Dissertations / Theses: 'Chinese Poet'

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Dung, Chau-hung, and 董就雄. "Poetics of Ye Xie and of the Lingnan master poet trio." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B4098767X.

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Ng, Lui Nam. "The life and poetry of Dai Tian." Thesis, SOAS, University of London, 1999. http://eprints.soas.ac.uk/29231/.

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The thesis studies the life and poetry of Dai Tian (1937-) as a Hong Kong poet. Hong Kong literature and poetry have seldom been studied by scholars in the West in past years. With the ending of British colonial rule and the handing over of the sovereignty of Hong Kong back to the Chinese on 1st July 1997, there is an urgency in the study of Hong Kong poetry to render overdue recognition to Hong Kong poets. Dai Tian was bom in China, raised in Mauritius, studied in Taiwan and the USA, and now lives in Hong Kong. In this thesis, I demonstrate that Hong Kong poetry exists and that Dai Tian is one of its foremost representatives. The thesis is in 5 chapters. Chapter 1 introduces the literary activities and development of Hong Kong from 1842-1997. A definition of Hong Kong poetry on the basis of themes will be given. The question of Hong Kong being a place of importance in poetry is raised. Chapter 2 is an account of the life of Dai Tian. Chapter 3 is the discussion of Dai Tian's poetry. Dai Tian's poetry is divided into 3 stages, the 1st stage is from 1957-1966, the 2nd stage from 1967-1980 and the stage from 1981-1990. Recurring themes like Chineseness, Chinese arts and artists, time and life, international politics, fables and cultural China are discussed. Chapter 4 is the study of Dai Tian as a Hong Kong poet. Dai Tian's poetry will be studied as representative of Hong Kong poets. The themes of anti-colonialism and Hong Kong as a periphery to Mainland China, Taiwan and the United Kingdom will be examined. Chapter 5 concludes the thesis and examines the friendship between Dai Tian and contemporary poets, Dai Tian's influence on Hong Kong poets and his plans for future writings.

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Dung, Chau-hung. "Poetics of Ye Xie and of the Lingnan master poet trio a comparative study = Ye Xie yu ling nan san jia shi lun bi jiao yan jiu /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B4098767X.

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朱幗馨. "清代詞人蔣景祁研究 = A study of Jiang Jing-qi, a ci-poet in early Qing dynasty". HKBU Institutional Repository, 2007. http://repository.hkbu.edu.hk/etd_ra/800.

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Kong, Xueying. "Change and Un-change: Bian Zhilin’s Struggles in the War Time, 1937-1958." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu148043197617731.

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Hoon, Chang-Yau. "Reconceptualising ethnic Chinese identity in post-Suharto Indonesia /." Connect to this title, 2006. http://theses.library.uwa.edu.au/adt-WU2007.0065.

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戴穗華 and Sui-hua Dai. "A critical study of the poetry of Xu Hun (788-867?)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31225925.

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Giblin, Susan Mary. "Being Chinese and Indonesian : Chinese organisations in post-Suharto Indonesia." Thesis, University of Leeds, 2003. http://etheses.whiterose.ac.uk/653/.

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In 1998 Indonesia was on the verge of huge political changes. The economy was in crisis and President Suharto's thirty-two year New Order government was coming to an end. Violence, largely directed against the ethnic Chinese in a number of cities on the archipelago, accompanied the political and economic crises. The changes which unfolded led to peaceful elections in 1999, which were judged by international observers to be fair and democratic. These elections placed a new administration in power and with it the hopes of the people that reformasi (reform) would ensue. Immediately after Suharto stepped down things began to change for the ethnic Chinese who had never been fully accepted as Indonesian within Indonesian national discourses. Indeed the presence of ethnic Chinese in Indonesia was constructed as a problem; the "Chinese problem" (inasalah Cina). During the New Order, policy towards Chinese Indonesians was particularly harsh. They were not permitted to celebrate any aspect of their Chinese heritage and official policy dictated that they should assimilate into Indonesian society. This changed after 1998 and the debate about how Chinese Indonesians should behave, and how they should be treated, emerged once again. This thesis investigates a number of Chinese Indonesian organisations which were established or re-established after May 1998. I am particularly interested in how they are articulating both their Chinese and their Indonesian identities in this new climate. I argue that as a result of Indonesian national discourses which construct Chinese Indonesians as "outsiders", it may not be possible for the groups to achieve their joint aims of overcoming anti-Chinese stereotypes and having their Chinese heritage accepted within Indonesia. During the New Order years many ethnic Chinese were reluctant to declare themselves Chinese publicly, or speak about their experiences, which has led to a dearth of empirical material relating to how Chinese Indonesians themselves understand their identities. Therefore, this research is a particularly useful addition to the study of the ethnic Chinese in Indonesia.

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戚本盛 and Pun-shing Babie Chik. "A study of Dai Wangshu's poetry." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1992. http://hub.hku.hk/bib/B31210739.

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Chiang, Wai-yan, and 蔣瑋茵. "A study of Linghu Chu (776-837)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B45987919.

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張為群 and Wai-kwan Cheung. "The monk-poets of the mid-Tang period." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31220617.

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Hoon, Chang-Yau. "Reconceptualising ethnic Chinese identity in post-Suharto Indonesia." University of Western Australia. Asian Studies Discipline Group, 2007. http://theses.library.uwa.edu.au/adt-WU2007.0065.

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[Truncated abstract] The May 1998 anti-Chinese riots brought to the fore the highly problematic position of the ethnic Chinese in the Indonesian nation. The ethnic Chinese were traumatised by the event, and experienced an identity crisis. They were confronted with the reality that many Indonesians still viewed and treated them as outsiders or foreigners, despite the fact that they had lived in Indonesia for many generations. During Suharto's New Order (1966-1998), the ethnic Chinese had been given the privilege to expand the nation's economy (and their own wealth), but, paradoxically, were marginalised and discriminated against in all social spheres: culture, language, politics, entrance to state-owned universities, public service and public employment. This intentional official discrimination against the Chinese continuously reproduced their

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Park, Christopher 1966. "La modernité poétique des femmes chinoises : écriture et institution." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56656.

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Women's poetic writing in modern China, its context and position in literary history as well as its ideological and social constitution are at the root of this thesis' subject. Having stated my intellectual and personal limitations regarding its writing as an introduction, examples of contemporary women's poetic text will serve to broaden its conclusion. My analysis begins with a reflection on its own terminology in philosophical debate, followed by a study of the modernist background that from 1977 leads to what is termed as neo-modernity in literature. A paradox in the women's avant-garde of antipatriarchal antagonism against the literary institution will be illustrated by examples of critical text on women's poetic production. My point is to address this paradox with the identification of false values placed from the very beginnings of poetic modernity on women's poetry within the avant-garde.

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Dayton, D. "Big country, subtle voices three ethnic poets from China's southwest /." Connect to full text, 2006. http://hdl.handle.net/2123/1630.

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Thesis (M.A.)--University of Sydney, 2007. Title from title screen (viewed 25 March 2008). Submitted in fulfilment of the requirements for the degree of Master of Arts to the Dept. of Chinese Studies, Faculty of Arts. Degree awarded 2007; thesis submitted 2006. Includes bibliographical references. Also available in print form.

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Lang, Vladimír. "Post China 16: Competition for Chinese exports." Master's thesis, Vysoká škola ekonomická v Praze, 2015. http://www.nusl.cz/ntk/nusl-206292.

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This thesis examines the evolution of China's economy and the competitive position of its exports in the international market. The thesis explores whether China is losing its competitive edge in export to the group of developing countries called Post China 16. First chapter identifies macroeconomic variables that significantly influence exports of a specific economy. Second chapter discusses the development of selected economic variables in Post China 16 economies. It studies whether the development of selected variables reveals possible changes in the competitive position of China and selected developing countries. Final part of the thesis develops an econometric model that tests the influence of selected variables on development of exports across several industries of The Post China 16 economies. Results confirm that most of the variables influence exports as the theory predicts and that the influence is higher in some industries than others. However, the model has limitations due to the shortcomings of the data.

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Kuo, J.-C. "Failure at Chungking : Political negotiations in post-war China." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.232977.

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Takahara, Akio. "The politics of wage reform in post-revolutionary China." Thesis, University of Sussex, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328354.

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莊柔玉 and Rouyu Zhuang. "Mad pursuit." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1990. http://hub.hku.hk/bib/B31209683.

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Chen, Zhihong. ""Jin tian" shi qun yan jiu = A study on Today's poems and poets /." click here to view the abstract and table of contents, 1998. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b15646506a.pdf.

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Ho, Wing Shan. "How Far Can We Go: Popular Film and TV Drama in Post-1989 China." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/17937.

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295 pages My dissertation addresses two major issues in Chinese contemporary film and TV studies: the first is the proliferations of new forms of subjectivities and the state’s attempt to regulate them via the construction of an ideal citizenship on the film and TV screen; the second is to develop an approach to understand the political economy of screen culture (yingshi wenhua), as well as freedom and control in post-1989 China. My project investigates key contemporary state-sponsored (zhuxuanlü) and state-criticized/banned screen products as a way to explore socialist values advanced by the Chinese Communist Party, as well as the ways in which and the extent to which individuals are able to challenge them. The ways in which my project contributes to the fields of film and TV studies in China are fourfold. First, close readings of selected films and TV dramas inform us of three emergent forms of subjectivity that were previously theorized as a synthesized sublime subject. Second, I conceptualize qualities of the on-screen socialist spirit that the state uses to counteract the three new forms of subjectivity and maintain its superiority. Third, by discussing the state’s intervention and control on production and consumption of screen products, I reveal the state’s vested interests and individuals’ execution of agency in popular culture. This emphasis on state-individual interactions challenges the current focus on TV and film as merely a profit-oriented industry; it also unravels conflicted ideologies in screen products and questions the understanding of popular culture as mainstream culture. Fourth, by achieving the above tasks, my research exposes that the state’s tolerance of its citizens’ partial freedom is for the purpose of political stability.

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Haas, Aric R. "Congwens autobiography and reflections on Shen Congwen post-1948." Kent State University Honors College / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1450044113.

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Mak, Lai-ping Alison. "Post-traumatic stress disorder: risk factors in the Chinese context." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B29726396.

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Sneath, David Andrews. "Post-revolutionary social and economic change in the pastoral population of Inner Mongolia." Thesis, University of Cambridge, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385865.

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Fulker, Christopher Paul. "The Chinese mass campaign in the post-Mao years." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/30567.

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The Chinese mass campaign was originally formed in accordance with the Maoist vision of political participation. The "mass line" dictum enunciated by Mao Zedong required a relationship of reciprocity between the masses and the CCP in terms of evolving ideas, improving and amending them through discussion, and implementing decisions. In this participatory process it was vitally important that the masses freely and voluntarily express their own views. Originally, the mass campaign was a positive, pragmatic, and commitment-filled way of completing constructive tasks, one in which the masses themselves played an important role. The vision of participation prevailing at any given time has been a major factor in shaping the nature of the mass campaign. Central to a consideration of the character of participation is the degree to which the masses are permitted to play their independent, active, and integral role. Stemming from the period following the failure of the Great Leap Forward, this original conception of the mass campaign was increasingly corrupted by developing "bureaucratism" and "commandism" and actual mass involvement declined. With the basic tasks of socialist construction seen as completed, the mass campaign began to be used for "reforming the superstructure." Moralizing, lecturing, and behavioural modification were some of the tasks to which the mass campaign was put, as the achievement of social stability and public cooperation became important state goals. Leadership disunity resulted in the manipulation of the mass campaign for factional ends. Since the commencement of the post-Mao reform process, Chinese society has experienced increases in social disorder and in cynical, self-centred and apathetic public behaviour. In responding to these problems, the state has altered the use of the mass campaign to the minimalist one of a tool for social control. Leadership infighting and disagreements over policy direction and party "line" have become especially prominent since the end of the Cultural Revolution. Mass campaigns have been commonly manipulated by individuals and factions within the leadership in recent years; consequently, their administration and structure has become shoddy and their ideological direction haphazard. Campaigns of the 1980s have continued to display these and other trends. Limited to use as lecturing and moralizing tools, subordinated to economic concerns, manipulated by the leadership, lacking constructive or pragmatic goals, and featuring meaningless content, they are increasingly irrelevant to the masses. Arts, Faculty of Political Science, Department of Graduate

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Gao, Minglu. "The '85 Movement Avant-garde art in the post-Mao era /." online access from Digital dissertation consortium, 1999. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9960497.

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Tan, Guangyu. "The (Re)production of Social Capital in the Post-Chinatown Era: A Case Study of the Role of a Chinese Language School." [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1239900533.

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Thesis (Ph.D.)--Kent State University, 2009. Title from PDF t.p. (viewed Jan. 12, 2010). Advisor: Tricia Niesz. Keywords: Social capital; ethnic community; ethnic identity. Includes bibliographical references (p. 227-244).

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Zhu, Shaozhang. "Xian dai xin shi ren jiu ti shi yan jiu = Study of Chinese classical poetry written by modern Chinese poets /." click here to view the abstract and table of contents, 2002. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b17563586a.pdf.

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Han, Yang. "A pragmatic study of some sentence-final and post-verbal particles in Mandarin Chinese." Thesis, University of York, 1988. http://etheses.whiterose.ac.uk/4278/.

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Dayton, D. "Big Country, Subtle Voices: Three Ethnic Poets from China's Southwest." University of Sydney, 2007. http://hdl.handle.net/2123/1630.

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Master of Arts In the southwest corner of China, the confluence of cultural diversity and national integration have produced a new kind of voice in the Chinese language: an ethnic voice. Speaking fluently in the Chinese nation’s language and culturally beyond its Han foundations, minority ethnic writers or shaoshu minzu in China are inciting a challenge to the traditional conceptions of Chineseness. In the PRC, the re-imagining of the boundaries between ethnicity, nation, and the globe is being produced in ethnic voices that resist the monopolizing narratives of the CCP and the Han cultural center. Furthermore, in the West where the antiquated conception of China as a monolithic Other is still often employed, the existence of these ethnic voices of difference demands a (re)cognition of its multifaceted and interwoven ethnic, political, and social composition. Three ethnic poets from the southwest are examined in this thesis: Woeser (Tibetan), He Xiaozhu (Miao), and Jimu Langge (Yi). They represent the trajectory of ethnic voice in China along the paradigms of local/ethnic vision, national culture, and global connections. By being both within and outside the Chinese nation and culture, they express a hybrid struggle that exists within the collision of ethnic minority cultures and the Han cultural center. Like the hybridity of postcolonial literature, this is a collision that cannot be reduced to it parts, yet also privileges the glocal impetus of ethnically centered vision. The poets’ voices speak the voice of difference within China, the Chinese language, and Chineseness throughout the world.

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朱蓓嫻 and Pui-han Dorothy Chu. "A critical study of Wei Yingwu's (737-795?) poetic works." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B3122068X.

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Guo, Zhi. "Strategies for Chinese companies to enter the Port Elizabeth sports-shoe market." Thesis, Nelson Mandela Metropolitan University, 2006. http://hdl.handle.net/10948/516.

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This research addressed the study of entry strategies by Chinese sports-shoe manufacturers into the South African sports-shoe market. The goal of this research is to investigate what are the appropriate entry strategies for Chinese sports-shoe companies to enter the South African sports-shoe market. A Chinese sports-shoe company, Li Ning Limited, was used as a case study to illustrate the methods to explore appropriate entry strategies. The research methodology included: {u10007A} A literature study to explore the popular entry strategies used to enter the South African and also global markets was conducted. In addition, the South African and Chinese market environments were investigated. {u10007A} An empirical study, a survey of sports-shoe customers and sports-shoe shops owners, was done in order to explore the advisable entry strategies for Chinese sports-shoe companies to enter the South African sports-shoe market. According to the literature study as well as the empirical study, the research explored some advisable entry strategies for Chinese sports-shoe companies into the South African domain.

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Larson, Emily. "Negotiating Interpersonal Relations in 21st Century China: The Practices of China's Post-90s Generation and Their Implications to Teaching Chinese as a Foreign Language." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1595514673748373.

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Ku, Yachun. "Chinese rural elderly in the post-Mao era: Two villages in Zhejiang Province." Case Western Reserve University School of Graduate Studies / OhioLINK, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=case1055448805.

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Ip, Sui-lin Stella, and 葉瑞蓮. "The phenomena of post-modern culture in contemporary Chinese literature." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31245390.

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Donald, Stephanie Jane. "Chinese cinema and civil society in the post-Maoist era." Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320224.

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Liu, Xin. "Zhao villagers : everyday practices in a post-reform Chinese village." Thesis, SOAS, University of London, 1995. http://eprints.soas.ac.uk/28904/.

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This thesis has two aims. Firstly, it aims to provide a detailed ethnographic account of a post-reform village in north-western China by approach of examining how the fields of social relations are formed by and through discursive representations of the village and how the formation of social relations and representations of the village are constituted in everyday practices. Secondly, this thesis also aims to reach wider theoretical issues, particularly issues concerning the debates about writing and fieldwork in contemporary anthropology, and aims to use a specific case study to raise, critically, questions about ethnographic writing on China. Writing in the wake of Foucauldian and renewed Marxist currents of radical critique from which comes the general claim of relating power to knowledge or to ideology, I take a 'practice approach' in this thesis to examine rural life in post-reform China as historically situated social practice. Focusing on the details of everyday life, I argue that, firstly, social action and its agents are mutually constitutive and, secondly, social, economic and political organisations as complex forms of practices are constituted in everyday practices. In the Introduction, I trace the regional tradition of ethnographic writing on China and illustrate my theoretical stance and the specific position from which I write. Chapter 1 provides a background of the village by way of presenting different narratives and representations about the village. Chapter 2 looks at kinship as a social practice and examines its changing strategies. Chapter 3 focuses on the tactics of marriage negotiation and shows that social relations are modifiable, alterable, changing processes. Chapter 4 looks at food and the way in which it is served on different occasions as a signifier of various kinds of social relationships. Chapter 5, as a core chapter of the thesis, examines the strategies and tactics of everyday practices through a series of detailed ethnographic examples. Chapter 6 looks at the village celebrations - weddings and funerals - as extensive forms of practices, which reveal more clearly 'the logic of practice' in post-reform rural China. Chapter 7, the last substantial chapter, focuses on the effects of the economic reforms on the village's economic and political practices, and shows the changing strategies in reordering and re-constituting the power relations in post-reform rural China. In my Conclusion, I point out the significance of my research as a critical understanding of both the actual socio-economic conditions of post-reform rural China and the regional tradition of ethnographic writing on China.

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Wang, Yu. "La réception des anthologies de poésie chinoise classique par les poètes français (1735-2008)." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040041.

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Notre thèse est consacrée à la réception de la poésie chinoise classique chez les poètes français à travers notamment les anthologies. Elle est divisée chronologiquement en trois parties. La Partie I couvre la période 1735-1860, antérieure à la première anthologie de poésie chinoise et où il n’est donc question que de morceaux choisis. Nous estimons que cette partie est indispensable sur les plans à la fois historique et comparatif. Sans elle, nous apprécierions peut-être moins l’arrivée des anthologies et leur contribution à l’évolution de la réception de la poésie chinoise chez les lecteurs-poètes. La Partie II commence par la parution de Poésies de l’époque des Thang. Nous débutons ainsi par un aperçu général des anthologies parues entre 1862 et 1949. Puis nous abordons la traduction de cette période et les anthologies majeures. Nous entrons par la suite dans le vif du sujet qu’est la réception de ces anthologies chez les lecteurs-poètes, tels que Paul Claudel, Segalen et Saint-John Perse. La Partie III concerne la période 1953-2008. Nous abordons d’abord la diffusion et la traduction des anthologies de cette période. Puis nous parlons en détail des trois sortes d’anthologies produites par les traducteurs professionnels, les sinologues et les poètes, sans oublier de réserver un chapitre à des anthologies majeures. Enfin, nous étudions les poètes contemporains qui lisent la poésie chinoise traduite avec leurs différentes modalités de réception. Dans la réception, le plus intéressant n’est peut-être pas de connaître la poésie chinoise classique mais bien de s’interroger sur la façon dont les poètes français l’interprétèrent. Nous espérons avoir pu répondre à cette interrogation à travers le long parcours historique déployé dans cette thèse This thesis addresses the reception of Classical Chinese poetry by French poets, particularly by means of anthologies. It is organised chronologically in three parts. Part One covers the period 1735–1860, before the first anthology of Chinese poetry, and is therefore concerned only with excerpts. An understanding of this first period is essential if we are to appreciate the significance of the anthologies that followed, and their role in the changing reception of Chinese poetry by reader-poets. Part Two begins with the publication of the anthology Poésies de l’époque des Thang. After a general overview of the anthologies published between 1826 and 1949, there is a more detailed account of translation practices over this period, and of the most influential anthologies. It is then possible to address the central issue of this thesis: the reception of these anthologies by reader-poets, such as Paul Claudel, Victor Segalen and Saint-John Perse. Part Three is concerned with the period 1953–2008. Following an account of the dissemination and translation practices of anthologies from this period, there is a detailed discussion of the three types of anthologies produced by professional translators, Sinologists and poets respectively, and a further chapter is devoted to the most influential anthologies. Finally, a study is made of contemporary poets who read Chinese poetry in translation, and of their different forms of reception. This reception is of interest, not so for much for what it tells us about Chinese poetry itself, but rather for the way it has been interpreted by French poets. The long historical trajectory of this thesis provides an important insight into this interpretation of Chinese poetry

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Sarvis, Will. "T'ao Yüan-ming as reflected in his poetry." Thesis, Virginia Tech, 1990. http://hdl.handle.net/10919/42153.

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T’ao Yüan-ming (365-427 A.D.) remains China's greatest medieval poet. While no adequate biographical sources exist, the poet’s own work presents the most intimate picture of T’ao Yüan-ming himself, in addition to reflecting various aspects of his historical and cultural era. This essay explores T’ao Yüan-ming’s character as reflected in his verse. When poised against a broader historical and cultural background, T’ao Yüan-ming’s poetry goes furthest in revealing the poet as an individual as well as a product of his times. Master of Arts

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Zhang, Heather Xiaoquan. "Maoism, the post-Mao reforms and the changing status of Chinese rural women : Chinese women speak for themselves." Thesis, University of Strathclyde, 2001. http://oleg.lib.strath.ac.uk:80/R/?func=dbin-jump-full&object_id=26530.

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This study analyses the implications of the state development strategies of the past four decades for gender relations in rural China. Based on rural women's own perspectives, the research examines their gains and losses under the Mao and post-Mao development policies, and allows women themselves to define their needs, priorities and interests as against those defined by the state. The research reveals a fundamental collision of the Maoist urban-centred development strategy of agricultural collectivisation with the interests of rural women. It demonstrates as well an essential congruence of the ostensibly iconoclastic Cultural Revolution with the orthodox Confucian patriarchal familial and state systems, and thus oppressiveness for women. The post-Mao reorientation of the official development strategy has brought a gradual shift in the function of the state, leading to a changing relationship between the state and women. Rural women, in this process, have acted as agents of change in both defying the state-imposed restrictions and contesting the patriarchal gender rules that have posed constraints on their lives. Women's actions as such have constituted an unprecedented challenge to traditional values, gender expectations and the existing political, social and sexual orders. However, rural women's inroads into male-dominated occupations and their hopes for further empowerment through education, training and employment, and through political participation and representation have been impeded by the structural urban-rural cleavage, unequal gender power relations, traditional ideas and male prejudice, as well as inadequate government actions. Sexism has simply assumed new forms: the gendered allocation of rights, opportunities and resources in the marketplace. Women are more able now to organise their independent interests and exert pressure on the authorities. Meanwhile, the growing gender inequalities during the economic transition call for a bigger role of the state in guaranteeing social justice and gender equity in the fresh redistribution of rights and interests.

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Gao, Lan. "The internationalisation of Chinese firms : determinants and the influence of dynamic capabilities and institutions on the post-internationalisation performance." Thesis, Loughborough University, 2011. https://dspace.lboro.ac.uk/2134/8504.

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This thesis examines the rising phenomenon of the internationalisation of Chinese firms, and aims to shed new light on our understanding of the emergence of firms from emerging economies in the global market. It consists of two parts: the country level study and the firm level. The former identifies the domestic and locational determinants of Chinese outward foreign direct investment (OFDI), while the latter examines the influence of dynamic capabilities and institutions on the post-internationalisation performance of Chinese firms, with a focus on state-owned enterprises (SOEs). To explore the domestic and locational determinants of Chinese OFDI, the thesis integrates network theory with the traditional explanations of OFDI, the investment development path and the eclectic paradigm. By doing so, a new factor, human mobility, is identified as one of the important domestic and locational determinants of Chinese OFDI. Drawing upon a time series data analysis for the period 1979-2007, this study confirms that Chinese OFDI is driven by its domestic economic development, human mobility and knowledge development and accumulation, and it has a substitute relationship with exports. By examining Chinese OFDI flows to 13 OECD countries over the period 1999-2007, it is shown that human mobility, the strategic assets of the host country, foreign direct investment to China and cultural distance have a positive impact on the locational choice of Chinese OFDI to OECD countries. To investigate the influence of dynamic capabilities and institutions on the post-internationalisation performance of Chinese firms, this study integrates the dynamic capability framework and the institution-based view, and embeds the analysis in a multi-perspective conceptual framework. It draws on four case studies of Chinese SOEs. The analysis shows the importance of internal dynamic capabilities in achieving overseas success when dealing with changing environments. The managerial mindset has a moderate effect on the impact of dynamic capabilities on post-internationalisation performance. The case analysis also shows how the external institutional environment of both host and home countries influence the performance of Chinese SOEs. ii Support from both host and home country governments, unsurprisingly, has a positive influence on performance. However, too much intervention from the home country government imposes constraints on the firms and reduces their willingness to commit to internationalisation. This thesis makes a number of contributions to the existing literature. First, it provides a better understanding of the overall picture of Chinese OFDI from the macro perspective. The findings also contribute to our understanding of the rise of OFDI from emerging economies in general and from China in particular. Second, a new factor, human mobility, is identified and proved to be significant in determining Chinese OFDI. In this era of globalisation, human mobility has become the driving force of OFDI from emerging economies. Third, a first step is taken towards exploring the influence of both internal and external factors on the post-internationalisation performance of Chinese firms. In order to achieve overseas success, not only do Chinese firms need to improve their internal dynamic capabilities, but also attention needs to be paid to the external institutional environment, which has a significant impact on the performance of Chinese firms pursuing overseas success.

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Tsai, Chun-fung Kelvin, and 蔡振鋒. "Quality-of-life of Chinese older adults with post-stroke dysphagia." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50223264.

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Background: One of the common complications of stroke is dysphagia. Dysphagia can be a disabling problem with negative psycho-social consequences. The effect of dysphagia on quality-of-life is not well understood among the stroke survivors. The Chinese version of Swallow Quality-of-Life Questionnaire can be a reliable instrument to provide a multidimensional evaluation on the impact of post-stroke dysphagia in the population of Hong Kong Chinese older adults. Objective: To investigate factors associated with the swallowing-related quality-of-life in Hong Kong Chinese older adults with the history of stroke during the post-acute phase, using a disease-specific quality-of-life questionnaire (CSWAL-QOL). Method: This was a cross-sectional study of 92 stroke survivors, aged over 55. They were recruited from the inpatient wards and out-patient clinics. They were assessed for any dysphagia and its severity by the bedside swallow assessment. The Mini-Mental State Examination and the Chinese version of Swallow Quality-of-Life Questionnaire were used for cognitive and quality-of-life assessment respectively. Results: The test-retest reliability of the test was moderately correlated (Spearman’s rho 0.62).Participants on modified diet/fluid, on tube-feeding, older age and post-stroke for 1-2 years were observed to have lower CSWAL-QOL score across scales. Conclusion: The effect of ageing appeared to be a factor affecting swallowing-related QOL in stroke survivors, with better QOL in younger participants(age ranged from 55 to 69) and similar QOL in old (age ranged from 70 to 85) and very old (age above 85)participants. No gradual change of QOL was found as post-stroke duration increases. The oral feeding mode and normal food and fluid consistency resulted a better QOL in stroke survivors. published_or_final_version Medicine Master Master of Medical Sciences

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Bolesta, Andrzej. "China as a post-socialist developmental state : explaining Chinese development trajectory." Thesis, London School of Economics and Political Science (University of London), 2012. http://etheses.lse.ac.uk/536/.

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This thesis is intended to contribute to the discussion on China’s socio-economic development during the post-socialist period of reform and opening up. It is aimed at providing an explanation of the Chinese contemporary development trajectory, by establishing an institutional and policy model, which China is believed to have been following. This model is also believed to offer some general solutions to the underdeveloped countries in systemic transformation. The thesis argues that China’s post-socialist development trajectory has been determined by the provisions of the Developmental State (DS) model, as far as state development policies, state ideology, and state institutional arrangements are concerned, and to the extent, that China has become a genus of the Post-Socialist Developmental State (PSDS) model – this model being an alternative to the post-socialist neoliberalism. In the course of scholarly enquiry, China’s development trajectory is analysed against the paths of historical developmental states, and against the general and developmental aspects of the process of post-socialist transformation. I start by analysing the features of the historical developmental states and by investigating whether the provisions of the DS model are viable contemporarily and how the model extends to the discussion on China’s development. I then examine China’s post-socialist transformation, partly in its DS context. Next, I analyse the features of China’s development trajectory in comparison with the features of historical developmental states, as far as ideology and political and economic arrangements as well as state development policies are concerned. Finally, based on the previous analyses, I explain the DS-determined postsocialist development trajectory of China, address the causal relation between the DS institutionalisation and post-socialist transformation, and construct the PSDS model, as a general guideline for states in transition.

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Sohn, Won Jung. "In search of another eye : mimesis, Chinese aesthetics, post-modern theatre." Thesis, University of London, 2011. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542434.

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Although a new tradition of non-mimetic theatre has secured a place in Western theatre history, I find that existing critical vocabularies fail to embrace various theatrical forms of today. Alternative frames of discussion are sought after, and I propose that a culturally distinct one will open up possibilities of perceiving contemporary performances in different ways. In this thesis I turn to the aesthetics of Chinese painting. The Western concept of mimesis in theatre is seen as being strictly related to the verbal aspects of the drama rather than the performed spectacle. Turning to paintings as a lens through which to look at theatre enables one to focus on the extra-textual aspects of performance. At the same time, looking at painting directs one to the issue of ways of seeing, which is fundamental to theatre. Looking at Chinese paintings will disclose the unique Chinese ways of seeing that affected their artistic creation and reception, as well as what different concepts of representation prevailed. In this thesis I trace the mimetic foundations of Western theatre by investigating the writings of Plato and Aristotle as well as looking at Classical Greek painting, its modern reflections and counteractions. I then propose the aesthetics of Chinese painting as an alternative lens through which to look at contemporary non-mimetic theatre. Focusing on landscape and literati paintings of the Sung era I examine how adopting this lens initiates a mode of perception that differs significantly from the Western. Finally, I explore the validity of Chinese aesthetics as a critical device with which to look at contemporary non-mimetic theatre, case-studying selected theatre performances of Tadeusz Kantor and Forced Entertainment

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Rotnem, Daniel Alexander. "Post-WTO Chinese Foreign Policy: The balance between idealism and realism." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1291223245.

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Jin, Keyin. "Post Abortion Care for Chinese Adolescents Who from Suffer Psychological Challenges." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1523634578717486.

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Li, Xiaorong 1969. "Rewriting the inner chambers : the boudoir in Ming-Qing women's poetry." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100645.

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My dissertation takes the social and symbolic location of women---the inner chambers [guige or gui]---as a point of departure to examine Ming-Qing women's unique approach to the writing of poetry. In Ming-Qing China, women continued to be assigned to the inner, domestic sphere by Confucian social and gender norms. The inner chambers were not only a physically and socially bounded space within which women were supposed to live, but also a discursive site for the construction of femininity in both ideological and literary discourses. The term gui embraces a nexus of meanings: the material frame of the women's chambers; a defining social boundary of women's roles and place; and a conventional topos evoking feminine beauty and pathos in literary imagination. Working with the literary context of boudoir poetics, yet also considering other indispensable levels of meanings epitomized in the cultural signifier guige, my dissertation demonstrates how Ming-Qing women poets re-conceive the boudoir as a distinctive textual territory encoded with their subjective perspectives and experiences. Compared with the poetic convention, the boudoir as inscribed in Ming-Qing women's texts is far more complex as its depiction is informed by nuances in their historical, social and individual experiences.

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梁淑雯. "文革後小說中的瘋癲書寫 = Madness in the novels of post-Cultural Revolution". HKBU Institutional Repository, 2009. http://repository.hkbu.edu.hk/etd_ra/1050.

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Huang, Yanping. "Modelling land use change and agricultural performance in post-reform China using remotely sensed data and GIS." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.264570.

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朱少璋. "現代新詩人舊體詩硏究 = Study of Chinese classical poetry written by modern Chinese poets". HKBU Institutional Repository, 2002. http://repository.hkbu.edu.hk/etd_ra/471.

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Wang, Xuelai Shelley. "Post-myocardial infarction depression, inflammatory markers and cardiac prognosis in Chinese patients." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/HKUTO/record/B39556980.

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Dissertations / Theses on the topic 'Chinese Poet'

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