Relevant bibliographies by topics / Chinese opera / Dissertations / Theses
To see the other types of publications on this topic, follow the link: Chinese opera.

Dissertations / Theses on the topic 'Chinese opera'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 dissertations / theses for your research on the topic 'Chinese opera.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Evans, Anne Megan. "The evolving role of the director in Xiqu innovation." Thesis, University of Hawaii at Manoa, 2003. http://proquest.umi.com/pqdweb?index=0&did=764745581&SrchMode=1&sid=4&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1233276975&clientId=23440.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Tse, Hue-ying, and 謝曉瑩. "The inheritance of modern Cantonese opera from traditional Chinese opera." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B43085878.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Cheng, Kai-mau Joe. "Chaozhou Opera performing centre." Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25945981.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Chan, Ping-hung Joseph, and 陳炳雄. "New Chinese opera house in Temple Street." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31985063.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Chan, Ping-hung Joseph. "New Chinese opera house in Temple Street." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25949421.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Leung, Lai-yue Ciris. "The social organization of a Cantonese opera performance /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22763235.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Wang, Hsiao-Mei 1959. "The Characterization of Sheng and Dan Roles in Chinese Opera." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc500885/.

Full text
Abstract:
This study sought to discover the principles of characterization governing the Sheng and the Dan roles in the Chinese opera. Seven Dan role divisions and three Sheng role divisions were studied. It was discovered that throughout its long history the Chinese opera had adhered to its original singing and dancing styles; that the creative activities involved in the opera's staging were subordinated to singing and dancing styles; that the actors in the Chinese opera perform only one role category in their career; that years of rigid training were required before the actors were allowed to perform
APA, Harvard, Vancouver, ISO, and other styles
8

Yang, Wai Yin. "The historical development of Cantonese opera in the Republican period /." View Abstract or Full-Text, 2003. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202003%20YANG.

Full text
Abstract:
Thesis (M.Phil.)--Hong Kong University of Science and Technology, 2003.<br>Includes bibliographical references (leaves 232-238). Also available in electronic version. Access restricted to campus users.
APA, Harvard, Vancouver, ISO, and other styles
9

Cheng, Kai-mau Joe, and 鄭佳茂. "Chaozhou Opera performing centre." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B3198230X.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Chow, Sze Sum. "Tradition and innovation: adaptation in Cantonese opera." HKBU Institutional Repository, 2016. https://repository.hkbu.edu.hk/etd_oa/288.

Full text
Abstract:
Cantonese opera, a Chinese regional operatic genre sung in the Cantonese dialect popular in the Pearl River Delta area and overseas Cantonese communities, has shown its vitality through absorbing various elements of theatrical art and culture, thus often moving between tradition and innovation. It is to be argued that adaptation has always been the most essential means of introducing changes to the genre, and it is precisely because of this need for change from the practitioners or the audience that innovation emerges.;The current thesis investigates how adaptation contributes to changes in Ca
APA, Harvard, Vancouver, ISO, and other styles
11

Chen, Hong. "Preference of Chinese Undergraduate Music Majors for Chinese Xi-Qu and Western Opera." Scholar Commons, 2015. http://scholarcommons.usf.edu/etd/5922.

Full text
Abstract:
The purposes of this study were to explore the preference of the Chinese undergraduate music majors (N = 27) for Chinese Xi-Qu and Western opera audiovisual examples, the reasons for preference, influence of familiarity on preference, and the relationship between preference ratings and the emotions as detected by FaceReader. The mixed research method, convergent parallel design, was used to explore this topic in depth. As Xi-Qu and opera integrate multiple art forms, eight audiovisual examples (Xi-Qu, n = 4, opera, n = 4) were selected as the stimuli to show the characteristics of the two genr
APA, Harvard, Vancouver, ISO, and other styles
12

Wong, Hoi-yan. "Centre for HK Cantonese Opera Artist's Association." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25946687.

Full text
APA, Harvard, Vancouver, ISO, and other styles
13

Jang, Ren-Hui. "Traditional Chinese theatre for modernized society a study of one "new" Chinese opera script in Taiwan /." online access from Digital Dissertation Consortium access full-text, 1989. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?8913981.

Full text
APA, Harvard, Vancouver, ISO, and other styles
14

Long, Lingqian, and Lingqian Long. "Han Opera as a Public Institution in Modern Wuhan." Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/625348.

Full text
Abstract:
Wuhan Han Opera Theater (WHOT, formerly Han Opera) is a 400-year old regional opera based in Wuhan, in Hubei Province, in China. WHOT’s recent designation as a public institution under China's neoliberal creative economy initiative to enter the global market has necessitated its transformation from a cultural institution (wenhua jigou) into a creative industry (wehua chanye). As such, WHOT must now create adaptive strategies, alter traditional conventions of performance, infrastructure, education and community presence, reconstitute traditional social functions at the national level, and most
APA, Harvard, Vancouver, ISO, and other styles
15

Leung, Lai-yue Ciris, and 梁麗榆. "The social organization of a Cantonese opera performance." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B29751093.

Full text
APA, Harvard, Vancouver, ISO, and other styles
16

Jessup, Sarah Huntington. "Staging traditional Chinese opera in the reform era conflicting local identities in modernization /." online access from Digital Dissertation Consortium access full-text, 2001. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3016872.

Full text
APA, Harvard, Vancouver, ISO, and other styles
17

Law, Ho-chak, and 羅浩澤. "Kun opera: a study of its notations and instrumental sonority." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B46427740.

Full text
APA, Harvard, Vancouver, ISO, and other styles
18

林鳳珊 and Fung-shan Lam. "A study of Cantonese opera scripts of the 1920s and1930s." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31215452.

Full text
APA, Harvard, Vancouver, ISO, and other styles
19

Shao, Luyin. "A STUDY OF ACCULTURATION IN CHINESE-MONGOLIAN ER’RENTAI FOLK OPERA." UKnowledge, 2017. http://uknowledge.uky.edu/music_etds/94.

Full text
Abstract:
Er’rentai, or Mongolian dance and song duets, is a genre of folk opera in the Inner Mongolian Autonomous Region. Er’rentai performances can be categorized into two styles—the “western-style” and the “eastern-style.” The aim of this thesis is to explore the acculturation in Chinese-Mongolian er’rentai genre in the following ways. First, I address the historical background of the western-style er’rentai. Then, I draw on fieldwork with Huo Banzhu, a famous er’rentai musician, to introduce contemporary state of er’rentai's development. Finally, I employ musical analysis to demonstrate the borrowin
APA, Harvard, Vancouver, ISO, and other styles
20

Chen, Yeong-Rury. "A fantasy China an investigation of the Huangmei Opera Film genre through the documentary film medium /." Australasian Digital Thesis Program, 2006. http://adt.lib.swin.edu.au/public/adt-VSWT20061009.132620/index.html.

Full text
Abstract:
Thesis (DDes) - National Institute of Design Research, Swinburne University of Technology, 2006.<br>A doctoral research project presented to the National Institute of Design Research, Swinburne University of Technology in partial fulfilment of the requirements for the degree of Doctor of Design, 2006. Typescript. Bibliography: p. 109-120.
APA, Harvard, Vancouver, ISO, and other styles
21

Riley, Josephine. "The articulate figure : a study of presence in the Chinese theatre." Thesis, University of East Anglia, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.261171.

Full text
APA, Harvard, Vancouver, ISO, and other styles
22

Chan, Chun-miu, and 陳春苗. "A study of Kunqu opera adaptations of the PeonyPavilion (from 1957 to today)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B47849915.

Full text
Abstract:
 On the stage of Kunqu Opera, The Peony Pavilion has been the best accepted masterpiece and the script has been adapted frequently by performing groups throughout the history, but those adaptations have not arouse much attention among researchers. This study will focus on the Kunqu Opera adaptations of The Peony Pavilion after the People’s Republic of China was established. By analyzing different modes of adaptations of the script and the characteristics of performances in different periods, I attempt to evaluate the work of inheritance of Kunqu Opera since the 1950s and to propose solution
APA, Harvard, Vancouver, ISO, and other styles
23

Ludden, Yawen. "CHINA’S MUSICAL REVOLUTION: FROM BEIJING OPERA TO YANGBANXI." UKnowledge, 2013. http://uknowledge.uky.edu/music_etds/19.

Full text
Abstract:
This study seeks to investigate the modern derivative of Beijing opera, known as yangbanxi, through macro and micro approaches. The first part of the thesis surveys the development of Beijing opera under the historical context and in its social, political, and cultural perspectives. The second part, taking a microscopic perspective, undertakes an in-depth analysis of the compositions that were solely created by composer Yu Huiyong. First, it assays the application of Yu’s theory to his compositions of various Beijing opera arias. Second, it analyzes Yu’s instrumental music in compositional dim
APA, Harvard, Vancouver, ISO, and other styles
24

Goldstein, Joshua L. "Theatrical imagi-nations : Peking opera and China's cultural crisis, 1890-1937 /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2000. http://wwwlib.umi.com/cr/ucsd/fullcit?p9961764.

Full text
APA, Harvard, Vancouver, ISO, and other styles
25

Pockrus, Jason. "The Saxophone in China: Historical Performance and Development." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248502/.

Full text
Abstract:
The purpose of this document is to chronicle and describe the historical developments of saxophone performance in mainland China. Arguing against other published research, this document presents proof of the uninterrupted, large-scale use of the saxophone from its first introduction into Shanghai's nineteenth century amateur musical societies, continuously through to present day. In order to better describe the performance scene for saxophonists in China, each chapter presents historical and political context. Also described in this document is the changing importance of the saxophone in China
APA, Harvard, Vancouver, ISO, and other styles
26

Latham, Kevin. "Cantonese opera in Hong Kong an anthropological investigation of cultural practices of appreciation and performance in the early 1990s /." Thesis, Online version, 1996. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.309433.

Full text
APA, Harvard, Vancouver, ISO, and other styles
27

Lee, Elsa. "The changing role and status of the drummer in Chuanju (Sichuan opera) /." Title page, contents and abstract only, 1993. http://web4.library.adelaide.edu.au/theses/09PH/09phl4772.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
28

黃凱茵 and Hoi-yan Wong. "Centre for HK Cantonese Opera Artist's Association." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31984216.

Full text
APA, Harvard, Vancouver, ISO, and other styles
29

NAKATSUKA, Ryo, та 亮. 中塚. "青木文庫所蔵SP盤レコード目録稿". 名古屋大学附属図書館研究開発室, 2010. http://hdl.handle.net/2237/14586.

Full text
APA, Harvard, Vancouver, ISO, and other styles
30

Ma, Halil. "Urban opera and contemporary Chinese politics : a case study of the Shanghai Yueju Company marketisation." Thesis, University of Leeds, 2011. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.539691.

Full text
APA, Harvard, Vancouver, ISO, and other styles
31

Chan, Chi-yau, and 陳智柔. "Safeguarding intangible cultural heritage in Hong Kong: a lesson to learn from Cantonese opera." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B4834428X.

Full text
Abstract:
Intangible cultural heritage (henceforth ICH), a living expression of indigenous culture and traditions, have been orally transmitted through generations. As the heritage bearers are usually aged and have mere opportunities to pass on their knowledge to young practitioners, ICH are disappearing at a rapid pace. Safeguarding ICH is a battle against time. Since the UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage (henceforth the Convention) was adopted in 2003, China has been proactive in participating in the Convention and safeguarding its ICH. Ratified the Convent
APA, Harvard, Vancouver, ISO, and other styles
32

Chen, Hsin-yu, and 陳新瑜. "The Development of Chinese Opera Mask." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/s96u5k.

Full text
Abstract:
碩士<br>東吳大學<br>中國文學系<br>96<br>The classical Chinese Opera is one of Chinese inherent performing arts which provided the fine tradition and the characteristic. Also, Chinese Opera uses dancing to display personal’s emotion, the ideals, the language and the behavior in the plays. The mask art is the most particular makeup and performance style in traditional Chinese Opera. The mask has long existed in two kinds of views: during 54 movements, the traditional Chinese culture abided strongly by the impact of Western thought. At that time, many literatures, refined scholars, professors publicly oppos
APA, Harvard, Vancouver, ISO, and other styles
33

Sheng-HsunTsai and 蔡昇勳. "Museum of Chinese Opera Mask, Tainan." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/84prtm.

Full text
Abstract:
碩士<br>國立成功大學<br>建築學系<br>104<br>This thesis started with Li Li-zhong – a master of Chinese opera mask. In 1950, 23-years-old Li Li-zhong left home by his own and followed the Nanjing Government coming to Taiwan. In this turbulent period, Chinese opera became Li’s spiritual sustenance. In his later years, Li has been devoting himself to studying Chinese opera mask, and has drawn 1500 drafts of Chinese opera mask in 9 years (2001-2009). Establishing a museum, which will conserve the drafts and popularize the art of Chinese opera masks, is Li Li-zhong’s greatest wish. This thesis assumes that the
APA, Harvard, Vancouver, ISO, and other styles
34

朱安麗. "On the 'qiao' in Chinese Opera." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/48424181880300659645.

Full text
Abstract:
碩士<br>佛光大學<br>藝術學研究所<br>101<br>There have been many books and theses discussed about the ‘qiao’ in Chinese opera. Many fans, researchers - even commentators talked about the differences between wearing ‘qiao’ and not wearing it in many standard repertoires. Either from the angle of academic studies or pure interests, those studies have shown the views of aesthetic, history, sociology and feminism, but rarely from someone’s personal experience that has been trained and skilled to act with ‘qiao’, giving an aspect of practical skill and the process of training. Deeply rooted in skill, the art of
APA, Harvard, Vancouver, ISO, and other styles
35

Tung, Hui-Chuan, and 董慧娟. "Explore Chinese opera script retribution Features." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/05908564439839378186.

Full text
Abstract:
碩士<br>銘傳大學<br>應用中國文學系碩士在職專班<br>103<br>In China, retribution concepthas a long history and tradition, since the judges and punisher istendo(a concept of god) orspiritual being rather than human beings. Whether they were wise or fool, rich or poor, are not exempt from retribution coming, thus this conception has fairable and generality, content with wish about justice that humanity perused. Therefore, thinking of retribution makes the society peaceful, and become an assist power with moral. Beijing operaorigins from folk Chinese opera, reflected the aspect of Chinese folk culture loyalty, the s
APA, Harvard, Vancouver, ISO, and other styles
36

Su, Yi-Ju, and 蘇逸茹. "A Collection of Chinese Opera Plays." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/11067293620191975012.

Full text
Abstract:
碩士<br>國立臺灣大學<br>戲劇學研究所<br>100<br>This thesis consists of two parts—one is newly adapted Jing-Jus: Wu Yuan Desire a Treasured Sword and Peach Blossoms and the Lover&apos;&apos;s Face; the other is the plot explanation and text analysis. 　　 Wu Yuan Desire a Treasured Sword tells that Wu Yuan is anxious to take revenge; therefore, he needs a treasured sword to achieve his goal. Hence, he persuades Gan Jiang and Mo Ye to forge a treasured sword. On the process of the revenge, Gan Jiang and Mo Ye die innocently. Moreover, a character called ‘Piping Man’ reminds Wu Yuan of the unnecessary sacrifice;
APA, Harvard, Vancouver, ISO, and other styles
37

Chen, Wen-Tzu, and 陳文梓. "A Collection of Chinese Opera Plays." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/07764739124332631414.

Full text
Abstract:
碩士<br>國立臺灣大學<br>戲劇學研究所<br>99<br>This thesis consists of two parts—three plays, and its explanation and analysis. The three plays are: The Arrival of Emperor Ming-Huang, The Gambler, and Fan-Jin Passes the Imperial Exam. The Arrival of Emperor Ming-Huang is a Beijing Opera portraying a debate between a theatre group and Emperor Ming-Huang, the God of theatre, on how to maintain their business and increase their audiences. In this play, through their performances of classics the theatre group is able to contemplate and reflect on drama and theatre as a whole, which echoes the concerns of pre
APA, Harvard, Vancouver, ISO, and other styles
38

Tian, Yiyin. "Anhui Opera: Towards Maintaining a Historical Regional Dramatic Opera Tradition in Contemporary China." Thesis, 2021. https://hdl.handle.net/2440/134170.

Full text
Abstract:
Anhui Opera is a vital part of Huizhou culture that spread over centuries to more than half of China. It occupies an important position in the history of traditional music. Yet Anhui Opera was on the verge of extinction prior to the foundation of the People’s Republic of China. Only after 1949, when this new government adopted a policy of conservation, was Anhui Opera able to rise again from obscurity. This thesis aims to reveal the charm and significance of Anhui Opera by exploring its main stylistic characterises as primarily develop in Hefei, old Huizhou (now Huangshan city) and Anquing i
APA, Harvard, Vancouver, ISO, and other styles
39

HSIANG--KENG, CHOU, and 周象耕. "Research on Female Impersonator in Chinese Opera." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/69393152323487608200.

Full text
APA, Harvard, Vancouver, ISO, and other styles
40

Ho, Yuan-Chia, and 何元佳. "The theater origin of Taiwan Chinese Opera – The performance formula of Chinese Opera and the research of performance space." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/95548184232073059634.

Full text
Abstract:
碩士<br>中原大學<br>建築研究所<br>93<br>Abstract Having gone through many transformations, Chinese Opera has developed a unique “performing program” and “performing space”. The beauty of Chinese Opera comes from the detail and order of its performing program. This unique performing program makes specific demands on the “performing space”. However, in Taiwan performing theaters have multi-functional “frame-style stages”. This not only limits the space and techniques of Chinese Opera, it also affects the relationship between the audience and the performers. This study looks through the historical chan
APA, Harvard, Vancouver, ISO, and other styles
41

Hsu, Hsiao Tsun, and 許孝存. "Study Clown in Stage Language of Chinese Opera for Examples Famous Clown of Chinese Opera Xiao,Chang-Hua《Famen》." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/2vgjed.

Full text
Abstract:
碩士<br>中國文化大學<br>戲劇學系<br>103<br>This white paper from the opera clown art as the main core, from ancient excellent choice about the origin of man and clown, and exemplified in the history of opera's most distinguished people - Mr. Xiao Changhua The "Famen Temple," which attempts to compare, analyze and then three persons of the same Mr. GUO Shan clown, Mr. Rui Ci whole "Famen" the characters Jia Gui performance style. Use opera apprentice relationship research plays performing arts, such as: Zhu Shihui and Ya Fuzoon, "the key to all living creatures," and the South were ugly Mr. Sun Zhengyang s
APA, Harvard, Vancouver, ISO, and other styles
42

Chang, Hsiao Yen, and 張曉燕. "Research of Tian-Han''s traditional Chinese opera." Thesis, 1994. http://ndltd.ncl.edu.tw/handle/70541240960783308562.

Full text
APA, Harvard, Vancouver, ISO, and other styles
43

Hsu, Wen-chi, and 許汶琪. "Research On Chen Xiao Tan’s ” Chinese Opera Monthly”." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/h629cx.

Full text
Abstract:
碩士<br>國立中央大學<br>中國文學系<br>102<br>“Chinese Opera Monthly” was published by Mr. Chen Xiao Tan alone from 1977 to 1990 when was the transition of Taiwan society and Peking Chinese opera. “Chinese Opera Monthly” was the witness of that period and the articles gazetted included diversified contents and opinions. On the process of the transition of Peking Chinese opera, contributors of articles kept revising and reviewing their own opinions. However, “Peking Opera is a profound art” is the unquestionable and unchangeable prerequisite. Under the prerequisite, “Chinese Opera Monthly” always took a cons
APA, Harvard, Vancouver, ISO, and other styles
44

Kuang, Chieh-Wen, and 鄺介文. "Experimental Chinese Opera Play: Flashing Seasons, Hidden Times." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/82722163989018118114.

Full text
Abstract:
碩士<br>國立臺灣大學<br>戲劇學研究所<br>98<br>The master&apos;&apos;s thesis has two parts－the play and the analysis. "Flashing Seasons, Hidden Times" is an original Chinese Opera play. It patterns the mode of Yuan Drama ,consisting of one prologue and four sections. With four sections and one epilogue, the play threads four stories which happened in spring, summer, autumn and winter, connecting four women who suffered unspeakable loneliness from different situations. Seasons are flashing and time is hidden, while four stories were assembled in the epilogue. Seasons change on laws of nature, but how hard it
APA, Harvard, Vancouver, ISO, and other styles
45

Yuan, Chiou，Dong, and 邱冬媛. "The Characters of the Traditional Chinese Opera Stage." Thesis, 1993. http://ndltd.ncl.edu.tw/handle/89548751020035741374.

Full text
APA, Harvard, Vancouver, ISO, and other styles
46

"Dissonance in harmony: the Cantonese opera music community in Guangzhou." 2012. http://library.cuhk.edu.hk/record=b5549083.

Full text
Abstract:
粤劇亦被譽為「南國紅豆」已有三百多年歷史是中國傳統戲曲之一。粤劇流傳於南中國,香港,以及海外華人的社會,其中以廣州佛山一帶最為著名。然而在近年外來文化的影響下,粤劇逐漸被忽視。自二零零九年起,粤劇正式被列為聯合國教科文組織人類非物質文化遺產。隨著國家政府對粤劇的重視,地方傳統曲藝在廣州的發展亦產生了變化。本論文以廣州粤劇的音樂社區為中心,著眼於樂師,把樂師分為業餘者,職業樂師及國家級演奏員三類。本論文亦論述粤劇樂師在粤劇國家化的過程中所面對的改變及所扮演的角色,並探討粤劇由一種地方性的民間傳統藝術演變為一項代表國家的非物質文化遺產對當地音樂社區造成的衝擊。<br>Since Cantonese Opera was declared an intangible cultural heritage representation by United Nations Educational, Scientific and Cultural Organization (UNESCO) in 2009, the Chinese government has carried out different policies to “develop Cantonese Opera. This study looks at the recent “development“ of Cantonese Op
APA, Harvard, Vancouver, ISO, and other styles
47

Hou, Kang-pen, and 侯剛本. "Chinese Opera in Taiwan’s Chinese Culture Renaissance Movement:A Historical Deconstruction by Rhetorical Vision." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/84480888076353796823.

Full text
Abstract:
博士<br>世新大學<br>傳播研究所(含博士學位學程)<br>103<br>In 1949, Beijing Opera was following the KMT (Chinese Nationalist Party) into The Taiwan passing through 65 years until now, during the intervening years, it had been happen to a cultural political movement names to “Chinese Culture Renaissance Movement”(from Nov. 12 1966 to Mar. 28, 1991), this movement accelerated Beijing opera growing more strengthen and toward to while new fresh (Beijing opera) performing style different with original (Beijing-stylish and Shanghai-stylish) in Taiwan. Looking back to shaped about this movement means to against “Cul
APA, Harvard, Vancouver, ISO, and other styles
48

Zhou, Hao. "Application of 3D facial animation techniques for Chinese opera." Thesis, 2003. http://spectrum.library.concordia.ca/2284/1/MQ83926.pdf.

Full text
Abstract:
Among China's rich cultural heritage is Chinese opera, a kind of folk art that combines singing, reciting, acting and dancing. Over more than 13 centuries, varied styles have evolved--the more famous being Beijing opera, Yue opera, Huangmei opera, Kunqu opera and Sichuan opera. In the 20 th century with the popularity of movies and pop music, Chinese opera underwent a serious decline and some of these styles are on the verge of extinction. Recognizing this, in May 2001, UNESCO proclaimed Kunqu opera as one of the 19 "Masterpieces of the Oral and Intangible Heritage of Humanity". The Chinese go
APA, Harvard, Vancouver, ISO, and other styles
49

Hui-Feng, Huang, and 黃慧芬. "Research On Taiwan Television "Chinese Opera Club"(1963~1988)." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/y279j7.

Full text
Abstract:
碩士<br>中國文化大學<br>戲劇學系<br>100<br>The Chinese opera program broadcasted in 1962 on Taiwan television. It’s the first time when Chinese opera combined with television media. The Chinese opera program to take shape on Taiwan television because it’s the formation of society and its political background. Taiwan Television Chinese Opera Club recruited the modern elite actors, they have more influence on that time of the opera. The author oriented to the first-hand information of the " Chinese Opera Monthly” in 1962 and 1976," TV Week " in the 1977 to 1988. Reference to related works and The Taiwan Tel
APA, Harvard, Vancouver, ISO, and other styles
50

WU, YI-PEI, and 吳怡佩. "A Study of “Fenduan” in Yuan Dynasty Chinese Opera." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/74s923.

Full text
Abstract:
碩士<br>國立屏東大學<br>中國語文學系碩士班<br>105<br>The theme of this study of fenduan was born from combing through the 12 volumes of the Complete Plays of the Yuan Dynasty. The Explaining Graphs and Analyzing Characters （Shuowen Jiezi, Chinese character dictionary） defines fen as a person wearing makeup. However, in Beijing dialect the meaning of fen expanded into salaciousness and obscenity. Duan means piece or, in this context, stage play. In the study of Chinese drama nowadays, fen is used to refer only to fen songs and fen drama without the meaning of salaciousness and obscenity. Therefore, in this
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography