Relevant bibliographies by topics / Chinese mythology

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Chinese mythology'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Chinese mythology"

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Musurmanov Erkin. "Representations of the origin of the universe in ancient and centrasiatic mythology." International Journal on Integrated Education 3, no. 6 (2020): 52–55. http://dx.doi.org/10.31149/ijie.v3i6.406.

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This article discusses the interpretation of the main gods of the Uzbek (Turkic) and Chinese mythology, their similar and distinctive features. Comparing the deities of Chinese mythology Pangu and Uzbek mythology Tengri, as well as the goddesses of Chinese and Uzbek mythology Nyuva and Umai, it is concluded that there is the unity of the genesis of the main gods of the pantheon of mythology of the two peoples.
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Aijmer, Goran, and Anne Birrell. "Chinese Mythology: An Introduction." Journal of the Royal Anthropological Institute 2, no. 1 (1996): 168. http://dx.doi.org/10.2307/3034649.

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Hegel, Robert E., and Anne M. Birrell. "Chinese Mythology: An Introduction." Chinese Literature: Essays, Articles, Reviews (CLEAR) 18 (December 1996): 205. http://dx.doi.org/10.2307/495635.

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Wang, Jiashen. "Exploring the New Interpretation of the Fengshen Story." Communication, Society and Media 7, no. 2 (2024): p1. http://dx.doi.org/10.22158/csm.v7n2p1.

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As a classic Chinese mythology novel, Fengshen yanyi (Investiture of the Gods) is famous for its cultural value, historical value and social value. The story of “Fengshen” is also considered a rich source of inspiration for entertainment and cultural industries in China, influencing a wide range of audiences with diverse backgrounds. As developing the potential “story universe” of Fengshen has become a hot topic in the Chinese film market, reinterpreting Chinese mythology needs to be focused on. Based on the case of the “Fengshen story”, this study aims to explore the new context of Chinese my
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Tu, Xiaofei, and Wendy Xie. "The Kojiki/Nihon Shoki Mythology and Chinese Mythology: Theme, Structure, and Meaning." Religions 12, no. 10 (2021): 896. http://dx.doi.org/10.3390/rel12100896.

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This essay will compare myths found in the Kojiki and the Nihon Shoki with thematically and structurally similar Chinese myths, and other Japanese texts, in order to shed light on the meanings of both Japanese and Chinese mythology. The authors’ approach is partly in the critical textual study tradition that traces back to Gu Jiegang and Tsuda Sokichi, and partly informed by comparative mythologists, such as Matsumae Takeshi, Nelly Naumann, and Antonio Klaus, with attention to Proppian and Levi-Straussian motifs in structural studies. First, we shall discuss some common themes in Chinese and K
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Milanova, Elitsa. "Chinese Mythology and Transmedia Storytelling." Chuzhdoezikovo Obuchenie-Foreign Language Teaching 49, no. 2 (2024): 195–205. http://dx.doi.org/10.53656/for2024-02-08.

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The article analyzes the representation of Chinese mythology in the movie “Shang-Chi and the Legend of Ten Rings” and the movie as liguodidactic tool for learning Chinese language and culture. It studies the potential of lessons based on transmedia storytelling approach and transmedia storytelling products. Based on the new perception of knowledge as market product, the advantages of using marketing strategies for education are justified.
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Xinyu, Ye, and Muhammad Anas AL-Muhsin. "COMPARATIVE STUDY ON MYTH BETWEEN CHINESE AND ARABIC: PHOENIX AS AN EXAMPLE." International Journal of Humanities, Philosophy and Language 3, no. 10 (2020): 12–17. http://dx.doi.org/10.35631/ijhpl.310002.

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The myth of a nation reflects the collective memory of the nation and is the source of the philosophy, religion, and literature of the nation. Since the 1930s, mythological research has gradually emerged in China, but there are few comparative studies on Chinese and Arab mythology. Comparative study on myth between Chinese and Arabic: Phoenix as an example in terms of social values and national traits. This article is based on the specific exploration of the mythical image of Phoenix. The records of the Arab world for the phoenix are derived from some ancient Arabic books and this research on
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Akhmetbek, G., and R. Zhusupov. "A BRIEF HISTORY OF THE DEVELOPMENT OF CHINESE MYTHOLOGY." Bulletin of the Korkyt Ata Kyzylorda University 60, no. 1 (2022): 175–83. http://dx.doi.org/10.52081/bkaku.2022.v60.i1.023.

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Chinese mythology is rich in characters invented by the boundless fantasy of the human race, there are more than a thousand of them. Mythological works are directly related to literature, therefore legends and fairy tales, where these characters appear, influenced the literature of China, and sometimes even intersect with its history.At the beginning of our era, interest in China was focused on all the unusual and strange phenomena and things that could arise as a reaction to the "dry" practice of the followers of Confucianism. Remnants of myths, folk legends and beliefs began to appear on pap
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Zhu, Jialei, and Ruochen Wang. "Book Review: “Chinese Mythology Philosophy” by Ye Shuxian." Frontiers in Humanities and Social Sciences 5, no. 3 (2025): 474–79. https://doi.org/10.54691/xnd3ae78.

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Ye Shuxian's Chinese Mythology Philosophy is a distinctive theoretical work which explores mythological foundations of Chinese philosophical modes of thinking, focusing on the relationship between mythological and philosophical thinking, and the evolution of the philosophical embryo in myths into philosophy. It is a masterpiece in the study of Chinese mythology.
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Zhao, Yiming, and Dongfang Zheng. "Traditional Chinese Mythology in Animation Art." Highlights in Art and Design 3, no. 3 (2023): 61–63. http://dx.doi.org/10.54097/hiaad.v3i3.11220.

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Chinese traditional myths, as an important part of Chinese culture, have been widely applied and expressed in animation art. From the perspective of animation art, this paper will discuss in depth the expression forms and expression methods of traditional Chinese myths in animation art, including the use of myth elements in animation, the creation of myth characters, the way of narrating myth plots, and the expression of myth meanings. Through analyzing and comparing related animation works, this paper will explore the performance characteristics of Chinese traditional myths in animation art a
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Dissertations / Theses on the topic "Chinese mythology"

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Moore, Emily Olive. "Translating Greek Mythology in Contemporary Chinese Science Fiction." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8764.

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Given its early connection to western science fiction, it is not entirely surprising that contemporary Chinese science fiction (csf) frequently references the "west" in general and Greek mythology in particular. The three works that I analyze in this paper are Xia Jia's "Psychology Game," Gu Shi's "Chimera," and Egoyan Zheng's The Dream Devourer. These three texts utilize Greek mythology in different ways, to different degrees, and with different purposes, and yet they all use Greek mythology to visually disrupt their respective texts. Xia Jia ends "Psychology Game" with a direct Greek-languag
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Lee, Intack. "Selected myths of China and Korea a comparative study analysis /." access full-text online access from Digital Dissertation Consortium, 1993. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9334922.

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Zha, Yu 1970. "The mythology of Hero : a study of Chinese national cinema." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79987.

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As the twentieth century ended with globalization and commercialization, popular culture begins to challenge the dominance of national culture. The Chinese intellectual community tries to defend national culture against the incoming global culture and local cultures. The conflicts between localism and nationalism, and also between globalism and nationalism, are clearly demonstrated in the Hero phenomenon, which basically concerns the unanimous disparagement on director Zhang Yimou's debut martial arts film Hero within the Chinese critics' circle. Through a discursive analysis of the phe
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Chan, Wai-yu, and 陳慧瑜. "The idea of kingship in ancient Chinese and Japanese mythologies: a comparative study." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31228185.

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Sun, Linda. "Translocation this thesis is submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art and Design) in the year 2004." Full thesis. Abstract, 2004.

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連劭名 and Shaoming Lian. "The Sui, Fu, Yu, and Bai sacrifice ceremonies recorded indivination inscriptions of the Shang Dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31235992.

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盧仲衡 and Allan Chung-hang Lo. "Myth in the Zhiguai tales of the Six Dynasties." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1991. http://hub.hku.hk/bib/B31209920.

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陳桂月 and Kwee-nyet Chin. "The mythical world of modern Chinese writers (1919-1949)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31234744.

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Dmitrieva, Victoria. "The legend of Shambhala in Eastern and Western interpretations /." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28260.

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The legend of Shambhala incorporated in the Tibetan Canon, has been one of the favourite motives of Tibetan Buddhism throughout the centuries. High lamas and laity alike venerated the legend connecting their innermost aspirations with it. For some it represents a mystical millennial country revealing itself only to the chosen ones, while others perceive it as a symbol of the hidden treasures of the mind. This way or the other, the legend of Shambhala remains a living belief for many. The present hardships of Tibet made the legend with its leitmotif of future victory of Buddhism, especially via
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Waksmunski, Valerie. "Yielding to the Worthy: The Chinese Abdication Myth as Discourse on Hereditary vs. Merit-based Leadership." Youngstown State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1441799724.

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Books on the topic "Chinese mythology"

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Ollhoff, Jim. Chinese mythology. ABDO, 2011.

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Xiaomin, Zhao, ed. Essential Chinese Mythology. Thorsons, 1997.

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Wen-li, Kʻo, and Hou Mei-hsüeh, eds. Stories from Chinese mythology. Nankai University Press, 1991.

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Yang, Lihui. Handbook of Chinese mythology. ABC-CLIO, 2005.

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Birrell, Anne. Chinese mythology: An introduction. Johns Hopkins University Press, 1993.

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Deming, An, and Turner Jessica Anderson, eds. Handbook of Chinese mythology. Oxford University Press, 2008.

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Birrell, Anne. Chinese myths. British Museum Press, 2000.

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Green, Jen. Chinese and Japanese myths. Gareth Stevens Pub., 2010.

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Sanders, Tao Tao Liu. Dragons, gods & spirits from Chinese mythology. P. Bedrick Books, 1995.

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Ong, Hean-Tatt. Legend of the Chinese lung: The Chinese "dragon". Eastern Dragon Press, 1996.

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Book chapters on the topic "Chinese mythology"

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Ye, Shuxian. "An Interdisciplinary Paradigm of Mythology." In Research Series on the Chinese Dream and China’s Development Path. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-3096-6_2.

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Li, Yingfeng. "Mo Yan and William Faulkner: Construction and Interpretation of Folk Mythology." In Hallucinatory Realism in Chinese Literature. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-0666-6_14.

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Li, Peilin, Jingdong Qu, and Yabin Yang. "Yang Kun and His Study of Ethnology and Mythology." In Chinese Sociologists in the First Half of the 20th Century. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-2653-0_35.

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Ng, Kenny Kwok-Kwan. "The Eternal Return of Mythology: The White (Green) Snake Legend in Maoist China and Colonial Hong Kong." In Chinese Shock of the Anthropocene. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-6685-7_5.

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Meng, Lingwei, and Chuanying Teng. "The Mythology of Chinese Martial Arts Tourism: A Case Study of the Shaolin Temple on Multiple Dimensions." In Understanding and Translating Chinese Martial Arts. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-8425-9_2.

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"Chinese legends and mythology." In Companion to Literary Myths, Heroes and Archetypes. Routledge, 2015. http://dx.doi.org/10.4324/9781315677095-31.

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"RELATION OF BUDDHISM TO THE OLDER HINDOO MYTHOLOGY." In Chinese Buddhism. Routledge, 2013. http://dx.doi.org/10.4324/9781315011868-19.

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Lloyd, Geoffrey. "Mythology: Reflections from a Chinese Perspective." In From Myth to Reason? Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198152347.003.0008.

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Abstract I Shall start from two positions, both of which have a certain prima-facie plausibility, but which seem to be in conflict with one another. The first is the idea that every society has its myths. Maybe a particular society will not have myths of a particular kind, say cosmogonic myths or myths to do with technological inventions or myths involving monstrous beasts. Maybe also whatever distinctions we ourselves choose to draw between myths, legends, sacred tales, and folk tales, may, in certain cultures, be eroded or difficult to apply.
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"CHAPTER XI. RELATION' OF BUDDHISM TO THE OLDER HINDOO MYTHOLOGY." In Chinese Buddhism. Gorgias Press, 2003. http://dx.doi.org/10.31826/9781463207724-015.

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Leeming, David A. "Creation." In World Mythology. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/actrade/9780197548264.003.0003.

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Abstract Basic types of creation myth are treated here. The ex nihilo (from nothing) myth, for instance, emphasizes creation from the mind of the Creator (e.g., Yahweh/God/Allah) or creation from the words of the Creator (e.g., the Polynesian Io). The creation from chaos myth tells of creation from undifferentiated material such as cosmic eggs (e.g., the Dogon world egg). The world parents myth—creation from the sacrifice of the world parent(s) (e.g., the Chinese Pangu, the Indian Purusha, the Norse Ymir) often involves the separation of the two world parents, representing Earth and Heaven (e.
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Conference papers on the topic "Chinese mythology"

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Zhang, Dong. "Review of Research on Chinese Mythology." In 8th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220306.038.

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Oetomo, Repelita, Usman Pelly, and Ichwan Azhari. "Gods Of Education In Chinese Mythology." In Proceedings of the 8th Annual International Seminar on Transformative Education and Educational Leadership, AISTEEL 2023, 19 September 2023, Medan, North Sumatera Province, Indonesia. EAI, 2023. http://dx.doi.org/10.4108/eai.19-9-2023.2340548.

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Huang, Zhan. "Path Analysis of Chinese Mythology to Fantasy Film in the Digital Age." In Proceedings of the 6th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/assehr.k.191217.212.

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Hu, Liu. "Vampire-like Characters of Folk Mythology (Based on Chinese and Serbian Traditions)." In Slavic World: Commonality and Diversity. Institute of Slavic Studies, Russian Academy of Sciences, 2021. http://dx.doi.org/10.31168/2619-0869.2021.2.14.

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Lin, Guanqiong. "MYTHOPOETICS OF THE FOX SPIRIT IN THE SHORT STORIES OF B. M. YULSKY AND PU SONGLING." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.29.

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The article is devoted to the hermeneutic and comparative analysis of the short story The Fox’s Footprint (1939) by the Russian writer of the Harbin diaspora B. M. Yulsky. The mystical, mythological, adventure aspects are studied. The image of the fox spirit in Chinese culture, in particular, in the collection of stories Liao Zhai zhi yi (17th century) by the Chinese writer Pu Songling, is researched. The emphasis is placed on the cult of immortal foxes in Manchuria in the 19th — first half of the 20th century. It is proved that in his prose Yulsky relied on the eastern cultural context and th
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XU, XIN. "THE CURRENT SITUATION AND DEVELOPMENT OF CHINESE MYTHOLOGICAL ANIMATED FILMS IN THE CONTEXT OF NATIONAL CULTURAL REVIVAL." In 2021 INTERNATIONAL CONFERENCE ON ADVANCED EDUCATION AND INFORMATION MANAGEMENT. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/aeim2021/35957.

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Abstract. In the context of national cultural confidence mythological animated films have become an important issue in animated film types. Put the three films “Monkey King Hero is Back”, “White Snake”, and “Ne Zha: I am destiny “into the status and development of domestic animated mythology films. It is necessary to deal with IP images in artistic films, innovative mythological subjects, constructing new stories, and audiences of all ages. Therefore, we must start with tell good stories, enlightening values, expanding overseas communication, and so on, so as to improve animation creation and
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Wulandari, Adi. "The Animated Film of Ne Zha in Disruptive Era: From Chinese Classical Mythology goes to Global." In Proceedings of the 2nd International Seminar on Translation Studies, Applied Linguistics, Literature and Cultural Studies, STRUKTURAL 2020, 30 December 2020, Semarang, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.30-12-2020.2311278.

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Liu, Hui. "A Brief Comparison on the Images of “Gods” in Chinese and Greek Mythology and the Social Background." In 2020 Conference on Education, Language and Inter-cultural Communication (ELIC 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201127.113.

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Yuan, Yan. "Chinese, Ancient Greek Mythology and “Human Essence”: The Exploration of “Human Nature” From the Perspective of Information Philosophy." In 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200316.140.

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Funk, Maria A., and Ekaterina A. Girchenko. "New Finds of the Sanxingdui Culture and Their Relations with Materials from Sacrificial Pits No. 1 and No. 2." In ВОСТОК-ФОКУС: актуальные вопросы изучения истории, международ ных отношений и культур стран Востока: материалы VII Международной научно-практической конференции. IPC NSU, 2024. https://doi.org/10.25205/978-5-4437-1701-2-2.

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The incredible finds of the Sanxingdui site located in Sichuan Province, discovered in 1986, amaze with the diversity of ritual bronze sculpture, a large number of thin jade scepters and dagger axes, and the technology of making thin gold foil coatings. The unusual style, clearly based on a rich mythology, is completely unlike the synchronous cultures of adjacent territories. Many researchers, having paid attention to the unusual physiognomic characteristics of the anthropomorphic figures, have made various assumptions about the ethnicity of the people of Sanxingdui culture and even about a po
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