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Relevant bibliographies by topics / Chinese masculinities

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Journal articles

Academic literature on the topic 'Chinese masculinities'

Author: Grafiati

Published: 3 April 2025

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Journal articles on the topic "Chinese masculinities"

1

Williams, Bryn. "Chinese Masculinities and Material Culture." Historical Archaeology 42, no. 3 (2008): 53–67. http://dx.doi.org/10.1007/bf03377099.

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2

Jenkins, Tim. "Book Review: Chinese femininities/Chinese masculinities: a reader." Progress in Development Studies 4, no. 2 (2004): 155–56. http://dx.doi.org/10.1191/1464993404ps084xx.

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3

Jiang, Jiani, Bruce A. Huhmann, and Michael R. Hyman. "Emerging masculinities in Chinese luxury social media marketing." Asia Pacific Journal of Marketing and Logistics 32, no. 3 (2019): 721–45. http://dx.doi.org/10.1108/apjml-07-2018-0256.

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Purpose The purpose of this paper is to investigate masculinity in Chinese social media marketing for global luxury fashion brands through two studies. Design/methodology/approach Study 1 compares physical characteristics of males in visually oriented US (Instagram) and Chinese (Weibo) social media posts promoting global luxury fashion magazine brands (e.g. Vogue, Cosmopolitan, GQ and Esquire). Study 2 examines the prevalence of and Chinese consumers’ responses (reposts, comments and likes) to different masculinities depicted in luxury fashion brand-sponsored Weibo posts. Findings Male portray

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4

_, _. "Representation of Diasporic Chinese Wen Masculinities in A Native of Beijing in New York and A Free Life." Journal of Chinese Overseas 14, no. 1 (2018): 5–21. http://dx.doi.org/10.1163/17932548-12341365.

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Abstract This article mainly draws on Kam Louie’s wen/wu paradigm of Chinese masculinities and R. W. Connell’s concept of hegemonic masculinity to examine the representation of diasporic Chinese wen masculinities in the popular Chinese television drama A Native of Beijing in New York and Ha Jin’s novel A Free Life. The article argues that the two texts suggest there is no monolithic and static diasporic masculinity among contemporary immigrant Chinese wen men in the US; rather, immigrant Chinese wen men are constantly negotiating, forming and performing their diasporic masculinity according to

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5

Zhang, Xiaoxiao. "Narrated oppressive mechanisms: Chinese audiences’ receptions of effeminate masculinity." Global Media and China 4, no. 2 (2019): 254–71. http://dx.doi.org/10.1177/2059436419842667.

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Masculinities are widely believed to be oppressive mechanisms for men, but a detailed, systematic picture of these concrete mechanisms is largely lacking. The present analysis of audience reception illustrates four oppressive mechanisms of effeminate-masculinity acting on straight men: normative conceptualization, emotional distancing, discursive stigmatization, and behavioral punishment. The sub-dimensions of these four oppressive mechanisms are also discussed, particularly emotional aversion, patriarchal contempt, stigmatic labeling, essentialist classification, and isolation. Moreover, the

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6

Hird, Derek. "Moral Masculinities: Ethical Self-fashionings of Professional Chinese Men in London." Nan Nü 18, no. 1 (2016): 115–47. http://dx.doi.org/10.1163/15685268-00181p05.

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Through qualitative interviews and examination of textual sources, this essay investigates the gendered, class and cultural subjectivities of transnational, highly-educated Chinese men living and working in London. Narrative analysis of the interviews of two participants suggests that they exhibit hybrid “bricolage masculinities,” which incorporate elements from Western educational and corporate cultures, and also appropriate concepts and practices from the Confucian tradition of moral self-cultivation. A discussion of contemporary texts that support the revival of Confucian masculinities illu

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7

Lowe, John, Máirtín Mac an Ghaill, and Chris P. Haywood. "The Cultural (Re)production of Masculinities." Asian Journal of Social Science 44, no. 4-5 (2016): 600–625. http://dx.doi.org/10.1163/15685314-04404007.

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In Asian societies, the framing of contemporary masculinities and femininities remains under-theorised. This article critically examines the interplay between schooling, Indonesian Chinese ethnicity and the (re)production of male entrepreneurial masculinities manifested in teenage boys’ sexual/gender subjectivities and identity formation. The qualitative data obtained from an anonymous Chinese-Christian majority international school in Indonesia’s capital city, Jakarta, illustrate how patrimonial practice, in conjunction with repudiations and identifications in an elite educational environment

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8

Yiu Fai Chow. "Martial Arts Films and Dutch–Chinese Masculinities." China Information 22, no. 2 (2008): 331–59. http://dx.doi.org/10.1177/0920203x08091549.

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9

Louie, Kam. "Chinese Femininities/Chinese Masculinities: A Reader. Susan Brownell , Jeffrey N. Wasserstrom." China Journal 50 (July 2003): 167–68. http://dx.doi.org/10.2307/3182265.

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10

Chow, Yiu Fai. "Book review: Chinese Masculinities in a Globalizing World." China Information 29, no. 3 (2015): 402–4. http://dx.doi.org/10.1177/0920203x15611873b.

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