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Relevant bibliographies by topics / Chinese literature Postmodernism (Literature)

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Academic literature on the topic 'Chinese literature Postmodernism (Literature)'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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Journal articles on the topic "Chinese literature Postmodernism (Literature)"

1

Dirlik, A. "Postmodernism and Chinese History." boundary 2 28, no. 3 (September 1, 2001): 19–60. http://dx.doi.org/10.1215/01903659-28-3-19.

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Arac, Jonathan. "Chinese Postmodernism: Toward a Global Context." boundary 2 24, no. 3 (1997): 261. http://dx.doi.org/10.2307/303716.

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Yiwu, Zhang, and Michael Berry. "Postmodernism and Chinese Novels of the Nineties." boundary 2 24, no. 3 (1997): 247. http://dx.doi.org/10.2307/303715.

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Fokkema, D. "Chinese Postmodernist Fiction." Modern Language Quarterly 69, no. 1 (January 1, 2008): 141–65. http://dx.doi.org/10.1215/00267929-2007-029.

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Damm, Jens. "Angelwings: Contemporary Queer Fiction from Taiwan. Edited and translated by Fran Martin. [Honolulu: University of Hawai‘i Press, 2003. 248 pp. $18.95. ISBN 0-8248-2661-2.]." China Quarterly 176 (December 2003): 1116–18. http://dx.doi.org/10.1017/s0305741003400635.

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This collection of ten short stories from the 1990s, translated and annotated by Fran Martin, highlights the importance of the topic “queer” in a non-Western context. Not only is the excellent quality of the translation worthy of mention; the familiarity of the author with queer theory, Taiwanese social history and Chinese literature in general is also outstanding.In her detailed introduction, Fran Martin illustrates vividly the relevance of tongzhi-literature (tongzhi wenxue is the expression currently used to describe the same-sex discourse in the Taiwanese world) within the broader transformation of Taiwanese society in general and “in the public discourse on sexualities” in particular (p. 2). She attributes the development of tongzhi-literature and the more recent sub-genre of ku'er-literature (ku'er wenxue or “queer literature”) to the rise of postmodernism (houxiandai zhuyi) in post martial-law Taiwan (p. 4–5).

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Litvinova, Olga N. "Chinese Gretchen in Russian Literature: on the Genesis and Attribution of M. Shkapskaya’s Poetry Book Tsa-Tsa-Tsa." RUDN Journal of Studies in Literature and Journalism 26, no. 2 (December 15, 2021): 177–87. http://dx.doi.org/10.22363/2312-9220-2021-26-2-177-187.

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This article examines in detail Maria Shkapskayas poetry book Tsa-Tsa- Tsa (1923) and its handwritten genesis. It explains the role and significance of ancient Chinese poetry for this literary piece of work. The problem is to attribute the texts that make up the book and find out their translated or stylized basis. The general thesis is that all the poetic texts of the book are translations: the names of Tao-Yuan-Ming, Du Fu, and Bo-Juyi indicated by Shkapskaya in the manuscripts are reported. One of the texts in the book is attributed as the Sixth Poem from the Shi ju gu shi ( Nineteen Ancient Poems ). The removal of the names of Chinese authors (not only in the book published in 1923 but also in the manuscript of 1921) and the alignment of the thematic word series silk, crane, thousand, spring that organize the book into a single text indicate a tendency to blur the border of the own-alien text (even though the book was treated by the author as translation from the Chinese, in autobiographies and correspondence). This trend leads to the appearance of a central artistic image of the book (it is a feature of M. Shkapskayas poetic books). It is the image of a lonely, longing woman. The mention of the spinning wheel connects this image with the popular (especially in Western European literature) image of Gretchen. This way the poetry book Tsa-Tsa-Tsa goes beyond the narrowly translated work and reveals some features of chronologically later literary trends (such as postmodernism and metapoesis).

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Seligey, V. V. "THE TRANSCULTURAL VISTA OF REASSESSING THE DISCOURSE OF CHINESE TRADITION IN GUO DINSHEN’S ESSAY COLLECTION “THE UGLY CHINAMAN AND THE CRISIS OF CHINESE CULTURE”." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 3(55) (April 12, 2019): 338–49. http://dx.doi.org/10.31471/2304-7402-2019-3(55)-338-349.

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The creative work of modern Taiwanese writer Ho Dinsheng is considered for the first time in the Ukrainian literary studies. The analysis is focused on the peculiarities of the intertextual semantics of transculturation in the essay collection "The Ugly Chinaman and the Crisis of Chinese Culture". The transcultural perspective is embodied as the project, akin to the tendencies of "culture criticism". The accusatory tone, the lashing portrayal of iconic stamps, resulted from simplifying projection of traditional culture into mass discourse, is combined with multiple allusion, reminiscence and quotation techniques, thus the complicated experiment of rereading and deconstructing artistic and philosophical tradition of China in the global perspective is carried out. Within broad context of global literature, the experiment features the reassessment of genre peculiarities of philosophical essay, lecture essay, explicit cultural pragmatism, emotional positivism akin to late Romanticism and modern projects, mildly developing the poetics of postmodernism.

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Wang, J. "The Mirage of "Chinese Postmodernism": Ge Fei, Self-Positioning, and the Avant-Garde Showcase." positions: east asia cultures critique 1, no. 2 (September 1, 1993): 349–88. http://dx.doi.org/10.1215/10679847-1-2-349.

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Ding, Ersu. "Philosophical Discourse of Postmodernity in the Chinese Context." New Literary History 28, no. 1 (1997): 21–29. http://dx.doi.org/10.1353/nlh.1997.0006.

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Liou, Liang-Ya. "Taiwanese Postcolonial Fiction." PMLA/Publications of the Modern Language Association of America 126, no. 3 (May 2011): 678–84. http://dx.doi.org/10.1632/pmla.2011.126.3.678.

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When the Japanese Nobel Laureate in literature KenzaburŌ Ōe visited Taiwan for a symposium held in his honor in December 2009, he hardly anticipated the political controversies into which he was thrown. Even before the conference, politicians accused the Academia Sinica, the organizing institution, of kowtowing to China by reducing a trilateral symposium involving Japan, Taiwan, and China to a “cross-strait event” and by replacing the Taiwanese novelist who was to act as Ōe's interlocutor with one more acceptable to China. Aside from the China factor, the underhanded politics tapped into ethnic tensions in Taiwan and the problematic national identity of Taiwan. While the original interlocutor, Li Ang, and her substitute, Zhu Tienwen, are critically acclaimed women novelists just a few years apart in age, Li is of Minnan ancestry and Zhu a second-generation Chinese mainlander whose father fled with the Chinese Nationalist or Kuomintang (KMT) government to Taiwan in 1949 after losing China to the communists. More important, Li is a postcolonial writer, whereas Zhu deploys postmodernism to resist decolonization.

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Dissertations / Theses on the topic "Chinese literature Postmodernism (Literature)"

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Ip, Sui-lin Stella. "The phenomena of post-modern culture in contemporary Chinese literature Zhongguo dang dai wen xue zhong de hou xian dai wen hua xian xiang /." Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/hkuto/record/B31245390.

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Ip, Sui-lin Stella, and 葉瑞蓮. "The phenomena of post-modern culture in contemporary Chinese literature." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31245390.

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Yuan, Honggeng. "From conventional to experimental : the making of Chinese metaphysical detective fiction /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21556398.

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Wang, Fan. "Localities of global modernism : Fei Ming, Mu Dan and Wang Zengqi." HKBU Institutional Repository, 2020. https://repository.hkbu.edu.hk/etd_oa/760.

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This thesis seeks to map out the development of literary modernism in the 1930s and 1980s People's Republic of China (PRC). Despite the long temporal halt, these two periods are innately and historically related to each other. Much as Chinese literary modernism was a literary legacy of Western modernism, its decades-long development provided it with the conditions for a second life. When it reemerged in the 1980s, it bore unique national characteristics that, in turn, enriched the realm of global modernism. In short, the distinct historical and national context of the twentieth century China dictated that Chinese literary modernism could not be a mechanical reproduction of its Western counterpart. The importation and translation of Western modernist creative and critical works, together with the modernist practices of modern Chinese intellectuals, contributed to the formation and rise of modernist literature in the 1930s, as well as its revival in the 1980s PRC. Structurally, this thesis identifies three localities of global modernism in the works and literary theory of Fei Ming, Mu Dan, and Wang Zengqi. It argues that these writers' modernist practices and distinct writing styles not only represented the characteristics of Chinese literary modernism, but also added diversities to modernist literature in the global context. Methodologically, I pair the Chinese modernists with their Western counterparts, including Virginia Woolf and T.S. Eliot. This comparison helps to find similarities between modernist works across time and place, and to identify the unique features of Chinese literary modernism. In practice, when studying the three modernists' first encounters with literary modernism in Republican China, as well as their respective experience in the PRC, I seek to (i) present three modes of initiation of literary modernism at the beginning of the twentieth century; (ii) trace the development of literary modernism both in the republican era and its revival in the PRC; (iii) show the process of Chinese literary modernism growing its distinct characteristics and evidence its second life. In short, Chinese modernists' participation in the building of global modernism and their contributions to the enrichment of literary modernism in the global context are two foci of my thesis. In the final analysis, this thesis engages research on Chinese literary postmodernism. No matter the literary movement's status in the PRC, then and now, how and why it differs from the development of postmodernism in Western literature and culture are valuable research questions.

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袁洪庚 and Honggeng Yuan. "From conventional to experimental: the makingof Chinese metaphysical detective fiction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B43894422.

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Payne, Christopher Neil. "Terminus intractable and the literary subject : deconstructing the endgame in Chinese avant-garde fiction." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29518.

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The following paper will deal with the actantial place of memory and history in the works of Ge Fei, a so-called avant-garde writer in China. Analyzing his three major novels published in the nineteen-nineties, as well as an earlier short story, the paper will discuss how Ge Fei renegotiates the status and place of the literary subject as configured through the act of writing, and its close relationship with the medium of memory and history. Contrary to the prevailing opinion, the avant-garde experiment in Ge Fei's works does not intimate the dissipation of the subject, but rather assists in reconfiguring it in an entirely new and dynamic conceptualization. Instead of a figural e/End and vulgarization of literature in the nineties, Ge Fei's experimentation with the acts of writing and reading, as well as his play with language, open up new possibilities for the writing of new literatures in contemporary China.

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Viires, Piret. "Postmodernism eesti kirjanduskultuuris /." Tartu : Tartu Ülikooli Kirjastus, 2006. http://dspace.utlib.ee/dspace/bitstream/10062/763/5/viirespiret.pdf.

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Wattenbarger, Melanie. "Reading Postcolonialism and Postmodernism in Contemporary Indian Literature." Ohio Dominican University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=odu1351102017.

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Tracey, Thomas. "David Foster Wallace : American literature after postmodernism." Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543596.

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Sawada, Chikako. "Muriel Spark's postmodernism." Thesis, University of Glasgow, 2004. http://theses.gla.ac.uk/1561/.

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This study explores the shifting notions of postmodernism developed through Muriel Spark’s fiction, and thereby clarifies this artist’s own postmodernism. I use Jean-François Lyotard’s definition of the notion in his The Postmodern Condition (1979), that there is no grand narrative, as my starting point, and deploy various postmodernist theories, which can illuminate Spark’s art and can in turn be illuminated by her art, in my arguments. Throughout the thesis, I focus on two of Spark’s most important themes as crucial keys to understanding her postmodernism: the theme of individual subjectivity and the theme of the interplay of life and art. The thesis begins with the claims Spark makes for her individuality and her individual art through the voice of “I”. Chapter I considers issues about being a woman and an artist, which Spark raises around the narrator-heroine of a fictional memoir, A Far Cry from Kensington (1988). Here I present this heroine as a definition of the strength of Sparkian women who liberate themselves by practicing art. Chapter II discusses Loitering with Intent (1981), a fictional autobiography of a fictional woman novelist, alongside Spark’s own autobiography and her various biographical works. This section illustrates Spark’s notion of the “author” in relation to the “work” - and an author in control in her sense - by investigating the dynamic interplay of life and art in the form of this novel. Chapter III analyses The Driver’s Seat (1970), the novel which most shockingly elucidates the postmodern condition according to Spark and demonstrates her postmodernist narrative strategies. Her concern with the crisis of the “subject” in the world in its postmodern phase is observed in the figure of the heroine, a woman who has tried and failed to be an author in control. I argue that Spark here theorises the notion of subject, by providing her own version of the psychoanalytical “death drive” and also represents the Lacanian real as the unfigurable with this figure. Chapter IV and Chapter V follow the developments of Spark’s discussion of the crisis of the “subject” in two of her later novels. Chapter IV concentrates on the theme of Otherness in Symposium (1990). Chapter V discusses Reality and Dreams (1996), in which Spark pursues the theme of excess and opens up the contradictions inherent in this notion to bring about a new philosophy of life by art as excess.

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Books on the topic "Chinese literature Postmodernism (Literature)"

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Birrell, Anne. Postmodernist theory in recent studies of Chinese literature. Philadelpia, PA: Dept. of Asian and Middle Eastern Studies, University of Pennsylvania, 2000.

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Hou xian dai zhu yi. Kaifeng Shi: Henan da xue chu ban she, 2004.

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The naked gaze: Reflections on Chinese modernity. Cambridge, Mass: published by the Harvard University Asia Center, 2008.

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Hou xian dai zhu yi zong ji yu wen xue ben tu hua yan jiu. Ji'nan: Qi Lu shu she, 2009.

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Dong fang hou xian dai. 2nd ed. Guilin Shi: Guangxi shi fan da xue chu ban she, 2002.

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Taiwan hou xian dai xiao shuo de fa zhan: Yi Huang Fan, Ping Lu, Zhang Dachun yu Lin Yaode de chuang zuo wei guan cha wen ben. Taibei Shi: Xiu wei zi xun ke ji gu fen you xian gong si, 2012.

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Yawen, Bao, ed. Tan suo de nian dai: Zhan hou Taiwan xian dai zhu yi xiao shui ji qi fa zhan. Tainan Shi: Guo li Taiwan wen xue guan, 2013.

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Zhongguo hou xian dai xian feng xiao shuo zhong de jing shen chuang shang yu fan feng: The Chinese postmodern: trauma and irony in Chinese avant-garde fiction. Taibei shi: Zhong yan jiu yuan Zhongguo wen zhe yan jiu suo, 2009.

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Hou xian dai yu min zu wen xue. Beijing Shi: Ren min chu ban she, 2014.

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Bai nian wen xue yu hou xian dai zhu yi. Changsha Shi: Hunan jiao yu chu ban she, 2003.

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Book chapters on the topic "Chinese literature Postmodernism (Literature)"

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Mcguire, Matt, and Nicolas Tredell. "Postmodernism." In Contemporary Scottish Literature, 145–66. London: Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-07008-1_7.

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Xu, Guobin, Yanhui Chen, and Lianhua Xu. "Literature." In Understanding Chinese Culture, 107–35. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-8162-0_5.

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Huber, Irmtraud. "Introduction: Epitaph on a Ghost, or the Impossible End of Postmodernism." In Literature after Postmodernism, 1–18. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137429919_1.

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Huber, Irmtraud. "Post-post, Beyond and Back: Literature in the Wake of Postmodernism." In Literature after Postmodernism, 21–50. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137429919_2.

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Huber, Irmtraud. "Pragmatic Fantasies: From Subversion to Reconstruction." In Literature after Postmodernism, 51–75. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137429919_3.

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Huber, Irmtraud. "Leaving the Postmodernist Labyrinth: Mark Z. Danielewski’s House of Leaves." In Literature after Postmodernism, 79–112. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137429919_4.

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Huber, Irmtraud. "The Quest for Narrative Reconstruction: Jonathan Safran Foer’s Everything is Illuminated." In Literature after Postmodernism, 113–47. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137429919_5.

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Huber, Irmtraud. "Escaping Towards History: Michael Chabon’s The Amazing Adventures of Kavalier & Clay." In Literature after Postmodernism, 148–80. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137429919_6.

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Huber, Irmtraud. "Dreaming of Reconstruction: David Mitchell’s number9dream." In Literature after Postmodernism, 181–214. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137429919_7.

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Huber, Irmtraud. "Conclusion: The Coming of Age of Reconstruction." In Literature after Postmodernism, 215–54. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137429919_8.

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Conference papers on the topic "Chinese literature Postmodernism (Literature)"

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Kong, Yanmei, and Zhichun Zhu. "Study on Postmodernism Nabokov's Literature under Chinese Cross-border Perspective." In 2016 International Conference on Contemporary Education, Social Sciences and Humanities. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/iccessh-16.2016.105.

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Yuasa, Kyoko. "Christian Postmodernism: The Dawn Treader as C.S. Lewis’s Mappa Mundi." In Annual International Conference on Language, Literature & Linguistics. Global Science & Technology Forum (GSTF), 2012. http://dx.doi.org/10.5176/2251-3566_l31286.

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"A Probe into the Postmodernism in The French Lieutenant’s Women." In 2019 International Conference on Advances in Literature, Arts and Communication. The Academy of Engineering and Education (AEE), 2019. http://dx.doi.org/10.35532/jahs.v1.014.

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Amineva, Elena. "Transformation Of The Classical Tradition In Postmodernism Literature: Works By John Fowles." In International Scientific Conference «Social and Cultural Transformations in the Context of Modern Globalism» dedicated to the 80th anniversary of Turkayev Hassan Vakhitovich. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.10.05.176.

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Liao, Han-Teng, and Bin Zhang. "Chinese-language literature about Wikipedia." In OpenSym '14: The International Symposium on Open Collaboration. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2641580.2641617.

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"The Forms of Contemporary Chinese Literature." In 2020 International Conference on Educational Training and Educational Phenomena. Scholar Publishing Group, 2020. http://dx.doi.org/10.38007/proceedings.0000908.

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Zhang, Xuemei. "Thoughts on Teaching Classical Chinese Literature." In 2015 International Conference on Social Science, Education Management and Sports Education. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/ssemse-15.2015.519.

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Govorukhina, Yu A. "Chinese View Of The Contemporary Russian Literature." In WUT 2018 - IX International Conference “Word, Utterance, Text: Cognitive, Pragmatic and Cultural Aspects”. Cognitive-Crcs, 2018. http://dx.doi.org/10.15405/epsbs.2018.04.02.49.

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Feng, Ting. "Literature Review on Chinese School Education Environment." In Proceedings of the 2018 5th International Conference on Education, Management, Arts, Economics and Social Science (ICEMAESS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icemaess-18.2018.124.

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Sun, Nannan. "Research of Confucianism in American Chinese Literature." In 2017 International Conference on Innovations in Economic Management and Social Science (IEMSS 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/iemss-17.2017.198.

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