Relevant bibliographies by topics / Chinese Poet

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Chinese Poet'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Chinese Poet.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Chinese Poet"

1

Klein, Lucas. "What Does Tang Poetry Mean to Contemporary Chinese Writers?" Prism 18, no. 1 (2021): 138–69. http://dx.doi.org/10.1215/25783491-8922225.

Full text
Abstract:
Abstract Examining how contemporary poets raised in China are looking at classical Chinese poetry from the Tang—in particular, the poetry and the figure of Li Bai 李白 (701–762)—this article questions the epistemological divide, common to scholarship, between premodern and modern Chinese poetry. The texts come from Shenqing shi 深情史 (Histories of Affection) by Liu Liduo 劉麗朵 (1979–); The Banished Immortal, Chinese-American poet and novelist Ha Jin's 哈金 (1956–) biography of Li Bai; the book-length poem-sequence Tang 唐, by Yi Sha 伊沙 (1966–); and poet Xi Chuan's 西川 (1963–) scholarly book Tang shi de dufa 唐詩的讀法 (Reading Tang Poetry). The author contends not only that these writers' dealings with Tang poetry make it part of a still-living tradition but also that such engagement offers a way to understand the dynamic, rather than static, canonicity of Tang poetry.
APA, Harvard, Vancouver, ISO, and other styles
2

Hul, Oleksandra. "DISSIDENCE AND IMMIGRATION THROUGH THE WORLDVIEW OF “MISTY POET” BEI DAO." Polish Studies of Kyiv, no. 35 (2019): 444–51. http://dx.doi.org/10.17721/psk.2019.35.444-451.

Full text
Abstract:
The key focus of the Article is based on the new trend in Chinese poetry named “Misty poetry”, which appeared in China in the 20 century as a rebellion and notice of appeal in the literary circles of young generation. Under the political and social pressure of the totalitarian regime in China, and in the conditions of total control over the literary process, there appeared a new style of expressing own thoughts and believes among youth, called “Misty poetry” or revolutionary poetry. This Article is revealing the aim, preconditions and key tasks of Misty poets. Being a leader of the Misty poets’ group, popular Chinese poet Bei Dao is taken as a vivid example of revolutionary youth of the 20 century. The Article shows his political, social and literary activity as an example of the whole Misty group idea. The main aspects provided in the Article are based on the great love and respect of the Misty poets towards China, Chinese language, Chinese nature and culture. The Article shows how difficult it was for the poets to be far away from their Motherland and to have no chance to come back, how dif- ficult it was to write Chinese poetry being forbidden in native country. The Article also reveals the “Secret code of culture and nation” which is based on the symbols and words of native language. The “Secret code of culture and nation” is understood only by the native speakers, loving their Motherland. The Article uses original poetry of Bei Dao and is also based on the original historical and political facts, taking into account interviews with the poet, which show his real way of thinking in the terms of Misty poetry. The inner world of Bei Dao is described in the examples of his poetry: “Local Dialect” (“乡音”), “Hello, Bai Hua Shan” (“你好，百花山”), “Let’s go” (“走吧”). Nearly all of his poetry tells about true love for China and a great dream of using native language without fear and persecution. We provide a description of the hidden way of Bei Dao’s thinking, while analyzing his great poem “Local Dialect” (“乡音”). Each word should be examined taking into account the unique symbols of China. Bei Dao believes that only people, loving Chinese culture and loving Chinese language can under- stand the deep meaning of Misty poetry.
APA, Harvard, Vancouver, ISO, and other styles
3

Raskin, Jonah. "Mao Zedong: Chinese, Communist, Poet." Monthly Review 61, no. 1 (2009): 46. http://dx.doi.org/10.14452/mr-061-01-2009-05_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Tsai, Wei-Ding. "An Intercultural Interpretation on Heidegger’s Poet." Yearbook for Eastern and Western Philosophy 2018, no. 3 (2019): 193–205. http://dx.doi.org/10.1515/yewph-2018-0014.

Full text
Abstract:
AbstractFor the later Heidegger, the poet is the messenger of Being, insofar as he speaks after the Saying (Sage) of Being. But only when the poet takes the risk of being mad, can he hear the message of Being and bring it out. As such, the poet does not need any human art of poetry. Heidegger calls this kind of bringing-out “techne” in its original sense – but not in the ordinary sense of human technique. This paper tries to discover how the poet in the state of madness without using any human art can still convey the message of Being. I try to answer this question at first with the help of two dialogues from Plato, i.e. Ion and Phaedrus. I then take two Chinese classical poets, Li Bai (李白) and Du Fu (杜甫), as examples to illustrate such interpretation of Heidegger’s concept of the poet.
APA, Harvard, Vancouver, ISO, and other styles
5

Bogdanova, Olga V. "Intertextual plan of the poem by Valery Pereleshin “Red leaves under the frost”." Philological Sciences. Scientific Essays of Higher Education, no. 2 (March 2021): 59–63. http://dx.doi.org/10.20339/phs.2-21.059.

Full text
Abstract:
The purpose of this study is to examine the poetic text is the bright representative of the “Eastern branch” of Russian emigration (1920s–1940s) Valery Pereleshin, in his work associated with the perception of the image system “second Motherland”, China, and in the course of analysis to identify the uniqueness of the incarnation of the motives of the ancient Chinese pretext (in particular Du Mu) in a poem by Russian immigrant. The scientific novelty of the work consists in referring to the little-known texts of poets of the “Harbin-Shanghai” region, in an attempt to find ways to introduce Russian poets to the foreign cultural tradition. The results showed that the Russian poet-emigrant Pereleshin quite freely handles the Chinese pretext and departs from the imagery of a concise compressed narrative, characteristic of the Tang classic Du Mu. However, Russian literature brings rich imagery, additional poetic vividness, and an inner meaning close to the Russian mentality to Pereleshin’s original text.
APA, Harvard, Vancouver, ISO, and other styles
6

Porol, Polina Vadimovna. "The image of China in K. Balmont’s poem “The Great Nothing”." Litera, no. 9 (September 2020): 1–10. http://dx.doi.org/10.25136/2409-8698.2020.9.33647.

Full text
Abstract:
This article reviews the image of China in Konstantin Balmont’s poem “The Great Nothing”. Significant attention is given to interpretation of the poem. The author refers to the cultural and historical realias of China, as well as mythology and philosophy. Genesis of the image of Zhuang Zhou and peculiarities of his perception by the poet is revealed. The goal of this work consists in determination of semantic saturation of the image of China in reception of Konstantin Balmont. The line of reasoning and conclusions of the author of this article are founded on the critical research and contrast of two cultures. Analysis of the poem is conducted from the semantic perspective with search for textual parallels. The study reveals the poet's reference to the traditions and philosophy of China ("Sunyata”, concept of symmetry, treatise “Zhuang Zhou”, concept of Chinese painting), use of mythopoetic images (Dragon, Unicorn, Phoenix); interprets the image of dragon and its variation in cultural tradition of Russia and China; defines the words used by the poet for describing linguistic realias of Chinese culture (the expression "Go West"). The novelty of this research consists in the analysis of K. Balmont’s reception, and identification of the source that motivated the poet to create a poem. Examination of the semantic  saturation of the image of China in the poetry of K. Balmont gives a new perspective upon understanding the culture of the Silver Age.
APA, Harvard, Vancouver, ISO, and other styles
7

Porol, Polina Vadimovna. "Receptive aesthetics of China’s image in poetry of K. Balmont." RUDN Journal of Studies in Literature and Journalism 24, no. 1 (2019): 16–26. http://dx.doi.org/10.22363/2312-9220-2019-24-1-16-26.

Full text
Abstract:
The article describes receptive aesthetics of the image of China in the poetry of K. Balmont. New in the work is the hypothesis of coexistence in works of the poet of two principles - Logos and Tao. Texts have been found in Chinese, to which poet addresses. The original text have been identified, which became the basis for the creation of a poem by K. Balmont “Chinese sky”. The reasoning and conclusions of the author are based on critical studies comparing two cultures. Analysis of the poetic works of K. Balmont was carried out basing on the semantic aspect using the method of textual parallels. Study of the receptive aesthetics of the image of China in the poetry of K. Balmont allows us to come closer to the world outlook of the culture of the Silver Age from another side.
APA, Harvard, Vancouver, ISO, and other styles
8

Wang, Yanning. "Fashioning Voices of Their Own: Three Ming-Qing Women Writers’ Uses of Qu Yuan’s Persona and Poetry." Nan Nü 16, no. 1 (2014): 59–90. http://dx.doi.org/10.1163/15685268-00161p03.

Full text
Abstract:
This article explores how, during the Ming-Qing era, women writers used the persona and poetry of the great Chinese poet Qu Yuan (340?-278 bce). In order to establish the authority of their own voices, marginalized female writers often identified themselves with the mainstream male tradition. The legacy of Qu Yuan became one of their favorite examples to follow. Qu Yuan’s sao-style poems, especially the long poem “Encountering Sorrow,” are classics in the Chinese literary canon. Qu Yuan’s high moral standard and his eventual suicide for a just cause earned him a reputation as a patriotic poet-statesman much respected by later generations. Ming-Qing women writers made use of Qu Yuan’s literary and moral authority to create their own personal, political, and intellectual voices. By doing so, they demonstrated their efforts to upgrade their status in literary and social arenas.
APA, Harvard, Vancouver, ISO, and other styles
9

Yujie, Li, and Wang Feng. "On the English Translation of Li Qingzhao’s Ci-poems--A Contrastive Study on the Translations of the Ci-Poem “To the Tune of Tipsy in Flower Shade”." English Literature and Language Review, no. 55 (May 15, 2019): 64–70. http://dx.doi.org/10.32861/ellr.55.64.70.

Full text
Abstract:
Li Qingzhao (1084-ca. 1155?) is widely lauded as the most celebrated and talented woman poet in the history of classical Chinese literature. This study, with the theoretical guidance of Dr. Wang Feng’s “Harmony-Guided Three-Level Poetry Translation Criteria”, focuses on a comparative analysis of the collected renditions of the ci-poem “to the tune of Tipsy in Flower Shade” at the macro, middle and micro levels, to further promote the translation and communication of classical Chinese literature. This study aims to exert far-reaching influences on the process of Chinese literature going global, which has unprecedented contemporary significance.
APA, Harvard, Vancouver, ISO, and other styles
10

Worthington, Marianne. "The Chinese Poet Awakens by Jeff Daniel Marion." Appalachian Heritage 27, no. 3 (1999): 59–64. http://dx.doi.org/10.1353/aph.1999.0008.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Chinese Poet"

1

Dung, Chau-hung, and 董就雄. "Poetics of Ye Xie and of the Lingnan master poet trio." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B4098767X.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Ng, Lui Nam. "The life and poetry of Dai Tian." Thesis, SOAS, University of London, 1999. http://eprints.soas.ac.uk/29231/.

Full text
Abstract:
The thesis studies the life and poetry of Dai Tian (1937-) as a Hong Kong poet. Hong Kong literature and poetry have seldom been studied by scholars in the West in past years. With the ending of British colonial rule and the handing over of the sovereignty of Hong Kong back to the Chinese on 1st July 1997, there is an urgency in the study of Hong Kong poetry to render overdue recognition to Hong Kong poets. Dai Tian was bom in China, raised in Mauritius, studied in Taiwan and the USA, and now lives in Hong Kong. In this thesis, I demonstrate that Hong Kong poetry exists and that Dai Tian is one of its foremost representatives. The thesis is in 5 chapters. Chapter 1 introduces the literary activities and development of Hong Kong from 1842-1997. A definition of Hong Kong poetry on the basis of themes will be given. The question of Hong Kong being a place of importance in poetry is raised. Chapter 2 is an account of the life of Dai Tian. Chapter 3 is the discussion of Dai Tian's poetry. Dai Tian's poetry is divided into 3 stages, the 1st stage is from 1957-1966, the 2nd stage from 1967-1980 and the stage from 1981-1990. Recurring themes like Chineseness, Chinese arts and artists, time and life, international politics, fables and cultural China are discussed. Chapter 4 is the study of Dai Tian as a Hong Kong poet. Dai Tian's poetry will be studied as representative of Hong Kong poets. The themes of anti-colonialism and Hong Kong as a periphery to Mainland China, Taiwan and the United Kingdom will be examined. Chapter 5 concludes the thesis and examines the friendship between Dai Tian and contemporary poets, Dai Tian's influence on Hong Kong poets and his plans for future writings.
APA, Harvard, Vancouver, ISO, and other styles
3

Dung, Chau-hung. "Poetics of Ye Xie and of the Lingnan master poet trio a comparative study = Ye Xie yu ling nan san jia shi lun bi jiao yan jiu /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B4098767X.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

朱幗馨. "清代詞人蔣景祁研究 = A study of Jiang Jing-qi, a ci-poet in early Qing dynasty". HKBU Institutional Repository, 2007. http://repository.hkbu.edu.hk/etd_ra/800.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Kong, Xueying. "Change and Un-change: Bian Zhilin’s Struggles in the War Time, 1937-1958." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu148043197617731.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Hoon, Chang-Yau. "Reconceptualising ethnic Chinese identity in post-Suharto Indonesia /." Connect to this title, 2006. http://theses.library.uwa.edu.au/adt-WU2007.0065.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

戴穗華 and Sui-hua Dai. "A critical study of the poetry of Xu Hun (788-867?)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31225925.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Giblin, Susan Mary. "Being Chinese and Indonesian : Chinese organisations in post-Suharto Indonesia." Thesis, University of Leeds, 2003. http://etheses.whiterose.ac.uk/653/.

Full text
Abstract:
In 1998 Indonesia was on the verge of huge political changes. The economy was in crisis and President Suharto's thirty-two year New Order government was coming to an end. Violence, largely directed against the ethnic Chinese in a number of cities on the archipelago, accompanied the political and economic crises. The changes which unfolded led to peaceful elections in 1999, which were judged by international observers to be fair and democratic. These elections placed a new administration in power and with it the hopes of the people that reformasi (reform) would ensue. Immediately after Suharto stepped down things began to change for the ethnic Chinese who had never been fully accepted as Indonesian within Indonesian national discourses. Indeed the presence of ethnic Chinese in Indonesia was constructed as a problem; the "Chinese problem" (inasalah Cina). During the New Order, policy towards Chinese Indonesians was particularly harsh. They were not permitted to celebrate any aspect of their Chinese heritage and official policy dictated that they should assimilate into Indonesian society. This changed after 1998 and the debate about how Chinese Indonesians should behave, and how they should be treated, emerged once again. This thesis investigates a number of Chinese Indonesian organisations which were established or re-established after May 1998. I am particularly interested in how they are articulating both their Chinese and their Indonesian identities in this new climate. I argue that as a result of Indonesian national discourses which construct Chinese Indonesians as "outsiders", it may not be possible for the groups to achieve their joint aims of overcoming anti-Chinese stereotypes and having their Chinese heritage accepted within Indonesia. During the New Order years many ethnic Chinese were reluctant to declare themselves Chinese publicly, or speak about their experiences, which has led to a dearth of empirical material relating to how Chinese Indonesians themselves understand their identities. Therefore, this research is a particularly useful addition to the study of the ethnic Chinese in Indonesia.
APA, Harvard, Vancouver, ISO, and other styles
9

戚本盛 and Pun-shing Babie Chik. "A study of Dai Wangshu's poetry." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1992. http://hub.hku.hk/bib/B31210739.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Chiang, Wai-yan, and 蔣瑋茵. "A study of Linghu Chu (776-837)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B45987919.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Chinese Poet"

1

Marion, Jeff Daniel. The Chinese poet awakens. Wind Publications, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Jonathan, Chaves. The Chinese painter as poet. China Institute Gallery, China Institute, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Unreal city: A Chinese poet in Auckland. Auckland University Press, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Masks & crocodile: A contemporary Chinese poet and his poetry. Wild Peony, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

The poet-historian Qian Qianyi. Routledge, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Pohl, Karl-Heinz. Cheng Pan-chʼiao, poet, painter, and calligrapher. Steyler, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

The poet Shen Yueh (441-513): The Reticent Marquis. Princeton University Press, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Almberg, Shiu Pang. The poetry of Chen Jingrong: A modern Chinese woman poet. Föreningen för rientaliske Studier, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Mather, Richard B. The poet Shen Yüeh (441-513): The reticent marquis. Princeton University Press, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

To be the poet. Harvard University Press, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Chinese Poet"

1

Wang, Zuoliang. "A Chinese Poet." In China Academic Library. Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-662-45475-6_12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Wu, Fulong. "Emerging Chinese cities." In In The Post-Urban World. Routledge, 2017. http://dx.doi.org/10.4324/9781315672168-12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Frey, Robert. "Post-1800 Chinese Jades." In Jade. Springer US, 1991. http://dx.doi.org/10.1007/978-1-4615-3922-3_9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Singh, Michael, and Thị Hồng Nhung Nguyễn. "Post-Monolingual Education for English-Speaking Learners of Chinese." In Localising Chinese. Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-54282-3_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Han, Jinghe. "Chinese Language and Duiwai Hanyu Jiaoxue (Teaching Chinese as a Foreign Language)." In Post-Lingual Chinese Language Learning. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-59840-0_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Hudson, James, William Hurst, and Christian Sorace. "Workers in Post-Socialist China: Shattered Rice Bowls, Fragmented Subjectivities." In Chinese Capitalisms. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230251359_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Zheng, Jie, and Mohd Nazari Ismail. "Determinants of Chinese Overseas FDI in ASEAN Countries." In ASEAN Post-50. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-8043-3_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Chen, Hon Fai. "Diversity Within Limits: Post-positivism, Gender Studies and the Sociology of Consumption." In Chinese Sociology. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-58220-1_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

"15. Du Fu: The Poet as Historian." In How to Read Chinese Poetry in Context. Columbia University Press, 2018. http://dx.doi.org/10.7312/cai-18536-021.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Tian, Xiaofei. "Introduction." In Reading Du Fu. Hong Kong University Press, 2020. http://dx.doi.org/10.5790/hongkong/9789888528448.003.0001.

Full text
Abstract:
The An Lushan Rebellion that broke out in 755 set in motion forces that led to the gradual decline of the splendid Tang Empire but helped create a great poet. In 759 Du Fu 杜甫‎ (712–770) left the capital region and began wanderings through west and southwestern China that would occupy the rest of his life. His post-rebellion poetry chronicled the life of a man and his family in a chaotic age. Arguably the greatest Chinese poet, he was certainly the most influential of all Chinese authors in any genre because of the long-lasting and far-reaching impact of his poetry....
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Chinese Poet"

1

Zhang, Shirong, and Yuling Tang. "A POET Based Energy Audit Methodology for WWTPs." In 2018 37th Chinese Control Conference (CCC). IEEE, 2018. http://dx.doi.org/10.23919/chicc.2018.8482893.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Zhao, Wen. "Analysis of Strategies for Cross-Cultural Narration in BBC Chinese Theme Documentaries — A Case Study of Du Fu, China’s Greatest Poet." In 2020 International Conference on Language, Communication and Culture Studies (ICLCCS 2020). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210313.036.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Zhao, Qian. "Application research of the Chinese traditional ecological wisdom." In Post-Oil City Planning for Urban Green Deals Virtual Congress. ISOCARP, 2020. http://dx.doi.org/10.47472/qtqc5936.

Full text
Abstract:
In the transition period of China's urbanization rate reached 60%, the excessive stage from the traditional industrial civilization to ecological civilization is the inevitable choice. In the transition period, we cannot only absorb the western development experiences of eco-city, but also should combine China's traditional ecological wisdom from the agricultural civilization during thousands of years. In this paper, the author analyses the concept and origin of traditional ecological wisdom, the related research status and development trend at home and abroad. Collect and select the technique or technology which is full of ecological value or representative, the ecological engineering which is time tested or benefited by ten thousand generations in certain region of China, establish a case base of the Chinese traditional ecological wisdom. On this basis, research the ecological concept, principles, strategies and methods of these cases. Construct a set of system principle to concise wisdom and draw the outline of urban soul. Finally, combining with China's environmental problems since the industrialization and the various problems encountered in the process of ecological city construction, to explore how to use the ecological wisdom spectrum guiding the sustainable studies, planning, design and management of the contemporary urban. Through the study of this article, it has the theory significance by constructing the principle of traditional ecological wisdom. It has the cultural meaning by inheritancing the traditional culture essence. It also has the practical significance by discovering the power source of the eco-city construction in the future.
APA, Harvard, Vancouver, ISO, and other styles
4

Yao, Xinyu, and Yue Lu. "A post-processing approach to Chinese address recognition." In 2011 Eighth International Conference on Fuzzy Systems and Knowledge Discovery (FSKD 2011). IEEE, 2011. http://dx.doi.org/10.1109/fskd.2011.6019901.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Qiu, Likun, and Wenxian Zhang. "Semantic Patterns of Chinese Post-Modified V+N Phrases." In 2010 International Conference on Asian Language Processing (IALP). IEEE, 2010. http://dx.doi.org/10.1109/ialp.2010.11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Min, Li. "Research on Chinese Public Mental in Post-Fukushima Era." In 2013 21st International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/icone21-15512.

Full text
Abstract:
Fukushima nuclear accident aroused large-scale public panic toward nuclear power development. Due to the limit knowledge of nuclear power, some people feel frightened and fearful for nuclear safety, nuclear radiation as well as nuclear accident. As the energy with clean, stable and high-efficiency, nuclear power always takes imperative and irreplaceable role in Chinese energy program. Therefore, public acceptance and basic knowledge towards nuclear power in post-Fukushima era is facing new unprecedented challenge. How to relieve the panic and frightening of the public and recover the confidence of nuclear power safety is gradually becoming the hot issue among public. This paper makes detailed investigations of current public mental in China toward nuclear power in post-Fukushima era, analyzes the internal and external causes of the panic feeling and further proposes several countermeasures and suggestions accordingly for safe and health development of nuclear power in China.
APA, Harvard, Vancouver, ISO, and other styles
7

Wang, YanWei, XiaoQing Ding, and ChangSong Liu. "Post processing for offline Chinese handwritten character string recognition." In IS&T/SPIE Electronic Imaging, edited by Christian Viard-Gaudin and Richard Zanibbi. SPIE, 2012. http://dx.doi.org/10.1117/12.905985.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Haiyue, Wang, and Lee Chie Tsang Isaiah. "The Influence of Chinese Palindrome Poem on Musical Structure." In 1st International Conference on Interdisciplinary Arts and Humanities. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0009446805050511.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Li Yafei and Duan Guangren. "Robust adaptive attitude control for post-boost vehicle." In 2008 Chinese Control Conference (CCC). IEEE, 2008. http://dx.doi.org/10.1109/chicc.2008.4605226.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Xia, Qianqian. "Feedback and integrability of port hamiltonian systems." In 2017 36th Chinese Control Conference (CCC). IEEE, 2017. http://dx.doi.org/10.23919/chicc.2017.8027443.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Chinese Poet"

1

Su, Jin, Jianheng Zhou, and Kittichai Watchravesringkan. Young Consumer's Sustainability Knowledge and Concerns about Sustainable Clothing: A Perspective from Chinese Post-90s' College Students. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1931.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Young, Craig. Problematic plant monitoring in Arkansas Post National Memorial: 2006–2019. Edited by Tani Hubbard. National Park Service, 2021. http://dx.doi.org/10.36967/nrr-2286657.

Full text
Abstract:
Managers are challenged with the impact of problematic plants, including exotic, invasive, and pest plant species. Information on the cover, distribution, and location of these plants is essential for developing risk-based approaches to managing these species. Based on surveys conducted in 2006, 2011, 2015, and 2019, Heartland Network staff and contractors identified a cumulative total of 28 potentially problematic plant taxa in Arkansas Post National Memorial. Of the 23 species found in 2019, we characterized 9 as very low frequency, 7 as low frequency, 5 as medium frequency, and 2 as high frequency. Cover of all species was low with a single species slightly exceeding a 1-acre threshold based on a midpoint estimate. Efforts to control the woody invasive black locust, Chinese privet, and hardy orange appear to have successfully reduced the cover of these plants across the Memorial Unit. Japanese stiltgrass may have been increasing as recently as 2015, but a combination of recent flooding and control efforts may have stemmed the spread of this invasive grass. Efforts to control localized patches of Chinaberry tree also appear to have reduced the cover of this species. Outside of the problematic species currently subject
APA, Harvard, Vancouver, ISO, and other styles
3

Muñiz-Velázquez, JA, and J. Lozano Delmar. The fake first round about the Earth. The case of the supposed Chinese circumnavigation of 1421 from the post-truth paradigm. Revista Latina de Comunicación Social, 2019. http://dx.doi.org/10.4185/rlcs-2019-1366en.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Li, Wenwen, Cuncheng Liu, Ruiqi Wang, Ruxue Liu, Min Peng, and Guomin Si. Efficacy of Integrated Traditional Chinese and Western Medicine in the treatment of post-stroke insomnia: a meta analysis of randomized controlled trials. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2021. http://dx.doi.org/10.37766/inplasy2021.4.0028.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Chandrasekhar, C. P. The Long Search for Stability: Financial Cooperation to Address Global Risks in the East Asian Region. Institute for New Economic Thinking Working Paper Series, 2021. http://dx.doi.org/10.36687/inetwp153.

Full text
Abstract:
Forced by the 1997 Southeast Asian crisis to recognize the external vulnerabilities that openness to volatile capital flows result in and upset over the post-crisis policy responses imposed by the IMF, countries in the sub-region saw the need for a regional financial safety net that can pre-empt or mitigate future crises. At the outset, the aim of the initiative, then led by Japan, was to create a facility or design a mechanism that was independent of the United States and the IMF, since the former was less concerned with vulnerabilities in Asia than it was in Latin America and that the latter’s recommendations proved damaging for countries in the region. But US opposition and inherited geopolitical tensions in the region blocked Japan’s initial proposal to establish an Asian Monetary Fund, a kind of regional IMF. As an alternative, the ASEAN+3 grouping (ASEAN members plus China, Japan and South Korea) opted for more flexible arrangements, at the core of which was a network of multilateral and bilateral central bank swap agreements. While central bank swap agreements have played a role in crisis management, the effort to make them the central instruments of a cooperatively established regional safety net, the Chiang Mai Initiative, failed. During the crises of 2008 and 2020 countries covered by the Initiative chose not to rely on the facility, preferring to turn to multilateral institutions such as the ADB, World Bank and IMF or enter into bilateral agreements within and outside the region for assistance. The fundamental problem was that because of an effort to appease the US and the IMF and the use of the IMF as a foil against the dominance of a regional power like Japan, the regional arrangement was not a real alternative to traditional sources of balance of payments support. In particular, access to significant financial assistance under the arrangement required a country to be supported first by an IMF program and be subject to the IMF’s conditions and surveillance. The failure of the multilateral effort meant that a specifically Asian safety net independent of the US and the IMF had to be one constructed by a regional power involving support for a network of bilateral agreements. Japan was the first regional power to seek to build such a network through it post-1997 Miyazawa Initiative. But its own complex relationship with the US meant that its intervention could not be sustained, more so because of the crisis that engulfed Japan in 1990. But the prospect of regional independence in crisis resolution has revived with the rise of China as a regional and global power. This time both economics and China’s independence from the US seem to improve prospects of successful regional cooperation to address financial vulnerability. A history of tensions between China and its neighbours and the fear of Chinese dominance may yet lead to one more failure. But, as of now, the Belt and Road Initiative, China’s support for a large number of bilateral swap arrangements and its participation in the Regional Comprehensive Economic Partnership seem to suggest that Asian countries may finally come into their own.
APA, Harvard, Vancouver, ISO, and other styles
6

Levantovych, Oksana. COVID 19 MEDIA COVERAGE: AN ANALYSIS OF HEORHII POCHEPTSOV’S VIEW. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11061.

Full text
Abstract:
The article analyses the peculiarities of the coverage of the covid pandemic in the Ukrainian media, the emphasis placed by the media in news, and how the online mode of modern life and social distancing affects the growth of media influence. Special attention is paid to the view of the famous publicist Heorhii Pocheptsov, who does not exclude the possibility that the coronavirus was invented intentionally to control millions of people around the world. Permanently, the world faces numerous challenges of different scales: economic, military, socio-political, environmental, epidemiological ones. In 2020, the largest and the most unexpected event, undoubtedly, was the deadly coronavirus pandemic, which spread from the small Chinese province of Wuhan to the whole world and already took more than one million people’s lives in less than a year. Thus, the media, that in the post-information society actually have an unprecedented impact on people, form a person’s perception of such challenges. As a result, our understanding of the pandemic is directly related to the information we consume from the media. In fact, from the very start of quarantine, the media space began to be captured by analytical materials in which experts from various fields tried to predict what the world would be like after the end of coronavirus. These experts were of two types: some claimed that irreversible changes would deepen the permanent economic and socio-political crisis, and by claiming that they intensified panic, while others argued that any crisis is a chance to restart and grow. The experts put different emphases covering the covid pandemic in the media, but it is important to pay attention to the analysis of the famous publicist, propaganda researcher – Heorhii Pocheptsov, who sees the coronavirus as a tool to influence millions of people. The pandemic will end sooner or later, but no matter whether the virus was artificially invented or not, the processes that have already been launched around the world cannot stop as if nothing had happened. But Heorhii Pocheptsov’s opinion about the possible artificial nature of the virus should make us more vigilant while consuming information from TVs or from the online media, as it is possible that this information might be a part of a great game that we were not warned about.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Chinese Poet' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography