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Journal articles on the topic 'Chinese literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Idema, Wilt L. "Chinese Literature." Procedia - Social and Behavioral Sciences 2, no. 5 (2010): 7407–14. http://dx.doi.org/10.1016/j.sbspro.2010.05.105.

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2

Deshpande, G. P. "Chinese Literature." China Report 42, no. 1 (2006): 1–24. http://dx.doi.org/10.1177/000944550504200101.

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3

Ning, Wang. "Chinese Literature as World Literature." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43, no. 3 (2016): 380–92. http://dx.doi.org/10.1353/crc.2016.0030.

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4

Lee, Hongshik. "Suggestions for Practicality of Chinese Literature and Practical Chinese Literature." ONJI COLLECTION OF WORKS 81 (October 31, 2024): 229–54. https://doi.org/10.16900/onji.2024.81.07.229.

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5

Ziqing, Zhang. "A Chinese Encounters Chinese American Literature." Amerasia Journal 34, no. 2 (2008): 109–24. http://dx.doi.org/10.17953/amer.34.2.ll67g2h57723473k.

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6

Thi Ngoc Kim, VU. "SOME INFLUENCES OF CHINESE LITERATURE ON VIETNAMESE LITERATURE." Vinh University Journal of Science 54, no. 1B (2025): 5–12. https://doi.org/10.56824/vujs.2024b101b.

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The development of Vietnamese literature has been characterized by a critical and selective absorption of the essence of world literature, with Chinese literature being particularly prominent. The relationship between Chinese and Vietnamese literature is a long-standing cultural interaction that spanned many centuries. Chinese literature has significantly influenced Vietnamese literature early in its history, primarily through adopting Chinese characters and Confucian ideology. This article highlights several influences of Chinese literature on Vietnamese literature, as well as the adaptation

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7

Xue, Zhang, and Liao Duma. "The influence of Russian literature on the literary creativity of China of the 20th – early 21th century." OOO "Zhurnal "Voprosy Istorii" 2022, no. 11-3 (2022): 232–39. http://dx.doi.org/10.31166/voprosyistorii202212statyi29.

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The content of Russian literature is rich and diverse: the writings of diff erent historical epochs carry diff erent meanings and imprints. In the course of the development of the literary tradition of China, appeals to the literary heritage of Russia were oft en made. Russian literature acceptance process in China was extremely long, during which not only the content, but also the spirit of Russian culture was perceived, which infl uenced the formation of the image of Chinese literature. In this paper, an att empt is made to study the nature and features of the infl uence of Russian literatur

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8

Khasanova, F. "INFLUENCE OF BUDDHIST SOURCES ON CHINESE LANGUAGE AND LITERATURE." Builders Of The Future 02, no. 02 (2022): 96–103. http://dx.doi.org/10.37547/builders-v2-i2-15.

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This article discusses the impact of Buddhism on Chinese linguistics and translation studies. On the basis of the historical development of cultural ties between China and India, the formation of the Chinese language of oral communication, the Chinese school of translation studies, is of particular importance. In the process of studying the genres of ancient Chinese spoken language as a source of language, a number of issues are clarified on the translation of Buddhist sutras into Chinese, their spread among the people, and the emergence of different genres accordingly.

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Jiaqi, Wang, and Lim Choon Bee. "A PRELIMINARY DISCUSSION ON MALAYSIAN CHINESE LITERATURE STUDIES IN CHINESE MAINLAND: TAKING LITERATURES IN CHINESE AS AN EXAMPLE." Journal of Language and Communication 9, no. 1 (2022): 156–66. http://dx.doi.org/10.47836/jlc.9.1.11.

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In the academic circle in the Chinese mainland, Malaysian Chinese literature studies closely connect China with the world as a part of World Chinese-language literature. However, due to the isolation of the Chinese mainland from Malaysia after the Second World War, the interruption of thirty-year communication directly or indirectly led to some problems within academic circles in the Chinese mainland about studying Malaysian Chinese literature. Taking the journal of Literatures in Chinese as an example, this paper attempts to explore the focus and its underlying causes of the academic study on

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10

김혜준. "Sinophone Literature, World Chinese Literature, and Overseas Chinese-Language Literature ― Mainland Responses on the Sinophone Literature Discourse." Journal of Chinese Language and Literature ll, no. 80 (2017): 329–57. http://dx.doi.org/10.26586/chls.2017..80.014.

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11

Goan Gunawan, Hin, and AINANI TAJRIYANI HS. "SUB-GENRES MILITARY LITERATURE IN CHINESE LITERATURE." Bambuti 3, no. 1 (2021): 1–28. http://dx.doi.org/10.53744/bambuti.v3i1.20.

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Chinese literature has various genres, one of which is Military Literature. The short story entitled Sabuk Tentara Rusia by Ma Xiaoli is a text that tells about the relationship between the Russian Army and the Chinese Army and shows the cultural differences between the two countries. The analysis with the modern semiotic approach used in this study succeeded in mapping the elements of the Military Literature sub-genre in Ma Xiaoli's Sabuk Tentara Rusia in detail and comprehensively, and was able to confirm that the text is part of the Military Literature sub-genre in Chinese literature.

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12

Idema, Wilt L. "Law in Chinese Literature." L’annuaire du Collège de France, no. 113 (April 1, 2014): 911–12. http://dx.doi.org/10.4000/annuaire-cdf.2773.

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13

Liu, Jiemin. "Chinese Literature and Painting." Comparative Literature: East & West 5, no. 1 (2003): 150–60. http://dx.doi.org/10.1080/25723618.2003.12015636.

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14

Chen, Yu Min Claire, Beth Privrat, Chien-hsin Tsai, et al. "Chinese Literature in Review." Chinese Literature Today 7, no. 1 (2018): 153–63. http://dx.doi.org/10.1080/21514399.2018.1460532.

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15

Lantrip, Amy, Haiyan Xie, Yingying Huang, and Josh Stenberg. "Chinese Literature in Review." Chinese Literature Today 7, no. 2 (2018): 116–21. http://dx.doi.org/10.1080/21514399.2018.1533724.

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16

Roberts, Rosemary. "Chinese literature translation workshop." Asian Studies Review 18, no. 3 (1995): 134–35. http://dx.doi.org/10.1080/03147539508713028.

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17

Johnson, Braden, Amy Lantrip, Yu Min Chen, et al. "Chinese Literature in Review." Chinese Literature Today 6, no. 1 (2017): 129–43. https://doi.org/10.1080/21514399.2017.1319709.

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18

심경호. "Korean Sino-Literature and Chinese Classical Literature." CHINESE LITERATURE 52, no. ll (2007): 1–19. http://dx.doi.org/10.21192/scll.52..200708.001.

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19

Ji, Lingjie. "From Guwen to Chinese Literature." Archiv orientální 91, no. 2 (2023): 327–54. http://dx.doi.org/10.47979/aror.j.91.2.327-354.

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This article examines the Sinologists’ conceptually mediated approach in their studies and translations of Chinese literature in the nineteenth century. Gems of Chinese Literature (1884), compiled and translated by Herbert Allen Giles (1845–1935), contains the English translation of 110 Chinese prose extracts and eight poems from fifty-nine Chinese authors. This article historicizes the genesis and construction of this translation anthology and argues that, though most likely derived from a Chinese guwen (classical prose) collection, it was designed to provide a more systematic view of Chinese

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20

유원춘. "Relationship of Chinese Character and Chinese traditional literature." Journal of Study on Language and Culture of Korea and China ll, no. 28 (2012): 121–41. http://dx.doi.org/10.16874/jslckc.2012..28.005.

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21

Kangkang, Zhang. "Heart-Stimulating: Chinese Americans in Contemporary Chinese Literature." Chinese Studies in History 41, no. 3 (2008): 42–66. http://dx.doi.org/10.2753/csh0009-4633410303.

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22

Hockx, Michel. "Technology and Modern Chinese Literature." Writing Chinese: A Journal of Contemporary Sinophone Literature 3, no. 1 (2024): 8–21. https://doi.org/10.22599/wcj.77.

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KEYNOTE ARTICLE Michel Hockx is a professor of Chinese Literature in the Department of East Asian Languages and Cultures and the Director of the Liu Institute for Asia and Asian Studies in the Keough School of Global Affairs. He has published widely, both in English and in Chinese, on topics related to modern Chinese poetry and literary culture, especially early 20th-century Chinese magazine literature and print culture and contemporary Internet literature. His most recent monograph, Internet Literature in China, was listed by Choice magazine as one of the “Top 25 Outstanding Academic Titles o

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23

Jing, Teh Tian. "Why “Mahua Literature”? A Critical Review on Fourteen Lectures on Malaysian Literature in Chinese." ERUDITE: Journal Of Chinese Studies And Education 1, no. 2 (2020): 201–8. http://dx.doi.org/10.37134/erudite.vol1.2.9.2020.

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The Fourteen Lectures Malaysian Literature in Chinese is a compilation of years of work by Malaysian scholars, which together constitute a complete introductory textbook. It incorporates the results of recent studies by updating the new critical reflection on Malaysian-Chinese literature and correcting erroneous views on the history of Malaysian-Chinese literature. It breaks the boundaries between old and new literatures, and places the classical Chinese poetry of the late nineteenth century within the framework of “Mahua Literature”. Secondly, it complements the late theory on the relationshi

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24

Lam, Melissa. "Diasporic literature." Cultural China in Discursive Transformation 21, no. 2 (2011): 309–18. http://dx.doi.org/10.1075/japc.21.2.08lam.

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Only since the 1960s has the Asian Diaspora been studied as a historical movement greatly impacting the United States — affecting not only socio-historical cultural trends and geographic ethnography, but also culturally redefining major areas of Western history and culture. This paper explores the reverse impact of the Asian America Diaspora on Mainland China or the Chinese Motherland. Mainland Chinese writers Ha Jin and Yiyun Li have left China and today teach in major American universities and reside in America. However, the fiction of both authors explores themes and landscapes that remain

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25

Egan, Ronald, André Lévy, William H. Nienhauser, and Andre Levy. "Chinese Literature, Ancient and Classical." Journal of the American Oriental Society 121, no. 4 (2001): 655. http://dx.doi.org/10.2307/606508.

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26

Kern, Martin, and Robert E. Hegel. "A History of Chinese Literature?" Chinese Literature: Essays, Articles, Reviews (CLEAR) 26 (December 2004): 159. http://dx.doi.org/10.2307/4140626.

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27

Shin, jeongho. "Korean War in Chinese Literature." JOURNAL OF CHINESE HUMANITIES 66 (August 31, 2017): 347–86. http://dx.doi.org/10.35955/jch.2017.08.66.347.

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28

심경호. "Epigraph and Studying Chinese literature." Journal of Korean Literature in Classical Chinese ll, no. 41 (2008): 227–71. http://dx.doi.org/10.30527/klcc..41.200806.009.

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29

Li, Wai-yee, and Eva Hung. "Paradoxes of Traditional Chinese Literature." Chinese Literature: Essays, Articles, Reviews (CLEAR) 19 (December 1997): 156. http://dx.doi.org/10.2307/495098.

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30

Gándara, Lelia Mabel. "Rhetorical Procedures in Chinese Literature." Chinese Semiotic Studies 15, no. 3 (2019): 289–301. http://dx.doi.org/10.1515/css-2019-0018.

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Abstract “Scar Literature,” a literary movement in twentieth-century Chinese literature, encompasses a series of works written after the Cultural Revolution. The scar metaphor was taken from the title of a short story, “The Scar,” and characterized a series of works with common features. The outlines of “Scar Literature” are blurred, mixed and intertwined with other literary trends and movements. But while Chinese and foreign literary criticism claim that it was short-lived, its influences are visible in several works by contemporary authors. Based on the idea that literary works are prone to

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31

Serretta, Vincenzo. "Selected Chinese Urology Scientific Literature." Urologia Journal 77, no. 1 (2010): 66–69. http://dx.doi.org/10.1177/039156031007700112.

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32

Heijns, Audrey. "Chinese literature in dutch translation." Perspectives 11, no. 4 (2003): 247–53. http://dx.doi.org/10.1080/0907676x.2003.9961478.

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33

Ray, Harprasad, and N. Das. "Indian Images in Chinese Literature." China Report 22, no. 1 (1986): 45–60. http://dx.doi.org/10.1177/000944558602200106.

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34

I-Shu, Huang. "Four Decades of Chinese Literature." China Report 26, no. 1 (1990): 47–70. http://dx.doi.org/10.1177/000944559002600105.

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35

CAO, Shunqing, and Lu ZHAI. "The Variation of Chinese Literature and the Formation of World Literature." Cultura 19, no. 2 (2022): 7–23. http://dx.doi.org/10.3726/cul022022.0001.

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Abstract: In "The Variation of Chinese Literature and the Formation of World Literature" Shunqing Cao and Lu Zhai discuss how Chinese works of literature entered other countries' literary circles through variation, and became an essential part of world literature. Both ancient Chinese literature and contemporary Chinese literature have undergone textual circulation, language translation and cultural filtering before becoming part of world literature, all of which are the reasons why literary variation occurs. According to Cao and Zhai, the occurrence of variation is a key factor for Chinese li

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36

CHEN, KUO. "Images of Traditional Chinese Medicine Doctors in Chinese Literature." Litera, no. 3 (March 2024): 209–12. http://dx.doi.org/10.25136/2409-8698.2024.3.70166.

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Since ancient times, doctors have usually played the image of rescuers who save lives. As a symbol-rich image, "doctor" often enters the scope of writers' creativity and becomes a typical creative theme. This paper explores the image of Traditional Chinese Medicine (TCM) doctors in literature. The purpose of the study is to understand how TCM practitioners are portrayed and represented in literature, to analyze their social and cultural influence and their impact on people's perceptions and attitudes towards TCM. The relevance of this article is that it can help people to better understand the

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37

Guirong, Sun. "Feminist Narratology and its Localization Practice in Chinese Contemporary Literature." Contemporary Social Sciences 27, no. 4 (2018): 13–18. http://dx.doi.org/10.29070/27/58305.

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38

Ling, Chao. "Chinese Tradition in the World Literature: Review of Zhang Longxi's A History of Chinese Literature." Journal of Foreign Languages and Cultures 7, no. 1 (2023): 072–76. http://dx.doi.org/10.53397/hunnu.jflc.202301008.

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This essay reviews Zhang Longxi’s A History of Chinese Literature. The book covers Chinese literature from its very beginning to modern times. It emphasizes texts’ literary and aesthetic qualities when evaluating and historicizing literature. The book demonstrates the importance of canons in literary history, using Chinese tradition as an example. Therefore, it also brings the Chinese tradition into the broader framework of world literature. Reading Zhang’s concise historical overview of Chinese literature, we can better understand the interplay between literary tradition and the individual ta

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39

Liu, Yan. "Understanding “World Literature” in China Today." Journal of World Literature 9, no. 2 (2024): 246–61. https://doi.org/10.1163/24056480-00903007.

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Abstract This essay will analyse how Goethe’s “Weltliteratur” is interpreted and re-invented in China in the twenty-first century mainly by reviewing selective essays published in the Chinese journal Comparative Literature in China. The analysis reveals how Chinese scholars strive to engage actively in the international discussions of the concept and to chart a map of world literature by offering Chinese perspectives. One such attempt is to trace a parallel development line of similar ideas in Chinese literary history whereas another is to emphasize the position of Chinese literature in the pi

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40

Ji, Lingjie. "Wen, Literature, and Belles Lettres: Reconfiguring Chinese Literature in Nineteenth-Century English Sinology." Comparative Literature Studies 61, no. 4 (2024): 641–62. http://dx.doi.org/10.5325/complitstudies.61.4.0641.

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ABSTRACT This article examines the fluid nature of literature as exemplified both semantically and conceptually in the English-language studies of Chinese literature conducted by Western Sinologists in the nineteenth century. If Chinese literary modernization of the early twentieth century is seen as shaped by the contact with foreign literary theories, Sinologists in the nineteenth century had already engaged actively with English literary concepts to reconfigure Chinese literature in their English-language writings. This article contends that, regardless of their impact on Chinese literary m

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41

Gruzdeva, Е. А. "Traditions of Chinese classical literature and Western literature in Mo Yan’s novel “The Republic of Wine”." Philology and Culture, no. 4 (December 29, 2023): 120–25. http://dx.doi.org/10.26907/2782-4756-2023-74-4-120-125.

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The article is devoted to the problem of interaction between the genres of Eastern and Western literature, which is an important part of modern literary criticism. In this paper, the interaction of genres is considered on the basis of Mo Yan’s novel “The Republic of Wine” (1992), translated into Russian in 2012 by I. Egorov. The work of the modern Chinese writer is studied in the aspect of “hallucinatory realism”, for its development the author was awarded the Nobel Prize (2012). The article studies the influence of classical Chinese literature genres and philosophy and Western literature on m

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42

Xue, Zhao. "Perception of Contemporary Chinese Literature in Russia." Philology & Human, no. 1 (July 15, 2021): 145–56. http://dx.doi.org/10.14258/filichel(2021)1-10.

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This article attempts to comprehend the perception of contemporary Chinese literature in Russia. One of the main research areas of Russian Sinology focused on the study of Chinese literature is Chinese classical literature and modern literature. However, at the turn of the XX-XXI centuries, the interest for contemporary Chinese literature becomes more and more obvious. In recent years, the translation of contemporary Chinese literary works has been continuously developing. The most typical characteristic of contemporary Chinese literature in the interpretation of Russian sinologists is plurali

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43

Lee, Don-suk. "A Thought on the Definition of Chinese Literature Education -Centered on Formal Chinese Literature Education-." Han-Character and Classical written language Education 26 (May 30, 2011): 607–32. http://dx.doi.org/10.15670/hace.2011.26.1.607.

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44

고혜림. "The ‘World’ and the Potentiality of ‘World Literature’ Found in Chinese Literature by Chinese Diasporas." China Knowledge Network 10, no. 10 (2017): 214–40. http://dx.doi.org/10.35389/ckn.10.10.201711.214.

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45

Tjong, Cendrawaty. "A Glimpse of Chinese-Malay Literature." Lingua Cultura 1, no. 2 (2007): 168. http://dx.doi.org/10.21512/lc.v1i2.323.

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Chinese-Malay literature begans in the end of 19th century. The beginning of this period was known from the works depicted Classical-Malay literature. In the development, due to the booming of publication houses and newspaper agencies, this school of literature flourished. The origin of this period was closely related to Chinese-descendants, background and history. The long history, the big numbers of works and the miscellaneous contents of the works were the characteristics of this period. Chinese-Malay literature period was the period highlighted with typical Chinese-Indonesian society.

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46

Huang, Qiyi. "Understanding Chinese Bureaucracy: A Systematic Literature Review." International Journal of Social Sciences and Public Administration 3, no. 3 (2024): 267–77. http://dx.doi.org/10.62051/ijsspa.v3n3.32.

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An in-depth study of Chinese bureaucracy and its characteristics is an inseparable research topic in the field of social science in contemporary China. The historical lineage of Chinese bureaucracy shows a development from monarchical bureaucracy to cadre system. The Chinese bureaucratic organization is regarded as a cadre system with Chinese characteristics, characterized by hierarchy, centralization, political loyalty, meritocracy, and personification; the pressure system, administrative contract system, and project system are its operation mechanisms. China's bureaucracy has been transforme

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47

Yip, Terry. "World Literature and Cultural Transformation in Modern Chinese Literature." Interlitteraria 17 (December 1, 2012): 50. http://dx.doi.org/10.12697/il.2012.17.05.

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48

Zhang, Fa. "Redefine literature through Chinese culture: On the development of Chinese literature and world literature in the age of globalization." Frontiers of Literary Studies in China 5, no. 3 (2011): 370–91. http://dx.doi.org/10.1007/s11702-011-0134-x.

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49

MA, Xiaolu. "Minor Literature as a Vital Component of World Literature: Lu Xun’s Translation of Bulgarian Literature via German Sources." Modern Chinese Literature and Culture 35, no. 1 (2023): 28–57. http://dx.doi.org/10.3366/mclc.2023.0026.

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At the turn of the twentieth century, many Chinese translators departed from the mainstream approach to world literature advocated by Western powers and turned their attention to what Chinese theorists call the “literature of weak and small nations.” China’s marginalized position in the international political and economic order of the time prompted the pursuit of a discourse to address imperialism and national identity, as well as problems of social injustice and oppression. This article draws on Gilles Deleuze and Felix Guattari’s interpretation of “minor literature” to analyze Lu Xun’s inte

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50

Wang, Xiaoxi. "Sound symbolism in Chinese children’s literature." Cognitive Linguistics 33, no. 1 (2021): 95–120. http://dx.doi.org/10.1515/cog-2021-0019.

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Abstract Iconicity is a fundamental property of spoken and signed languages. However, quantitative analysis of sound-meaning association in Chinese has not been extensively developed, and little is known about the impact of sound symbolism in children’s literature. As sound symbolism is supposed to be a universal cognitive phenomenon, this research seeks to investigate whether iconic structures of Mandarin are embodied in native Chinese speakers’ language experience. The paper describes a case study of Chinese storybooks with the goal of testing whether phonosemantic association is prominent b

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