Relevant bibliographies by topics / Chinese mythology

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Chinese mythology'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Chinese mythology"

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Aijmer, Goran, and Anne Birrell. "Chinese Mythology: An Introduction." Journal of the Royal Anthropological Institute 2, no. 1 (March 1996): 168. http://dx.doi.org/10.2307/3034649.

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Hegel, Robert E., and Anne M. Birrell. "Chinese Mythology: An Introduction." Chinese Literature: Essays, Articles, Reviews (CLEAR) 18 (December 1996): 205. http://dx.doi.org/10.2307/495635.

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Musurmanov Erkin. "Representations of the origin of the universe in ancient and centrasiatic mythology." International Journal on Integrated Education 3, no. 6 (June 24, 2020): 52–55. http://dx.doi.org/10.31149/ijie.v3i6.406.

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This article discusses the interpretation of the main gods of the Uzbek (Turkic) and Chinese mythology, their similar and distinctive features. Comparing the deities of Chinese mythology Pangu and Uzbek mythology Tengri, as well as the goddesses of Chinese and Uzbek mythology Nyuva and Umai, it is concluded that there is the unity of the genesis of the main gods of the pantheon of mythology of the two peoples.
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Wang, Jiashen. "Exploring the New Interpretation of the Fengshen Story." Communication, Society and Media 7, no. 2 (July 14, 2024): p1. http://dx.doi.org/10.22158/csm.v7n2p1.

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As a classic Chinese mythology novel, Fengshen yanyi (Investiture of the Gods) is famous for its cultural value, historical value and social value. The story of “Fengshen” is also considered a rich source of inspiration for entertainment and cultural industries in China, influencing a wide range of audiences with diverse backgrounds. As developing the potential “story universe” of Fengshen has become a hot topic in the Chinese film market, reinterpreting Chinese mythology needs to be focused on. Based on the case of the “Fengshen story”, this study aims to explore the new context of Chinese mythology by collecting and analyzing secondary research, categorizing and organizing the findings, and discussing further research from different perspectives, thereby understanding the modern adaptations of traditional Chinese mythology and suggesting a bright future of conducting interdisciplinary research on Chinese mythology in the new context.
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Akhmetbek, G., and R. Zhusupov. "A BRIEF HISTORY OF THE DEVELOPMENT OF CHINESE MYTHOLOGY." Bulletin of the Korkyt Ata Kyzylorda University 60, no. 1 (2022): 175–83. http://dx.doi.org/10.52081/bkaku.2022.v60.i1.023.

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Chinese mythology is rich in characters invented by the boundless fantasy of the human race, there are more than a thousand of them. Mythological works are directly related to literature, therefore legends and fairy tales, where these characters appear, influenced the literature of China, and sometimes even intersect with its history.At the beginning of our era, interest in China was focused on all the unusual and strange phenomena and things that could arise as a reaction to the "dry" practice of the followers of Confucianism. Remnants of myths, folk legends and beliefs began to appear on paper. Even the titles of books of that time testify to the authors' interest in a strange and incomprehensible phenomenon: "A beautiful and amazing description", "Beautiful fairy tales", "A unique and amazing story." Some of these books were created to imitate the ancient "Book of Mountains and Seas", which is the main source of information for researchers of ancient Chinese mythology. These remarkable collections of historical records have provided researchers with a wealth of material. They also greatly influenced the development of Chinese stories, which received plots and motives from these collections. Many centuries later, in the 16th century, Xu Zhong-Lin wrote the epic novel "Ascension of the Spirits" based on myths, in which he developed the ancient imaginations of the ancients. Zhou Yu, who lived in the 17th century, tried to combine myths into epics, calling them "Legends of the creation of the world".
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Tu, Xiaofei, and Wendy Xie. "The Kojiki/Nihon Shoki Mythology and Chinese Mythology: Theme, Structure, and Meaning." Religions 12, no. 10 (October 18, 2021): 896. http://dx.doi.org/10.3390/rel12100896.

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This essay will compare myths found in the Kojiki and the Nihon Shoki with thematically and structurally similar Chinese myths, and other Japanese texts, in order to shed light on the meanings of both Japanese and Chinese mythology. The authors’ approach is partly in the critical textual study tradition that traces back to Gu Jiegang and Tsuda Sokichi, and partly informed by comparative mythologists, such as Matsumae Takeshi, Nelly Naumann, and Antonio Klaus, with attention to Proppian and Levi-Straussian motifs in structural studies. First, we shall discuss some common themes in Chinese and Kojiki/Nihon Shoki myths. Second, we shall point out common structures in both Chinese and Japanese myths. Finally, we shall try to show how such common themes and structures could potentially help us understand the meanings of the myths in discussion.
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Milanova, Elitsa. "Chinese Mythology and Transmedia Storytelling." Chuzhdoezikovo Obuchenie-Foreign Language Teaching 49, no. 2 (May 2024): 195–205. http://dx.doi.org/10.53656/for2024-02-08.

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The article analyzes the representation of Chinese mythology in the movie “Shang-Chi and the Legend of Ten Rings” and the movie as liguodidactic tool for learning Chinese language and culture. It studies the potential of lessons based on transmedia storytelling approach and transmedia storytelling products. Based on the new perception of knowledge as market product, the advantages of using marketing strategies for education are justified.
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Xinyu, Ye, and Muhammad Anas AL-Muhsin. "COMPARATIVE STUDY ON MYTH BETWEEN CHINESE AND ARABIC: PHOENIX AS AN EXAMPLE." International Journal of Humanities, Philosophy and Language 3, no. 10 (June 10, 2020): 12–17. http://dx.doi.org/10.35631/ijhpl.310002.

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The myth of a nation reflects the collective memory of the nation and is the source of the philosophy, religion, and literature of the nation. Since the 1930s, mythological research has gradually emerged in China, but there are few comparative studies on Chinese and Arab mythology. Comparative study on myth between Chinese and Arabic: Phoenix as an example in terms of social values and national traits. This article is based on the specific exploration of the mythical image of Phoenix. The records of the Arab world for the phoenix are derived from some ancient Arabic books and this research on Arab mythology starts with basic old books and expands the research materials on Arab mythology. Therefore, providing more research texts for foreign Arab mythological researchers becomes the core task in this article. Under the background of the current research, we seek an updated perspective to focus on the imagery problems in Arab Chinese mythology, especially the image of Phoenix, not only for ancient China and Arab mythology. Research work injects new power, and more importantly, enriches the study of folk literature. This article introduces the meaning of mythology and carries out preliminary preparations such as text analysis, theoretical study, and translation tools, and also discusses the inheritance and development of Chinese Arab folk culture. Folk culture is the foundation of a nation's development. The writing of phoenix in Chinese mythology is an important part of ancient Chinese folk culture. Similarly, it is also important for Arab mythology. In short, the high and profound cultural endogenous and national spiritual connotations of myths better realize the function of cultivating their national spirit.
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Zhao, Yiming, and Dongfang Zheng. "Traditional Chinese Mythology in Animation Art." Highlights in Art and Design 3, no. 3 (July 20, 2023): 61–63. http://dx.doi.org/10.54097/hiaad.v3i3.11220.

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Chinese traditional myths, as an important part of Chinese culture, have been widely applied and expressed in animation art. From the perspective of animation art, this paper will discuss in depth the expression forms and expression methods of traditional Chinese myths in animation art, including the use of myth elements in animation, the creation of myth characters, the way of narrating myth plots, and the expression of myth meanings. Through analyzing and comparing related animation works, this paper will explore the performance characteristics of Chinese traditional myths in animation art and its relationship with contemporary animation art, so as to provide reference for the inheritance and development of Chinese traditional culture.
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Wang, Xiaoyu. "A New Interpretation of the Traditional Ethnic Rational Spirit Presented by Ancient Chinese Myths." International Journal of Languages, Literature and Linguistics 8, no. 4 (December 2022): 313–16. http://dx.doi.org/10.18178/ijlll.2022.8.4.368.

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Ancient Chinese myths are the source of Chinese culture, contain the emotions and thoughts shared by the Chinese nation, and embody the spiritual soul of the Chinese nation. Ancient Chinese mythology is deeply rooted in China's long-standing cultural soil. It is a unique myth that grew up in China, and it permeates the light of oriental wisdom. Purposefully and selectively inheriting the precious spiritual cultural heritage in mythology has positive practical significance for us. The content of ancient Chinese myths is rich and allencompassing. The main feature is that it advocates reason and morality, and emphasizes ethics. It conveys the spirit of dedication, fighting and struggle of the primitive people in the confrontation with the natural and social environment. This kind of spirit allows people to draw strength and courage from it, so that human beings can go through all kinds of difficulties and come to today with a smile. This paper mainly uses the method of literature analysis to excavate and sort out the salient features of the concept of rationality in ancient Chinese mythology, try to judge and reflect on ancient mythology with today's value and vision, and provide theoretical and practical support for the promotion of our country's traditional culture and national spirit and historical references.
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Dissertations / Theses on the topic "Chinese mythology"

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Moore, Emily Olive. "Translating Greek Mythology in Contemporary Chinese Science Fiction." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8764.

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Given its early connection to western science fiction, it is not entirely surprising that contemporary Chinese science fiction (csf) frequently references the "west" in general and Greek mythology in particular. The three works that I analyze in this paper are Xia Jia's "Psychology Game," Gu Shi's "Chimera," and Egoyan Zheng's The Dream Devourer. These three texts utilize Greek mythology in different ways, to different degrees, and with different purposes, and yet they all use Greek mythology to visually disrupt their respective texts. Xia Jia ends "Psychology Game" with a direct Greek-language quotation. Throughout "Chimera," Gu Shi quotes Chinese translations of Greek texts. Finally, in The Dream Devourer, Egoyan Zheng's references to Greek myth are more playful and extensive. Although Zheng names certain significant characters in his novel after figures in Greek mythology, the connections to those figures are rarely explicit and are often twisted or inverted. By analyzing these three texts together we can more clearly see the overarching connection that Greek mythology has to contemporary csf. Although multilingual references are not new to Chinese literature, the Greek references commonly found in csf are likely foreign not only to their Chinese-language audience, but to their Anglophone audience as well. As such, there is a very distinct visual divide between the Chinese-language references and the Greek or Roman script in these texts. Though each script remains clearly discernable, they are connected by the interweaving of the languages and by the text itself, the final result being a literary "cyborg" that unites supposedly binary aspects of "East" and "West." As Donna Haraway claims in her "Cyborg Manifesto," the cyborg represents the rejection of rigid binaries and two-word definitions. She claims, "We are cyborgs. The cyborg is our ontology; it gives us our politics. The cyborg is a condensed image of both imagination and material reality" (50). By combining Greek, Roman, and Chinese scripts these authors simultaneously represent and complicate the dichotomy of "East" and "West," acknowledging how these supposedly distinct cultures have blended.
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Lee, Intack. "Selected myths of China and Korea a comparative study analysis /." access full-text online access from Digital Dissertation Consortium, 1993. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9334922.

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Zha, Yu 1970. "The mythology of Hero : a study of Chinese national cinema." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79987.

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As the twentieth century ended with globalization and commercialization, popular culture begins to challenge the dominance of national culture. The Chinese intellectual community tries to defend national culture against the incoming global culture and local cultures. The conflicts between localism and nationalism, and also between globalism and nationalism, are clearly demonstrated in the Hero phenomenon, which basically concerns the unanimous disparagement on director Zhang Yimou's debut martial arts film Hero within the Chinese critics' circle. Through a discursive analysis of the phenomenon, we can see how the conflicts between modernism and postmodernism, between elitism and commercialism shape the landscape of contemporary Chinese culture. In this article, I first seek to understand how modernism evolved into nationalism in China during the last century and what role the intelligentsia played in the process of such evolvement. I further seek to understand why the intellectual community has distaste for popular culture and commercialism. Other research on this topic has linked nationalism to national culture, and localism and globalism to popular culture.
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Chan, Wai-yu, and 陳慧瑜. "The idea of kingship in ancient Chinese and Japanese mythologies: a comparative study." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31228185.

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Sun, Linda. "Translocation this thesis is submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art and Design) in the year 2004." Full thesis. Abstract, 2004.

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連劭名 and Shaoming Lian. "The Sui, Fu, Yu, and Bai sacrifice ceremonies recorded indivination inscriptions of the Shang Dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31235992.

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盧仲衡 and Allan Chung-hang Lo. "Myth in the Zhiguai tales of the Six Dynasties." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1991. http://hub.hku.hk/bib/B31209920.

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陳桂月 and Kwee-nyet Chin. "The mythical world of modern Chinese writers (1919-1949)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31234744.

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Dmitrieva, Victoria. "The legend of Shambhala in Eastern and Western interpretations /." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28260.

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The legend of Shambhala incorporated in the Tibetan Canon, has been one of the favourite motives of Tibetan Buddhism throughout the centuries. High lamas and laity alike venerated the legend connecting their innermost aspirations with it. For some it represents a mystical millennial country revealing itself only to the chosen ones, while others perceive it as a symbol of the hidden treasures of the mind. This way or the other, the legend of Shambhala remains a living belief for many. The present hardships of Tibet made the legend with its leitmotif of future victory of Buddhism, especially viable.
When the legend reached the West in the beginning of this century, it inspired many westerners including political leaders, and acquired diverse and innovative interpretations.
Conveying the ever cherished human dream of a better world beyond ours, the legend of Shambhala proved to be a ubiquitous symbol surpassing its original Buddhist framework.
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Waksmunski, Valerie. "Yielding to the Worthy: The Chinese Abdication Myth as Discourse on Hereditary vs. Merit-based Leadership." Youngstown State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1441799724.

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Books on the topic "Chinese mythology"

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Ollhoff, Jim. Chinese mythology. Edina, Minn: ABDO, 2011.

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Xiaomin, Zhao, ed. Essential Chinese Mythology. London, UK: Thorsons, 1997.

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Wen-li, Kʻo, and Hou Mei-hsüeh, eds. Stories from Chinese mythology. Tʻien-chin: Nankai University Press, 1991.

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Yang, Lihui. Handbook of Chinese mythology. Santa Barbara: ABC-CLIO, 2005.

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Birrell, Anne. Chinese mythology: An introduction. Baltimore: Johns Hopkins University Press, 1993.

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Deming, An, and Turner Jessica Anderson, eds. Handbook of Chinese mythology. Oxford: Oxford University Press, 2008.

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Birrell, Anne. Chinese myths. London: British Museum Press, 2000.

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Green, Jen. Chinese and Japanese myths. New York: Gareth Stevens Pub., 2010.

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Sanders, Tao Tao Liu. Dragons, gods & spirits from Chinese mythology. New York: P. Bedrick Books, 1995.

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Ong, Hean-Tatt. Legend of the Chinese lung: The Chinese "dragon". Kuala Lumpur, Malaysia: Eastern Dragon Press, 1996.

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Book chapters on the topic "Chinese mythology"

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Ye, Shuxian. "An Interdisciplinary Paradigm of Mythology." In Research Series on the Chinese Dream and China’s Development Path, 13–35. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-3096-6_2.

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Li, Yingfeng. "Mo Yan and William Faulkner: Construction and Interpretation of Folk Mythology." In Hallucinatory Realism in Chinese Literature, 211–20. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-0666-6_14.

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Ng, Kenny Kwok-Kwan. "The Eternal Return of Mythology: The White (Green) Snake Legend in Maoist China and Colonial Hong Kong." In Chinese Shock of the Anthropocene, 83–107. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-6685-7_5.

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Meng, Lingwei, and Chuanying Teng. "The Mythology of Chinese Martial Arts Tourism: A Case Study of the Shaolin Temple on Multiple Dimensions." In Understanding and Translating Chinese Martial Arts, 15–35. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-8425-9_2.

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"Chinese legends and mythology." In Companion to Literary Myths, Heroes and Archetypes, 239–44. Routledge, 2015. http://dx.doi.org/10.4324/9781315677095-31.

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"RELATION OF BUDDHISM TO THE OLDER HINDOO MYTHOLOGY." In Chinese Buddhism, 249–56. Routledge, 2013. http://dx.doi.org/10.4324/9781315011868-19.

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Lloyd, Geoffrey. "Mythology: Reflections from a Chinese Perspective." In From Myth to Reason?, 145–66. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198152347.003.0008.

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Abstract I Shall start from two positions, both of which have a certain prima-facie plausibility, but which seem to be in conflict with one another. The first is the idea that every society has its myths. Maybe a particular society will not have myths of a particular kind, say cosmogonic myths or myths to do with technological inventions or myths involving monstrous beasts. Maybe also whatever distinctions we ourselves choose to draw between myths, legends, sacred tales, and folk tales, may, in certain cultures, be eroded or difficult to apply.
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"CHAPTER XI. RELATION' OF BUDDHISM TO THE OLDER HINDOO MYTHOLOGY." In Chinese Buddhism, 213–20. Piscataway, NJ, USA: Gorgias Press, 2003. http://dx.doi.org/10.31826/9781463207724-015.

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Leeming, David A. "Creation." In World Mythology, 30—C2.P42. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/actrade/9780197548264.003.0003.

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Abstract Basic types of creation myth are treated here. The ex nihilo (from nothing) myth, for instance, emphasizes creation from the mind of the Creator (e.g., Yahweh/God/Allah) or creation from the words of the Creator (e.g., the Polynesian Io). The creation from chaos myth tells of creation from undifferentiated material such as cosmic eggs (e.g., the Dogon world egg). The world parents myth—creation from the sacrifice of the world parent(s) (e.g., the Chinese Pangu, the Indian Purusha, the Norse Ymir) often involves the separation of the two world parents, representing Earth and Heaven (e.g., the Polynesian Papa and Rangu, the Mesopotamian Apsu and Tiamat, the Egyptian Geb and Nut). In the earth diver myth an animal dives into the primordial waters to find soil that becomes Earth. This type is particularly prevalent among Native American tribes of the east (e.g., the Iroquoians). In the emergence-type myth, the people emerge from the World Mother (Earth). The birth metaphor is evident here. This myth type is almost exclusively southwestern Native American (e.g., Dine, Hopi) and in it goddesses play significant roles. The chapter undertakes to ask why we have creation myths. Why are they important for our sense of ourselves as cultures and as a species?
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"The World Of Chinese Mythology: An Introduction." In China’s Creation and Origin Myths, 25–54. BRILL, 2011. http://dx.doi.org/10.1163/ej.9789004194854.i-354.18.

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Conference papers on the topic "Chinese mythology"

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Zhang, Dong. "Review of Research on Chinese Mythology." In 8th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220306.038.

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Oetomo, Repelita, Usman Pelly, and Ichwan Azhari. "Gods Of Education In Chinese Mythology." In Proceedings of the 8th Annual International Seminar on Transformative Education and Educational Leadership, AISTEEL 2023, 19 September 2023, Medan, North Sumatera Province, Indonesia. EAI, 2023. http://dx.doi.org/10.4108/eai.19-9-2023.2340548.

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Huang, Zhan. "Path Analysis of Chinese Mythology to Fantasy Film in the Digital Age." In Proceedings of the 6th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/assehr.k.191217.212.

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Hu, Liu. "Vampire-like Characters of Folk Mythology (Based on Chinese and Serbian Traditions)." In Slavic World: Commonality and Diversity. Institute of Slavic Studies, Russian Academy of Sciences, 2021. http://dx.doi.org/10.31168/2619-0869.2021.2.14.

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Lin, Guanqiong. "MYTHOPOETICS OF THE FOX SPIRIT IN THE SHORT STORIES OF B. M. YULSKY AND PU SONGLING." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.29.

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The article is devoted to the hermeneutic and comparative analysis of the short story The Fox’s Footprint (1939) by the Russian writer of the Harbin diaspora B. M. Yulsky. The mystical, mythological, adventure aspects are studied. The image of the fox spirit in Chinese culture, in particular, in the collection of stories Liao Zhai zhi yi (17th century) by the Chinese writer Pu Songling, is researched. The emphasis is placed on the cult of immortal foxes in Manchuria in the 19th — first half of the 20th century. It is proved that in his prose Yulsky relied on the eastern cultural context and thereby created the authorial frontier mythology, expressing it in the genre of the mystical-adventure story.
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XU, XIN. "THE CURRENT SITUATION AND DEVELOPMENT OF CHINESE MYTHOLOGICAL ANIMATED FILMS IN THE CONTEXT OF NATIONAL CULTURAL REVIVAL." In 2021 INTERNATIONAL CONFERENCE ON ADVANCED EDUCATION AND INFORMATION MANAGEMENT. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/aeim2021/35957.

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Abstract. In the context of national cultural confidence mythological animated films have become an important issue in animated film types. Put the three films “Monkey King Hero is Back”, “White Snake”, and “Ne Zha: I am destiny “into the status and development of domestic animated mythology films. It is necessary to deal with IP images in artistic films, innovative mythological subjects, constructing new stories, and audiences of all ages. Therefore, we must start with tell good stories, enlightening values, expanding overseas communication, and so on, so as to improve animation creation and domestic and foreign influence.
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Wulandari, Adi. "The Animated Film of Ne Zha in Disruptive Era: From Chinese Classical Mythology goes to Global." In Proceedings of the 2nd International Seminar on Translation Studies, Applied Linguistics, Literature and Cultural Studies, STRUKTURAL 2020, 30 December 2020, Semarang, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.30-12-2020.2311278.

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Liu, Hui. "A Brief Comparison on the Images of “Gods” in Chinese and Greek Mythology and the Social Background." In 2020 Conference on Education, Language and Inter-cultural Communication (ELIC 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201127.113.

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Yuan, Yan. "Chinese, Ancient Greek Mythology and “Human Essence”: The Exploration of “Human Nature” From the Perspective of Information Philosophy." In 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200316.140.

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Tong, Wei, V. Martynov, and L. Diuachkova. "IMAGE OF THE BIRD THE PHOENIX IN THE CHINESE MYTHOLOGY AS THE SUBJECT IN CREATION OF DECORATIVE COMPOSITION IN THE COURSE OF TRAINING OF BACHELORS ARTS AND CRAFTS AND DESIGN." In INNOVATIONS IN THE SOCIOCULTURAL SPACE. Amur State University, 2020. http://dx.doi.org/10.22250/iss.2020.6.

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