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Dissertations / Theses on the topic 'Chinese novels'

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1

Cai, Zheng. "Cold literature on Gao Xingjian's novels and stories /." online access from Digital Dissertation Consortium, 2007. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?MR29875.

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2

Wong, Chi-hung, and 黃自鴻. "Space in Taiwan urban novels." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B35808068.

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3

陳家春 and Ka-chun Chan. "Eros and mainland Chinese novels after the cultural revolution." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31212074.

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4

Li, Yan Ling. "Chinese family values in a selection of Chinese-American and Chinese-Canadian children's novels on the immigrant experience." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44763.

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This study examines the representation of traditional family values, in particular filial piety, in four Chinese-North American immigrant children’s books: The Bone Collector’s Son by Paul Yee, The Star Fisher by Laurence Yep, Donald Duk: A Novel by Frank Chin, and Yang the Third and Her Impossible Family by Lensey Namioka. Utilizing the theoretical framework of Critical Race Theory and the methodologies of content analysis and close reading, this research investigates the depiction of the role and importance of filial piety in the immigrant families of the texts, as well as the relationship b
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Su, Weizhen. "The novels of Zhang Ailing in Hong Kong 1952-1955 /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21106368.

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6

Lü, Yongjia. "Xi Xi xiao shuo zhong de "cheng shi kong jian" = "Urban space" in Xi Xi's novels /." click here to view the fulltext click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b2020842xf.pdf.

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7

Wong, Miu-sim Malindy. "Chinese-American mothers and daughters the novels of Amy Tan /." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B37667300.

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Wong, Miu-sim Malindy, and 黃湯妙嬋. "Chinese-American mothers and daughters: the novels of Amy Tan." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B37667300.

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9

劉燕萍 and Yin-ping Grace Lau. "Grotesque satire in the Ming and Qing novels." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31240495.

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10

Ma, Guoming, and 馬國明. "Hong Kong martial art novels: the case of Louis Cha." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31212566.

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趙米卿 and Mai-hing Chui. "A study of the Ming and Qing historical novels related toYue Fei." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B38803835.

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Lu, Pei'er. "Xu shu "jiu qi" : Xianggang xiao shuo zhong de shi jian yu xu shi = Narrating "1997" : time and narrative in Hong Kong novels /." click here to view the fulltext click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b19843926f.pdf.

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13

Yang, Lan. "Characterisation and lexical style in Chinese novels of the Cultural Revolution (1966-1976)." Thesis, University of Edinburgh, 1996. http://hdl.handle.net/1842/21621.

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Around 130 novels were officially published during the Cultural Revolution (CR). Among them, 24 novels which concern agriculture under the People's Republic occupy a prominent place. The investigation presented in this dissertation concentrates on these CR agricultural novels. Chapter I is the introduction, which discusses the theoretical foundation of CR novels through surveying the Chinese Communist Party's policies on literature and the arts. The tenets of Mao's 'Yan'an Talks' and the slogan 'Combination of Revolutionary Realism and Revolutionary Romanticism', along with the newly establish
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Chui, Mai-hing. "A study of the Ming and Qing historical novels related to Yue Fei Yi Yue Fei wei ti cai de Ming Qing yan yi yan jiu /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record/B38803835.

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Li, Ying. "The city in Wang Anyi's novels a comparative perspective /." Diss., UC access only, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3357002.

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Thesis (Ph. D.)--University of California, Riverside, 2009.<br>Includes abstract. Includes bibliographical references (leaves 190-200). Issued in print and online. Available via ProQuest Digital Dissertations.
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梁淑雯. "文革後小說中的瘋癲書寫 = Madness in the novels of post-Cultural Revolution". HKBU Institutional Repository, 2009. http://repository.hkbu.edu.hk/etd_ra/1050.

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Chan, Red M. H. "Politics of translation : mainland Chinese novels in the Anglophone world during the post-Mao era." Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.273099.

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Hsu, Chu-Ching. "Translation strategies in Anglo-American novels translated into Chinese with special reference to terms of address." Thesis, SOAS, University of London, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.500050.

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Wong, Chi-hung. "Space in Taiwan urban novels a study of fiction by Huang Fan, Lin Yaode, Zhu Tianwen and Zhu Tianxin = Taiwan du shi xiao shuo de kong jian : Huang Fan, Lin Yaode, Zhu Tianwen, Zhu Tianxin zuo pin yan jiu /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B35808068.

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Xiao, Di. "Renarrating China : representations of China and the Chinese through the selection, framing and reviewing of English translations of Chinese novels in the UK and US, 1980-2010." Thesis, University of Manchester, 2015. https://www.research.manchester.ac.uk/portal/en/theses/renarrating-china-representations-of-china-and-the-chinese-through-the-selection-framing-and-reviewing-of-english-translations-of-chinese-novels-in-the-uk-and-us-19802010(632da402-70c5-4e00-b219-c5111c6ebce1).html.

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Various narratives of China and the Chinese have been elaborated in western literature since as early as the 13th century (for example, The Travels of Marco Polo, 1289). Prior to the 18th century, as documented in earlier studies, these narratives largely depicted China from a utopian and positive perspective. From the late 18th century to the early 20th century, China and the Chinese began to be cast in a generally negative light, in both non-translated European – mainly English and French – literature (for example, Farther Adventures of Robinson Crusoe by Daniel Defoe) and translations of Ch
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Feng, Xiaoran. "Jin Yong wu xia xiao shuo zhong "wu" yu "xia" de cheng ji yu chuang xin = The inheritance and innovation of "wu" and "xia" in Jin Yong's novels /." click here to view the abstract and table of contents, 2000. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b15722648a.pdf.

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Nie, Jing. "Contemporary Chinese Cinema: Fifth Generation films, urban films, and Sixth Generation films." Ohio : Ohio University, 2003. http://www.ohiolink.edu/etd/view.cgi?ohiou1061419663.

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呂永佳. "西西小說中的「城市空間」 = "Urban space" in Xi Xi's novels". HKBU Institutional Repository, 2006. http://repository.hkbu.edu.hk/etd_ra/791.

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李慧敏. "《狼圖騰》、《塵埃落定》英譯研究: 從互文性角度分析兩部以中國少數民族邊地為背景的中文小說英譯= A study of wolf totem and red poppies: an intertextual analysis of English translations of two Chinese novels set in China's ethnic minority regions". HKBU Institutional Repository, 2016. https://repository.hkbu.edu.hk/etd_oa/257.

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本論文從互文性視角研究《狼圖騰》和《塵埃落定》的英譯,通過建立文本內部的話語與文本外部的話語之間的互文聯繫,分析源文內部的話語與源語系統中相關話語的互文性,及英譯內部的話語與目標語系統中相關話語的互文性,進而闡釋源文的文本意義和英譯的文本意義。 全文共分四章。第一章為緒論,介紹本文的選題背景、研究範圍與研究問題、研究方法、文獻綜述、理論框架和章節佈局。第二章是對《狼圖騰》及其英譯Wolf Totem作文本分析。本章通過分析在源文和英譯中圍繞蒙古族草原生態觀而展開對話的四類話語,建立每一類話語在源語系統和目標語系統中的互文聯繫,發現《狼圖騰》的文本意義是強調借蒙古文化的元素使中國變強大的話語,而其英譯Wolf Totem則重在彰顯內蒙古的蒙古文化,弱化了中國崛起的話語。第三章是對《塵埃落定》及其英譯Red Poppies作文本分析。本章通過分析在源文和英譯中圍繞嘉絨族群身份認同而展開對話的五類話語,建立每一類話語在源語系統和目標語系統中的互文聯繫,進而發現《塵埃落定》的文本意義是借追尋族群身份來彰顯嘉絨藏族的主體性。其英譯Red Poppies文本產生的意義則不在於尋找嘉絨族群身份,而是更突出了這一文本與英語世界裡西藏觀的既有話語的互動。第四章為結語部分,總結本論文的研究成果,對本論文運用的理論和方法進行批判性反思,最後是對後續研究的方向作出展望。 This thesis provi
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Song, Ge. "Indes néerlandaises et culture chinoise. Deux traductions malaises du Roman des Trois Royaumes (1910-1913)." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCF036/document.

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Au début des années 1880, un grand nombre de traductions malaises de romans chinois émanant de descendants de Chinois (appelés en malais peranakan) parurent aux Indes néerlandaises sous la forme d’ouvrages imprimés. Nous avons choisi d’en étudier deux, parues simultanément pendant les années 1910-1913, à un moment où la communauté chinoise d’Insulinde essayait de repenser son identité culturelle et politique, sous les angles littéraire, philologique, historique et sociologique. Il s’agit de deux traductions complètes du Sanguo yanyi 三国演义, le plus remarquable des romans historiques chinois trai
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Li, Mengjun. "In the Name of A Love Story: Scholar-Beauty Novels and the Writing of Genre Fiction in Qing China (1644-1911)." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1406132481.

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陸✹而. "✹述「九七」 : 香港小說中的時間與✹事 = Narrating "1997" : time and narrative in Hong Kong novels". HKBU Institutional Repository, 2006. http://repository.hkbu.edu.hk/etd_ra/688.

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Gao, Xiongya. "Images of Chinese women in Pearl S. Buck's novels : a study of characterization in East wind, west wind, Pavilion of woman, Peony, The good earth, and The mother." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/862280.

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This study is an analysis of images of Chinese women in five of Pearl S. Buck's novels: East Wind: West Wind, The Good Earth, The Mother, Pavilion of Women, and Peony. Buck's female characters, with their different degrees of individuality and typicality, form a realistic picture of Chinese women.In terms of thematic content, the study shows that all Buck's female characters use their limited power within the constraints of their society to achieve what they deserve, often employing different, covert ways, some manipulation, and even a little deception.The significance of this is that it revea
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吳笑瑩. "沈從文小說死亡審美研究 = Study on death aesthetics of Shen Cong-wen's novels". Thesis, University of Macau, 2011. http://umaclib3.umac.mo/record=b2485476.

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吳家聲. "從評論走進張承志的小說世界 = Study on Zhang Cheng Zhi's novels through comentaries". Thesis, University of Macau, 2004. http://umaclib3.umac.mo/record=b1636196.

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盧添好. "蘇青小說的倫理敘事研究 = The study of moral (ethical) narration in Sui Qing's novels". Thesis, University of Macau, 2009. http://umaclib3.umac.mo/record=b2101685.

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馮筱然. "金庸武俠小說中《武》與《俠》的承繼與創新 = The inheritance and innovation of "wu" and "xia" in Jin Yong's novels". HKBU Institutional Repository, 2000. http://repository.hkbu.edu.hk/etd_ra/205.

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劉天枝. "論金庸武俠小說的絕境書寫 :以"射鵰"三部曲為例 = Research on the desperation narrative of Jin Yong's Martial Arts novels : taking the Condor Trilogy for instance". Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3954251.

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Andolfatto, Lorenzo. "Paper worlds : the chinese utopian novel at the beginning of the twentieth century, 1902-1910." Thesis, Lyon 3, 2015. http://www.theses.fr/2015LYO30033.

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A travers cette recherche, nous souhaitons identifier et définir le genre duroman utopique de la fin des Qing via la lecture attentive d'une sélection deromans chinois écrits entre 1902 et 1910. A partir de l'analyse de romans telsque Xin Zhongguo weilai ji de Liang Qichao (1902 ), Shizi hou de Chen Tianhua(1905), Xin shitou ji de Wu Jianren (1908) et Xin Zhongguo de Lu Shi'e(1910), nous pensons qu'un tel genre littéraire puisse être considéré à la foiscomme un produit particulier du climat de fragmentation socio-historique quicaractérise la période de la fin des Qing, et comme un prisme utile
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Starr, Chloe. "The late Qing courtesan novel as text and fiction." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311310.

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Kockum, Keiko. "Japanese achievement, Chinese aspiration a study of the Japanese influence on the modernisation of the late Qing novel /." Löberöd : Plus Ultra, 1990. http://catalog.hathitrust.org/api/volumes/oclc/24703921.html.

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Tei, Chiew Siah. "Chinese texts, Western analysis : from film to novel." Thesis, University of Glasgow, 2007. http://theses.gla.ac.uk/3992/.

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This study explores perceptions of Chinese texts by Western audiences while looking into the interrelation between film and literature. This is done by two means: firstly, through a detailed discussion of film adaptations with the focus on Chinese cinema, and secondly, through a practical demonstration of a filmic style in prose fiction in the form of an original book-length piece of fiction. Using Bakhtin’s ‘dialogism’ as the point of departure, the research on adaptations adopts an intertextual approach of adaptation theory as developed by Robert Stam, looking into the intertextual relations
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Haji, Mohd daud Kathrina. "Creative : Jongsarat Critical : Christianity and the Canon : reading the Chinese American Canon through the sacred." Thesis, University of Manchester, 2011. https://www.research.manchester.ac.uk/portal/en/theses/creative-jongsaratcritical-christianity-and-the-canon-reading-the-chinese-american-canon-through-the-sacred(975edb1f-faae-422e-8bb2-904759bb8de8).html.

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Creative: Jongsarat is a full-length fictional novel set in Brunei. It follows the lives of two cousins as they struggle with the same decision over the course of one summer. Rijal, the black sheep of the family, must try to come to terms with his fears and his troubled past when he finds out his girlfriend is pregnant. Hana, the family's golden girl and hope for the future, fights to keep her own sins a secret as she faces losing her boyfriend to his growing love for God. Set against the backdrop of a country in which reputation and religion are inextricably intertwined, and in which traditio
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Xu, Da Ping. "Pharmacological characterization of a novel tetramethylpyrazine nitrone in experimental models of Parkinson's disease." Thesis, University of Macau, 2012. http://umaclib3.umac.mo/record=b2590318.

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McClellan, Thomas M. "Zhang Henshui's fiction : attempts to reform the traditional Chinese novel." Thesis, University of Edinburgh, 1992. http://hdl.handle.net/1842/20003.

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This thesis is an attempt to show the place of the popular author Zhang Henshui (1895-1967) in modern Chinese literature. Discounting his formative period up to 1924, from which almost none of his writing survives, and the period after the author suffered a debilitating stroke in 1949, nine of his major works of fiction are examined in detail. Employing the criteria Zhang claimed in non-fictional writings to have set himself, while exercising proper caution with such material, the fiction is analysed chronologially in search of ways in which the author progressively achieved 'reform' of the tr
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Yang, Bin Rui. "The discovery of novel ROCK inhibitors with anti-angiogenesis activity." Thesis, University of Macau, 2012. http://umaclib3.umac.mo/record=b2590323.

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Singh, Leher, and Carolyn Quam. "Can bilingual children turn one language off? Evidence from perceptual switching." Elsevier Inc, 2016. http://hdl.handle.net/10150/620189.

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Bilinguals have the sole option of conversing in one language in spite of knowing two languages. The question of how bilinguals alternate between their two languages, activating and deactivating one language, is not well understood. In the current study, we investigated the development of this process by researching bilingual children's abilities to selectively integrate lexical tone based on its relevance in the language being used. In particular, the current study sought to determine the effects of global conversation-level cues versus local (within-word phonotactic) cues on children's tone
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Godfrey, Tony Edward. "Characterisation and mutation spectrum analysis of a novel chinese hamster cell line." Thesis, Brunel University, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385070.

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YEH, I.-CHUN, and 葉怡君. "The Europeanized Chinese in Contemporary Novels in Taiwan." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/6zu6j3.

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碩士<br>輔仁大學<br>跨文化研究所翻譯學碩士在職專班<br>106<br>The intention of this paper is to survey how the Europeanized Chinese took part in the transforming of Vernacular Chinese in the contemporary Taiwanese novels after the May Fourth Movement. This study took three most significant and controversial Taiwanese novels since 1960’s, which are “Family Catastrophe” by Wang Wen-Hsing, “I Love Black Eyes” by Qi Deng-Sheng, and “Paloma” by Huang Bo-Yuan as research targets. An in-depth research was conducted to analyze the wordings and the language structures in the adopted novels. The results suggested that senten
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"Chinese eyes, Eurasian eyes on Timothy Mo's novels." 1999. http://library.cuhk.edu.hk/record=b5889867.

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by Choi Yan Yan Cecilia.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 1999.<br>Includes bibliographical references (leaves 94-97).<br>Abstract also in Chinese.<br>Abstract --- p.i<br>Acknowledgements --- p.iii<br>Table of Contents --- p.iv<br>Abbreviations used for Timothy Mo's novels --- p.v<br>Introduction --- p.1<br>Chapter Chapter One --- "Discussion of major concepts of Stuart Hall, Gayatri Chakravorty Spivak and Rey Chow's cultural identity" --- p.4<br>Chapter Chapter Two --- "Construction of Cultural Identity in Sour Sweet, The Redundancy of Courage, The Monkey King" ---
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HSIEH, WEN-HSIN, and 謝雯心. "Narrative of the Underclass in 21st-Century Chinese Novels." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/pj4x9d.

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碩士<br>國立臺北大學<br>中國文學系<br>107<br>The wave of Chinese novels in the 21st century is replete with the triple concerns of “post-modernity,” “modernity,” and “pre-modernity.” The first two dominate the trend of urban cultural themed novels, while all three constitute social problems that must be tackled in rural-style writing. With “pre-modernity” as the cornerstone, rural China suffered a great impact in the process of transformation toward a modern society. After entering the city, countrymen have been caught in the double attacks of post-modernist (consumption) culture and modern (capitalist) sy
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Wu, Jia-Yi, and 吳佳怡. "The Connotation of Folklore Culture in Thailand’s Chinese Novels." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/74660827824564447140.

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博士<br>國立中興大學<br>中國文學系所<br>101<br>Novel, a narrative literary form based on the center of personage portray and character building, reflects social life and bears author’s thoughts and emotions through narrative plot and scene description. Folk custom means people’s daily manners and customs, which is a significant social cultural phenomenon. Folk culture includes many folk custom items for material life and spiritual life, producing and presenting various cultural connotation and value. Folk description in Thailand’s Chinese novel is able to multi-prospectively present plentiful social reality
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Liu, Wei-ju, and 劉瑋如. "A Study of Novels about Sleepwalking--Based on Ming Short Legend And East Asia Chinese Novels." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/47185856508518728502.

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碩士<br>國立成功大學<br>中國文學系碩博士班<br>96<br>Legends of Ming Dynasty were derived from the novels of Tang and Sung Dynasty, and had a great effect on the legends of Ching Dynasty. They also played an important role in the development of East Asian Chinese novels. Therefore, based on the legends of Ming Dynasty, we tried to clarify the development of East Asian Chinese novels and identify the effect of Ming legends on the East Asian Chinese novels. There were six chapters in the manuscript. Chapter 1 was the introduction, including the hypothesis, the study subjects, and the methods. We looked over th
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Ching-WenLuo and 羅景文. "A Study on Phan Boi Chau and His Chinese Novels." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/13884398140814022708.

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博士<br>國立成功大學<br>中國文學系碩博士班<br>100<br>Phan Boi Chau(1867-1940) was a pioneer of modern Vietnamese national movement, who has great achievements of world situations among Vietnamese intellectual. Living in an era of revolution, he was heavily involved in political revolutionary activities and interacted with East Asian intellectuals. In addition, he had great understanding in literature, history, philosophy and Confucianism that made him and his writings complicated but spreadable. Hence, he is one of the representatives of East Asian or Vietnamese intellectual with great discuss ability. Phan h
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HSU, HUNG YUNG, and 許鴻勇. "Research the acceptance of novels website service charges – the website of Chinese novels website as a case." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/63528217226024169576.

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Abstract:
碩士<br>國立暨南國際大學<br>國際企業學系<br>95<br>As the trend of Web 2.0, almost all the websites are upgrade for Web 2.0; emphasize website and the user's interaction. And novel websites can as the innovator of Web 2.0, novel zone of discussion at early BBS age, the contents of website are built by users paste some essays or relay of article. This research’s contents are discussing with motivation of internet usage and the use behavior of novel website, and the relation about the use behavior of network and Internet addiction disorder, (IAD) , then discussing with the relation Internet addiction disorder, a
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