Relevant bibliographies by topics / Chorals

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Chorals'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 May 2024

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Journal articles on the topic "Chorals"

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Imre, János Zsolt. "Coloristic Tonal and Harmonic Compositional Techniques in Zoltán Gárdonyi’s Choral Works for Organ." Studia Universitatis Babeş-Bolyai Musica 68, Sp.Iss. 2 (August 10, 2023): 315–25. http://dx.doi.org/10.24193/subbmusica.2023.spiss2.20.

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"The topic of this paper is an analysis of two choral works for organ by Zoltán Gárdonyi. The purpose of this work is to reveal the compositional methods and tools used to create coloristic and fascinating tonal and harmonic movements in those two choral works. Alongside, how he crafts his works based on cantus firmus melodies and creates the organ chorals. Keyword: Gárdonyi Zoltán, coloristic compositional technique, leitmotif-like cell, coloristic harmony, organ choral. "
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Meyer, Ulrich. "Zur Einordnung von J. S. Bachs einzeln überlieferten Orgelchorälen." Bach-Jahrbuch 60 (March 15, 2018): 75–89. http://dx.doi.org/10.13141/bjb.v19741983.

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Dieser Artikel beschäftigt sich mit den von Klotz im Band IV/3 der NBA veröffentlichten Werken. Vermutlich vor den Siebzehn Chorälen entstanden etwa zwischen 1703 und 1709 folgende Werke: BWV 741, 700 und 735 unter dem Einfluss von Böhm; BWV 737, 724 und O Lamm Gottes, unschuldig unter dem Einfluss von Pachelbel; BWV 721, 718 und 720 unter dem Einfluss von Buxtehude. Vermutlich zur gleichen Zeit wie die Siebzehn Choräle und später wurden die folgenden Werke um 1709 bis 1717 komponiert: Choralbegleitungen und Lehrwerke BWV 715, 726, 722, 729, 732, 738, 725, 730, 706 und die Choralsätze in BWV 690, 695, 713, 734 und 736; Stücke unter dem Einfluss von Pachelbel BWV 712, 696-699, 701, 703, 704, 733, 736 (motivische Behandlung des Chorals), 694, 710, 717, 713, 695 (thematische Behandlung des Chorals), 711, 734 (regelmäßige Behandlung des Chorals); Choräle im Stil des Orgelbüchlein BWV 731,724,709 (koloristisch), 714 (kanonisch), 690 (zwischen Partita und Orgelbüchlein). In den Jahren 1720 bzw. 1722 nahm Bach BWV 691 und 728 in die Klavierbüchlein-Kopien auf. Der Autor hält O Lamm Gottes, unschuldig für authentisch, den hinzugefügten Choral jedoch für falsch zugeschrieben. - "Fantasia" kennzeichnet Orgelchoräle verschiedener Art in der Weimarer Zeit, großformatige Arrangements mit Cantus firmus im Bass solche der Leipziger Zeit. (Übertragung des englischen Resümees am Ende des Bandes) Erwähnte Artikel: Fritz Dietrich: J. S. Bachs Orgelchoral und seine geschichtlichen Wurzeln. BJ 1929, S. 1-89 Ulrich Meyer: Zur Frage der inneren Einheit von Bachs Siebzehn Chorälen (BWV 651-667). BJ 1972, S. 61-75
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Stäblein, Bruno. "Entstehung des gregorianischen Chorals." Die Musikforschung 27, no. 1 (September 21, 2021): 5–17. http://dx.doi.org/10.52412/mf.1974.h1.1957.

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Wustmann, Rudolf. "Vom Rhythmus des evangelischen Chorals." Bach-Jahrbuch 7 (February 23, 2018): 86–102. http://dx.doi.org/10.13141/bjb.v19101252.

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LUPU, Anamaria. "Nun freut euch, lieben Christen g’mein, the first Lutheran choral from the first collection of Protestant hymns – a rhetorical analysis." BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV SERIES VIII - PERFORMING ARTS 13 (62), SI (January 20, 2021): 175–82. http://dx.doi.org/10.31926/but.pa.2020.13.62.3.19.

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This material is an extract from a larger research of Lutheran chorals, focusing on the first collection of Protestant hymns, published after the Reformation, Etlich Cristlich lider (Achtliederbuch - The Book of Eight Songs), signed by Martin Luther, Paul Speratus and Justus Jonas. Beyond the general considerations related to the place and year of publication, but also to the inner construction of the collection, the analysis focuses on the first hymn composed by Luther, original both as text and as music. The rhetorical perspective I approached in the study of chorals is not arbitrary, given the impact of Luther's vision of music for that period and the attention he himself paid to classical rhetoric in his sermons, or in the courses he taught at the University of Wittenberg. His chorals are impregnated with explicit messages, both in terms of his Christian creed, but also in terms of elementary principles of Christian living.
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Medňanský, Karol. "Songwriting and Chorale by Martin Luther." Review of Artistic Education 17, no. 1 (March 1, 2019): 22–31. http://dx.doi.org/10.2478/rae-2019-0002.

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Abstract The five hundreth anniversary that we commemorated in 2017 is a good opportunity to remind the significance of vocal works by Martin Luther. Creative musical activity of Dr. Martin Luther is somehow in the shadow of his other historically significant activities. It is a well-known fact that he was an outstanding musician who could play lute and could sing. In his household, he constantly played music and sang, while he actively engaged his family in performing music. In performing the reformatory ideas, he was aware of the extremely important role of religious singing, which he started composing since 1523. He is the author of 38 songs – chorales, while at the same time, he is the author of 20 melodies. In most cases, he used the texts of the Psalms. From his chorals the best known is entitled Ein feste Burg is unser Gott – The Fortified Castle is the Lord our God, that became worldwide the anthem of the Protestants. Luther have become an important inspirational source for the next generation of composers, and they culminated in the work of Johann Sebastian Bach, including the works of contemporary Slovak composers – Roman Berger, Víťazoslav Kubička. The prevailing majority of Lutheran chorales is also the part of the Protestant Songbook in Slovakia.
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Kunz, Lucas. "Dürfen die Melodietöne des gregorianischen Chorals gezählt werden?" Die Musikforschung 5, no. 4 (September 21, 2021): 332–36. http://dx.doi.org/10.52412/mf.1952.h4.2842.

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Alexeyeva, Irina V., and Liana T. Yunusova. "The Organ and the Bayan: Intertextual Interactions (by the Example of Cesar Franck’s Choral No. 3 in A minor)." ICONI, no. 2 (2019): 49–58. http://dx.doi.org/10.33779/2658-4824.2019.2.049-058.

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The study of the natural laws of semantic organization of the musical text is a topical issue of contemporary musicology. In this connection a unique opportunity to immerse into the processes of text-generation is presented by research of instrumental compositions which have appeared on the basis of borrowing and modification of an “alien” musical text. By means of a comparative analysis of Cesar Franck’s Choral No. 3 in A minor from the series “Three chorals for a large organ” with its transcription for bayan carried out by Friedrich Lips, the general and specific principles of semantic organization of the notated, musical and performance texts are disclosed. From such an angle the issue of intertextual interactions is being raised for the first time. Its complex character has become the foundation for turning to the methodology of the theory of the musical text (Mark Aranovsky, Liudmila Shaymukhametova) and the theory of musical content (Liudmila Kazantseva, Valentina Kholopova). In this article the attitude is developed towards the musical text of the organ compositions as an open polysystem endowed with a special mechanism of preservation and transformation of the invariant in the conditions of a new instrumental context. Study of the intonational lexis and etymology of its meanings has made it possible to disclose the unique artistic specificity of the Choral, while examination of the bayan version in the author’s performance has allowed us to comprehend the techniques of adaptation of “someone else’s” thematicism to a new timbral-instrumental performance scenario.
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Annan, John Francis, Emmanuel Obed Acquah, and Godfred Sackey. "ANALYTICAL QUEST OF FOUR SELECTED HARMONIZED CHORALES OF JOHANN SABASTIAN BACH." International Journal of Education Humanities and Social Science 05, no. 04 (2022): 01–19. http://dx.doi.org/10.54922/ijehss.2022.0409.

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Chorale No 9 (Ermuntre dich mein schwacher Geist), Chorale No 14 (O Herre Gott, dein gottlich Wort), Chorale No 73 (Herr Jesu Christ, du höchstes Gut) and Chorale No 81 (Christus, der uns selig macht), are selected Lutheran chorales harmonized by Johann Sabastian Bach, an iconic composer of the Baroque era. In his harmonic processes, Bach explored various altered chords, harmonic devices, and non-harmonic tones. Focusing on a case study design, purposive sampling technique, and document analysis, the authors attempt to provide a formal analysis of the four selected harmonized chorales, employing parameters such as scale, vocal rages, melodic organization, harmony and tonality, non-chord tones, texture, and form. The analysis unravels his harmonic vocabulary to determine his compositional style. The harmonized chorales of Johann Sabastian Bach are therefore good educational materials of harmony and counterpoint andragogy for music students.
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Yeboah, Richmond Amoh, and Kow Arkhurst. "The Choreographed Choir: A Study on the Harmonious Chorale’s Impact on Ghana’s Choral Scene." Journal of Humanities,Music and Dance, no. 31 (January 10, 2023): 27–38. http://dx.doi.org/10.55529/jhmd.31.27.38.

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This study explores the Harmonious Chorale's innovative fusion of choreography with choral singing in Ghana, examining its impact on performance techniques, audience engagement, and the choral music landscape at large. Through qualitative research, including interviews with choir members, audience feedback, and firsthand performance observations, it reveals that integrating dance enhances the emotional depth and appeal of choral music. Choreographed performances create a deeper connection between singers and their songs, elevate audience involvement and emotional responses, and herald a shift towards more dynamic, visually captivating choral shows in Ghana. The Harmonious Chorale's pioneering efforts not only enhance the appeal of choral compositions but also elevate their cultural significance, marking a critical shift in Ghana's choral music tradition. The study suggests that incorporating movement into choral training and performance can meet modern audience expectations and enrich the listening experience, highlighting the crucial role of innovation in maintaining the relevance and vibrancy of choral music in contemporary culture.
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Dissertations / Theses on the topic "Chorals"

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Pfisterer, Andreas. "Cantilena romana : Untersuchungen zur Überlieferung des gregorianischen Chorals /." Paderborn ; Wien ; Zürich : F. Schöningh, 2002. http://catalogue.bnf.fr/ark:/12148/cb38981317g.

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Naxer, Meghan M. "César Franck’s Trois chorals pour orgue No. 3: A Schenkerian Perspective." Kent State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=kent1293670461.

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Matyl, Ulrich. "Die Choralbearbeitungen der Schüler Johann Sebastian Bachs /." Kassel ; Basel ; London : Bärenreiter, 1995. http://catalogue.bnf.fr/ark:/12148/cb36959513p.

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Scognamiglio, Francesco <1973&gt. "Alcuni aspetti compositivi de "L'organiste" e dei "Trois chorals" di César Franck." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2010. http://amsdottorato.unibo.it/2586/1/Scognamiglio_Francesco_tesi.pdf.

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Scognamiglio, Francesco <1973&gt. "Alcuni aspetti compositivi de "L'organiste" e dei "Trois chorals" di César Franck." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2010. http://amsdottorato.unibo.it/2586/.

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Müller, Michael Florian [Verfasser]. "Träger nationaler Gesinnung? : Die Bedeutung des protestantischen Chorals in der Konzertouvertüre / Michael Florian Müller." Berlin : epubli, 2017. http://d-nb.info/1190949830/34.

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Grüßinger, Michael Florian [Verfasser]. "Träger nationaler Gesinnung? : Die Bedeutung des protestantischen Chorals in der Konzertouvertüre / Michael Florian Müller." Berlin : epubli, 2017. http://d-nb.info/1190949830/34.

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Klugseder, Robert. "Quellen des Gregorianischen Chorals für das Offizium aus dem Kloster St. Ulrich und Afra Augsburg /." Tutzing : Schneider, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3078010&prov=M&dokv̲ar=1&doke̲xt=htm.

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Chi, Youn Sim. "Johann Sebastian Bach's harmonizations and arrangements of four-part chorales and chorale preludes based upon "Wer Nur Den Lieben Gott Lässt Walten" /." Access Digital Full Text version, 1986. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10647235.

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Lim, Aesook. "The Long Chorale Preludes of J. S. Bach (1685-1750): Study of Accompaniments together with Three Recitals of Selected Works by Dietrich Buxtehude (1637-1707), J. S. Bach, Louis Vierne (1870-1937), and Others." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5219/.

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Johann Sebastian Bach's chorale preludes are varied and artistic not only in the treatment of chorale melodies, but also in the accompaniments of those chorale melodies. This study examines the accompaniments of Bach's long chorale preludes, focusing on identifying the various types and the characteristics that make them unique. This study investigates the two broad categories of accompaniments depending on whether the motives are chorale-derived or independent of the chorale. While the chorale prelude accompaniments in the first large group are closely related, the accompaniments of the chorale preludes in the second group stand independently and illustrate the vast range of Bach's compositional skill. Both groups demonstrate Bach's interest in expanding his predecessors' models, a trait that can be traced throughout all of Bach's compositional history.
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Books on the topic "Chorals"

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Franck, César. Trois chorals pour grand orgue. Wien: Wiener Urtext Edition, 1991.

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Der Choral Gregors des Grossen: Ein Beitrag zur Didaktik des Gregorianischen Chorals. Frankfurt am Main: Lang, 1994.

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Agustoni, Luigi. Einführung in die Interpretation des Gregorianischen Chorals. Regensburg: G. Bosse, 1987.

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Pfisterer, Andreas. Cantilena romana: Untersuchungen zur Überlieferung des gregorianischen Chorals. Paderborn: F. Schöningh, 2002.

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Macinanti, Andrea. I Trois chorals di César Franck: Analisi ed interpretazione. Bergamo: Carrara, 1995.

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Papillon, André. Index des mélodies de chorals dans l'œuvre de Bach. [Québec]: Presses de l'Université Laval, 2006.

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Fortunatissime cantilene!: Padre Martini und die Tradition des gregorianischen Chorals. Eisenach: K.D. Wagner, 2001.

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Henri, Boyer. Les mélodies de chorals dans les cantates de Jean-Sébastien Bach. Paris: L'Harmattan, 2003.

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Lamb, Gordon H. Choral techniques. 3rd ed. Dubuque, Iowa: Wm.C. Brown, 1988.

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Caiter, Franz. Die Rhythmisierung des gregorianischen Chorals: Eine Studie zum Lebenswerk Andre Mocquereaus OSB. Frankfurt: R.G. Fischer, 1995.

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Book chapters on the topic "Chorals"

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Mazzola, G. "Der Kontrapunkt als melodische Variation des Gregorianischen Chorals." In Geometrie der Töne, 241–60. Basel: Birkhäuser Basel, 1990. http://dx.doi.org/10.1007/978-3-0348-7427-4_7.

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Burger, Cole. "Chorales." In Keyboard Skills for the Practical Musician, 178–211. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003055044-9.

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Turek, Ralph, and Daniel McCarthy. "The Chorale." In Theory for Today’s Musician, 196–208. Third edition. | New York ; London : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9781351246262-16.

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Rosenbaum, Harold. "Choral Tours." In A Practical Guide to Choral Conducting, 79–83. New York : Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315164281-14.

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Baldwin, Michael. "Choral Speaking." In Poetry without Tears, 154–74. London: Routledge, 2023. http://dx.doi.org/10.4324/9781032640730-10.

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Vice, Sue. "Choral Narration." In Children Writing the Holocaust, 29–47. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230505896_3.

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Dixon, Gavin. "Choral Works." In The Routledge Handbook to the Music of Alfred Schnittke, 72–89. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429274046-3.

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Moy, Wendy K. "Choral Organizations." In Resurrecting Song, 130–59. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003330486-8.

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Durrant, Colin. "Swimming With the Tide." In Choral Conducting, 3–9. Second edition. | New York ; London : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315545424-1.

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"Computergestützte Tools zur Codierung des Gregorianischen Chorals." In Schaffen und Nachahmen, 555–60. De Gruyter, 2021. http://dx.doi.org/10.1515/9783110714340-035.

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Conference papers on the topic "Chorals"

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Almada, Carlos, João Penchel, Igor Chagas, Max Kühn, Claudia Usai, Eduardo Cabral, Vinicius Braga, and Ana Miccolis. "J-Analyzer: A Software for Computer-Assisted Analysis of Antônio Carlos Jobims Songs." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10416.

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The present paper describes structure and functioning of J-Analyzer, a computational tool for assistedanalysis. It integrates a research project intended to investigate the complete song collection by Brazilian composer Antônio Carlos Jobim, focusing on the aspect of harmonic transformation. The program is used to determine the nature of transformational relations between any chordal pair of chords present in a song, as well as the structure of the chords themselves.
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Ćirić, Jasmina S. "BEYOND CONSTANTINOPLE: CONSTRUCTING ΧΏΡΑ IN THE KING’S CHURCH OF STUDENICA." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.465c.

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This article explores the King’s Church of Studenica, and its connections to the Byzantine Chora Church in Constantinople. By examining the architectural and artistic elements of the King’s Church, the article argues that King Stefan Uroš II Milutin sought to create a choral experience for the viewer, immersing them in a world of divine beauty and tran- scendence. Through the use of art and architecture, King Milutin sought to establish his strong cultural and political identity and assure the viewer of his divinity, elevating the prestige of the Serbian Land and its monarch in the eyes of both local and foreign visitors.
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Vincent, Hugues, Valérie Issarny, Nikolaos Georgantas, Emilio Francesquini, Alfredo Goldman, and Fabio Kon. "CHOReOS." In Middleware '10 Posters and Demos Track. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1930028.1930036.

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Francis, Robert J., Jonathan Rose, and Kevin Chung. "Chortle." In Conference proceedings. New York, New York, USA: ACM Press, 1990. http://dx.doi.org/10.1145/123186.123418.

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Niemtsova, Liliya. "A Combination of Professional and Personal Qualities in the Choir Conductor." In ATEE 2020 - Winter Conference. Teacher Education for Promoting Well-Being in School. LUMEN Publishing, 2021. http://dx.doi.org/10.18662/lumproc/atee2020/21.

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The article outlines the problem of combining professional and personal qualities in the choir conductor. Research gaps in the profession of choir conductor are outlined. We established that the art of conducting, and choral performance as its component, currently requires professionally trained personnel, who have an active life position and are able to provide a creative approach to choral singing. It was found that conducting should be interpreted as a creative process characterized by a step-by-step structure and a combination of analysis and comprehension of the choral score, its artistic interpretation, which allows embodying the formed musical image in the real choral sound. It was found that the conductor’s professional qualities are based on the conductor’s individual style or his “creative method”. It is established that the emotional sphere of the conductor is the result of a combination of qualities that will allow the conductor and the choir to demonstrate a bright and convincing revelation of the originality of texture, expressive timbre colors of numerous choral scores, and a rich palette of nuances.
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Shpak, H. S. "SACRED MONODY IN CHORAL PERFORMANCE." In АКТУАЛЬНІ ПРОБЛЕМИ РОЗВИТКУ УКРАЇНСЬКОГО ТА ЗАРУБІЖНОГО МИСТЕЦТВ: КУЛЬТУРОЛОГІЧНИЙ, МИСТЕЦТВОЗНАВЧИЙ, ПЕДАГОГІЧНИЙ АСПЕКТИ. Liha-Pres, 2023. http://dx.doi.org/10.36059/978-966-397-317-3-125.

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MULLINS, SS, and BFG KATZ. "IMMERSIVE AURALISATIONS FOR CHORAL ENSEMBLES." In Auditorium Acoustics 2023. Institute of Acoustics, 2023. http://dx.doi.org/10.25144/16011.

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Magee, Paul. "Chorus." In ACM SIGGRAPH 2008 art gallery. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1400385.1400442.

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Hou, Yantian, Ming Li, and Joshua D. Guttman. "Chorus." In the sixth ACM conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2462096.2462124.

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Lasecki, Walter S., Rachel Wesley, Jeffrey Nichols, Anand Kulkarni, James F. Allen, and Jeffrey P. Bigham. "Chorus." In UIST'13: The 26th Annual ACM Symposium on User Interface Software and Technology. New York, NY, USA: ACM, 2013. http://dx.doi.org/10.1145/2501988.2502057.

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Reports on the topic "Chorals"

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Ridgway, Jessica L. Color Hearing: Bridal Chorus. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-241.

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Blair, J. R. S., and B. W. Peyton. An introduction to chordal graphs and clique trees. Office of Scientific and Technical Information (OSTI), November 1992. http://dx.doi.org/10.2172/10145949.

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Baylor, L. R., C. H. Ma, and S. Hiroe. Inversion of chordal data from the ATF torsatron. Office of Scientific and Technical Information (OSTI), February 1991. http://dx.doi.org/10.2172/6134434.

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Blair, J. R. S., and B. W. Peyton. An introduction to chordal graphs and clique trees. Office of Scientific and Technical Information (OSTI), November 1992. http://dx.doi.org/10.2172/6560471.

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Alesina, Alberto, Andrea Ichino, and Loukas Karabarbounis. Gender Based Taxation and the Division of Family Chores. Cambridge, MA: National Bureau of Economic Research, November 2007. http://dx.doi.org/10.3386/w13638.

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Peyton, B. W., A. Pothen, and Xiaoqing Yuan. Partitioning a chordal graph into transitive subgraphs for parallel sparse triangular solution. Office of Scientific and Technical Information (OSTI), December 1992. http://dx.doi.org/10.2172/10121667.

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Peyton, B. W., A. Pothen, and Xiaoqing Yuan. Partitioning a chordal graph into transitive subgraphs for parallel sparse triangular solution. Office of Scientific and Technical Information (OSTI), December 1992. http://dx.doi.org/10.2172/6783411.

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Agelastos, Anthony Michael, Joel O. Stevenson, Stephen W. Attaway, and David Peterson. Preliminary Assessment of Tecplot Chorus for Analyzing Ensemble of CTH Simulations. Office of Scientific and Technical Information (OSTI), April 2015. http://dx.doi.org/10.2172/1177760.

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Moehle, Jack P., John D. Hooper, and Thomas R. Meyer. Seismic design of cast-in-place concrete diaphragms, chords, and collectors: a guide for practicing engineers second edition. Gaithersburg, MD: National Institute of Standards and Technology, October 2016. http://dx.doi.org/10.6028/nist.gcr.16-917-42.

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Bernal, Carolina, and Razvan Vlaicu. Research Insights: Can Financial Inclusion Reduce Extreme Weather Impacts on Rural Children? Inter-American Development Bank, November 2023. http://dx.doi.org/10.18235/0005297.

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Abstract:
Extreme rainfall induces rural households to choose immediate benefits over long-run investments in education by increasing the incidence of child labor and household chores at the expense of school attendance. Over-indebtedness through pre-existing formal loans reinforces the likelihood that a child works due to rainfall shocks. Asset insurance, foreign remittances, and natural disaster aid reduce or eliminate the shock-induced shift toward domestic activities and away from schooling.
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