Relevant bibliographies by topics / Chinese seals

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Chinese seals'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Chinese seals"

1

GALAMBOS, IMRE. "The story of the Chinese seals found in Ireland." Journal of the Royal Asiatic Society 18, no. 4 (October 2008): 465–79. http://dx.doi.org/10.1017/s1356186308008638.

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In 1850, a paper was read before the Royal Historical Society of Ireland regarding a group of Chinese porcelain seals that had come to light during the previous eighty years in Ireland. In total there were about sixty seals which it was claimed had been discovered in various places throughout Ireland, ranging from Belfast all the way to Cork. In addition to their wide dispersion pattern, the seals were found in the strangest places – in an orchard, a cave, bogs, and so on. The discovery could not be easily explained at the time and when the inscriptions turned out to be written in the Chinese seal script, a number of fanciful hypotheses were advanced as to how these seals “of great antiquity” appeared in Ireland. According to these explanations, the seals were either brought over by the Phoenicians, or by ancient Irish tribes after their wanderings in China, or by mediaeval Irish monks travelling from the Middle East. All along, the emphasis was on the extent to which these artefacts corroborated Ireland's ancient connection with the Orient, an idea that was believed and promoted at the time by both Irish nationalists and English imperialists. Both sides, albeit from a different standpoint and driven by different motives, saw the Irish as a distinctly non-European culture, whose ancestors must have originated from distant lands far beyond the perimeters of western civilisation.
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Voytishek, E. E., Yao Song, and P. D. Ryabishev. "«Incense Seals» in Chinese Culture: Origins, Ritual and Practical Functions." Vestnik NSU. Series: History and Philology 21, no. 10 (December 1, 2022): 74–88. http://dx.doi.org/10.25205/1818-7919-2022-21-10-74-88.

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The article focuses on the origin of traditional Chinese culture seal-censers (香印 xiangyin, 香篆 xiangzhuan), including an analysis of key functions during their evolutionary course over several centuries. The specificity of early incense seals is revealed through the study of religious, documentary and artistic sources of the Tang (618–907) and Song (960–1279) epochs, Chinese catalogs and reference books dating back to the last years of the Qing dynasty (last quarter of the 19th century) and 7th – 8th centuries Buddhist texts. Key features of the symbolism and functions of aromatic seals in rituals, engineering and scientific fields, as well as in artistic and household fields are also analyzed. Currently, the practice of burning incense seals in China and Taiwan is generally limited to artistic and commercial fields. At the same time, the lengthy religious, artistic and everyday tradition of the East contains great opportunities for using incense seals. Such as, naturally combining them with other types of leisure, including being considered an effective way to maintain physical and mental health.
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CHZHOU, Siao. "Imperial jade seals of China: transformations of content and form, artistic features." Bulletin of Lviv National Academy of Arts 49, no. 49 (December 25, 2022): 75–88. http://dx.doi.org/10.37131/2524-0943-2022-49-9.

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The great imperial seals, one of the most prominent jade articles in ancient China, were of great significence in those times. Two of its main components – a carved ornament on the top and a stamp, were not merely symbols of the feudal era, but also demonstrated the high level of technical proficiency of visual arts in ancient China. In the context of the history of the origin and development of jade seals, this article highlights the issues of evoluiton in content, form, and artistic features of the art of large imperial jade seals as it was developing during the long history of Chinese art. The article also highlights the relevance of formal and substantive features of jade seals in contemporary Chinese art, particularly in other types and genres of jade plastic arts. The form of imperial seals was developed during the early days of the Zhou dynasty. The nearly 3,000-year history of its development, spanning the Spring and Autumn period, the Warring States, Qin, Han, Sui and Tai, Song and Yuan, Ming and Qing dynasties, has contributed to the abundance of jade seals, their variety and the richness of their forms. During the first feudal dynasty of China - Qin, when the first highly centralized political system was established, the large imperial seal became a symbol of the emperor's power, and had administrative and social significance. The imperial jade seal had retained its status in long history of China until the end of Qing dynasty. During this period, its form and content were gradually enriched, and a unique and successive culture of the great imperial seal had been created.
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Mitruev, Bembya L. "О печатях калмыцкого хана Дондук-Омбо." Монголоведение (Монгол судлал) 15, no. 3 (December 8, 2023): 419–29. http://dx.doi.org/10.22162/2500-1523-2023-3-419-429.

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Introduction. Kalmyk sigillographic sources are of utmost importance for the historical research of the Kalmyk Khanate. And when it comes to seals of Kalmyk elites, special attention should be paid to those of Kalmyk Khans. Goals. The article introduces data on two seals of Kalmyk Khan Donduk-Ombo, examines the legends, and hypothesizes as to their origins. Materials and methods. Impressions of the two seals have been discovered in letters housed at the National Archive of Kalmykia. The study employs the comparative historical method and that of literary research. Results. The legend on the first seal imitates Chinese hieroglyphs, while the second one imitates Phagspa letters. Conclusions. The paper suggests the seals of Khan Donduk-Ombo are of Tibetan and Kalmyk origin. The examined documents attest to the first seal was used between 1723 and 1732, and the latter one was first made use of in 1734. The replacement of the earlier seal with another one may indicate the latter was distinguished by higher status characteristics.
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McPherson, E. Gregory, and Jules Muchnick. "Effects Of Street Tree Shade On Asphalt Concrete Pavement Performance." Arboriculture & Urban Forestry 31, no. 6 (November 1, 2005): 303–10. http://dx.doi.org/10.48044/jauf.2005.039.

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Forty-eight street segments were paired into 24 high- and low-shade pairs in Modesto, California, U.S. Field data were collected to calculate a Pavement Condition Index (PCI) and Tree Shade Index (TSI) for each segment. Statistical analyses found that greater PCI was associated with greater TSI, indicating that tree shade was partially responsible for reduced pavement fatigue cracking, rutting, shoving, and other distress. Using observed relations between PCI and TSI, an unshaded street segment required 6 slurry seals over 30 years, while an identical one planted with 12 crape myrtles (Lagerstroemia indica, 4.4 m [14 ft] crown diameter) required 5 slurry seals, and one with 6 Chinese hackberry (Celtis sinensis, 13.7 m [45 ft] crown diameter) required 2.5 slurry seals. Shade from the large hackberries was projected to save $7.13/m2 ($0.66/ft2) over the 30-year period compared to the unshaded street.
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CHANG, CHING-YUN, and IUON-CHANG LIN. "AN EFFICIENT PROGRESSIVE IMAGE TRANSMISSION SCHEME FOR CHINESE CALLIGRAPHY." International Journal of Pattern Recognition and Artificial Intelligence 20, no. 07 (November 2006): 1077–92. http://dx.doi.org/10.1142/s0218001406005083.

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We invented a progressive image transmission scheme that is used for transmitting Chinese calligraphy. The scheme employs the property of simple colors of calligraphy images to design a method of transmitting images phase by phase. Overall, our scheme can achieve the following two goals. One is compressing the image data to reduce the transmission time while the other is gaining less response time by using progressive image transmission. Furthermore, the recovered image still maintains the colors of the seals with high image quality.
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Voytishek, E. E., Yao Song, and A. S. Shmakova. "Incense Seals and Stamps in Chinese and Korean Culture: Typology and Context." Vestnik NSU. Series: History and Philology 22, no. 4 (April 14, 2023): 73–87. http://dx.doi.org/10.25205/1818-7919-2023-22-4-73-87.

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This article analyzes artistic seals and stamps as a special tool in incense culture of China and Korea, used from the early Middle Ages to the present day. These tools of varying look and shape are analyzed in a historical and cultural context, using high quality materials and sources drawn from ethnographic sources and anthropological research of the authors. The use and evolution of such tools in China can be traced back as far as the early Esoteric Buddhist practices of the 7th – 8th centuries (and their prototypes in the form of Taoist ritual talisman-seals 符 fu or 印 yin can be dated as far back as the 4th – 5th centuries). In Korean culture however, the use of these tools can be traced back, presumably, only to the Goryeo era (918–1392), after which a long gap in terms of findings follows. The historical and typological analysis of the development of cultural traditions using these tools, in this particular case, could only be completed using predominantly current material. As a result of comparative study, this article identifies the most representative types of patterns, and determines the functions and applicability of such tools.
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Selby, Stephen. "A question concerning the antiquity of the first bronze seals in China." Journal of Chinese Writing Systems 2, no. 1 (March 2018): 59–65. http://dx.doi.org/10.1177/2513850217748502.

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Seal carving is one of the great art forms of China, but one that is less known in the West. Over the centuries, Chinese authors have carried out many studies of the history and styles of seal carving. One question that remains unanswered to this day is when seals started to be used in China. This article addresses one aspect of this doubt.
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Nornes, Markus. "Filmless Festivals and Dragon Seals: Independent Cinema in China." Film Quarterly 72, no. 3 (2019): 78–86. http://dx.doi.org/10.1525/fq.2019.72.3.78.

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Markus Nornes, who documented the Chinese independent film festival scene for Film Quarterly in 2009, returns with a report on the changes this sector has experienced in the intervening decade. Borrowing a metaphor from Beijing Film Academy professor Zhang Xianmin, he offers an “update from the ruins,” as government censorship and an absence of institutional support has taken a toll on what had been a thriving festival scene. Nornes reviews the challenges faced by the Beijing International Film Festival, and its innovative responses to them, and finds hope for the future at the Shanghai International Film Festival, the Pingyao Crouching Tiger Hidden Dragon International Film Festival, and the West Lake International Documentary Film Festival.
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Belozerova, Vera. "The Unity of the “Four Perfections” (si jue) in the Works of Wu Changshi (1844–1927)." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 3 (2022): 184. http://dx.doi.org/10.31857/s086919080020440-1.

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The article is devoted to the creativity of Wu Changshi (1844–1927), who played a key role in preserving the continuity of Chinese fine art at the crucial initial stage of the global modernization of China's traditional culture. The subject of the study is the aesthetics of the unity of the “four perfections” (si jue), which means poetry, calligraphy, painting and seals. The synthesis of the four arts seems to be a unique achievement of Chinese culture, which influenced the countries of the hieroglyphic area. Wu Changshi's creativity is considered the culmination of the embodiment of the principle of unity of the “four perfections”. Wu Changshi's calligraphic and pictorial works are accompanied by poems most often of his own composition. Before Wu Changshi's creative impulse gained visual realization, he was invariably subjected to deep poetic and philosophical reflection, which predetermined the content of calligraphic and pictorial works. Thanks to this, the meanings of visual forms went beyond their genre affiliation. Wu Changshi created a variety of spatial and force effects in a small format of seals. Wu Changshi's monumental and heroic style in calligraphy had no equal in its energy power and corresponded to the demands of the time. Wu Changshi reformed the pictorial tradition in the direction of epigraphic painting, combining elite intellectualism with the folk immediacy of color perception. The work is based on the latest publications of Chinese and Western art critics. The research combines the techniques of traditional Chinese art studies with the methods of Western interdisciplinary analysis.
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Dissertations / Theses on the topic "Chinese seals"

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Liu, Yin Miao. "Visually sealed and digitally signed electronic documents : building on Asian tradition." Thesis, Queensland University of Technology, 2004. https://eprints.qut.edu.au/15967/1/Yin-Miao_Liu_Thesis.pdf.

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E-commerce has developed through the use of digital signatures, employing various forms of Public Key Infrastructure (PKI) to ensure the secure usage of digital signatures. Digital signatures are designed to facilitate the functions of traditional seals and handwritten signatures for the purposes of authentication, data integrity, and non-repudiation within the e-commerce environment. Historically, the authenticity of documentation has always been verified by the application of a recognisable visual stimulus to the document; however, the current digital signature regime overlooks the importance of this analogous sense of visualisation. One of the primary problems with existing digital signatures is that a digital signature does not "feel" like, or resemble, a traditional seal to the human observer, as it does not have a personal, recognisable, or aesthetic sense of visualisation. Currently, digital signatures, such as the OpenPGP (Pretty Good Privacy) digital signature, are attached to the end of an electronic document as a stream of printable ASCII characters. (RFC2440) This appears to the average user as a long, incomprehensible string of random characters offering no sense of identity or ownership by simple visual inspection. Additionally, digital signatures change each time they are applied, in contrast to traditional seals that remain consistent personal identifiers associated with individual signatories. The goal of this research is to promote enhancements to existing digital signature schemes in order to bridge the cultural gap between traditional seals and digital signatures. Culturally friendly features integrated into the digital signature have the potential to increase user acceptability of global e-commerce. This research investigates traditional seal cultures within the context of modern digital signatures, identifying the need to develop a new, culturally friendly, visualised digital signature scheme. The principles behind digital signatures are reviewed and the essential roles and responsibilities of a PKI are addressed. A practical analysis of PKI implementation is also essential. Taiwan is selected as the focus of this research since its heritage is deeply rooted in, and strongly adheres to the Chinese seal culture. The Taiwanese government is in the process of adapting the traditional seal certificate system to the electronic digital signature system. Therefore it is pertinent to review the PKI implementation and digital signatures applications in Taiwan in this study. The purpose of this research is to make the intangible digital signature virtually tangible; i.e., to incorporate visualisation into the current digital signature practice. This research defines new private extensions to the X.509 v3 certificate, recommending that conforming visualised digital signature applications should then be developed to generate and/or recognise visual digital certificates in support of the proposed visualised digital signature scheme. The processes of visualised digital signature creation and of verification through the application of the visualised digital certificate are then explained. This is accompanied by a model of system analysis for developers of conforming implementations of this specification. This allows developers the freedom to select appropriate developing tools. An analysis of this research evaluates the quality of integrity, security, interoperability, performance, and flexibility offered by this proposal.Future directions for furthering research development conclude this dissertation.
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2

Liu, Yin Miao. "Visually sealed and digitally signed electronic documents: Building on Asian tradition." Queensland University of Technology, 2004. http://eprints.qut.edu.au/15967/.

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E-commerce has developed through the use of digital signatures, employing various forms of Public Key Infrastructure (PKI) to ensure the secure usage of digital signatures. Digital signatures are designed to facilitate the functions of traditional seals and handwritten signatures for the purposes of authentication, data integrity, and non-repudiation within the e-commerce environment. Historically, the authenticity of documentation has always been verified by the application of a recognisable visual stimulus to the document; however, the current digital signature regime overlooks the importance of this analogous sense of visualisation. One of the primary problems with existing digital signatures is that a digital signature does not "feel" like, or resemble, a traditional seal to the human observer, as it does not have a personal, recognisable, or aesthetic sense of visualisation. Currently, digital signatures, such as the OpenPGP (Pretty Good Privacy) digital signature, are attached to the end of an electronic document as a stream of printable ASCII characters. (RFC2440) This appears to the average user as a long, incomprehensible string of random characters offering no sense of identity or ownership by simple visual inspection. Additionally, digital signatures change each time they are applied, in contrast to traditional seals that remain consistent personal identifiers associated with individual signatories. The goal of this research is to promote enhancements to existing digital signature schemes in order to bridge the cultural gap between traditional seals and digital signatures. Culturally friendly features integrated into the digital signature have the potential to increase user acceptability of global e-commerce. This research investigates traditional seal cultures within the context of modern digital signatures, identifying the need to develop a new, culturally friendly, visualised digital signature scheme. The principles behind digital signatures are reviewed and the essential roles and responsibilities of a PKI are addressed. A practical analysis of PKI implementation is also essential. Taiwan is selected as the focus of this research since its heritage is deeply rooted in, and strongly adheres to the Chinese seal culture. The Taiwanese government is in the process of adapting the traditional seal certificate system to the electronic digital signature system. Therefore it is pertinent to review the PKI implementation and digital signatures applications in Taiwan in this study. The purpose of this research is to make the intangible digital signature virtually tangible; i.e., to incorporate visualisation into the current digital signature practice. This research defines new private extensions to the X.509 v3 certificate, recommending that conforming visualised digital signature applications should then be developed to generate and/or recognise visual digital certificates in support of the proposed visualised digital signature scheme. The processes of visualised digital signature creation and of verification through the application of the visualised digital certificate are then explained. This is accompanied by a model of system analysis for developers of conforming implementations of this specification. This allows developers the freedom to select appropriate developing tools. An analysis of this research evaluates the quality of integrity, security, interoperability, performance, and flexibility offered by this proposal.Future directions for furthering research development conclude this dissertation.
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He, Weimin. "Dao in the creation of woodcut printmaking : a philosophical investigation into Dao, Chinese seals and woodcut practice to create a sigillographic language for black and white woodcut printmaking." Thesis, University of Ulster, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.423441.

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Qiu, Hong. "From five lakes and four seas, online expatriate Chinese student magazines and community mobilization." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0019/MQ48480.pdf.

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Qiu, Hong Carleton University Dissertation Journalism and Communication. "From five lakes and four seas; online expatriate Chinese student magazines and community mobilization." Ottawa, 1999.

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Apel, Christina Heidrun [Verfasser], and Michael [Akademischer Betreuer] Steiger. "Organic UV stabilizers in the coastal and marine environment : European North and Baltic Seas compared to Chinese Bohai and Yellow Seas / Christina Heidrun Apel ; Betreuer: Michael Steiger." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2019. http://d-nb.info/1190285746/34.

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Bachelet, Pierre-Emmanuel. "Bateaux-pigeons, quartier japonais et cartes nautiques : réseaux marchands et relations interculturelles entre le Japon, le Đại Việt et le Champa (XVIe-XVIIIe siècles)." Thesis, Lyon, 2020. http://www.theses.fr/2020LYSEN070.

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Cette thèse vise à analyser l’une des connexions majeures des mers de Chine à l’époque moderne : les relations entre le Japon, le Đại Việt et le Champa. A partir du milieu du XVIe siècle, l’impossibilité d’accéder au marché chinois pousse les marchands japonais à investir de plus en plus dans le commerce avec l’Asie du Sud-Est. Ils peuvent y échanger leur argent et leur cuivre contre de la soie et des produits tropicaux. Pour les Japonais, le Đại Việt présente des avantages décisifs : il accueille des marchands venus de Chine et est le seul pays de la région à produire lui-même de la soie. De plus, les autorités des deux pays partagent une conception similaire de l’étiquette et une instruction fondée sur les mêmes classiques. Le Champa, quant à lui, revêt une importance capitale auprès des autorités japonaises en tant que pourvoyeur de bois précieux. Ces relations connaissent une profonde restructuration au cours des années 1630, quand le shogunat interdit aux Japonais de quitter le pays, sans que cette connexion ne disparaisse. Par ailleurs, ces contacts avec le monde extérieur ont permis à une cartographie spécifiquement japonaise de se développer. Les cartes réalisées, si elles se fondent sur des modèles européens ou chinois, parviennent cependant à les réinventer et à les dépasser.La proximité entre le Japon et le Đại Việt en a donc fait des partenaires privilégiés, ce qui a permis l’établissement de communautés japonaises dans les ports viêt. Ces résidents japonais y ont occupé une fonction centrale, celle d’intermédiation entre Européens et autorités viêt. L’objectif de ce travail de recherche est d’expliciter les fondements sur lesquels cette entente s’est nouée et d’analyser les réseaux multiethniques autour desquelles elle s’est construite, en recourant notamment à des modélisations informatiques
This dissertation aims to analyse one of the major connections in the early modern China seas, the relations between Japan, Đại Việt and Champa. From the mid-16th century onwards, as they were unable to access the Chinese market, Japanese traders increasingly invested in trade with Southeast Asia. They could exchange silver and cooper against silk and tropical products. Đại Việt offered decisive advantages for the Japanese. Merchants coming for China went there to trade and it is the only country to produce silk on its own. Furthermore, the authorities in both countries shared a same vision of diplomacy and their instruction was based on the same classics. As for the Champa, it was of particular importance for the Japanese authorities as a supplier of precious woods. These relations underwent a thorough reorganisation in the 1630’s, when the shogunate prohibited the Japanese from leaving the country, but this connection remained strong. Besides, these contacts with the outside world enabled a specifically Japanese cartography to emerge. Although they are based on European or Chinese models, these maps succeeded in reinventing and going beyond these models.The proximity between Japan and Đại Việt made them privileged partners and lead to the settlement of Japanese communities in Viêt ports. These Japanese residents played a crucial role in these societies, as go-betweens between the European and Viêt authorities. The purpose of this research work is to demonstrate how this common understanding emerged, and to analyse the networks that shaped it, notably through computer modelling
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CHEN, JIA-MEI, and 陳嘉玫. "Automatic identification of Chinese seals with deformed imprint shapes." Thesis, 1986. http://ndltd.ncl.edu.tw/handle/39093409242198237575.

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Chen, Yeng-Chang, and 陳穎昌. "The Study of the Written Chinese Characters of Wu Changshuo''s Seals." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/11515891357567654136.

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Wang, Minfang, and 王敏芳. "Creation Description of《Welcome Dragon of The Chinese Zodiac Signs》—the Combination of Animation and the Styled of Pictorial Seals." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/55298484689336800034.

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碩士
國立臺灣藝術大學
多媒體動畫藝術學系動畫藝術碩士班
100
The animator uses one of the most popular Chinese folk arts, the Chinese pictorial seals, as characters to create an innovative visual experiment in this animation short film. Since the Chinese dragon year came, the animator has tried to create a story about the coming new year from the past zodiac signs, the rabbit, to the dragon. The animation starts from the first four animals of the Chinese zodiac signs, the mice, the cow, the tiger, and the rabbit. They trace and play with a falling ball coming from the dragon’s mouse. Through the animation process, the animator learned how to make these tetrapod walk smoothly and to move with style, and then created this interesting and convincing character animation.
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Books on the topic "Chinese seals"

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Wei, Jicheng. Jin shi zhuan ke zi dian: Fu lu li dai ming jia ming yin. Taibei Xian Xin dian shi: Chang chun shu shu fang, 1987.

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Shanghai shu hua chu ban she. Shu fa bian ji bu. Fang cun tian di. Shanghai: Shanghai shu hua chu ban she, 2008.

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Xu, Guan, and Sŭng-yŏn Yi. Chŏn'gak (chŏn'gak) ŭi ihae. Sŏul: Ihoe, 2000.

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Yingyun, Zhang, ed. Deng Sanmu xian sheng gao shi zhuan yin pu. Xianggang: Shan he she, 1985.

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Zou, Tao. Zou Tao jiu song yuan yin xuan. Shanghai: Shanghai shu hua chu ban she, 2016.

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Jilin wen shi chu ban she (Changchun, Jilin Sheng, China), ed. Zhuan ke zi dian. Changchun Shi: Jilin wen shi chu ban she, 1988.

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Yingyun, Zhang, ed. Deng Sanmu yin pu. Xianggang: Shan he she, 1985.

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hua, Hao han wen. Zhongguo li dai xian zhang lei bian. Hangzhou Shi: Zhejiang ren min mei shu chu ban she, 2015.

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Masato, Seki. Han yin wen zi hui bian. Hangzhou Shi: Xi ling yin she chu ban she, 2020.

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Kim, T'ae-jŏng. Chŏnʻgak. Sŏul Tʻŭkpyŏlsi: Taewŏnsa, 1990.

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Book chapters on the topic "Chinese seals"

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Ye, Shuxian. "Jade Bi, Imperial Jade Seals, Jade Burial Suits: Mythistory of the Qin and Han Dynasties." In Research Series on the Chinese Dream and China’s Development Path, 457–76. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-3096-6_21.

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Wong, Aida Yuen. "Chinese Seal Carving in Modern Japan." In East Asian Art History in a Transnational Context, 169–87. New York: Routledge, 2019. | Series: Routledge research in art history: Routledge, 2019. http://dx.doi.org/10.4324/9781351061902-10.

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Chen, Yung-Sheng. "Approach to the Chinese Seal Registration." In Lecture Notes in Electrical Engineering, 529–42. Boston, MA: Springer US, 2008. http://dx.doi.org/10.1007/978-0-387-74938-9_36.

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Jin, Zhang, Huang Wei-wen, and Liu Min-guang. "Geochemistry of Major Chinese River-Estuary Systems." In Oceanology of China Seas, 179–88. Dordrecht: Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-011-0862-1_19.

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Karimova, Paulina G., Shao-Yu Yan, and Kuang-Chung Lee. "SEPLS Well-Being as a Vision: Co-managing for Diversity, Connectivity, and Adaptive Capacity in Xinshe Village, Hualien County, Chinese Taipei." In Biodiversity-Health-Sustainability Nexus in Socio-Ecological Production Landscapes and Seascapes (SEPLS), 61–88. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-9893-4_4.

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AbstractSince 2016, a 600 hectare “ridge-to-reef” watershed of the Jialang River in Xinshe Village, Hualien County, Chinese Taipei, has been adaptively co-managed by a multi-stakeholder platform uniting two indigenous tribes (Fuxing and Xinshe) and four regional government agencies subordinate to the Council of Agriculture. The Five Perspectives of the Satoyama Initiative formed the core of the Xinshe SEPLS adaptive co-management model. The year 2020 marked the end of the short-term phase (2016–2019) and a transition period to the midterm phase (2021–2026) of the Xinshe “Forest-River-Village-Ocean” Eco-Agriculture Initiative (the Xinshe Initiative). How could the midterm management of the Xinshe Initiative most effectively enhance the Xinshe SEPLS well-being by 2026? To answer this question, we developed a set of 20 Localised Indicators of Resilience in the Xinshe SEPLS, analysed the concept of SEPLS well-being on the basis of the 5R conceptual framework (“ridge-to-reef”, risks, resources, and resilience), and contributed the results of our study to the midterm action plan of the Xinshe Initiative.
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He, Xianqiang, and Xiaoyan Chen. "Ocean Colour Remote Sensing in Chinese Marginal Seas." In Remote Sensing of the Asian Seas, 305–19. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-94067-0_17.

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Nishi, Maiko, Suneetha M. Subramanian, Himangana Gupta, Madoka Yoshino, Yasuo Takahashi, Koji Miwa, and Tomoko Takeda. "Synthesis: Conception, Approaches and Strategies for Transformative Change." In Fostering Transformative Change for Sustainability in the Context of Socio-Ecological Production Landscapes and Seascapes (SEPLS), 229–49. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-6761-6_13.

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AbstractThis chapter synthesises major findings from the eleven case studies from different countries across the world (i.e. Kenya and Madagascar from Africa; Chinese Taipei, India, Nepal and the Philippines from Asia; Italy, Spain and UK from Europe; Antigua and Barbuda and Colombia from Latin America) concerning SEPLS management in relation to transformative change. It distils key messages in regard to how to understand, assess and take action on transformative change. Implications for science, policy and practice, as well as interfaces between them, are drawn out to address the following questions: (1) what is transformative change? (2) how do we know if we are moving towards a sustainable society? and (3) what are challenges, opportunities and “seeds of change” in the SEPLS context to bring about transformative change? The chapter concludes with five common principles identified across the case studies, while revising the notion of transformative change to reconceptualise it as a radical change that is built on niche innovations of local initiatives and can be fostered through adaptive co-management in the SEPLS context.
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Zhiltsov, Sergey S., and Olga G. Grishicheva. "Chinese Pipeline Projects in the Caspian Region." In Oil and Gas Pipelines in the Black-Caspian Seas Region, 105–16. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/698_2015_396.

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Bai, Yan, Lianghong Jiang, Xianqiang He, and Vittorio Barale. "An Introduction to Optical Remote Sensing of the Asian Seas: Chinese Dedicated Satellites and Data Processing Techniques." In Remote Sensing of the Asian Seas, 61–79. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-94067-0_3.

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Hancock, James F. "Monsoon Islam." In Spices, scents and silk: catalysts of world trade, 189–205. Wallingford: CABI, 2021. http://dx.doi.org/10.1079/9781789249743.0015.

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Abstract Summarizing how the Ottoman took over the Middle East, the chapters also outlines the boom of the Muslim trade in Europe. Three powerful Muslim empires eventually ringed the Indian Ocean: the Ottomans controlled the Red Sea, the Safavid Dynasty controlled the Persian Gulf route, and the Mughal Empire covered most of India. The chapters also show the flow of the huge Indian Ocean trading network, stating how Muslim communities grew to become trading empires led by powerful sultans who established strong trading by navigating the seas. The terminals of the ocean trade involves: India, Aden, Ormuz, Swahili Coast of Africa, Strait of Malacca and the City of Malacca, Sumatra and Java, Ceylon, and Moluccas. Also, the chapters provide a summary of the ocean trade with Chinese dynasties and other Far East Asian countries.
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Conference papers on the topic "Chinese seals"

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Ren, Chao, and Youbin Chen. "Chinese Payee Name Recognition Based on Seal Information of Chinese Bank Checks." In 2012 International Conference on Frontiers in Handwriting Recognition (ICFHR). IEEE, 2012. http://dx.doi.org/10.1109/icfhr.2012.191.

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Xuedong, Chen, Cui Jun, Lu Yunrong, and Fan Zhichao. "Structural Design, Manufacturing and Maintenance Technology of Flange Seal for Pressure Equipment Based on Leak Rate Control." In ASME 2015 Pressure Vessels and Piping Conference. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/pvp2015-45352.

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In recent years, Chinese petrochemical plants have been continuously developing towards the direction of extreme conditions such as high temperature, high pressure, aggressive medium, large scale, etc. Once the seal structure of the pressure equipments for petrochemical plants leaks, it will not only cause material loss and nonscheduled shutdown, but also may cause disastrous accidents such as fire, poisoning, environment pollution, personal casualties, etc. This paper focuses on the flange seal structure of pressure equipment for petrochemical plants, makes comparison analysis of the standards/codes of different countries, points out the deficiency of Chinese current standards/codes and gives the advice that controlling leak rate of volatile organic compounds (VOCs) to 2×10−5mg/s • mm as the target to conduct relevant research on design, manufacture, installation and maintenance of flange seal that satisfies leakage rate control requirement and improvement of design standard.
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Yin, Yehang, Zewen Chen, Yanji Zhao, Jiongqi Li, and Kejun Zhang. "Automated Chinese Seal Carving Art Creation with AI Assistance." In 2020 IEEE Conference on Multimedia Information Processing and Retrieval (MIPR). IEEE, 2020. http://dx.doi.org/10.1109/mipr49039.2020.00086.

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Fang, Jian-Shuen, Chulung Chen, and Sway Wang. "Chinese seal recognition using a hybrid electro-optical filter." In Photonics Taiwan, edited by Han-Ping D. Shieh and Tomas D. Milster. SPIE, 2000. http://dx.doi.org/10.1117/12.390503.

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Zhou, Changbao, Weigen Huang, Jingsong Yang, Bin Fu, Aiqin Shi, Jiazhong Tao, and Donglin Li. "Marine environmental features in Chinese seas with SAR images." In Asia-Pacific Symposium on Remote Sensing of the Atmosphere, Environment, and Space, edited by Tadahiro Hayasaka, Dong L. Wu, Yaqiu Jin, and JingShang Jiang. SPIE, 1998. http://dx.doi.org/10.1117/12.319456.

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Xue, Song, Yanlin Li, and Lei Ren. "Representing the Chinese Seal Stamping Catalogs Using IIIF & Serverless." In JCDL '20: The ACM/IEEE Joint Conference on Digital Libraries in 2020. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3383583.3398549.

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Yang, Xuan, and Baokun Hu. "Improvement of Chinese seal detection based on polar coordinate transformation." In International Conference on Computer Science and Communication Technology (ICCSCT 2023), edited by Wenbing Zhao, Changbo Cheng, and Cheng Siong Chin. SPIE, 2023. http://dx.doi.org/10.1117/12.3009291.

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Ren, Chao, Dong Liu, and Youbin Chen. "A New Method on the Segmentation and Recognition of Chinese Characters for Automatic Chinese Seal Imprint Retrieval." In 2011 International Conference on Document Analysis and Recognition (ICDAR). IEEE, 2011. http://dx.doi.org/10.1109/icdar.2011.197.

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Guo, Yinchuan, Aiqin Shen, and Xiaoliang Zhao. "Performance Evaluation Test for Fiber Asphalt Chip Seal." In 11th International Conference of Chinese Transportation Professionals (ICCTP). Reston, VA: American Society of Civil Engineers, 2011. http://dx.doi.org/10.1061/41186(421)340.

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Bao, Hong, De Xu, and Songhe Feng. "An effective method to detect seal images from traditional Chinese paintings." In Signal Processing (WCSP 2009). IEEE, 2009. http://dx.doi.org/10.1109/wcsp.2009.5371700.

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Reports on the topic "Chinese seals"

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Tweet, Justin, Holley Flora, Summer Weeks, Eathan McIntyre, and Vincent Santucci. Grand Canyon-Parashant National Monument: Paleontological resource inventory (public version). National Park Service, December 2021. http://dx.doi.org/10.36967/nrr-2289972.

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Grand Canyon-Parashant National Monument (PARA) in northwestern Arizona has significant paleontological resources, which are recognized in the establishing presidential proclamation. Because of the challenges of working in this remote area, there has been little documentation of these resources over the years. PARA also has an unusual management situation which complicates resource management. The majority of PARA is administered by the Bureau of Land Management (BLM; this land is described here as PARA-BLM), while about 20% of the monument is administered by the National Park Service (NPS; this land is described here as PARA-NPS) in conjunction with Lake Mead National Recreation Area (LAKE). Parcels of state and private land are scattered throughout the monument. Reports of fossils within what is now PARA go back to at least 1914. Geologic and paleontologic reports have been sporadic over the past century. Much of what was known of the paleontology before the 2020 field inventory was documented by geologists focused on nearby Grand Canyon National Park (GRCA) and LAKE, or by students working on graduate projects; in either case, paleontology was a secondary topic of interest. The historical record of fossil discoveries in PARA is dominated by Edwin McKee, who reported fossils from localities in PARA-NPS and PARA-BLM as part of larger regional projects published from the 1930s to the 1980s. The U.S. Geological Survey (USGS) has mapped the geology of PARA in a series of publications since the early 1980s. Unpublished reports by researchers from regional institutions have documented paleontological resources in Quaternary caves and rock shelters. From September to December 2020, a field inventory was conducted to better understand the scope and distribution of paleontological resources at PARA. Thirty-eight localities distributed across the monument and throughout its numerous geologic units were documented extensively, including more than 420 GPS points and 1,300 photos, and a small number of fossil specimens were collected and catalogued under 38 numbers. In addition, interviews were conducted with staff to document the status of paleontology at PARA, and potential directions for future management, research, protection, and interpretation. In geologic terms, PARA is located on the boundary of the Colorado Plateau and the Basin and Range provinces. Before the uplift of the Colorado Plateau near the end of the Cretaceous 66 million years ago, this area was much lower in elevation and subject to flooding by shallow continental seas. This led to prolonged episodes of marine deposition as well as complex stratigraphic intervals of alternating terrestrial and marine strata. Most of the rock formations that are exposed in the monument belong to the Paleozoic part of the Grand Canyon section, deposited between approximately 510 and 270 million years ago in mostly shallow marine settings. These rocks have abundant fossils of marine invertebrates such as sponges, corals, bryozoans, brachiopods, bivalves, gastropods, crinoids, and echinoids. The Cambrian–Devonian portion of the Grand Canyon Paleozoic section is represented in only a few areas of PARA. The bulk of the Paleozoic rocks at PARA are Mississippian to Permian in age, approximately 360 to 270 million years old, and belong to the Redwall Limestone through the Kaibab Formation. While the Grand Canyon section has only small remnants of younger Mesozoic rocks, several Mesozoic formations are exposed within PARA, mostly ranging in age from the Early Triassic to the Early Jurassic (approximately 252 to 175 million years ago), as well as some middle Cretaceous rocks deposited approximately 100 million years ago. Mesozoic fossils in PARA include marine fossils in the Moenkopi Formation and petrified wood and invertebrate trace fossils in the Chinle Formation and undivided Moenave and Kayenta Formations.
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