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Relevant bibliographies by topics / Chivalry in literature

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Academic literature on the topic 'Chivalry in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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Journal articles on the topic "Chivalry in literature"

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Dyer, Gary. "Irresolute Ravishers and the Sexual Economy of Chivalry in the Romantic Novel." Nineteenth-Century Literature 55, no. 3 (December 1, 2000): 340–68. http://dx.doi.org/10.2307/2903127.

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Walter Scott's Ivanhoe (1819) and James Fenimore Cooper's The Last of the Mohicans (1826) attempt in divergent ways to deal with the contradictions attendant on the contemporary ideology of "chivalry." In these novels chivalry becomes inconsequential: the woman's fate depends ultimately not on the intervention of a "knight" but on the irresolution of her would-be ravisher, who becomes paralyzed momentarily when he finds that the heroine is "resolved" to die rather than suffer abuse. Scott's method of rescuing his heroine Rebecca is not reassuring: the villain Bois-Gilbert implausibly drops dead, killed by "the violence of his own contending passions." One reason that chivalry fails to protect women in these novels is that it is not disinterested (as Edmund Burke defined it), but rather dependent on sexual desire. The Last of the Mohicans, moreover, shows that not all evil men will be irresolute: when the Europeanized Indian Magua cannot bring himself to kill Cora Munro, one of his "savage" comrades stabs her instead. The impulse that impedes the unchivalrous Magua is, ironically, the sexual desire that undergirds chivalry, but Cora's killer lacks even this desire. By showing that chivalry is powerless against men who are outside its sexual economy, The Last of the Mohicans renders moot Scott's struggles in Ivanhoe over chivalry's inconsistencies and contradictions.

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GUTWIRTH, ELEAZAR. "Chivalry and the Jews in Late Medieval Spain." Bulletin of Hispanic Studies: Volume 98, Issue 4 98, no. 4 (April 1, 2021): 315–37. http://dx.doi.org/10.3828/bhs.2021.19.

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A long standing tradition posits an opposition between the Jews and the ideals and reality of medieval chivalry (i.e., before 1492). The article argues against such generalizations. It begins by noting the research on chivalric imaginaire amongst Jews in Franco-German areas. In the case of Hispanic Jews, oral literature, particularly ballads, includes points of contact with Libros de caballería. Even (neo-) Aramaic mystical texts from thirteenth-century Castile use images and metaphors from chivalric literature. Culturally hybrid representations are also relevant, in specific visual cases such as the iconography of the Arragel Bible - and also its texts - or the texts of the (probably converso) poet Pero Ferruz. Late medieval Hebrew MS illuminations show the Hispano-Jewish patrons’ taste for the representation of knights and scenes of knightly life. Fragments from Inquisition and other archival evidence confirm the taste for chivalric literature amongst Iberian Jews. Material culture from late medieval Spain also supports the article’s claim in various ways - Jewish artisans are involved in crafting memorable items of knightly accoutrement; and towards the later decades of the fifteenth century there are attempts to incorporate Jews into urban caballería.

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Im, Mihyun. "A Study on Women’s Chivalry Painting(女俠圖) in the Late Joseon Dynasty." Paek-San Society 124 (December 31, 2022): 315–42. http://dx.doi.org/10.52557/tpsh.2022.124.315.

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First appearing in unofficial records during the Later Han period in China, Women’s Chivalry became a frequent topic of literature in the Tang Dynasty and fictions such as Hongsun and Sugeunrang garnered popularity. Later in the Ming Dynasty, illustrations were inspired by literature with women as protagonists based on the success of a variety of plays and novels, also resulting in artists producing paintings on Women’s Chivalry. Meanwhile in Joseon, as a result of two wars, chivalry was an emerging interest in literature, drawing attention to novels and paintings on Women’s Chivalry as well. Introduced in the Goryeo Dynasty, Chinese novels on Women’s Chivalry became widely popular and read and in the 17th century, and paintings on Women’s Chivalry such as Guyoung’s Yuhyupdo and Maeng Youngkwang’s Paegummiindo were circulated and appreciated among writers. In Korea, Women's Chivalry became a frequent topic of painting during the Late Joseon Dynasty with the main character of the Tang Dynasty’s novel Hongsun as a prominent inspiration. The reason for this prominence of Hongsun appears to be a combination of factors, including the impact of Chinese literature, the impact of artists such as Guyoung and Maeng Youngkwang and their paintings of Women’s Chivalry, and the association with naksindo paintings. Iconically, images reminiscent of sword dance were drawn with a beautiful woman holding a sword with her robe fluttering in the wind. Paintings of Women’s Chivalry in the Late Joseon Dynasty can be represented by eight paintings; iconically, the paintings can be classified into Maeng Youngkwang’s (孟永光, 1590-1648) style and Yunduseo’s (尹斗緖, 1668-1715) style. In Mangyunggwang’s paintings, the women produce a static atmosphere as she stands or sits gazing at somewhere, while in Yunduseo’s paintings, the paintings have a strong dynamic image as women are shown flying in the air motivated by a scene from a novel.

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Alexandre Dos Santos, Armando. "Na sequência da Cançó de l´Orifany, a queda moral do herói." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 13 (June 27, 2019): 45. http://dx.doi.org/10.7203/scripta.13.15475.

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Resumo: Análise textual, contextual e psicológica de um episódio colateral, mas de grande importância da novela de cavalaria Curial e Guelfa (século XV): a Canção do Elefante e a queda moral do herói. Palavras-chave: Curial e Guelfa, literatura catalã, cavalaria, novelas de cavalaria, queda moral Abstract: Textual, contextual and psychological analysis of a collateral but important episode of the novel of chivalry Curial and Guelfa (15th. century): the «Song of the Elephant» and the hero´s moral decadence. Keywords: Curial and Guelfa, Catalan literature, chivalry, novels of chivalry, moral decadence

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MASON. "DEBATABLE CHIVALRY." Medium Ævum 87, no. 2 (2018): 255. http://dx.doi.org/10.2307/26889818.

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Shields, Juliet. "Savage and Scott-ish Masculinity in The Last of the Mohicans and The Prairie: James Fenimore Cooper and the Diasporic Origins of American Identity." Nineteenth-Century Literature 64, no. 2 (September 1, 2009): 137–62. http://dx.doi.org/10.1525/ncl.2009.64.2.137.

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This essay reassesses James Fenimore Cooper's literary relationship to Walter Scott by examining the depiction of Scots in The Last of the Mohicans (1826) and The Prairie (1827). Read as companion texts, these novels represent the imperial migrations of Scots as a cause of Native Americans' unfortunate, but for Cooper seemingly inevitable, eradication. They also trace the development of an American identity that incorporates feudal chivalry and savage fortitude and that is formed through cultural appropriation rather than racial mixing. The Last of the Mohicans' Scottish protagonist, Duncan Heyward, learns to survive in the northeastern wilderness by adopting the Mohicans' savage self-control as a complement to his own feudal chivalry; in turn, The Prairie's Paul Hover equips himself for the challenges of westward expansion by adopting both the remnants of this chivalry and the exilic adaptability and colonial striving that Cooper accords to Scots. I suggest that the cultural appropriation through which Heyward and Hover achieve an American identity that incorporates Scottish chivalry and savage self-command offers a model for the literary relationship between Cooper's and Scott's historical romances. The Leatherstocking Tales borrow selectively from the Waverely Novels, rejecting their valorization of feudal chivalry while incorporating their representation of cultural appropriation as a mechanism of teleological social development.

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Pinna, Giovanna. "Literature and action. On Hegel’s interpretation of chivalry." Rivista di estetica, no. 70 (April 1, 2019): 141–55. http://dx.doi.org/10.4000/estetica.5216.

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Thomson, Aidan. "Elgar and Chivalry." 19th-Century Music 28, no. 3 (2005): 254–75. http://dx.doi.org/10.1525/ncm.2005.28.3.254.

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The subject of chivalry is a recurring theme in Elgar's works. This reflects both the composer's tastes in Romantic literature and his knowledge of and admiration for Wagner, particularly Parsifal. Parsifal's narrative of regeneration provided Elgar with a dramatic model for more than one early choral work, but its impact was perhaps greatest in a purely instrumental work: the First Symphony (1908). Not only do the Ab-major motto theme of the Symphony and the first theme of the D-major slow movement resemble respectively the Liebesmahl and "Good Friday" motifs of Parsifal (as well as passages from The Apostles and The Dream of Gerontius), but their respective dramatic functions in the Symphony are very similar to their Parsifalian antecedents: in the case of the motto, an ideal with which the music begins and to which it returns; in the case of the slow movement, a passage of transfiguration without which a return is impossible. Consequently, the Symphony can be viewed as a critical response to Parsifal within the supposedly "absolute" genre of the nonprogrammatic symphony. A more problematic discourse on chivalry can be found in Elgar's symphonic study, Falstaff (1913), a work whose subject matter perhaps inevitably prompts comparisons with Richard Strauss's Don Quixote. Whereas one can regard Strauss's work as an ironic critique of the metaphysical, Wagnerian world with which the composer had parted company during the completion of Guntram, Elgar's work reaffirms chivalry and the (objective) value system for which it is a metaphor. The thematically fragmentary death scene reflects the moral incoherence of Falstaff's corrupted version of chivalry as much as it does his passing; by contrast, it is in Prince Hal and the music associated with him that objective morality--albeit laced with pragmatism--survives.

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Brasch, Ilka. "Modern Chivalry ’s Colonialism." Early American Studies: An Interdisciplinary Journal 21, no. 4 (September 2023): 600–628. http://dx.doi.org/10.1353/eam.2023.a912122.

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ABSTRACT: Hugh Henry Brackenridge’s seven-volume novel Modern Chivalry comments on and satirizes the people and politics of the early Republic. In the narrative, Indigenous characters are largely absent, yet the novel insists on the idea of their former presence. Imagined Indigenous absence in the text serves to help frontier settlers seek integration into a national whole and avoid feeling subjugated by Philadelphia’s political elites. A close analysis of the novel reveals a western perspective that aimed to colonize without being colonized. Modern Chivalry ’s publication history echoes the West’s hopes to integrate into the expansionist nation, and specific deletions from later editions of the text further erase even the idea of an Indigenous presence on the frontier. Brackenridge’s novel and its publication and editorial histories thus work in concert to effect settler colonialism and a nationally palatable literature.

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Valette, Jean-René. "La Mort le Roi Artu et la nostalgie de l’idéal." Romanica Cracoviensia 22, no. 4 (December 16, 2022): 377–87. http://dx.doi.org/10.4467/20843917rc.22.034.16199.

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La Mort le Roi Artu and the Nostalgia of the Ideal Along with the Hellenistic novel and the pastoral novel, the chivalric narrative constitutes one of the three forms of premodern idealism. In close connection with the ineffable anthropomorphism of the novel, the narratives of chivalry distinguish themselves by placing the transcendent source at the heart of the society of men (T. Pavel, La Pensée du roman). The article investigates the part that nostalgia takes in the manufacture of the chivalric and courtly ideal starting from human resources (love, war), according to two principal poetics: the enchantment, the unpredictable, the desire (Yvain, le Chevalier au lion of Chrétien de Troyes) vs. the disenchantment, the irreversible, the regret inherent in the nostalgic charm (La Mort le Roi Artu).

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Dissertations / Theses on the topic "Chivalry in literature"

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Truxell, Timothy Carlton. "Corporate Chivalry in Malory's "Morte d'Arthur": Chivalric Guidebooks and a Fifteenth-Century Chivalric Ideal." W&M ScholarWorks, 1992. https://scholarworks.wm.edu/etd/1539625743.

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Munoz, Victoria Marie. "A Tempestuous Romance: Chivalry, Literature, and Anglo-Spanish Politics, 1578-1624." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1479905568694913.

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Gutierrez, Trapaga Daniel. "Transtextuality in sixteenth-century Castilian romances of chivalry : rewritings, sequels, and cycles." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709212.

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Parnell, Jessica L. "Medieval authors shaping their world through the literature of courtesy and courtly love /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2000. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.A.)--Kutztown University of Pennsylvania, 2000.
Source: Masters Abstracts International, Volume: 45-06, page: 2824. Typescript. Abstract precedes thesis title page as [2] preliminary leaves. Copy 2 in Main Collection. Includes bibliographical references (leaves 93-96).

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Ip, Sui-lin Stella, and 葉瑞蓮. "Novels of chivalrous women in the magazine Saturday." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B44569683.

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Shearn, Jodi Growitz. "CHIVALRY THROUGH A WOMAN'S PEN: BEATRIZ BERNAL AND HER CRISTALIÁN DE ESPAÑA: A TRANSCRIPTION AND STUDY." Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/189839.

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Spanish
Ph.D.
This doctoral dissertation is a paleographic transcription of a Spanish chivalric romance written by Beatriz Bernal in 1545. Cristalián de España, as the text is referred to, was printed twice in its full book form, four parts and 304 folios. It was also well-received outside of the Iberian Peninsula, and published twice in its Italian translation. This incunabulum is quite a contribution to the chivalric genre for many reasons. It is not only well-written and highly entertaining, but it is the only known Castilian romance of its kind written by a woman. This detail cannot be over-emphasized. Chivalric tales have been enjoyed for centuries and throughout many different mediums. Readers and listeners alike had been enjoying these romances years before the libros de caballerías reached the height of their popularity in Spain. Hundreds of contributions to the genre are still in print today and available in numerous translations. Given this reality, it seems highly suspect that this romance, penned by a woman, and of excellent quality, is not found on the shelves next to other texts of the genre. Cristalián, despite what scholars of the genre have erroneously posited, was not an obscure text in sixteenth-century Spain. Bookstore and print-shop inventories of its time list numerous copies of Bernal's romance in bound book form, which confirm that Cristalián was circulating for at least sixty years. The purpose of this dissertation is two-fold. In order for Cristalián to be included in conversations of any nature, it must be made available. This transcription of Book I and II seeks to accomplish that. Secondly, current scholarship must re-imagine erroneous constructions of sixteenth-century reader's preferences. These prevalent constructions have often excluded noteworthy contributions to literature, especially those written by women. My aim is to redress this imbalance by analyzing Beatriz Bernal's written text and her writing strategies. The first three sections of the accompanying study more thoroughly address the challenges facing women writers in sixteenth-century Spain while also considering issues of literacy, reader preferences, and text distribution of the period. The last sections of the study are devoted specifically to the chivalric genre, and to Bernal's exemplary romance, Cristalián de España. Also included in the appendix are woodcuts from both Castilian editions, the proemio from the second edition, the chapter rubrics from Book I and II, and an index of characters from the narration.
Temple University--Theses

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Mynott, Glen David. "Man in his native noblesse? : chivalry and the politics of the nobility in the tragedies of George Chapman." Thesis, University of Warwick, 1995. http://wrap.warwick.ac.uk/57872/.

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In this thesis I argue that the three plays under consideration - Bussy D'Anbois, The Conspiracy and Tragedy of Charles Duke of Byron, and The Revenge of Bussy D'Ambois - illustrate Chapman's concern with the role of chivalry in England following the debacle of the Essex Rebel lion in 1601. My contention is that, for Chapman, the Essex Rebellion exposed the fragility and the inconsistencies of Elizabethan chivalry and the political threat represented by its preoccupation with martial values. I suggest that in his plays, Chapman sets out to deconstruct the myth of chivalry by exposing it as a romantic concept which is used by the martial nobility as a means of Emphasizing their political rights. The values of chivalry - prowess, honour, loyalty, generosity, courtesy and independence - are shown, by the plays, to be incompatible with the political ambitions of the nobility. By associating themselves with this mythical concept of chivalry, political figures cane to identify their factions with the values of chivalry. Chapman, I argue, shows haw the myth is established and then exposes it for what it is, by portraying his characters as unable to live up to their expected mythical ideals. Chivalry is stripped of its mythical trappings and exposed as militaristic, aggressive and politically motivated. The thesis is divided into five chapters. In the first, I consider Chapman alongside the Tacitean historians who were connected with the Essex circle in the 1590s and show how, in The Conspiracy and Tragedy of Charles Duke of Byron, the dramatist transformed the providentialist narrative of his source into a play with Tacitean connotations, emphasizing the relationship between chivalry and constitutional political theory. In the second chapter I consider Chapman's interest in chivalry and discuss generally the romantic concept of Elizabethan chivalry and its relationship with the political concerns of the nobility. In Chapters Three to Five I discuss Chapman's portrayal of chivalry and its political impliications.

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Somogyi, Ashley Clara Gabrielle. "Young Knights of the Empire : the impact of chivalry on literature and propaganda of the First World War." Thesis, Durham University, 2018. http://etheses.dur.ac.uk/12603/.

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The re-emergence of chivalry in the mid-eighteenth century fundamentally altered Britain’s perception of etiquette, duty, masculinity and the ideology surrounding war. This thesis demonstrates the importance and influence of chivalry’s persistence before, during and after World War One. By examining the formative role of chivalry in education and literature in the nineteenth century, we see how it becomes encoded in British culture, contributing not simply to a romanticised idea of war, but becoming an inextricable part of British identity. While many scholars would argue against the continued use or popularity of chivalry during WWI, condemning its role in glamourising conflict, this work demonstrates how organisations such as the War Propaganda Bureau, the Boy Scouts and the public school system strove to encourage the citizens of war-time Britain to adopt the central tenets of chivalry (honour, bravery and self- sacrifice), declaring them crucial to morale and victory. This work evidences how chivalry did not simply survive WWI but by altering the vocabulary and images associated with it, adapted to the demands of Britain’s wartime and post-war environment. Through critical analysis of literature ranging from poetry and plays to pamphlets and meeting minutes, this thesis demonstrates how the central tenets of chivalry are not only ingrained in the British response to war, but helped to provide moral justification of violence, created brotherhood between soldiers, engendered solidarity on the Home Front, and provided an ethical framework through which combatants and non-combatants could understand the need for war. World War One did not destroy chivalry; rather it was refashioned to make a historicizing connection to a legacy of heroism which continues in modern British nationalism, duty and morality.

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Hubbard, Taylor L. "The Failure of Chivalry, Courtesy, and Knighthood Post-WWI as Represented in David Jones’s In Parenthesis." Digital Commons @ East Tennessee State University, 2021. https://dc.etsu.edu/etd/3904.

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This thesis analyzes David Jones’s In Parenthesis to demonstrate the failed notion of chivalry, courtesy, and knighthood in modernity during and after the war. Jones’s semi-autobiographical prose poem recounting his experiences of WWI was published in 1937, nineteen years after the war ended. Jones applied the concepts of chivalry, courtesy, and knighthood to his experiences during WWI through In Parenthesis. Jones used these concepts, which originated in the classical period and the Middle Ages, to demonstrate how they have changed over time, especially given the events of WWI. The best way for Jones to demonstrate the impact of WWI was to use the medieval ideas of knighthood (which were arguably idealized up until the war) to describe how the modern world could no longer be identified with those ideals.

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Durrer, Rebecca A. (Rebecca Ann). "Knightly Gentlemen: Sir Arthur Conan Doyle and His Historical Novels." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc500933/.

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This thesis analyzes Sir Arthur Conan Doyle's contribution to the revival of chivalric ideals in late Victorian England. The primary sources of this study are Doyle's historical novels and the secondary sources address the different aspects of the revival of the chivalric ideals. The first two chapters introduce Doyle's historical novels, and the final four chapters define the revival, the class and gender issues surrounding the revival, and the illustration of these in Doyle's novels. The conclusion of the thesis asserts that Doyle supported the revival of chivalric ideals, and the revival attempted to maintain, in the late nineteenth century, the traditional class and gender structure of the Middle Ages.

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Books on the topic "Chivalry in literature"

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1965-, White Ed, ed. Modern chivalry. Indianapolis: Hackett Pub. Co., 2009.

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Frost, Abigail. The age of chivalry. New York: M. Cavendish, 1990.

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Phillips, Charles, Clifford Bishop, and Allan Tony. Legends of chivalry: Medieval myth. New York: Metro Books, 2008.

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Corporation, Marshall Cavendish, ed. The End of chivalry. New York: M. Cavendish, 1989.

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DeGategno, Paul J. Ivanhoe: The mask of chivalry. New York: Twayne, 1994.

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Anne-Marie, Capdeboscq, and Fe Canto Luis, eds. La chevalerie castillane au XVe siècle: À propos du Victorial de Gutierre Díaz de Games. Limoges: PULIM, 2000.

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Arts, Royal Academy of, ed. The age of chivalry: English society 1200-1400. London: King fisher in association with the Royal Academy of Arts, 1987.

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Thomas, Bulfinch. Bulfinch's medieval mythology: The age of chivalry. Mineola, N.Y: Dover Publications, 2004.

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Roberts, Ruth Marshall. The integrity of Malory's round table. Ann Arbor, MI: University Microfilms International, 1985.

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(Firm), Otto Harrassowitz, ed. Verführung zur Galanterie: Benehmen, Körperlichkeit und Gefühlsinszenierungen im literarischen Kulturtransfer 1664-1772. Wiesbaden: Harrassowitz Verlag in Kommission, 2018.

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Book chapters on the topic "Chivalry in literature"

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Kaeuper, Richard W., and Montgomery Bohna. "War and Chivalry." In A Companion to Medieval English Literature and Culture c.1350-c.1500, 271–91. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996355.ch17.

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Crane, Susan. "Knights in Disguise: Identity and Incognito in Fourteenth-Century Chivalry." In Medieval Literature, 335–45. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003416791-36.

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Fleck, Andrew. "Rescuing the Widow Belge: Chivalry in the Construction of Elizabethan Englishness." In Early Modern Literature in History, 27–66. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-42910-1_2.

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Trápaga, Daniel Gutiérrez. "The Rise and Fall of Romances of Chivalry." In The Routledge Hispanic Studies Companion to Early Modern Spanish Literature and Culture, 209–24. London: Routledge, 2022. http://dx.doi.org/10.4324/9781351108713-17.

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Citrome, Jeremy J. "The Surgeon: Surgery, Chivalry, and Sin in the Practica of John Arderne." In The Surgeon in Medieval English Literature, 113–38. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-137-09681-4_5.

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Almeida, Isabel. "Books of chivalry." In Comparative History of Literatures in European Languages, 155–70. Amsterdam: John Benjamins Publishing Company, 2016. http://dx.doi.org/10.1075/chlel.xxix.15alm.

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Popp, Klaus Jürgen, and Frank Kelleter. "Brackenridge, Hugh Henry: Modern Chivalry." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4939-1.

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Baldwin, Anna. "Chivalric Romances." In An Introduction to Medieval English Literature, 239–76. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-59582-9_9.

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Huang, Yonglin. "Martial Arts Fiction and Chivalric Literature." In Narrative of Chinese and Western Popular Fiction, 141–61. Berlin, Heidelberg: Springer Berlin Heidelberg, 2018. http://dx.doi.org/10.1007/978-3-662-57575-8_6.

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Attwood, Adam I. "Review of the Literature and Lineage of Chivalric Ideals." In Social Aesthetics and the School Environment, 37–125. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-60345-2_2.

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