Relevant bibliographies by topics / Chinese Porcelain

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Chinese Porcelain'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2025

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Journal articles on the topic "Chinese Porcelain"

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Teece, Denise-Marie. "Monsoon Winds and Ming Porcelains: Chinese Ceramics and Their Reception in Early Modern South Asia." Muqarnas Online 40, no. 1 (2024): 103–53. http://dx.doi.org/10.1163/22118993_0040_006.

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Abstract This essay will explore the arrival, acquisition, and reception of Chinese ceramics within early modern South Asia, with a focus on the Mughal dynasty (r. 1526–1857) courtly context. The first step in placing South Asian ceramic collecting practices within the broader historical and geographic circulation of porcelains in the Gulf and Indian Ocean worlds is understanding the breadth and nature of South Asian collections. While the Safavid porcelain collections donated by Shah Abbas to Ardabil, and the massive Chinese porcelain collection of the Ottoman courts held today in Istanbul’s
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Tenorio, Dolores, Melania Jimenez-Reyes, Eladio Terreros-Espinosa, and Socorro DE La Vega Doria. "A Study of Chinese and Japanese Porcelains from Archaeological Sites of Mexico City, Using INAA." Semina: Ciências Exatas e Tecnológicas 45 (August 6, 2024): e50614. http://dx.doi.org/10.5433/1679-0375.2024.v45.50614.

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This study analyzes porcelain fragments unearthed at multiple archaeological sites in Mexico City, formerly known as New Spain. A collection of 60 samples was successfully categorized into four different groups and analyzed based on the Instrumental Neutron Activation Analysis (INAA) in conjunction with statistical methods. One of the groups included blue-and-white porcelains, which conclusively traced back to the renowned Jingdezhen kilns. Another blue-and-white group was attributed to the Zhangzhou kilns. Notably, it was determined that the Chinese white porcelains, distinguished by their lo
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Guo, Mo. "Christian Iconography on Ming and Qing Chinese Porcelain: Religious Influence and Artistic Hybridization." Religions 15, no. 4 (2024): 472. http://dx.doi.org/10.3390/rel15040472.

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Since the arrival of Christian missionaries in China through maritime trade networks, missionary activities have been changing from the 16th century to the 18th century. Christian missionaries faced numerous challenges stemming from cultural context and religious policies in China. Throughout history, various religious strategies have been employed to address these challenges. The use of Chinese porcelain to depict Christian imagery holds significant importance. The present study is focused on four representative Chinese porcelains dating from the Ming to Qing dynasties, each associated with s
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Qu, Jia yi, and Seung Woog Kim. "A Study on the Characteristic Elements of Light-transmitting Ceramics : Focusing on Lee In-hwa’s Works." Institute of Art & Design Research 27, no. 2 (2024): 65–76. https://doi.org/10.59386/jadr.2024.27.2.65.

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This study aims to explore the direction of continuous expansion of modern ceramic decoration creation based on the origin of Linglong porcelain works and the development status of decorative techniques, and pays particular attention to the succession and innovation of traditional and modern decorative techniques of Linglong porcelain in China and Japan. To this end, Linglong porcelain works by Chinese yinglong porcelain brands and Japanese yinglong porcelain artists were selected and case studies were conducted, and Linglong porcelain decorative techniques were divided into three categories:
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Li Xinxin, Li, and Iarîna Savițkaia Baraghin. "THE SPREAD AND INFLUENCE OF CHINESE PORCELAIN IN EUROPE DURING THE 17TH-18TH CENTURIES." Review of Artistic Education 30 (May 30, 2025): 288–92. https://doi.org/10.35218/rae-2025-0039.

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Abstract: This article discusses the spread of Chinese porcelain in Europe during the 17th and 18th centuries and its impact on European art, culture, and economy. Fueled by global trade networks, Chinese porcelain entered the European market through the East India Companies, becoming a luxury item for aristocrats and the upper class. As demand for porcelain grew, Europe gradually began to imitate and develop its own porcelain industry, exemplified by Germany's Meissen. Chinese porcelain not only had a profound influence on material culture but also shaped European artistic creation through it
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Corbeiller, Clare Le, and Alice Cooney Frelinghuysen. "Chinese Export Porcelain." Metropolitan Museum of Art Bulletin 60, no. 3 (2003): 1. http://dx.doi.org/10.2307/3269266.

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Yuenyongwannachot, Supakorn. "Chinese Export Porcelain." ASEAN Journal of Radiology 19, no. 3 (2017): 44–48. http://dx.doi.org/10.46475/aseanjr.v19i3.6.

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Yap, C. T., and Younan Hua. "Principal Component Analysis of Chinese Porcelains from the Five Dynasties to the Qing Dynasty." Zeitschrift für Naturforschung A 47, no. 10 (1992): 1029–33. http://dx.doi.org/10.1515/zna-1992-1004.

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AbstractThis is a study of the possibility of identifying antique Chinese porcelains according to the period or dynasty, using major and minor chemical components (SiO2 , Al2O3 , Fe2O3 , K2O, Na2O, CaO and MgO) from the body of the porcelain. Principal component analysis is applied to published data on 66 pieces of Chinese procelains made in Jingdezhen during the Five Dynasties and the Song, Yuan, Ming and Qing Dynasties. It is shown that porcelains made during the Five Dynasties and the Yuan (or Ming) and Qing Dynasties can be segregated completely without any overlap. However, there is appre
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Xie, Jixian. "Origin and development of primitive "porcelain" (proto-porcelain) in China." Философия и культура, no. 7 (July 2022): 66–75. http://dx.doi.org/10.7256/2454-0757.2022.7.38429.

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The article discusses the features of the development of Chinese primitive porcelain (proto-porcelain). The purpose of the article is to reveal the periodization of the development of Chinese porcelain in the early stages of its history and the influence of proto-porcelain on the so-called "mature" porcelain of later periods. Primitive porcelain, which is the transitional stage from earthenware to real porcelain, dates back to the era between the Shang Dynasty and the Eastern Han Dynasty. The study was conducted using historical and comparative methods, as well as the method of formal stylisti
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Lyakhovich, Ekaterina Viktorovna. "Chinese plants images in the painting of Meissen porcelain products." Культура и искусство, no. 11 (November 2024): 89–108. https://doi.org/10.7256/2454-0625.2024.11.72403.

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The article attempts to consider Chinese plant images in the painting of German porcelain products of the XVIII century as an area of interaction between Chinese and European artistic cultures. The subject of the study is the paintings of works of German and Chinese porcelain, which are considered as a "text" that includes not only plot-formal meanings, but also hidden structural and semantic formations. Using the example of plant images in the painting of Meissen porcelain of the XVIII century, the forms of reading and interpretation of the artistic features of Chinese porcelain by Western Eu
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Dissertations / Theses on the topic "Chinese Porcelain"

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Huang, Ellen. "China's china Jingdezhen porcelain and the production of art in the Nineteenth Century /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3316155.

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Thesis (Ph. D.)--University of California, San Diego, 2008.<br>Title from first page of PDF file (viewed Sept. 4, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 256-271).
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Guan, Shanming. "The imperial procelain wares of the late Qing dynasty /." [Hong Kong] : University of Hong Kong, 1989. http://sunzi.lib.hku.hk/hkuto/record.jsp?B12358381.

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Chai, Wanqi M. D. "Porcelain Color Guide and Application Principles." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337289222.

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Guan, Shanming, and 關善明. "The imperial porcelain wares of the late Qing dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31231561.

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Chung, An. "Self & the symbolic environment: The origination of Chinese porcelain." Thesis, Chung, An (1997) Self & the symbolic environment: The origination of Chinese porcelain. PhD thesis, Murdoch University, 1997. https://researchrepository.murdoch.edu.au/id/eprint/50583/.

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My general thesis is that the cultural environment is an influential factor in creativity and discovery. My dissertation focuses on that part of the environment which is the symbolic domain of self. This self is larger than the ego-self, and embraces a relatedness with nature. My creativity framework engages with self, drawing on insights from Jung's notion of a transpersonal self, and Maslow's notion of selfactualisation as a universal tendency. The domain of self is proposed as three interrelating dimensions. The first is the ideational, relating to ideas, beliefs, and values. The second
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Claxton, Juliet. "Tralucent as amber, and subtler then christall : the cultural context of porcelain in early modern England 1588-1700." Thesis, Queen Mary, University of London, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.638048.

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楊春棠 and Chun-tong Yeung. "The development of the Jingdezhen kilns in the Yuan dynastyh[electronic resource] =." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B3120904X.

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Shamy, Tania Solweig. "Frederick the Great's porcelain diversion: the Chinese Tea House at Sanssouci." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66728.

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This thesis signals a new approach in the study of the Chinese Tea House at Sanssouci. It argues that Frederick the Great's exotic pavilion, although made of sandstone and stucco, is porcelain in essence. The garden building reflects the many meanings of this highly valued commodity and art form in the privileged society of the king and his contemporaries. The pavilion is unique in that it was inspired by the type of sculptural ornament designed to decorate the eighteenth- century table of the nobility. The Tea House is a thematically integrated structure that demonstrates th
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Madsen, David andrew. "All Sorts of China Ware Large, Noble and Rich Chinese Bowls: Eighteenth-Century Chinese Export Porcelain in Virginia." W&M ScholarWorks, 1995. https://scholarworks.wm.edu/etd/1539625951.

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Esterhuizen, Laura Valerie. "Dekoratiewe motiewe op Chinese porseleinskerwe uit Portugese skeepswrakke aan die Suid-Afrikaanse kus, 1552-1647 : 'n kultuurhistoriese studie (Afrikaans)." Thesis, University of Pretoria, 2001. http://hdl.handle.net/2263/30473.

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Books on the topic "Chinese Porcelain"

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Metropolitan Museum of Art (New York, N.Y.), ed. Chinese export porcelain. Metropolitan Museum of Art, 2003.

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Jianwu, Yan, Cui Qian translator, and Zhang Chunchun translator, eds. Zhongguo Qing dai ci qi: Later Chinese porcelain. Shanghai shu hua chu ban she, 2020.

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Huang, Yan. Percipience ; Porcelain. Red Gate Gallery, 2005.

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Jorge Welsh Oriental Porcelain & Works of Art., ed. Western orders of Chinese porcelain =: O gosto ocidental na porcelana chinesa. Jorge Welsh Oriental Porcelain Works of Art, 2001.

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Macintosh, Duncan. Chinese blue & white porcelain. 2nd ed. Bamboo Publishing, 1986.

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Blacker, J. F. Chats on oriental china. Bell and Cockburn, 1994.

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White, Carolyn L., 1969- author, ed. Chinese Export Porcelains. Left Coast Press, 2010.

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Priyadarshini, Meha. Chinese Porcelain in Colonial Mexico. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-66547-4.

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Krahe, Cinta. Chinese porcelain in Habsburg Spain. CEEH, 2016.

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Company, Chinese Porcelain, ed. Chinese glass paintings & export porcelain. Chinese Porcelain Co., 1996.

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Book chapters on the topic "Chinese Porcelain"

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Yan, Chongnian. "Porcelain Road." In A Brief History of Chinese Imperial Porcelain. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-4145-8_18.

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Denyer, Rachel L., Morgan C. T. Denyer, and Howell G. M. Edwards. "The Commissioning Patrons of Armorial Chinese Porcelain." In Armorial Porcelain. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-63745-2_7.

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Denyer, Rachel L., Morgan C. T. Denyer, and Howell G. M. Edwards. "Genesis of Chinese Porcelain and the Western Trade." In Armorial Porcelain. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-63745-2_3.

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Fu, Xiuyan. "Narrative and Cultural Analysis of Porcelain." In Chinese Narratologies. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7507-5_5.

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Yan, Chongnian. "Fuliang Porcelain Bureau." In A Brief History of Chinese Imperial Porcelain. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-4145-8_6.

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Glaister, Helen. "Chinese Porcelain in European Style." In Chinese Art Objects, Collecting, and Interior Design in Twentieth-Century Britain. Routledge, 2022. http://dx.doi.org/10.4324/9781003230779-1.

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Dixin, Xu, and Wu Chengming. "The Porcelain Industry of Jingdezhen." In Chinese Capitalism, 1522–1840. Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1007/978-1-349-61990-0_20.

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Lang, Ye, and Zhu Liangzhi. "Porcelain: Calling Card of Chinese Culture." In Insights into Chinese Culture. Springer Nature Singapore, 2024. https://doi.org/10.1007/978-981-97-4511-1_25.

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Xia, Nai. "Chinese Export Porcelain Collections in Sweden." In Studies in Silk Road Archaeology. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-7475-7_17.

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Priyadarshini, Meha. "Introduction: A Global Commodity in the Transpacific Trade." In Chinese Porcelain in Colonial Mexico. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-66547-4_1.

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Conference papers on the topic "Chinese Porcelain"

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Tsai, Ming-Shu, Nan-Ching Tai, and Kuang-Ting Huang. "Innovative Interactive Display System for Exploring the Ancient Design Ingenuity of Chinese Porcelain Reflux Pots via Hands-on Interaction." In 2024 International Conference on Consumer Electronics - Taiwan (ICCE-Taiwan). IEEE, 2024. http://dx.doi.org/10.1109/icce-taiwan62264.2024.10674291.

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Lyakhovich, Ekaterina V. "Chinese Porcelain Interpretation in Europe: History of Chinese and European Porcelain Cultures Relationships." In Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.10.

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Wang, Haina, Fangfei Liu, and Yun Chen. "The Characteristics and Influencing Factors of the Colour of the Cizhou Kiln Porcelain." In AHFE 2023 Hawaii Edition. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004222.

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Chinese ceramic art boasts a rich and diverse history, and the colours of porcelain produced by different kilns reflect the aesthetic preferences, socio-cultural developments, and historical contexts of various periods and regions. Among the folk kilns in China, the Cizhou kiln stands out for its unique black-and-white colour scheme. While existing studies have extensively analyzed the history, decorative patterns, and shapes of Cizhou porcelain, few have explored the colour characteristics of the kiln and the factors that influence them. Therefore, this study aims to conduct a comprehensive i
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Rani, Sunanda, Dhaneshwar Shah, Meiyan Wang, and Jining Dong. "The Influence of Chinese Blue and White Porcelain on Islamic Porcelain." In Proceedings of the 5th Annual International Conference on Social Science and Contemporary Humanity Development (SSCHD 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/sschd-19.2019.28.

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Ozheredova, A. Y. "CHINESE PORCELAIN IN SIBERIA (ARCHAEOLOGICAL EVIDENCE)." In Международная научная конференция "Мир Центральной Азии-V", посвященная 100-летию Института монголоведения,буддологии и тибетологии Сибирского отделения Российской академии наук. Сибирское отделение РАН, 2022. http://dx.doi.org/10.53954/9785604788981_93.

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Ji, Yi, Shengyang Zhong, Yihui Cai, Junxian Lin, and Zhenni Li. "An Immersive Embodied Interaction Artwork of Cantonese Porcelain." In CHCHI 2023: Chinese CHI 2023. ACM, 2023. http://dx.doi.org/10.1145/3629606.3629641.

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Zhao, Dandan, V. E. Kalashnikov, and D. G. Tkach. "Westernization" of Chinese blue and white porcelain in the 17th and 18th centuries and "Chinese style" in Western blue and white porcelain." In Наука, технологии, искусство: теоретико-эмпирические и прикладные исследования. Научная общественная организация "Профессиональная наука", 2022. http://dx.doi.org/10.54092/9781471708015_26.

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Duan, Yanmei, Qingjin Meng, and Shaohong Jing. "Research and Development of Quality Traceability System for Electric Porcelain Production Process." In 2019 Chinese Automation Congress (CAC). IEEE, 2019. http://dx.doi.org/10.1109/cac48633.2019.8996288.

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Jiang, Huihuang. "Research on the Calcination Craft and Artistic Styles of Chinese Jun Porcelain." In The 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210106.127.

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Savitkaia-Baraghin, Iarina. "The pagoda symbol in 17th-18th century Chinese and European porcelain: a cross-cultural study of cultural filtering and cultural misreading." In „Cultura şi arta: cercetare, valorificare, promovare”, conferinţă ştiinţifică naţională. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2025. https://doi.org/10.55383/ca2025.14.

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This study analyzes the pagoda symbol in 17th-18th century Chinese and European porcelain to explore the roles of cultural filtering and cultural misreading in cross-cultural exchanges. The research finds that after the pagoda symbol entered Europe, it was not only imitated and adopted by artists but also underwent a significant transformation, reflecting the differences and fusion of Chinese and Western cultural mindsets. Unlike the religious and philosophical meanings of the pagoda in the Chinese tradition, European artists simplified and formalized the symbol, transforming it into an "exoti
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Reports on the topic "Chinese Porcelain"

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Miksic, John N., and Geok Yian Goh. The Empress Place (EMP) Site: A Preliminary Report. NUS Press, 2023. http://dx.doi.org/10.56159/sitereport11.

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An archaeological site report of an excavation of the Empress Place site in Singapore. Empress Place was the fourth site excavated in Singapore, and the first and so far the only ancient site located directly on the Singapore River’s bank. The opportunity to investigate this site arose when it was decided to convert the Empress Place Building into a permanent Asian Civilisations Museum under the National Heritage Board. The project began in January 1998, during the rainy season and the excavation was completed in May the same year. Empress Place was occupied during the 14th through 16th centur
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