Academic literature on the topic 'Chinese media in Los Angeles'

Over the last decade, there has been a growing media interest in the rise to world prominence of Chinese sport, fuelled first by the startling performances of China's athletes in the mid- 1990s, then by their declared interest in staging the 2000 Olympic Games, and ultimately their successful bid for the 2008 Games. As if to underline this, China leapt into second place in the medals tally of the Athens Olympic Games in 2004, thus ensuring that the media took full note of the Middle Kingdom. However, in the corresponding period (and in fact much further back) there has been little serious interest amongst Western authors writing specifically about sport in China. Indeed, of the four hundred or so references in Marrow of the Nation, just a handful are by Western authors.In finely honed detail, Andrew Morris traces the development of sport in Republican China from the early years of the 20th century, drawing a carefully argued distinction between the Anglo-American and the Euro-Japanese influences that had a major effect in shaping China's early sporting identity (although the separation of the two influences, associating Anglo with American and Euro with Japanese, glosses over the importance of European figures in British sporting history). What is striking in unravelling the threads of Chinese history, is the manner in which China “swayed with the winds of foreign influence” as the leaders tried to develop a national and modern sporting consciousness. As chapter two reveals, by the 1920s, there were also clear traces of Soviet influence – fitness and hygiene, new nationalism, new Chinese man, new meanings for sport.

Purpose: To examine the perceptions of and barriers to Supplemental Nutrition Assistance Program (SNAP) participation among Asian and Pacific Islander (API) immigrants. Design: Qualitative focus groups were conducted in 4 API communities. Setting and Participants: Participants were recruited from 4 API communities (n = 68; 22 Tongan, 18 Vietnamese, 16 Filipino, and 12 Chinese) through local community-based organizations in Los Angeles and Orange Counties. Method: Trained bilingual and bicultural researchers conducted 8 focus groups in English, Chinese, and Vietnamese. Prior to the start of each focus group, participants completed a demographic questionnaire which included a United States Department of Agriculture (USDA) Food Security Module. Analysis: Audio recordings were transcribed verbatim and those in the native languages were transcribed verbatim. Transcripts in native languages were reviewed and translated into English. All transcripts were organized in ATLAS ti version 8.0 and analyzed using thematic analysis. The USDA Food Security Module results were scored and assessed for food insecurity. Results: Median age of participants was 58 years and 59.4% (n = 38) were food insecure. Barriers to SNAP participation were identified and organized within the Social Ecological Model by the following themes: (1) unclear program information, (2) application process, (3) shame, and (4) pride. Despite commonalities found across API subgroups, unique challenges with public charge and immigration existed within the subgroups. Conclusion: Culturally relevant in-language SNAP materials and multilevel interventions are needed to mitigate barriers and increase SNAP participation rates among low-income API groups.

The popular historical narrative of the batik Sidoarjo needs to be reexamined based on historical methodology so that there is no historical bias based only on oral stories of the general public. Many studies are trapped in an inaccurate understanding of local historicity. As a result, these various studies have failed to fit batik Sidoarjo into its full context, instead it has become a kind of narrative standardization on its characteristics and history. This study aims to criticize the historical construction that has been popular in relation to the basic understanding of batik Sidoarjo and to explain the position of batik Sidoarjo in the cultural framework of its people. This article is the author's attempt to provide an analysis or explanation that is different from the historical narrative of batik Sidoarjo which is commonly used in various discussions. This research is classified as a qualitative research, using the historical method which consists of four stages, namely heuristics, source criticism, interpretation, and historiography. This research uses historical and sociological approaches to collect, select, and critically examine historical sources of Sidoarjo batik, resulting in historical facts. The results showed that the historicity of batik Sidoarjo refers to the batik activities in the areas of Kedungcangkring, Jetis, Sekardangan, Gajah Mada St. (Peranakans), and Tulangan, all of which have a direct relationship with both Peranakans nor indigenous. Batik Sidoarjo is not framed by traditional rituals, nor is it under the control and domination of the royal aristocracy. Its growth is based on the factor of the economic needs of the supporting community, which tends to be a trading commodity. The presence of other groups of people or nations such as Peranakan Chinese, Indo-European, Dutch, Arabic contributed to the birth of Sidoarjo batik. Keywords: batik, Sidoarjo, historical criticism.AbstrakNarasi sejarah batik Sidoarjo yang populer perlu dikaji ulang dengan didasari metodologi sejarah sehingga tidak terjadi bias sejarah yang hanya berdasar pada cerita lisan masyarakat umum. Banyak penelitian yang terjebak dalam pemahaman historisitas setempat yang kurang tepat. Akibatnya, berbagai kajian tersebut tidak berhasil mendudukkan batik Sidoarjo sesuai dengan konteksnya secara utuh, malah menjadi semacam standardisasi narasi pada karakteristik maupun sejarahnya. Penelitian ini bertujuan untuk mengkritisi konstruksi sejarah yang telah populer terkait pemahaman dasar tentang batik Sidoarjo serta menjelaskan kedudukan batik Sidoarjo dalam kerangka budaya masyarakatnya. Artikel ini merupakan upaya penulis untuk memberikan analisis atau paparan yang berbeda dari narasi sejarah batik Sidoarjo yang umum dilakukan pada berbagai pembahasan. Penelitian ini tergolong dalam penelitian kualitatif, dengan menggunakan metode sejarah yang terdiri atas empat tahap, yaitu heuristik, kritik sumber, interpretasi, dan historiografi. Penelitian ini menggunakan pendekatan historis dan sosiologis untuk mengumpulkan, menyeleksi, dan menguji secara kritis sumber-sumber sejarah batik Sidoarjo, sehingga menghasilkan fakta sejarah. Hasil penelitian memperlihatkan bahwa historisitas batik Sidoarjo merujuk pada aktivitas pembatikan yang ada di wilayah Kedungcangkring, Jetis, Sekardangan, Jl. Gajah Mada (China Peranakan), dan Tulangan yang kesemuanya saling terkait memiliki hubungan langsung baik itu pembatikan China peranakan maupun pribumi. Batik Sidoarjo tidak dikerangkai oleh ritual adat, juga tidak di bawah kendali dan dominasi aristokrasi kraton. Pertumbuhannya didasari faktor kebutuhan ekonomi masyarakat pendukungnya, sifatnya cenderung merupakan komoditas dagang. Hadirnya golongan masyarakat atau bangsa lain seperti China Peranakan, Indo-Eropa, Belanda, Arab turut berpengaruh melahirkan batik Sidoarjo.Kata Kunci: batik, Sidoarjo, kritik sejarah. Author:Asy Syams Elya Ahmad : Universitas Negeri Surabaya References:Abbas, Irwan. (2014). Memahami Metodologi Sejarah antara Teori dan Praktek. ETNOHISTORI: Jurnal Ilmiah Kebudayaan dan Kesejerahan, 1(1), 33–41.Abdurrahman, Dudung. (1999). Metode Penelitian Sejarah. Yogyakarta: Logos.Ahmad, Asy Syams Elya. (2013). Kajian Estetik Batik Sidoarjo. Tesis. Tidak Diterbitkan. Bandung: Program Studi Magister Desain, Institut Teknologi Bandung.Anas, Biranul, Hasanuddin, Ratna Panggabean, Yanyan Sunarya. (1997). Indonesia Indah-Buku ke 8; “Batik”. Jakarta: Yayasan Harapan Kita/BP 3 TMII.Anshori, Yusak & Kusrianto, Adi. (2011). Keeksotisan Batik Jawa Timur. 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Several recent books provide reason for an extended review of aspects of the development and history of Los Angeles. This city is so prominent particularly in the entertainment media that it is often seen (from outside the USA at least) as the archetypal American city, which gives rise to many misconceptions. There is a great deal still to learn from Los Angeles.

Thesis (Ph.D.)--Indiana University, School of Journalism, 2005.<br>Title from PDF t.p. (viewed Dec. 3, 2008). Source: Dissertation Abstracts International, Volume: 66-03, Section: A, page: 0801. Chairperson: Dan Drew.

This paper aims to investigate how film neo-noir functions as an ideal medium to engage in a postmodernist critique of our society, focusing on its negotiation in the city of Los Angeles. Through incorporating postmodernism theorists Fredric Jameson and Linda Hutcheon’s arguments of the themes of the Nostalgia Mode, Parody and Pastiche, and the Decentered, Destructured and Dehumanized, this paper will demonstrate how they manifest in neo-noir’s Los Angeles to totalize contradictions in society and evoke a critical awareness.

The research in this thesis will look at the lives of a very specific group of Chinese immigrant workers in the restaurant industry, particularly those in the metropolitan city of Los Angeles. While unskilled Chinese workers are popular in the Chinese restaurant business because of the lack of skills required, they are quite mobile between the manufacturing and construction sectors as well. Working conditions are less than ideal for these immigrants, who find that life in America may not be what they expected prior to arrival. Though there are many organizations that seek to improve the lives of immigrants already residing in the United States, better efforts towards coordination could be put forth to ensure the availability and knowledge of these resources. Though Asian immigrants and their children have a reputation as a high-achieving model minority, there still remains a class of people who struggle with the same issues of relocation and assimilation as other immigrants. This research hopes to analyze the patterns of immigration for workers like these, to evaluate whether it is still feasible to achieve the American dream, and, if necessary, re-think U.S. immigration policy by looking to our Northern neighbors Canada and providing some policy recommendations.

In film, the construction of Los Angeles as a character has been defined through a series of specific theories that have seemingly misrepresented the unique and diverse nature of the city. Broken into two discussions, my paper will attempt to address 1) the way in which urbanization has influenced the landscape of the city of Los Angeles and how the creation of a heavy materialist culture in Amy Heckerling’s Clueless, the illusionary nature of Hollywood in Billy Wilder’s Sunset Boulevard, and corruption and abuse of power within the LAPD in Curtis Hansen’s L.A. Confidential manifest themselves as products of the this process and 2) the dominant narratives and themes that have been used to construct Los Angeles as a character in film.

This study explored the relationship between Chinese national identity and media framing and priming effect by combining the two paradigms, the literature of group identity and the discourses of media cognitive effect. Extending social identity theory (Tajfel, 1981), self-categorization theory (Turner, et al., 1987) and subjective group dynamics theory (Marques, Paez, & Abrams, 1998), the current study drew the distinction between descriptive (cognitive/perceptual) and prescriptive (affective/subjective) fit of the social norms that contributed to social identity. After deliberating the macro concept (the ascribed vs. acquired) of a national identity (Westle, 2014), as well as the social, political, economic and cultural conditions in China, the structure of Chinese national identity (CNI) were delineated by three content-based categories: the meta-structure of the ethnic-cultural (MEC), the flexible ethnic-cultural (FEC), and the civic-institutional (CI) component, with each of which possessed the dichotomy of psychological dimension. The 3×2 matrix of Chinese national identity was hypothesized to have an impact, with structural variation, on evaluative judgments of alternative media frames of stories involving international disputes in China. To maximize internal and external validity, the empirical data had been collected through an online survey experiment with a sample size of 738. The theoretically argued relationship between the CNI, media framing, and the evaluative judgment was in accordance with the results derived from a series structural equation modeling analyses.

This study examines Chinese students' attitudes and perspective to America media and how these might influence them to adopt an attitude towards the United States. With this regard two perspectives are measured. The first perspective that this study explore is the frequency with which Chinese students are exposed to American media: films, TV, newspaper, magazine, video games and application games. Another perspective that is measured is whether American media is more violent and display sexual content then Chinese media. For the completion of these two goals data is collected via survey at a large public university in the US. Results are presented about the developed objectives through frequency distribution analysis. In the end, the study presents a conclusion of overall findings and future implications.

The suicide and the media research field are generally concerned with the effect, content, and production of mass-disseminating suicide information. Most of the previous studies in the field were conducted in western countries. This dissertation is devoted to extending the research map to the Chinese contexts and moving the field forward into the new media era. It proposes a conceptual framework based on the social construction of reality theory and refines the framework through a combination of five studies. Study 1 might be the first investigation on mass-disseminating suicide information’s effect on suicide occurrences in Mainland China, using the Foxconn suicides as a case study. It finds that the Foxconn suicides were temporally clustered and influenced by inter-person contagion within the company, as well as the newspapers’ reporting about the topic in Beijing, the nation’s capital. Study2 examines the prominence and representation patterns of reporting the Foxconn suicides in Mainland China, Hong Kong, and Taiwan in 2010 calendar year. It demonstrates that the media coverage of the Foxconn suicides in the three societies generally experienced a three-phase evolving process in 2010. Meanwhile, within every phase, the media in different societies showed differences in their representations. Furthermore, the study investigates how the representation can be influenced by news sources and social contexts and explores possible explanations why the Beijing media’s reporting influenced the occurrences of the Foxconn suicides. Study3 compares representation of suicides in case-control psychological autopsy studies with representation of the same suicides in Hong Kong media. Considering the psychological autopsy as relatively more rigorous and validated, the comparison examines the suicide news representation’s accuracy and stereotyping tendencies. It finds a strong homogenisation of the Hong Kong newspapers in accurately reporting suicide methods but inaccurately reporting suicide risk factors, and that their reporting was problematic in stereotyping of gender-and method-specific suicides. Study 4 is a qualitative study of 33newspaper journalists’ experiences with producing suicide news from representative daily newspapers in Mainland China, Hong Kong, and Taiwan. Utilising the grounded theory method, it extracts how the journalists construct media reality of suicide within a social context. The study summarises criteria of suicide news values, identifies three types of key agents which are often engaged by the journalists in constructing suicide news, and also generates a comparative framework of suicide news production in the Chinese contexts. Study 5 examines what suicide-related information is easily accessible online in Mainland China and Hong Kong and compares it with its counterparts in English. It explores how the comparative framework proposed by Study 4 can also be applied to understand the nature of the online suicide information and serves as a bridge connecting the thesis with future studies on suicide and the new media. The five studies collectively contribute to understanding the nature and mechanism of constructing media reality of suicide in the Chinese contexts. By applying the research findings, suicide prevention professionals would be able to develop context-sensitive strategies to cooperate with the media and prevent suicide.<br>published_or_final_version<br>Social Work and Social Administration<br>Doctoral<br>Doctor of Philosophy

The article analyses the peculiarities of the coverage of the covid pandemic in the Ukrainian media, the emphasis placed by the media in news, and how the online mode of modern life and social distancing affects the growth of media influence. Special attention is paid to the view of the famous publicist Heorhii Pocheptsov, who does not exclude the possibility that the coronavirus was invented intentionally to control millions of people around the world. Permanently, the world faces numerous challenges of different scales: economic, military, socio-political, environmental, epidemiological ones. In 2020, the largest and the most unexpected event, undoubtedly, was the deadly coronavirus pandemic, which spread from the small Chinese province of Wuhan to the whole world and already took more than one million people’s lives in less than a year. Thus, the media, that in the post-information society actually have an unprecedented impact on people, form a person’s perception of such challenges. As a result, our understanding of the pandemic is directly related to the information we consume from the media. In fact, from the very start of quarantine, the media space began to be captured by analytical materials in which experts from various fields tried to predict what the world would be like after the end of coronavirus. These experts were of two types: some claimed that irreversible changes would deepen the permanent economic and socio-political crisis, and by claiming that they intensified panic, while others argued that any crisis is a chance to restart and grow. The experts put different emphases covering the covid pandemic in the media, but it is important to pay attention to the analysis of the famous publicist, propaganda researcher – Heorhii Pocheptsov, who sees the coronavirus as a tool to influence millions of people. The pandemic will end sooner or later, but no matter whether the virus was artificially invented or not, the processes that have already been launched around the world cannot stop as if nothing had happened. But Heorhii Pocheptsov’s opinion about the possible artificial nature of the virus should make us more vigilant while consuming information from TVs or from the online media, as it is possible that this information might be a part of a great game that we were not warned about.