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1

Chinese apples: New and selected poems. Alfred A. Knopf, 2006.

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2

Levine, Steve. To and for: New and selected poems. Coffee House Press, 1992.

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3

Chu ci yan jiu lun wen ji: Fu jin san shi nian guo nei wai suo jian Chu ci lun wen mu lu. Xue hai chu ban she, 1985.

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4

My Chinatown: One year in poems. HarperCollins, 2002.

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5

New tide: Contemporary Chinese poems. Mangajin Books, 1992.

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6

Tian, Xiaofei, ed. Reading Du Fu. Hong Kong University Press, 2020. http://dx.doi.org/10.5790/hongkong/9789888528448.001.0001.

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This is the first collection of English essays on Du Fu, commonly regarded the greatest Chinese poet. Contributed by well-known experts of Chinese literature as well as scholars of a younger generation, these essays are engaged in historically nuanced close reading of Du Fu’s poems, both canonical and less known, from new angles and in various contexts. They discuss a series of critical issues, including the local and the imperial; the body politic and the individual body; poetry and geography; perspectives on the complicated relation of religion and literature; materiality and contemporary re
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7

Piero, W. S. Di. Chinese Apples: New and Selected Poems. Knopf, 2009.

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8

Piero, W. S. Di. Chinese Apples: New and Selected Poems. Knopf, 2007.

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9

300 Tang poems: A new translation. Commercial, 1999.

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10

Ping, Wang. New Generation: Poems from China Today. Hanging Loose Press, 1999.

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11

(Editor), Xu Yuan-zhong, Loh Bei-yei (Editor), and Wu Juntao (Editor), eds. 300 Tang Poems: A New Translation. Bookman Books Ltd., 1992.

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12

1921-, Xu Yuanchong, Loh Bei-yei, and Wu Juntao 1927-, eds. 300 Tang poems: A new translation. The Commercial Press, 1987.

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13

(Translator), Brian Holton, ed. Where the Sea Stands Still: New Poems. Bloodaxe Books, 1999.

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14

Poems of the Late T'ang (New York Book Review Classics). NYRB Classics, 2008.

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15

300 Tang Poems: New Translation (Xin Yi Tang Shi 300 Shou, in Traditional Chinese). 4th ed. San Min, 1999.

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16

Hamill, Sam. Crossing the Yellow River : Three Hundred Poems from the Chinese (New American Translations: 13). BOA Editions, 2000.

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17

Hsü, Yüan-chung, Pei-hsien Lu, and Chün-tao Wu. 300 Tang poems : A new translation = Tang shih san pai shou hsin i. Commercial Press, 1987.

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18

Chu ci yan jiu cheng gong zhi lu: Hai nei wai Chu ci zhuan jia zi shu (Sanxia jing ji wen hua cong shu). Chongqing chu ban she, 2000.

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19

1949-, Pei-tao, and Barnstone Tony, eds. Out of the howling storm: The new Chinese poetry : poems by Bei Dao ... [et al.]. Wesleyan University Press, 1993.

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20

Mak, Kam. My Chinatown: One Year in Poems. HarperCollins, 2001.

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21

Mak, Kam. My Chinatown: One Year in Poems. HarperCollins, 2001.

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22

My Chinatown: One Year in Poems. HarperCollins, 2001.

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23

Mak, Kam. My Chinatown: One Year in Poems. HarperCollins, 2001.

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24

My Chinatown: One Year in Poems. HarperCollins, 2016.

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25

300 Tang Poems: New Translation (Xin yi tang shi 300 shou, in Traditional Chinese, NOT in English). 4th ed. San Min, 2003.

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26

Tang shi san bai shou xin yi: Ying Han dui zhao = 300 Tang poems, a new translation : English-Chinese. Shang wu yin shu guan (Xianggang) you xian gong si, 1988.

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27

Rilke, Rainer Maria. Rainer Maria Rilke: Neue Gedichte/New Poems (Poetry Pleiade). Carcanet Press,, 1997.

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28

Ready, Jonathan L. The Homeric Simile in Comparative Perspectives. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198802556.001.0001.

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The Homeric Simile in Comparative Perspectives: Oral Traditions from Saudi Arabia to Indonesia investigates both the construction of the Homeric simile and the performance of Homeric poetry from neglected comparative perspectives. The first part considers similes in five modern oral poetries—Rajasthani epic, South Sumatran epic, Kyrgyz epic, Bosniac epic, and Najdi lyric poems from Saudi Arabia—and studies successful performances by still other verbal artists, such as Egyptian singers of epic, Turkish minstrels, and Chinese storytellers. In applying these findings to the Homeric epics, the sec
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29

Ganeri, Jonardon. Virtual Subjects, Fugitive Selves. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198864684.001.0001.

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Fernando Pessoa (1888–1935) has become many things to many people in the years that have passed since his untimely death. For some he is simply the greatest Portuguese poet of the twentieth century. For others he has gradually emerged as a forgotten voice in twentieth-century modernism. And yet Pessoa was also a philosopher, and it is only very recently that the philosophical importance of his work has begun to attract the attention it deserves. Pessoa composed systematic philosophical essays in his pre-heteronymic period, defending rationalism in epistemology and sensationism in the philosoph
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