Relevant bibliographies by topics / Chola in Bolivia

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Chola in Bolivia'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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Journal articles on the topic "Chola in Bolivia"

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Haynes, Nell. "Kiss with a fist." Journal of Language and Sexuality 5, no. 2 (September 16, 2016): 250–75. http://dx.doi.org/10.1075/jls.5.2.06hay.

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Lucha libre, a form of exhibition wrestling, has recently gained popularity in Bolivia, thanks to mixed-gender matches featuring traditionally-dressed women known as the cholitas luchadoras. Within their matches, the act of kissing is often used as a form of humiliating an opponent. This article explores the convergence of eroticism and humiliation in these kisses as an entry point for a broader understanding of the deployment of power in the Bolivian context. Taking both the symbolic language of bodies in the ring and audience discourses about that action, I explore how associations between humiliation and demasculinization may reinforce the potency of masculinity as a position of power. Further, seeing the chola as representative of the Bolivian nation helps us to understand the ways that humiliation works as a recognizable trope for Bolivian audiences, lending import to these seemingly superficial performances.
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Espinoza, Fran. "Bolivia, élite sectorial chola y élite política: las ambivalencias de su relación." Deusto Journal of Human Rights, no. 11 (December 11, 2017): 141. http://dx.doi.org/10.18543/aahdh-11-2013pp141-160.

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<p>One of the effects of the rise of the new political elite is the visibility of new sectoral elites. These new elites had been absent from the political, economic and social landscape due to the old power dynamics between the “white elite” and the State which resulted to the historical exclusion of the popular sectors. The new sectoral elite which emerged with the revolution of 1952, was favored by the elites´ replacement of 2006. In the current context of the ‘change process’ and of the partial disappearance of the old social stratification, the new elites have initiated their process of wealth accumulation. However, due to the sectoral interests that each elite represents, their relations are marked by continuous ambivalences<em>.</em></p><p><strong>Published online</strong>: 11 December 2017</p>
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Albro, Robert. "The Populist Chola: Cultural Mediation and the Political Imagination in Quillacollo, Bolivia." Journal of Latin American Anthropology 5, no. 2 (July 2000): 30–88. http://dx.doi.org/10.1525/jlat.2000.5.2.30.

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Albro, Robert. "The Populist Chola: Cultural Mediation and the Political Imagination in Quillacollo, Bolivia." Journal of Latin American Anthropology 5, no. 2 (June 28, 2008): 30–88. http://dx.doi.org/10.1525/jlca.2000.5.2.30.

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Veramendi, S., M. Baldelomar, A. Terán, and J. Gabriel. "Marcadores moleculares asociados a genes/QTLs de resistencia para factores bióticos en nuevas variedades de papa (Solanum tuberosum L.) de Bolivia." Revista Latinoamericana de la Papa 16, no. 2 (May 14, 2016): 209–32. http://dx.doi.org/10.37066/ralap.v16i2.179.

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Con el objetivo de asociar genes/QTLs de resistencia a los virus PVY, PVX, a los nematodos (Globodera pallida y G. rostochiensis), al tizón (Phytophthora infestans) y a la verruga (Synchytrium endobóticum) en 20 variedades de papa, incluida la variedad Waych'a como control susceptible, se evaluaron siete marcadores moleculares para SCAR, CAPS y PCR. Los resultados mostraron que el alelo del marcador RySC3 co-localizado con el gen Ryadg de resistencia a PVY, fue observado en todas las variedades evaluadas. El alelo para el marcador CP60 co-localizado con el gen Rx1 para resistencia a PVX, fue observado en todas las variedades excepto en Chota Ñawi. El alelo para el marcador HC co-localizado con el gen/QTL RGp5-vrnHC para resistencia a G. pallida, fue observado en las variedades Aurora, Chota Ñawi, Isabel, Keila, Morita, P'alta Chola, Pujyuni imilla, Robusta, Rosada, Victoria, Violeta, Yungueñita, Jaspe e India. El alelo para el marcador Gro1-4 co-localizado con el gen Gro1-4 para resistencia a G. rostochiensis, fue observado en las variedades Chota Ñawi, Isabel, Keila, Victoria, Violeta, Jaspe e India. El alelo para el marcador GP94 co-localizado con el gen/QTL Rpi-phu 1 para resistencia a P. infestans, fue observado en todas las variedades. Finalmente el alelo para el marcador NL25 co-localizado con el gen Sen1 para resistencia a S. endobioticum, fue también observado en todas las variedades.Aceptado para publicación: Noviembre 30, 2011
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Gabriel, J., R. Botello, A. Angulo, J. Velasco, and F. Rodríguez. "CONTENIDO DE HIERRO Y ZINC EN VARIEDADES Y CLONES MEJORADOS DE PAPAS (Solanum tuberosum L.) DE BOLIVIA." Revista Latinoamericana de la Papa 18, no. 1 (May 17, 2016): 141–55. http://dx.doi.org/10.37066/ralap.v18i1.211.

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En el año 2012, 19 variedades y clones mejorados de papa fueron recolectados en parcelas de la zona de Tiraque en Cochabamba, con el objetivo de determinar el contenido de hierro y zinc en tubérculos, como base del impacto potencial sobre la nutrición a través de mejoramiento genético de la papa. Los análisis del contenido de hierro y zinc fueron realizados en el laboratorio del Instituto de Tecnología de Alimentos (I.T.A.) de la Universidad Mayor Real y Pontificia de San Francisco Xavier de Chuquisaca, mediante la técnica de absorción atómica (AA). Los resultados mostraron alto contenido de hierro y zinc para la variedad Chota Ñawi con 10,50 mgkg-1 y 6,10 mgkg-1 respectivamente. Otras variedades con contenido moderado de hierro fueron P’alta Chola, Morita y Puyjuni Imilla con 7,90 mgkg-1. Para Zn, el contenido moderado fue para las variedades Tempranera, 00-218 y 00-330-14 (de 3,90 a 4,10 mgkg-1). El análisis de correlación mediante la prueba de Pearson al p<0,05 de probabilidad mostró una correlación moderada, positiva y significativa (r = 0,49) entre el contenido de hierro y zinc.Aceptado para publicación: 9 de enero, 2014
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Maclean, Kate. "Fashion in Bolivia’s cultural economy." International Journal of Cultural Studies 22, no. 2 (January 25, 2019): 213–28. http://dx.doi.org/10.1177/1367877918821233.

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This article explores the development of Chola Paceña fashions in La Paz, Bolivia. It traces the social and political lineage of the distinctive pollera dress, and its role in traditions that continue to underpin Aymaran social networks and economies, while it is simultaneously becoming a symbol of their consumer power. Bolivian gross domestic product (GDP) has tripled since 2006, and this wealth has accumulated in the vast urban informal markets which are dominated by people of indigenous and mestizo descent. It is predictable that such a rise in consumption power should enable a burgeoning fashion industry. However, the femininities represented by the designs, the models and the designers place in sharp relief gendered and racialized constructions of value, and how the relationship between tradition, culture and economy has been configured in scholarly work on creative labour, which has been predominantly based on the experience of post-industrial cities in the global North.
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Martínez Quijano, Natalia. "Cholas y pishtacos : relatos de raza y sexo en los Andes, por Mary Weismantel." Revista de Antropología y Sociología: Virajes 22, no. 2 (July 1, 2020): 291–95. http://dx.doi.org/10.17151/rasv.2020.22.2.13.

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Con destreza, Mary Weismantel nos muestra su experticia y agudeza etnográfica en un libro que expone las continuas contradicciones de la vida andina a través de la indagación y análisis sobre las nociones de raza, sexo, clase y género. Elabora un tejido excepcional en el que recoge sus experiencias de campo a lo largo de los Andes entre 1982-1987, suma las narraciones de otros etnógrafos del Perú, Bolivia y Ecuador, acude a teorizaciones amplias de las ciencias sociales y explora la literatura, fotografía y escultura regionales para presentarnos dos personajes conocidos en la cotidianidad de los Andes: la chola y el pishtaco. A todas luces, un relato sensible y descriptivo que ofrece una visión innovadora a la antropología y etnografía andinas.
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Toranzo, Carlos. "Burguesías cholas y capitalismo boliviano." Journal de Comunicación Social 10, no. 10 (May 4, 2020): 167–90. http://dx.doi.org/10.35319/jcomsoc.2020101226.

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Este artículo dará una mirada panorámica al tema de las burguesías cholas, articulando ese fenómeno con la forma en la que opera el capitalismo boliviano; cada uno de los acápites es una suerte de hipótesis sobre la cuestión descrita (que pretendo desarrollar en futuros textos). El ensayo discute las diferentes nociones de lo que se ha denominado “burguesías cholas” y ofrece una interpretación de su relación con el proceso de construcción social y económica en Bolivia.
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Albro, Robert. "Cholo Politics and Urban Indigenous Self-Fashioning in Bolivia." Bolivian Studies Journal/Revista de Estudios Bolivianos 25 (May 11, 2020): 29–44. http://dx.doi.org/10.5195/bsj.2019.216.

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This article reviews recent ethnographic approaches to indigeneity in Bolivia from the global north. It examines some consequences of ethnographic choices to treat indigeneity as primarily a political challenge of power and inclusion, where indigenous identity is understood to be most characteristically expressed in collective terms or through social mobilization. At the same time, it also assesses a complementary ethnographic focus upon legacies of neoliberalism, as a major context for situating contemporary indigenous projects in Bolivia, specifically, ethnographic contrasts drawn between political indigeneity and the liberal subject. Finally, this article offers an account of indigenous sense-making for the urban landscape of Quillacollo and explores the relevance of indigenous claims as integral to that small city’s “cholo politics,” and as an alternative means of understanding the construction of indigenous subjects.
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Dissertations / Theses on the topic "Chola in Bolivia"

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Lazar, Sian Marie. "Cholo citizens : negotiating personhood and building communities in El Alto, Bolivia." Thesis, Goldsmiths College (University of London), 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.401722.

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This thesis addresses the dialectic between collective and individual senses of self and political agency, and the implications of that dialectic for how residents of Rosas Pampa, in the city of EI Alto, Bolivia, experience their citizenship. It examines the ways in which citizenship is performed, practiced, and constructed by rural-urban migrants living in a peripheral urban area in Bolivia, and interrogates this central concept in political theory using anthropological theories and methods. It is based upon a year's fieldwork in Rosas Pampa, a poor neighbourhood whose adult residents are predominantly first or secondgeneration Aymara-speaking migrants of rural origin. In contrast to the abstract way citizenship is generally understood in the national and international context, and purveyed as a key policy by a multitude of NGOs and governmental agencies operating in poor urban areas of Bolivia, the people of Rosas Pampa experience citizenship in intensely physical and embodied ways, and within several different political spheres, at personal, local and national levels. This thesis explores the nature of political action, and highlights the values that thereby emerge to shape political agency. It argues that there is a dynamic interaction between academic and policy-based notions of citizenship and selfhood and those rooted in people's urban experiences and rural backgrounds. The first part of the thesis outlines the citizenship practices of the residents of Rosas Pampa, and explores how they constitute themselves in various ways as collective political subjects, covering community politics, voting, the annual fiesta and religiosity. The second part focuses on citizenship as a negotiation of personhoood, through exploring how relational senses of self operate in Rosas Pampa and then outlining governmental citizenship projects that seek to modify those senses of self. Throughout it emphasises the citizens' own responses to those projects.
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Jones, Eric. "In-between Music: The Musical Creation of Cholo Identity in Cochabamba, Bolivia." Thesis, connect to online resource, 2007. http://digital.library.unt.edu/permalink/meta-dc-3957.

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"Siguiendo Las Huellas De La Chola En Bolivia: Levantamiento De Una Cartografía Cultural Alteña." Doctoral diss., 2019. http://hdl.handle.net/2286/R.I.53478.

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abstract: The surge of the chola alteña in Bolivia as a woman who, after being historically discriminated, has achieved her empowerment through her practices of resistance and agency is a very particular and new phenomenon hardly studied. The contribution of this research is in principle to describe and discover the complexity of this occurrence, but at the same time to open a field of understanding the works of the chola as a preliminary input for alternative feminisms, in accordance to the particularity of each context. As a result, an eclectic perspective from different non-canonical theories stemming from the Americas has been adopted. For example, intersectionality stemming from various social, cultural, racial, and gender contexts is addressed by Kimberlé Crenshaw, Dora Inés Munévar, Ann Phoenix, Breny Mendoza y Sonia Montecinos. Research from Aníbal Quijano, Walter Mignolo and María Lugones proposes the decolonization of knowledge. From a Bolivian perspective, the proposal of communitarian feminism by Julieta Paredes and the chi’xi approach by Silvia Rivera Cusicanqui. At the same time, the documenting of the chola practices has been obtained from non-conventional digital and oral sources. Thus, this research becomes a referent for future feminist research about the chola, but also for understanding other movements and practices of subaltern and discriminated women in similar or different contexts. The chola is characterized by her peculiar garment which was imposed by the colonizer in the XVIII century, nullifying her indigenous identity. However, this woman has continued to wear it to the present day as much as a tactic of resistance as of empowerment and agency and has transformed it into a current fashion for the valorization of her identity. She is a chi’xi subject who complements or antagonizes opposites without subsuming them. Finally, what guides her practices and strategies are her native cultural values, such as the principle of Living Well, cooperation, reciprocity, and godfatherhood. .
Dissertation/Thesis
Doctoral Dissertation Spanish 2019
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Traverso, María Candelaria. "Made in." Bachelor's thesis, 2019. http://hdl.handle.net/11086/17775.

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este escrito se enmarca dentro del trabajo final de grado en la licenciatura en escultura de la facultad de artes (fa) de la universidad nacional de córdoba (unc). en dicho trabajo, continúo y profundizo los métodos de producción desarrollados a lo largo de mi carrera, en donde es de mi interés apropiarme de prácticas cotidianas para llamar la atención sobre los recorridos que posibilitan su existencia y, que tras la rutina, suelen pasar inadvertidas. en este caso abordo “las ferias” de la zona norte de argentina y bolivia, y en particular el mercado de ropa usada, cuyo acceso está facilitado por el contacto laboral que mantengo con él, permitiéndome penetrar en sus particularidades.
fil: traverso, maría candelaria. universidad nacional de córdoba. facultad de artes. departamento académico de artes visuales; argentina.
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Chen, Ping-Heng, and 陳品姮. "Politics of Representation: The Construction of "Chola Image" in Bolivian Highland." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/46754000794520076113.

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Books on the topic "Chola in Bolivia"

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Candia, Antonio Paredes. El banquete, su historia y tradición en Bolivia: Origen de la chola paceña. La Paz, Bolivia: Ediciones ISLA, 2001.

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Candia, Antonio Paredes. La chola boliviana. La Paz, Bolivia: Ediciones ISLA, 1992.

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Salmón, Raúl. Hijo de chola: Comedia criolla en 2 actos : teatro boliviano. La Paz, Bolivia: Librería-Editorial "Juventud", 1991.

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Cuando el baile mueve montañas: Religión y economía cholo-mestizas en La Paz, Bolivia. La Paz: Fundación Praia, 2010.

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Silvia, Rivera Cusicanqui, and Arnold Denise Y, eds. Ser mujer indígena, chola o birlocha en la Bolivia postcolonial de los años 90. La Paz, Bolivia: Ministerio de Desarrollo Humano, Secretaría Nacional de Asuntos Etnicos, de Género y Generacionales, 1996.

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Book chapters on the topic "Chola in Bolivia"

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Murillo, Marcela. "The Monstrous Portrayal of the Maternal Bolivian Chola in Contemporary Comics." In Monstrous Women in Comics, 135–51. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496827623.003.0009.

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This chapter reads three contemporary Bolivian comics with the goal of analyzing their representations of indigenous Aymara or Quechua (chola) mothers. The author of this chapter demonstrates how normative Bolivian discourses of maternity frame cholas as grotesque but, how recent changes in government policies and in economic conditions, have empowered chola women and have resulted in changes in how they are represented in social arenas such as theater. In light of such shifts, this chapter asks whether comics too have evolved beyond monstrous representations of chola maternity.
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Rios, Fernando. "State-Sponsored Folklorization of Music-Dance Traditions in the MNR Era." In Panpipes & Ponchos, 101–29. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190692278.003.0004.

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Bolivia’s “revolutionary nationalism” epoch (1952–1964) saw a remarkable upsurge in the number, scope, and variety of state-sponsored folkloric music-dance events involving criollo-mestizo, cholo-mestizo, and indigenous performers. It was also in the years of MNR rule that Bolivia obtained a state-funded folkloric ballet company and fully operational Department of Folklore. The 1952–1964 MNR era thus represents not only a time of momentous political, social, and economic change for Bolivia, but also a critical juncture for the national folklore movement. This chapter analyzes the major musical folklorization initiatives that state-affiliated entities launched in La Paz city from 1952 to 1964, with special attention given to their connections with MNR projects and agendas, in particular the party’s panacea of cultural mestizaje (ethnic-cultural fusion). As this chapter shows, MNR-sponsored musical folklorization initiatives at times contradicted official party ideology, and in some instances articulated to a greater extent with indigenismo than with mestizaje.
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Murillo, Marcela. "The Monstrous Portrayal of the Maternal Bolivian Chola in Contemporary Comics." In Monstrous Women in Comics, 135–51. University Press of Mississippi, 2020. http://dx.doi.org/10.2307/j.ctv11sn67h.12.

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Rios, Fernando. "Estudiantinas and Female Vocal Duos." In Panpipes & Ponchos, 58–98. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190692278.003.0003.

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The first half of this chapter focuses on a key precursor of the Andean conjunto tradition, the estudiantina. It traces the process through which, from the 1880s to 1940s, urban La Paz’s estudiantinas gradually eschewed their original Eurocentric stylistic orientation and elite-criollo association, and instead adopted indigenista musical practices (e.g., added the kena and charango to their line-ups) and became identified with working-class cholo-mestizos. The second half of the chapter examines the careers of the La Paz–based female duos Las Hermanas Tejada and Las Kantutas from the late 1930s to the run-up to the 1952 Revolution. A look at the trajectories of these two superstar duos not only provides another perspective on Bolivian musical indigenismo, but also reveals a concurrent trend in the paceño folklore scene, música oriental, which then rivaled the popularity of Andes-centered musical indigenismo.
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