Relevant bibliographies by topics / Chōon

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Chōon'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Chōon"

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Oms, Oriol, Jaume Dinarès-Turell, Jordi Agustı́, and Josep M. Parés. "Refinements of the European Mammal Biochronology from the Magnetic Polarity Record of the Plio–Pleistocene Zújar Section, Guadix-Baza Basin, SE Spain." Quaternary Research 51, no. 1 (January 1999): 94–103. http://dx.doi.org/10.1006/qres.1998.2018.

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AbstractThe magnetobiostratigraphy study of the 130-m-thick Zújar section (Negratı́n clays unit, Guadix-Baza Basin, Spain) provides a remarkable opportunity to improve the correlation of European mammal biostratigraphy to the Geomagnetic Polarity Time Scale. The occurrence of 12 well-defined magnetozones and four paleontological sites with diagnostic faunas ranging from the MN 15 biozone (Ruscinian) to the MN 17 biozone (Villanyian), leads to an unambiguous correlation to chrons spanning from the Gilbert to the Matuyama epochs. This provides two new time constraints: (1) the boundary between MN 15 (Ruscinian) and MN 16 (Villanyian) biozones is recorded between chron C2An.3n and the base of chron C2An.2n and (2) the boundary between the upper and lower MN 16 subzones (Villanyian) is located between chron C2An.2n and the base of chron C2An.1n. The correlation between the Ruscinian–Villanyian boundary and the 3.3-myr-B.P. cooling event seems to be confirmed, while the early/late Villanyian boundary could be tentatively correlated to the glacial event at 2.6 myr B.P. Furthermore, MN 15 faunas are found in the lowermost part of chron C2Ar, which is in agreement with and reinforces the emplacement of the MN 14–MN 15 Ruscinian zones boundary at the reversal from chron 3n.1n to chron C2Ar.
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Cressey, Daniel. "Choon Fong Shih." Nature 461, no. 7262 (September 2009): 326. http://dx.doi.org/10.1038/461326a.

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Selmeczi, Ildikó, Miklós Lantos, Margit Bohn-Havas, András Nagymarosy, and Éva Szegő. "Correlation of bio- and magnetostratigraphy of Badenian sequences from western and northern Hungary." Geologica Carpathica 63, no. 3 (June 1, 2012): 219–32. http://dx.doi.org/10.2478/v10096-012-0019-1.

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Correlation of bio- and magnetostratigraphy of Badenian sequences from western and northern HungaryLithological, magnetostratigraphic and paleontological (nannoplankton, foraminifers, molluscs) studies were carried out on the Badenian successions of boreholes Sopron-89, Nagylózs-1 and Sáta-75 in Hungary. The correlations with the ATNTS2004 scale show that the Badenian sedimentation began during Chron C5Br thus the earliest Badenian deposits are missing in the sections. The first occurrence ofOrbulina suturalisBrönnimann has been observed in Subchron C5Bn.1r, at 14.9 Ma. Although it is older than the interpolated age of 14.74 Ma in Chron C5ADr in the ATNTS2004, it is consistent with the age of 15.1 Ma obtained from recent calibration of planktonic foraminiferal bioevents. The base of the Bulimina-Bolivina Zone has been determined at 13.7 Ma in Chron C5ABr, and the Badenian/Sarmatian boundary is recorded within Chron C5AAn, at 13.15 Ma.
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Prothero, Donald R., Elizabeth Draus, and Casey Burns. "Magnetostratigraphy and Tectonic Rotation of the Eocene-Oligocene Makah and Hoko River Formations, Northwest Washington, USA." International Journal of Geophysics 2009 (2009): 1–15. http://dx.doi.org/10.1155/2009/930612.

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The Eocene-Oligocene Makah Formation and subjacent middle Eocene Hoko River Formation of the northwestern Olympic Peninsula, Washington, yield mollusks, crustaceans, foraminifera, and early neocete whales; their age has never been precisely established. We sampled several sections; most samples showed a stable single-component remanence held largely in magnetite and passed a Class I reversal test. The upper Refugian (late Eocene) and lower Zemorrian (early Oligocene) rocks at Baada Point correlate with Chron C13r (33.7–34.7 Ma) and Chron C12r (30–33 Ma). The Ozette Highway section of the Makah Formation spanned the early Refugian to late Refugian, with a sequence that correlates with Chrons C15r-C13r (33.7–35.3 Ma), and a long reversed early Zemorrian section that correlates with Chron C12r (30–33 Ma). The type section of the Hoko River Formation correlates with Chron C18r (40.0–41.2 Ma). The area sampled shows about45∘of post-Oligocene counterclockwise tectonic rotation, consistent with results obtained from the Eocene-Oligocene rocks in the region.
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Wyatt, Justin. ": David Lynch . Michel Chion." Film Quarterly 50, no. 1 (October 1996): 43–44. http://dx.doi.org/10.1525/fq.1996.50.1.04a00120.

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김병학. "Gyeong-cheon-a-il-rok(Gyeong-cheon Daily News) and the Life of Anti-Japan Partisan Commander Kim Gyeong-cheon." Institute for Humanities and Social Sciences 14, no. 1 (April 2013): 191–218. http://dx.doi.org/10.15818/ihss.2013.14.1.191.

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Penwill, J. L. "Evolution of An Assassin: The Letters of Chion of Heraclea." Ramus 39, no. 1 (2010): 24–52. http://dx.doi.org/10.1017/s0048671x00000527.

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In 364 BCE Clearchus, a former student of Isocrates and Plato, staged a coup d'état in his native city of Heraclea Pontica and made himself tyrant. Twelve years later in 352 Clearchus fell victim to a conspiracy led by another former student of Plato and native Heraclean, by the name of Chion. Some centuries later an author whose name we do not know and about whose date and place of residence we can only speculate fixed on this event as the basis of a historical epistolary novel, which comprises a sequence of seventeen letters purportedly written by Chion himself. The novel survives in a number of manuscripts, the majority of which give it the title Letters of Chion. It is with this text that this article is concerned.The sequence tracks Chion's progress from the time he leaves home in order to pursue his studies at the Academy to two days before the assassination. Most of the letters are addressed to Chion's father Matris, and so fall into the category of ‘letters home’ in which Chion narrates and reflects on his encounters and thoughts at various stages of his sojourn abroad. The final one however is written from Heraclea back to Athens; it is addressed to Plato, and from its tone and content Chion clearly expects of his master that he regard the upcoming assassination as his student's graduation summa cum laude in the field of political ethics. Critical opinion on the Letters is largely unanimous in maintaining that the author shares this view; that the whole sequence is designed to show Chion developing the philosophical acumen needed to make the right decision on the on the ethical issues that confront him and the emotional maturity needed to take decisive political action at the appropriate time.
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Darewych, J. W. "Some exact solutions of reduced scalar Yukawa theory." Canadian Journal of Physics 76, no. 7 (June 3, 1998): 523–37. http://dx.doi.org/10.1139/p98-036.

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The scalar Yukawa model, in which a complex scalar field, ϕ, interacts via a real scalar field, χ, is reduced by using covariant Green functions. It is shown that exact few-particle eigenstates of the truncated QFT Hamiltonian can be obtained in the Feshbach–Villars formulation if an unorthodox "empty" vacuum state is used. Analytic solutions for the two-body case are obtained for massless chion exchange in 3+1 dimensions and for massive chion exchange in 1+1 dimensions. Comparison is made to ladder Bethe–Salpeter, Feynman–Schwinger, and quasipotential results for massive chion exchange in 3+1. Equations for the three-body case are also obtained. PACS Nos.: 11.10.Ef, 11.10.Qr, and 03.70.+k
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Lane, Patrick. "A Conversation with Dan Chaon." Missouri Review 34, no. 3 (2011): 64–77. http://dx.doi.org/10.1353/mis.2011.0065.

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Wolfsteiner, Andreas. "SYNC.(CHRON)I(ZI)TÄT." Sprache und Literatur 36, no. 1 (December 17, 2005): 120–37. http://dx.doi.org/10.30965/25890859-036-01-90000010.

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Dissertations / Theses on the topic "Chōon"

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Flory, Kristen A. "Crazy People." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc4614/.

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Crazy People, a collection of short stories, presents characters and their various psychological crutches. The preface explores the concept of negative space as it applies to short fiction, manifesting itself in the form of open-ended endings, miscommunication between characters, rhetorical questions, and allusions to unspecified characters. The preface seeks to differentiate "good" space from "bad" space by citing examples from the author's own work, as well as the works of Raymond Carver, Dan Chaon, and Stanley Fish.
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Ehnmark, Viktor. "Känslan av ett ljud : En undersökning om ambiens som källa för emotionell uppfattning." Thesis, Högskolan i Skövde, Institutionen för kommunikation och information, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-5941.

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I detta arbete har uppfattningen av känslor via ambiensljud, effektljud och röst undersökts i en ljudberättelse. Detta har gjorts för att få en ökad uppfattning om hur ljud påverkar en situation och om det går att ersätta musiken som känslomässig anknytning till berättelsen.Ljudberättelserna är designade med tre olika känslor i fokus, glädje/lycka, stress/ spänning samt ilska. Analysen av dessa gjordes genom att intervjua 12 personer som sedan svarade på frågor baserade på Tuuris m.fl. tabell om ljuduppfattning. Därefter analyserades resultaten utifrån Michel Chions Semantic och Causal för att se var varje informant fokuserade. Sedan har svaren satts i perspektiv till två andra lyssningsmodeller, dels Walter Murch – dense clairty / clear density samt IEZA-modellen av Huiberts och van Tol.De svar som uppkom visade tydligt att rösten var det som personer fokuserade mest på då inte musik fanns att tillgå. Det framgick även att ljud som inte var tänkt att höra till händelsen i berättelsen var något som nästan alla informanter fokuserade på. Chion säger att språk är det människan lyssnar mest efter, vilket också är sant i denna undersökning.
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Lilliemarck, Joakim. "Ljudets funktioner i filmen 9 : En audiovisuell analys." Thesis, Högskolan Dalarna, Ljud- och musikproduktion, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:du-6491.

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I denna uppsats har en audiovisuell analys gjorts på de inledande minuterna till filmen 9 med ett stort fokus på ljudet. Syftet med uppsatsen var att beskriva och skapa en ökad förståelse för ljudets funktioner i filmen samt se på hur ljudet påverkade filmupplevelsen. Förhoppningen med detta var också att bidra till en bättre förståelse av filmljud och ljuddesign i helhet och vad det bidrar till berättarfunktionen i film. I uppsatsen granskades först ljud och bild för sig och slogs sedan ihop till sin helhet och analyserades utifrån en teoribildning av franska författaren Michel Chion.Ljudets viktigaste funktioner i filmen 9 var att ge en trovärdighet och äkthet, att beskriva föremål och speciellt huvudkaraktärens fysiska attribut samt att ge en respons på det som sker i bild. Vidare fyller ljudet funktioner som att beskriva rum och miljö som ger åskådaren en tydlig känsla för omgivningen filmen. Filmljudet hjälper även till att leda åskådarens uppmärksamhet och beskriva föremål eller personers innebörd. Den kanske absolut viktigaste funktion som ljudet har är att ge åskådaren en djupare förståelse för handlingen.
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Johansson, Fredrik. "Filmljudets funktioner i dramafilm : En audio-visuell analys av filmen The King's Speech." Thesis, Högskolan Dalarna, Ljud- och musikproduktion, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:du-10207.

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Johansson, Fredrik (2012). Filmljudets funktioner i dramafilm – En audio-visuell analys av filmen The King´s Speech. Examensuppsats inom Ljudproduktion, Högskolan Dalarna, Akademin för språk och medier, Falun. I denna uppsats undersöktes filmljudet i dramafilmen The King´s Speech. Detta för att ta reda på vilka funktioner filmljudet fyller i de valda sekvenserna ur nämnda film, samt hur ljudet är placerat i filmens flerkanalsmix. Filmen granskades med hjälp av en audio-visuell analys. Denna metod går ut på att ljudet och bilden undersöks separat, för att sedan åter kombineras och analyseras som helhet. Den audio-visuella analysmetod som använts kommer från ljudteoretikern Michel Chion, och kallas Masking. Resultatet av den audio-visuella analysen pekade mot att ljudets huvudsakliga funktioner var att skapa en realistisk skildring av karaktärer och omgivningar, skapa en känsla av närvaro, samt att skapa och bibehålla olika perspektiv i den narrativa världen. Den stora majoriteten av ljud visade sig vara placerade i centerkanalen, medan främst ickediegetisk musik och ambiensljud var placerade i front- och surroundkanalerna. Detta kanalanvändande tycktes gynna de funna funktionerna, främst genom att bidra till känslan av närvaro och realism, genom att omsluta filmpubliken med ambienta ljud.
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Atterstig, Elin. "Att höra genre : Vad ljudet i filmens inledning berättar om genre." Thesis, Örebro University, School of Humanities, Education and Social Sciences, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-9740.

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This study deals with a research on what the opening sounds in movies tell us about the story that we are about to follow. The purpose is to examine if and how the sound in the first five minutes of the movie contribute in giving information about the film’s genre. The theoretical base includes both genre theory and Michel Chion’s theory on film sound. Six different movies representing different genres, countries and year of production are analyzed in an audiovisual way.

The result shows that the sound in the opening sequence could describe the genre which the movie belongs to, but it doesn’t always work like this. The analysis also shows examples on movies where the sound in the beginning of the movie focus on other things, like describing place or ethnicity. In some of the movies, especially the ones that represent adventure and action, you can hear the genre very clearly. In others, for example the comedy, there is a bit harder to decide if the sound alone could tell us about which genre the movie belongs to, and if the sound is typical for that specific genre or if it could be about almost everything. Furthermore, in some movies it was quite clear that the sound concentrates on describing something else instead, for example the place where the story is set.

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Lee, Miyu Choon-Kyong [Verfasser], Ulrich [Akademischer Betreuer] Kamecke, and Tomaso [Akademischer Betreuer] Duso. "Three essays on the effectiveness of merger control / Miyu Choon-Kyong Lee. Gutachter: Ulrich Kamecke ; Tomaso Duso." Berlin : Humboldt Universität zu Berlin, Wirtschaftswissenschaftliche Fakultät, 2015. http://d-nb.info/1072460017/34.

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Lee, Miyu [Verfasser], Ulrich [Akademischer Betreuer] Kamecke, and Tomaso [Akademischer Betreuer] Duso. "Three essays on the effectiveness of merger control / Miyu Choon-Kyong Lee. Gutachter: Ulrich Kamecke ; Tomaso Duso." Berlin : Humboldt Universität zu Berlin, Wirtschaftswissenschaftliche Fakultät, 2015. http://d-nb.info/1072460017/34.

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Lee, Miyu [Verfasser], Ulrich Akademischer Betreuer] Kamecke, and Tomaso [Akademischer Betreuer] [Duso. "Three essays on the effectiveness of merger control / Miyu Choon-Kyong Lee. Gutachter: Ulrich Kamecke ; Tomaso Duso." Berlin : Humboldt Universität zu Berlin, Wirtschaftswissenschaftliche Fakultät, 2015. http://nbn-resolving.de/urn:nbn:de:kobv:11-100230599.

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Zetterlund, Oskar. "Efterklangens inverkan vid ADR : Hur efterklangspålägg upplevs av filmtittaren vid eftersynkad dialog i filmljudläggning." Thesis, Högskolan Dalarna, Ljud- och musikproduktion, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:du-13616.

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Detta examensarbete går ut på att undersöka huruvida filmtittares upplevelser påverkas av inadekvat efterklangspålägg inom eftersynkronisering av dialog till film. Hur efterklangspålägget passar till filmen anses bestämmas mycket utav hur bildens perspektiv och miljön runt omkring illustreras. En lyssningsundersökning utfördes med två olika videoexempel som undersökningsdeltagarna fick se och sedan svara på frågor relaterade till dessa. Målet var att få in motiveringar till svaren för att få en grundligare bild av deltagarnas upplevelse av efterklangen. Detta lyckades och dessa kommentarer gav underlag för diskussion. Av resultaten att döma upplevde deltagarna att efterklangen inte stämde vidare överens med bildens perspektiv och miljö. Detta hade mycket att göra med att efterklangen var aningen för torr i sin karaktär för att kännas naturlig.
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Saillard, Corinne. "Figures et renouveau du mélodrame au vingtième siècle." Paris 8, 2004. http://www.theses.fr/2004PA082414.

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Qu’est-ce qui pousse les compositeurs à écrire pour la voix parlée ? Si en 1912 la Sprechstimme expressionniste du Pierrot lunaire d’Arnold Schœnberg détourne la voix du chant lyrique traditionnel, une voix parlée plus virulente encore sera jusqu’en 1951 la médiatrice de l’engagement spirituel et politique du compositeur. En ce sens, elle rejoint la parole enfouie et morcellée d’Helmut Lachenmann qui, pour faire réagir l’auditeur, lui impose un effort constant de reconstruction sémantique. Le rapport à la langue est délibérément plus jouissif chez W. Walton (Façade, 1922) ou W. Vogel (Worte, 1962) et trouvera dans les années 80 une résonance intimiste chez G. Kurtág ou Gérard Pesson. Enfin, à la recherche de ces voix montreuses d’images, Michèle Reverdy revisite le conte en musique interrogeant cette pulsion narrative présente dans l’écriture de Pascal Quignard ou J. L. Borges. Une invitation au récit qui, chez J. Schöllhorn, S. Sciarrino, G. Battistelli ou M. Jarrell s’entend comme "action invisible", théâtre intériorisé par la musique et les mots, tandis que la particularité du "mélodrame concret" de Michel Chion est de mettre en scène non un narrateur ou un lecteur, mais un personnage parlant et vivant au présent
What drives composers to write for the speaking voice ? If in 1912 Arnold Schœnberg’s expressionisitic speaking voice in Pierrot lunaire diverts the traditional lyrical song, a stronger speaking voice will, up until 1951, be the symbol of the spiritual and political commitment of the composer. In so doing the speaking voice resembles the hidden and fragmentary speech of Helmut Lachenmann, who, to make it react, inflicts on his audience a constant effort of semantic reconstruction. W. Walton’s (Façade, 1922) and W. Vogel’s (Worte, 1962) use of langage is much more joyful and will find a more intimate echo in G. Kurtág’s and Gerard Pesson’s works. Finally, experimenting on these images – laden voices, Michèle Reverdy turns tales into music focusing on the narrative drive of the text in Pascal Quignard’s and J. L. Borges works. For J. Schöllhorn, S. Sciarrino, G. Battistelli or M. Jarrell the emphasis on story telling whas limited to the task of showing "invisible action" through the medium of speech and Music in a piece of internalized theater, while the concrete Melodrama of Michel Chion hinges upon the presence not of a narrator or a reader, but of a true caracter leaving in the present time and speaking in the present tense
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Books on the topic "Chōon"

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(Japan), Kokuritsu Kokugo Kenkyūjo. Nihongo no boin, shiin, onsetsu: Chōon undō no jikken onseigakuteki kenkyū. Tōkyō: Kokuritsu Kokugo Kenkyūjo, 1990.

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Satō, Taketoshi. Chōan. Tōkyō: Kōdansha, 2004.

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Tomono, Rō. Chōan satsujinfu. Tōkyō: Shūeisha, 1998.

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Kānthō̜ngthīeo hǣng Prathēt Thai. Kō̜ng Khāosān Thō̜ngthīeo. Chon Burī. Bangkok, Thailand: Kō̜ng Khāosān Kānthō̜ngthīeo], 2006.

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Burroughs, Edgar Rice. Chon K'at'ŏ. Sŏul-si: Rubi Paksŭ, 2012.

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Chon Buri (Thailand : Province). Chon Burī. Chon Buri, Thailand]: Samnakngān Čhangwat Chon Burī, 2010.

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Ueno, Hidenobu. Chōkon no fu. Tōkyō: Komichi Shobō, 1986.

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Yoshino chōun shō. Tōkyō: Kadokawa Shoten, 1989.

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Ueno, Hidenobu. Chōkon no fu. Tōkyō: Komichi Shobō, 1986.

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Cao, Mỵ Nhân. Chron bụi hsong. Rosemead, CA: Sông Thu, 1994.

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Book chapters on the topic "Chōon"

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Baumgarten, Rolf, and David Stifter. "Aided Chon Culainn." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4645-1.

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Il, Lim, and Adam Zulawnik. "Chon Chol-Woo." In Interviews with North Korean Defectors, 14–20. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003152941-3.

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Dañobeitia, J. J., R. W. Hobbs, J. H. McBride, T. A. Minshull, and J. Gallart. "Structure of Atlantic Oceanic Crust Around Chron M16 from Deep Seismic Reflection Profiles." In Rifted Ocean-Continent Boundaries, 183–96. Dordrecht: Springer Netherlands, 1995. http://dx.doi.org/10.1007/978-94-011-0043-4_10.

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Schleef, J., A. Huber-Zeyringer, L. Stroedter, and M. E. Höllwarth. "Die ventrale Gastropexie beim chron Magenvolvulus des Säuglings — Kritische Analyse des eigenen Therapiekonzeptes." In Zurück in die Zukunft, 391. Berlin, Heidelberg: Springer Berlin Heidelberg, 2003. http://dx.doi.org/10.1007/978-3-642-55611-1_207.

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Geissman, John W., Steve S. Harlan, Laurie Brown, Brent Turrin, and Leslie D. McFadden. "Bruhnes Chron Geomagnetic Excursion Recorded During the Late Pleistocene, Albuquerque Volcanoes, New Mexico, U.S.A." In Geomagnetism and Palaeomagnetism, 123–36. Dordrecht: Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-009-0905-2_10.

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Clark, B. C., L. W. Mason, and J. Kissel. "Systematics of the “CHON” and other light-element particle populations in comet P/Halley." In Exploration of Halley’s Comet, 779–84. Berlin, Heidelberg: Springer Berlin Heidelberg, 1988. http://dx.doi.org/10.1007/978-3-642-82971-0_133.

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Murray, Alexander Callander. "Gregory of Tours (Hist. II 10) and Fredegar (Chron. III 9) on the Paganism of the Franks : The Relation of the Texts and What they Say." In Instrumenta Patristica et Mediaevalia, 45–55. Turnhout: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.ipm-eb.5.111096.

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"chron." In Dictionary Geotechnical Engineering/Wörterbuch GeoTechnik, 224. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-41714-6_31894.

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"Chron n." In Wörterbuch GeoTechnik/Dictionary Geotechnical Engineering, 214. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-33335-4_30211.

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"Tang Choon Keng." In Leaders of Singapore, 55–60. WORLD SCIENTIFIC, 2015. http://dx.doi.org/10.1142/9789814719445_0008.

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Conference papers on the topic "Chōon"

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Vidal, A., B. Kipp, and C. Christmann. "Vulvar Chron`s disease is a challenge: Case report." In Kongressabstracts zur Tagung 2020 der Deutschen Gesellschaft für Gynäkologie und Geburtshilfe (DGGG). © 2020. Thieme. All rights reserved., 2020. http://dx.doi.org/10.1055/s-0040-1718363.

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Kisel’, Vladimir, Asan Torgoev, and Askat Zhumabaev. "Warriors’ burials of Sacae times in Chon-Alai." In Antiquities of East Europe, South Asia and South Siberia in the context of connections and interactions within the Eurasian cultural space (new data and concepts). Institute for the History of Material Culture Russian Academy of Sciences, 2019. http://dx.doi.org/10.31600/978-5-907053-34-2-264-265.

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Monroy, Idelfonso Tafur, Darko Zibar, Neil Guerrero Gonzalez, and Robert Borkowski. "Cognitive Heterogeneous Reconfigurable Optical Networks (CHRON): Enabling technologies and techniques." In 2011 13th International Conference on Transparent Optical Networks (ICTON). IEEE, 2011. http://dx.doi.org/10.1109/icton.2011.5970833.

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Hadland, Roger, David Bowley, and Jo Honour. "X-Chron 540 - A New Picosecond X-Ray Streak Camera." In 16th International Congress on High Speed Photography and Photonics, edited by Michel L. Andre and Manfred Hugenschmidt. SPIE, 1985. http://dx.doi.org/10.1117/12.968066.

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Sánchez Argaiz, MC, MR Cantudo Cuenca, S. Guijarro Herrera, R. Alvarez Sánchez, and B. Muñoz Cejudo. "5PSQ-101 Less-chron for deprescribing in nursing home residents." In 24th EAHP Congress, 27th–29th March 2019, Barcelona, Spain. British Medical Journal Publishing Group, 2019. http://dx.doi.org/10.1136/ejhpharm-2019-eahpconf.534.

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Wahyuni, Maya Indah, and Dedi Sutedi. "Error Analysis of Sokuon and Choon Used by Japanese Learners." In 3rd International Conference on Language, Literature, Culture, and Education (ICOLLITE 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200325.044.

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Borkowski, Robert, Antonio Caballero, Dimitrios Klonidis, Christoforos Kachris, Antonio Francescon, Ignacio de Miguel, Ramón J. Durán, Darko Zibar, Ioannis Tomkos, and Idelfonso Tafur Monroy. "Advanced Modulation Formats in Cognitive Optical Networks: EU project CHRON Demonstration." In Optical Fiber Communication Conference. Washington, D.C.: OSA, 2014. http://dx.doi.org/10.1364/ofc.2014.w3h.1.

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Wright, Nicky M., Maria Seton, Simon E. Williams, and R. Dietmar Müller. "THE TECTONIC HISTORY OF THE PACIFIC OCEAN BASIN SINCE CHRON 34Y (83 MA)." In 113th Annual GSA Cordilleran Section Meeting - 2017. Geological Society of America, 2017. http://dx.doi.org/10.1130/abs/2017cd-293046.

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Pustylnikova, V., N. Sentyakova, N. Ivanova, and V. Vorobyev. "The Foundation and the Bark of Weathering Within the Chon Group of Fields." In GeoBaikal 2018. Netherlands: EAGE Publications BV, 2018. http://dx.doi.org/10.3997/2214-4609.201802036.

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Mutdogan, Selin. "WATER AS A PLAY TOOL IN CITIES: CHEONG GYE CHEON RESTORATION PROJECT AS AN EXAMPLE." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s15.138.

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Reports on the topic "Chōon"

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LaFreniere, Lorraine M., Esther E. Bowen, Robert A. Sedivy, Jorge S. Alvarado, and Candace M. Rose. KDHE Project Code: C6-074-00002: Progress and Monitoring Report for the LBD/SVE/AS System at the Former CCC/USDA Grain Storage Facility, Agra, Kansas, in January-June 2017 (Chron-2157). Office of Scientific and Technical Information (OSTI), March 2018. http://dx.doi.org/10.2172/1483952.

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LaFreniere, Lorraine M., Esther E. Bowen, Robert A. Sedivy, Jorge S. Alvarado, and Candace M. Rose. KDHE Project Code: C6-074-00002: Progress and Monitoring Report for the LBD/SVE/AS System at the Former CCC/USDA Grain Storage Facility, Agra, Kansas, in July-December 2017 (Chron-2170). Office of Scientific and Technical Information (OSTI), July 2018. http://dx.doi.org/10.2172/1483953.

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