers : Qing women's self-representation and mediations with traditions in their writings on the Dream of the red chamber." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/195974.

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This thesis studies the Qing women’s writings on the Dream of the Red Chamber. Qing women’s comments on the novel formed an important aspect of the second high tide of women’s literature in late imperial China. By examining these writings, I intend to reveal how the women authors mediated with the Confucian morality and how they exerted influence on the literary tradition from its inside. I also intend to examine the women authors’ self-representations and their reflections on the actual world they lived in. The thesis consists of five chapters. Chapter one introduces the historical backgro

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24

Chin, Voon-sheong Grace, and 秦煥嫦. "Expressions of self/censorship: ambivalence and difference in Chinese women's prose writings from Malaysia andSingapore." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31245237.

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25

Jiang, Yun. "The Making of the Ephemeral Beauty: Acceptance and Rejection of Patriarchal Constructions of Hongyan Boming in Late-Ming Texts." Thesis, University of Oregon, 2019. http://hdl.handle.net/1794/24177.

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This thesis explores how late-Ming writers interpreted the expression “beauty is ill-fated” (hongyan boming) and how male and female writers constructed and accepted the image of the ephemeral beauty (hongyan) differently. I argue that late-Ming male literati destigmatized and immortalized hongyan, but their interpretations of hongyan reinforced male fantasies about women, and served the status quo of the patriarchal family structure as well as the established literary conventions of the time. Female writers, conversely, often rejected the image and idea of hongyan and even managed to assert f

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26

Ng, Po-chu, and 伍寶珠. "Writing about women and women's writing." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B36259019.

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27

Lingenfelter, Andrea Diane. "A marked category : nine women of modern Chinese poetry, 1920-1997 /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/11129.

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28

Chan, Kar Yue. "Ambivalence in poetry : Zhu Shuzhen of the Song Dynasty." Thesis, University of Edinburgh, 2006. http://hdl.handle.net/1842/28704.

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Many people in the past praised Chinese literature partly because of the glamour revealed in splendid poetry, and in creating these poetry male poets have proved their excellence. Conversely the contributions of women poets have seemed much less significant in the history of traditional Chinese literature. Among the relatively small number of famous women poets in China, Zhu Shuzhen (11357-1180?) is certainly worthy of discussion, but she has not received much critical attention, in part because of the lack of reliable biographical information. Although some of Zhu Shuzhen's poems have been se

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29

Pu, Xiumei. "Spirituality a womanist reading of Amy Tan's "The bonesetter's daughter" /." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-07192006-191437/.

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Thesis (M.A.)--Georgia State University, 2006.<br>Title from title screen. Layli Phillips, committee chair; Margaret Mills Harper, Carol Marsh-Lockett, committee members. Electronic text (64 p.) : digital, PDF file. Description based on contents viewed Apr. 20, 2007. Includes bibliographical references (p. 57-64).

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30

Lo, Keng-chi, and 盧勁馳. "Politicizing female subjectivity: performativity and sublimation in leftist writers Yang Mo, Xiao Hong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48199503.

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The thesis deals with the concept of feminine sublimation among Chinese feminist writings and theory. Previous feminist readings of literary works of Chinese female writers tended to confuse the Freudian concept of sublimation with “aestheticized politics” and utopian desire. These feminist readings have concentrated on articulating an authentic subject beyond power relations. I would however, redefine the concept of feminine sublimation as a theoretical trope to articulate the possible emergence of female subjectivity within specific power relations. Although gender performativity has b

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31

Liu, Wenjia 1981. "The tanci "Feng shuangfei": A female perspective on the gender and sexual politics of late-Qing China." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11140.

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x, 276 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>The late-Qing tanci "A Pair of Male Phoenixes Flying Together" (Feng shuangfei ; preface dated 1899) is unusual for its depiction of a wide variety of gender issues and sexual relationships. Because the 52-chapter work is credibly attributed to the female poet Cheng Huiying, who is known to have written the poetry collection Beichuang yin 'gao , the tanci gives scholars a unique opportunity to see how a gentry woman thought of the gender roles and sexua

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32

Shultz, Rebekah Elizabeth. "The role of Taoism in the social construction of identity in The Joy Luck Club." CSUSB ScholarWorks, 2002. https://scholarworks.lib.csusb.edu/etd-project/2060.

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33

David, Elise J. "Making Visible Feminine Modernities: The Traditionalist Paintings and Modern Methods of Wu Shujuan." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338316520.

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34

Xu, Sufeng. "Lotus flowers rising from the dark mud : late Ming courtesans and their poetry." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102831.

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The dissertation examines the close but overlooked relationship between male poetry societies and the sharp rise of literary courtesans in the late Ming. I attempt to identify a particular group of men who devoted exclusive efforts to the promotion of courtesan culture, that is, urban dwellers of prosperous Jiangnan, who fashioned themselves as retired literati, devoting themselves to art, recreation, and self-invention, instead of government office. I also offer a new interpretation for the decline of courtesan culture after the Ming-Qing transition.<br>Chapter 1 provides an overview of the s

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35

Gao, Xiongya. "Images of Chinese women in Pearl S. Buck's novels : a study of characterization in East wind, west wind, Pavilion of woman, Peony, The good earth, and The mother." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/862280.

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This study is an analysis of images of Chinese women in five of Pearl S. Buck's novels: East Wind: West Wind, The Good Earth, The Mother, Pavilion of Women, and Peony. Buck's female characters, with their different degrees of individuality and typicality, form a realistic picture of Chinese women.In terms of thematic content, the study shows that all Buck's female characters use their limited power within the constraints of their society to achieve what they deserve, often employing different, covert ways, some manipulation, and even a little deception.The significance of this is that it revea

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36

Isbister, Dong. "The “Sent-Down Body” Remembers: Contemporary Chinese Immigrant Women’s Visual and Literary Narratives." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1259594428.

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37

黃嫣梨. "兩漢主要女文學作家研究". Thesis, University of Macau, 1986. http://umaclib3.umac.mo/record=b1636204.

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38

張曈. "論二十世紀九十年代女性私人化寫作 = The privatization of female 'personal' writings in the 1990s". Thesis, University of Macau, 2007. http://umaclib3.umac.mo/record=b1636983.

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39

李一之. "門裡門外性別之思 : 澳門初中語文教科書中的女性形象分析". Thesis, University of Macau, 2010. http://umaclib3.umac.mo/record=b2178397.

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40

Leduc, Noëmie Anne. "« Nourricritures » sino-américaines : la représentation de l'alimentation chez Gish Jen, Fae Myenne Ng et Amy Tan." Thesis, Bordeaux 3, 2020. http://www.theses.fr/2020BOR30031.

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Cette thèse porte sur l’œuvre d’écrivaines sino-américaines de deuxième génération : Amy Tan, Gish Jen et Fae Myenne Ng. Nous étudions plusieurs de leurs romans dans lesquels la nourriture constitue un thème particulièrement significatif : The Joy Luck Club (1989), The Kitchen God’s Wife (1991) et The Hundred Secret Senses (1996) de Tan ; Typical American (1991) et Mona in the Promised Land: A Novel (1996) de Jen ; et enfin, Bone (1993) et Steer Toward Rock (2008) de Ng. Il s’agit de démontrer que l’alimentation et ses corrélatifs sont liés à de multiples processus de déstabilisation et de ref

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41

Liu, Peng. "The Way of Darkness and Light: Daoist Divine Women in Pre-Modern Chinese Fiction." Thesis, 2018. https://doi.org/10.7916/D88D17NF.

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A mysterious goddess magically generates a swirling wind to conceal the body of a hero. A licentious flower deity seduces a male to experiment with forty-three postures of copulation in a picturesque garden. Such graphic details of late imperial Chinese fiction exhibit two types of power from women: their martial prowess and seductiveness. This dissertation brings these two types of female power together by focusing on the Mysterious Woman (Xuannü 玄女) and the Immaculate Woman (Sunü 素女), two Daoist goddesses who figure prominently in martial arts and erotic stories, respectively. I argue that a

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42

Fyler, Jennifer Lynn. "Social criticism in traditional legends: Supernatural women in Chinese zhiguai and German Sagen." 1993. https://scholarworks.umass.edu/dissertations/AAI9329608.

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The literary image of the dangerously powerful woman indicates conflict around women's roles in the cultural milieu that gave rise to the text. This interaction between social reality and literary text is most apparent in a culture's legends. Legends may be briefly defined as narratives describing the unordinary to which the audience and/or the teller ascribe the status of reality or at least, plausibility. Underlying the analysis of society-text interaction are two assumptions: (1) the tales regarded by a community as true must at least overtly support the dominant values of that community, a

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43

Ge, Yujie. "We undergo, we experience and we write :: an analysis of contemporary Chinese women writers and their writings/." 2002. https://scholarworks.umass.edu/theses/1261.

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44

"Body politics and female subjectivity in modern English and Chinese fiction." 2000. http://library.cuhk.edu.hk/record=b6073305.

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Lo Man-wa.<br>"December 2000."<br>Thesis (Ph.D.)--Chinese University of Hong Kong, 2000.<br>Includes bibliographical references (p. 207-253).<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Mode of access: World Wide Web.<br>Abstracts in English and Chinese.

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45

Liu, Xiaohua. "Bai Juyi's poems about women/." 2009. https://scholarworks.umass.edu/theses/1726.

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46

"北朝書寫者對母、妻形象的塑造". 2013. http://library.cuhk.edu.hk/record=b5884244.

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楊青.<br>"2013年8月".<br>"2013 nian 8 yue".<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2013.<br>Includes bibliographical references (leaves 172-182).<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Abstract in Chinese and English.<br>Yang Qing.

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47

"The murderous woman: madness in four modern western and Chinese stories by woman." 2000. http://library.cuhk.edu.hk/record=b5895792.

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by Lui Sha-Lee.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2000.<br>Includes bibliographical references (leaves 143-149).<br>Abstracts in English and Chinese.<br>Acknowledgements --- p.vi<br>Chapter Chapter One --- Introduction --- p.1<br>Chapter Chapter Two --- Ideological Implications of “Madness´ح in Western and Chinese Culture --- p.12<br>Chapter Chapter Three --- Madwoman as the Murderous Daughter: Kitty Fitzgerald's Marge and Tie Ning's The Cliff in the Afternoon --- p.36<br>Chapter Chapter Four --- "Madwoman as the Murderous Wife: Elsa Lewin's I, Anna and Li Ang's The Bu

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48

"Art, new culture, and women: the reception of the pre-raphaelites in China." Chinese University of Hong Kong, 1995. http://library.cuhk.edu.hk/record=b5888331.

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by Linda Pui-ling Wong.<br>Thesis (Ph.D.)--Chinese University of Hong Kong, 1995.<br>Includes bibliographical references (leaves 277-299).<br>Acknowledgements --- p.i<br>Abstract --- p.iii<br>Abbreviations --- p.v<br>Chapter Chapter One --- Chinese Modernity Reconsidered --- p.1<br>Chapter Chapter Two --- The Presence of the Pre-Raphaelites in China --- p.21<br>Chapter Chapter Three --- The Cross-cultural Counterparts: The Pre-Raphaelite Brotherhood and the Crescent Moon Society in China --- p.44<br>Chapter Chapter Four --- "New Images of Lovers: Chinese Adaptations of Dante Rossetti's "

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49

"Angry Men, Angry Women: Patience, Righteousness, and the Body in Late Imperial Chinese Literature." Doctoral diss., 2020. http://hdl.handle.net/2286/R.I.62757.

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abstract: So far, love and desire have preoccupied scholarly inquiries into the emotional landscape in late imperial China. However, the disproportional focus diminishes the complexity and interdisciplinarity of the emotional experiences during this period. Alternatively, this dissertation seeks to contextualize the understudied emotion of anger and uses it as a different entry point into the emotional vista of late imperial China. It explores the stimuli that give rise to anger in late imperial Chinese fiction and drama, as well as the ways in which these literary works configure the regulati

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"性別迷離: 中國古典戲劇的女強人". 2001. http://library.cuhk.edu.hk/record=b5895909.

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張結鳳.<br>"2001年6月"<br>論文 (哲學碩士)--香港中文大學, 2001.<br>參考文獻 (leaves 99-108)<br>附中英文摘要.<br>"2001 nian 6 yue"<br>Zhang Jiefeng.<br>Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2001.<br>Can kao wen xian (leaves 99-108)<br>Fu Zhong Ying wen zhai yao.<br>Chapter (一） --- 導論<br>「花木蘭現象」<br>中國文人對女性的「女媧情結」<br>明代社會思潮與戲劇特色<br>論述之一：男性的出路限制<br>論述之二：女性較重視自由戀愛<br>Chapter (二） --- 一往情深超越生死<br>《杜丹亭》等才子佳人劇<br>最理想的佳人典型杜麗娘<br>《紫釵記》的強弱對比<br>《繡襦記》歌頌自我犧牲的女德<br>《玉簪記》的思凡女道士<br>才子不負心結局大團圓<br>男情陷低谷女愛越高峰<br>Chapter (三） --- 坐待名花艷福無邊<br>仙凡配與擁雙艷諸作<br>仙凡有別人鬼殊途<br>仙女蛇妖同屬「他者」<br>《琵琶記》宣揚教化女德<br>重婚後再迎元配的一夫二妻格套<br>「不嫉妒」成為婦德至高標

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