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Journal articles on the topic 'Chord Keyboard'

Author: Grafiati

Published: 9 October 2021

Last updated: 30 July 2025

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1

Richardson, Rose Mae M., Ronald U. Telson, Christopher G. Koch, and Susan T. Chrysler. "Evaluation of Conventional, Serial, and Chord Keyboard Options for Mail Encoding." Proceedings of the Human Factors Society Annual Meeting 31, no. 8 (1987): 911–15. http://dx.doi.org/10.1177/154193128703100814.

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The motivation for the experiment was the integration of a work station display component and a suitable data entry device. Keying performance with three candi- date keyboards was evaluated: (1) a one-handed conventional calculator keyboard, (2) a two-handed 10-key serial keyboard, and (3) a two-handed 10-key chord keyboard. Subjects were trained to criteria on a numerical data entry task and subsequently tested for performance in encoding five-digit strings. Measures of encoding response time and encoding errors showed a substantial advantage in training time for the calculator keyboard and t

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2

Raij, David, Daniel Gopher, and Ruth Kimchi. "Perceptual and Motor Determinants of Efficient Data Entry." Proceedings of the Human Factors Society Annual Meeting 31, no. 7 (1987): 820–24. http://dx.doi.org/10.1177/154193128703100730.

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Two scales were constructed to separately evaluate the perceptual and motor difficulty of the finger chords employed to enter letters in a newly designed chord keyboard, developed to provide an efficient alternative to the existing QWERTY keyboard. The index of motor difficulty evaluated the biomechanical problems associated with the execution of the 31 possible chord combinations of five-fingers. The perceptual index scaled the difficulty of identifying the spatial pattern created by each of the 31 chords. A regression equation that was based on the two indexes accounted for about 60% of the

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Kroemer, Karl H. E., Fadl A. Fathallah, and Lawrence W. Langley. "A New Keyboard with Chorded Ternary Keys." Proceedings of the Human Factors Society Annual Meeting 32, no. 11 (1988): 724–26. http://dx.doi.org/10.1518/107118188786762388.

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A new keyboard has been used in preliminary tests. Each key has 3 state conditions (“ternary key”) and is moved by horizontal displacement of the fingertip, usually together with another key (in “chords”). Little is known about the usability of such a Ternary Chord Keyboard (TCK) from previous experiments. Pilot tests indicated fast performance with a TCK.

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Anderson, Allison M., Gary A. Mirka, and Sharon M. B. Joines. "Learning rate Analysis of Alternative Keyboards." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 51, no. 15 (2007): 874–78. http://dx.doi.org/10.1177/154193120705101502.

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Although alternative keyboards offer ergonomic benefits over the standard keyboard, the standard QWERTY keyboard is still the most widely used. This study was performed to quantify learning rate percentages for four alternative keyboards (chord, contoured split, Dvorak, and fixed split) and understand how physical, cognitive, and perceptual demands affect learning rate by quantifying these measures. Sixteen proficient typists participated in five, three-sentence typing trials on each alternative keyboard, and nine additional subjects participated in 20 typing trials on one alternative keyboard

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5

Simatupang, Jaka Pranata. "TEKNIK PERMAINAN IMPROVISASI KEYBOARD PADA LAGU KIDUNG JEMAAT NO. 375 “SAYA MAU IKUT YESUS” DI GEREJA HKI HUTAGURGUR." Areopagus : Jurnal Pendidikan Dan Teologi Kristen 18, no. 1 (2020): 39–47. http://dx.doi.org/10.46965/ja.v18i1.103.

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The purpose of this research is to add insight into the playing of keyboard instruments and what techniques can be used in playing the keyboard one of them improvised music playing techniques by playing music in whorship in the Church. The benefits of the research to explain the technique of improvised keyboard music playing in the accompaniment of processional worship at the HKI Curch Hutagurgur. Applied to this improvisation technique using the song of the Curch numbre 375 “I Want To Follow Jesus” during the procession worship at the HKI Curch Hutagurgur. The study uses qualitative research

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6

Cannon, Lawrence O., and Joe Elich. "Some Pleasures and Perils of Iteration." Mathematics Teacher 86, no. 3 (1993): 233–39. http://dx.doi.org/10.5951/mt.86.3.0233.

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In “A Lost Chord,” the author discovered a marvelous musical chord by accident while letting her fingers wander over the organ keyboard. The chord brought such peace to her soul that it pronlised solutions to all earthly problems. Unfortunately, she was never able to recreate the lost chord, despite years of searching, and the poem ends with the hope that perhaps in the eternities she may be able to discover and hear the chord again.

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Kreifeldt, J. G., S. L. Levine, and C. Iyengar. "Reduced Keyboard Designs Using Disambiguation." Proceedings of the Human Factors Society Annual Meeting 33, no. 6 (1989): 441–44. http://dx.doi.org/10.1518/107118189786759642.

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There are a number of important applications where the accuracy of typed copy is less important than other criteria, such as the speed of entry, ease of learning, reduced keyboard size, provision for innovative keyboard designs and work methods, etc. Some of these applications include communication devices for the motor handicapped and rough drafting. The applications in question still provide single finger typing as opposed to multifinger entries for chord keyboards. One approach to keyboard design for such applications involves using a multicharacter key set. Because there is more than one c

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8

McMulkin, Mark L., and Karl H. E. Kroemer. "Usability of a one-hand ternary chord keyboard." Applied Ergonomics 25, no. 3 (1994): 177–81. http://dx.doi.org/10.1016/0003-6870(94)90016-7.

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9

Kroemer, K. H. E. "Use and Research Issues of a New Computer Keyboard." Proceedings of the Human Factors Society Annual Meeting 36, no. 4 (1992): 272–75. http://dx.doi.org/10.1177/154193129203600402.

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For use with computers, the traditional QWERTY keyboard has been enlarged to more than 100 keys. This has generated postural and motoric challenges for the user, including cumulative trauma disorders. Among the proposed ergonomic solutions is the Ternary Chord Keyboard (TCK) which has only eight keys. Its evaluation posed use and research issues. TCK operation requires fast and finely controlled force and displacement by the fingertips in a horizontal plane, i.e., “rocking” of keys instead of their familiar “tapping”. Associated mental tasks include memorization of the chords for each characte

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10

Bowman, Doug A., Christopher J. Rhoton, and Marcio S. Pinho. "Text Input Techniques for Immersive Virtual Environments: An Empirical Comparison." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 46, no. 26 (2002): 2154–58. http://dx.doi.org/10.1177/154193120204602611.

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Symbolic input, including text and numeric input, can be an important user task in applications of virtual environments (VEs). However, very little research has been performed to support this task in immersive VEs. This paper presents the results of an empirical evaluation of four text input techniques for immersive VEs. The techniques include the Pinch Keyboard (a typing emulation technique using pinch gloves), a one-hand chord keyboard, a soft keyboard using a pen & tablet, and speech. The experiment measured both task performance and usability characteristics of the four techniques. Res

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11

Bianco, Roberta, Giacomo Novembre, Peter E. Keller, et al. "Syntax in Action Has Priority over Movement Selection in Piano Playing: An ERP Study." Journal of Cognitive Neuroscience 28, no. 1 (2016): 41–54. http://dx.doi.org/10.1162/jocn_a_00873.

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Complex human behavior is hierarchically organized. Whether or not syntax plays a role in this organization is currently under debate. The present ERP study uses piano performance to isolate syntactic operations in action planning and to demonstrate their priority over nonsyntactic levels of movement selection. Expert pianists were asked to execute chord progressions on a mute keyboard by copying the posture of a performing model hand shown in sequences of photos. We manipulated the final chord of each sequence in terms of Syntax (congruent/incongruent keys) and Manner (conventional/unconventi

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12

Clauhs, Matthew. "Songwriting with Iconic Notation in a Music Technology Classroom." Music Educators Journal 107, no. 3 (2021): 22–30. http://dx.doi.org/10.1177/0027432121992410.

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Recognizing that music teachers may struggle to implement songwriting activities in a classroom, and that iconic notation provides an opportunity to increase access to school music for all students, the purpose of this article is to share one model of songwriting activities in a music technology class using chord diagrams, beat grids, and keyboard charts. The article outlines specific steps to the creation of drum grooves, simple chord progressions, bass lines, and melodies, using forms of notation that are appropriate for popular music instruments and styles.

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13

Gopher, D., and D. Raij. "Typing with a two-hand chord keyboard: will the QWERTY become obsolete?" IEEE Transactions on Systems, Man, and Cybernetics 18, no. 4 (1988): 601–9. http://dx.doi.org/10.1109/21.17378.

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14

Manuel, Peter. "From Scarlatti to “Guantanamera”: Dual Tonicity in Spanish and Latin American Musics." Journal of the American Musicological Society 55, no. 2 (2002): 311–36. http://dx.doi.org/10.1525/jams.2002.55.2.311.

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Abstract This essay explores the sense of dual tonicity evident in a set of interrelated Spanish and Latin American music genres. These genres include seventeenth-century Spanish keyboard and vihuela fandangos, and diverse folk genres of the Hispanic Caribbean Basin, including the Venezuelan galerón and the Cuban punto, zapateo, and guajira. Songs in these genres oscillate between apparent “tonic” and “dominant” chords, yet conclude on the latter chord and bear internal features that render such terminology inapplicable. Rather, such ostinatos should be understood as oscillating in a pendular

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15

Bhara, Sebastianus, and Ferdinandus Bate Dopo. "PENINGKATAN KETERAMPILAN TERHADAP KONSEP FAMILY CHORD DENGAN MODEL COOPERATIF LEARNING BAGI SISWA KELAS XII MIA II DI SMAN 1 GOLEWA." Jurnal Citra Magang dan Persekolahan 2, no. 2 (2024): 347–52. http://dx.doi.org/10.38048/jcmp.v2i2.2494.

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Penetian ini bertujuan untuk dapat memberikan pemahaman pada proses pembelajaran seni musik khususnya pada materi akord yang nantinya akan menjadi bekal saat mereka menciptakan suatu karya musik atau berkreasi lagu baru dan juga berkarya musik kontempor untuk persiapan ujian akhir. Metode dari penelitian ini adalah penelitian tindakan. Ada beberapa temuan dari penelitian ini antara lain: (1) proses pembelajaran materi akord yang diaplikasikan kedalam alat musik gitar dan keyboard dengan menerapkan metode pembelajaran berkelompok (cooperatif learning) dengan beberapa tahapan yaitu mulai dari pr

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16

Beddoes, M. P., and Zhongzhi Hu. "A chord stenograph keyboard: a possible solution to the learning problem in stenography." IEEE Transactions on Systems, Man, and Cybernetics 24, no. 7 (1994): 953–60. http://dx.doi.org/10.1109/21.297785.

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Nugraha, Iwan Setya, Kodrat Iman Satoto, and Kurniawan Teguh Martono. "Pemanfaatan Augmented Reality untuk Pembelajaran Pengenalan Alat Musik Piano." Jurnal Teknologi dan Sistem Komputer 2, no. 1 (2014): 62–70. http://dx.doi.org/10.14710/jtsiskom.2.1.2014.62-70.

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Dalam bidang musik banyak cara yang dapat dijadikan jalan pembelajaran mengenai teori tentang musik. Cara yang paling mudah yaitu dengan belajar sekaligus bermain alat musik itu sendiri. Dalam hal ini terfokus pada teori musik keyboard atau piano. Dengan cara tersebut dapat dipastikan ilmu akan mudah diserap. Yang menjadi masalah disini yaitu bagaimana menjadikan metode pembelajaran itu menyenangkan dan tidak membosankan atau membingungkan. Dengan menggunakan metode pembelajaran berbasis augmented reality yang dibuat dengan menggunakan Unity sebagai komponen yang utama dan dengan menggunakan 3

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18

Ong, Ardvin Kester S., Calil C. Aceron, Warrick Jathniel S. Quimpo, Derek Tyler U. Ong, John Francis T. Diaz, and Josephine D. German. "Evaluation of preceding variables affecting behavioral use and acceptance of chord-enabled keyboard among students." Computers in Human Behavior Reports 16 (December 2024): 100482. http://dx.doi.org/10.1016/j.chbr.2024.100482.

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19

Gopher, Daniel, Hanna Hilsernath, and David Raij. "Steps in the Development of a New Data Entry Device Based upon Two Hand Chord Keyboard." Proceedings of the Human Factors Society Annual Meeting 29, no. 2 (1985): 132–36. http://dx.doi.org/10.1177/154193128502900208.

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20

Earis, Andrew. "An Algorithm to Extract Expressive Timing and Dynamics from Piano Recordings." Musicae Scientiae 11, no. 2 (2007): 155–82. http://dx.doi.org/10.1177/102986490701100202.

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Measurable features of expressive piano performance include timing, dynamics, articulation and pedalling. This paper concerns the measurement of expressive timing and dynamics in audio recordings of piano music using a multi-stage semi-automated expression extraction process. A digitised version of the musical score is synchronised with the audio recording using a simple manual beat tapping system. The continuous wavelet transform (CWT) is then employed, with a Morlet wavelet, to correct the beat tapped times, and any further errors are then corrected manually. Precise note and chord onset tim

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21

McMulkin, Mark. "Description and Prediction of Long-Term Learning of a Keyboarding Task." Proceedings of the Human Factors Society Annual Meeting 36, no. 4 (1992): 276–80. http://dx.doi.org/10.1177/154193129203600403.

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The goal of this study was to determine an equation (“learning function”) that describes long-term learning of a new keyboard. Five subjects learned 18 characters on a chord keyboard, then improved keying speed by inputting typical numeric keypad text for about 60 total hours. Their performance, in characters typed per minute, was recorded for every trial. Of the various functions that were considered to describe performance, the best fitting equation was a Log-Log relationship of the form CPMi = eb0Tib1, where CPMi is the performance in characters per minute on the i-th trial (Ti) and b0 and

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22

Danie, Gopher, Hilburn John, and Vicknair David. "5493654 Chordic keyboard system for generating a signal in response to a chord that is assigned using a correlation based on a composite chord-difficulty index." Applied Ergonomics 27, no. 5 (1996): 354. http://dx.doi.org/10.1016/s0003-6870(96)90031-9.

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23

Marlisna, Marlisna, and Marzam Marzam. "BENTUK PENYAJIAN KESENIAN KASIDAH REBANA DALAM ACARA PESTA PERKAWINAN DI JORONG SAROHA TAMIANG KECAMATAN LEMBAH MELINTANG KABUPATEN PASAMAN BARAT." Jurnal Sendratasik 9, no. 3 (2020): 8. http://dx.doi.org/10.24036/jsu.v9i1.109378.

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AbstractThis research aims to describe the form of a Kasidah Rebana presentation in a wedding party in Jorong SarohaTamiang, Lembah Melintang District, West Pasaman Regency. This research is a qualitative research which focuseson getting issues related to the topic. The data were collected through literature study, observation, interviews, and documentation. The development of sophisticated era and the cultures and arts developed in community give positive and negative effects. However, the art of Kasidah Rebana in the Jorong Saroha Tamiang still exists and is the choice of the community to be

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Sears, David R. W., Jacob Spitzer, William E. Caplin, and Stephen McAdams. "Expecting the end: Continuous expectancy ratings for tonal cadences." Psychology of Music 48, no. 3 (2018): 358–75. http://dx.doi.org/10.1177/0305735618803676.

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Cognitive accounts for the formation of expectations during music listening have largely centered around mental representations of scales using both melodic and harmonic stimuli. This study extends these findings to the most recurrent cadence patterns associated with tonal music using a real-time, continuous-rating paradigm. Musicians and nonmusicians heard cadential excerpts selected from Mozart’s keyboard sonatas (perfect authentic cadence [PAC], imperfect authentic cadence [IAC], half cadence [HC], deceptive cadence [DC], and evaded cadence [EV]), and continuously rated the strength of thei

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Uliyana, Eliya, and Moh. Muttaqin. "Form of Classic Dangdut Music Performance The "Bintang Remaja" Dangdut Music Group In Kendal Regency." Jurnal Seni Musik 13, no. 1 (2024): 1–11. https://doi.org/10.15294/jsm.v13i1.918.

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Dangdut music is highly popular among the general public. This study aimed to identify, analyze, and describe the forms of performance by the Bintang Remaja classic dangdut music group in Kendal regency. This study employed descriptive qualitative method. Data were collected using observation, interviews, and documentation. The validity of the data was ensured through triangulation techniques. Data analysis was conducted in stages, including data reduction, data presentation, and drawing conclusions. The results of the study reveal two aspects of the Bintang Remaja dangdut music group’s perfor

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Konrad, Christopher M., Arthur F. Kramer, and Stephen E. Watson. "A Comparison of Sequential and Spatial Displays in a Complex Monitoring Task." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 38, no. 19 (1994): 1331–35. http://dx.doi.org/10.1177/154193129403801918.

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A sequential or RAP COM display was compared to a more conventional spatial display as subjects monitored dynamically changing sets of numbers and responded to occasional target stimuli. In an effort to equate the stimulus-response compatibility of the two displays subjects responded to the targets with a chord keyboard. We examined the influence of display duration on the performance with the RAP COM and spatial formats by presenting the stimuli at three different durations, 400, 800 and 1200 msec. The influence of practice on performance with the RAP COM and spatial displays was also investi

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27

Wu, Fong-Gong, and Wen-Zhou Shi. "The input efficiency of chord keyboards." International Journal of Occupational Safety and Ergonomics 24, no. 4 (2017): 638–45. http://dx.doi.org/10.1080/10803548.2017.1362171.

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28

Stashevskyi, A. "Typical Texture Formulas in Contemporary Music for Button Accordion of Ukrainian Composers: Review and Systematization." Culture of Ukraine, no. 73 (September 23, 2021): 65–71. http://dx.doi.org/10.31516/2410-5325.073.09.

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The relevance of the topic and problem statement. In the process of formation and development of the original style of button accordion music one of the most important roles is played by the factor of texture, which fully embodies the instrumental specificity of the button accordion, and reflects the originality of forms and varieties of musical fabric in button accordion works. The study of the peculiarities of texture organization, as well as highlighting the main trends in texture formation in modern button accordion music, in particular in the works of Ukrainian composers, is seen as an ur

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Lu, H., and F. Aghazadeh. "Infogrip Chordic Keyboard Evaluation." Proceedings of the Human Factors Society Annual Meeting 36, no. 4 (1992): 268–71. http://dx.doi.org/10.1177/154193129203600401.

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This paper presents a preliminary evaluation of a computer data entry device called Infogrip Chordic Keyboard. Learning time, typing speed and accuracy, and operator discomfort are examined. The result shows that the 30 chords can be learned in two hours. The subjects could type 49 characters per minute with the accuracy of 98.3 percent after two hours training.

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30

Sretić, Stefan. "Program content in relation with compositional and technical solutions found in piano pieces by Modest Mussorgsky." Artefact 7, no. 1 (2021): 33–49. http://dx.doi.org/10.5937/artefact2101033s.

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The thesis focuses on the analysis of three program pieces - Catacombs, The Hut on Hen's Legs (Baba Yaga) and The Great Gate of Kiev from the Modest Mussorgsky's piano suite Pictures at an Exhibition. A starting point is the analysis of the wider context out of which the mentioned pieces originated which throws light on the stylistic characteristics of Romanticism, and provides grounds for a detailed pondering on the artistic creations of the iconic composer. The study can be valuable for the pianists and musical pedagogists, as the analysis in its essence explores the ways of interpretation o

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31

Gjerdingen, Robert O. "Courtly Behaviors." Music Perception 13, no. 3 (1996): 365–82. http://dx.doi.org/10.2307/40286175.

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In addition to preserving a record of tones, chords, intervals, and other musical features, the historical text known as Mozart's Keyboard Sonata in Et Major, K. 282 (189g), also preserves traces of complex musical behaviors that were developed and replicated within eighteenth-century court society. The article focuses on several musical behaviors that would have been obvious to courtiers in Mozart's time and relates his presentation of them in K. 282 to courtly norms.

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32

Campbell, Laura. "Harmonic Landscaping Applied to the Study of Written Harmony." British Journal of Music Education 5, no. 3 (1988): 241–53. http://dx.doi.org/10.1017/s0265051700006653.

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Music examinations frequently require students to harmonise chorale melodies ‘in the style of J. S. Bach’, but the manner in which the skill is taught generally emphasises the adding of chords below the melody note by note ‘arithmetically’, and may thus fail to develop inner hearing and a sense of overall harmonic direction. Using the system of ‘harmonic sketching’ which she developed originally as an approach to keyboard harmony and described in detail in her book Sketching at the Keyboard, Laura Campbell extended the technique to the harmonisation of chorale melodies, in the process comparin

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Fontana, Federico, Stefano Papetti, Hanna Järveläinen, and Federico Avanzini. "Detection of keyboard vibrations and effects on perceived piano quality." Journal of the Acoustical Society of America 142, no. 5 (2017): 2953–67. https://doi.org/10.5281/zenodo.3676536.

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Two experiments were conducted on an upright and a grand piano, both either producing string vibrations or conversely being silent after the initial keypress, while pianists were listening to the feedback from a synthesizer through insulating headphones. In a quality experiment, participants unaware of the silent mode were asked to play freely and then rate the instrument according to a set of attributes and general preference. Participants preferred the vibrating over the silent setup, and preference ratings were associated to auditory attributes of richness and naturalness in the low and mid

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Dean, Roger T. "The Serial Collaborator: A Meta-Pianist for Real-Time Tonal and Non-Tonal Music Generation." Leonardo 47, no. 3 (2014): 260–61. http://dx.doi.org/10.1162/leon_a_00769.

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Serial music, which is mainly non-tonal, superimposes compositional freedom onto an unusually rigorous process of pitch-sequence transformations based on ‘tone rows’: a row is usually a sequence of notes using each of the 12 chromatic pitches once. Compositional freedom comprises forming chords from the sequences, and in multi-strand music, also in simultaneously presenting different segments of pitch-sequences. The present project coded a real-time serial music composer for automatic or interactive music performance. This Serial Keyboardist Collaborator can perform keyboard music which is imp

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Wang, Meng. "Intelligent Malfunction Identification Method in Mechanical Manufacturing Process Based on Multisensor Data." Discrete Dynamics in Nature and Society 2022 (May 23, 2022): 1–9. http://dx.doi.org/10.1155/2022/6720166.

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Current technology trends have been gradually integrated into the production of all walks of life, which play an indispensable part in promoting the intelligent development of enterprises, and have brought a greater impact on production and reformation. With the rapid development of the economy and technology, the manufacturing industry has played a very important role. For this reason, the introduction of artificial intelligence into machinery manufacturing can not only improve production efficiency but also save labor and reduce labor costs. The application of artificial intelligence in mach

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36

Brittin, Ruth V. "Children's Preference for Sequenced Accompaniments: The Influence of Style and Perceived Tempo." Journal of Research in Music Education 48, no. 3 (2000): 237–48. http://dx.doi.org/10.2307/3345396.

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Second graders through sixth graders ( N = 343) listened to 10 musical selections in music classes and marked their preference and perception of each selection's tempo on rating scales. Listeners responded to children's songs played with nine electronic keyboard sequenced accompaniments, including popular to more traditional folk styles. The tenth accompaniment style featured simple chords with piano timbre, included to represent a typical acoustic piano accompaniment. All selections were performed at the same tempo. Three versions of the survey, recorded with various song-style combinations,

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Simanjuntak, Clarissa Tessalonika. "FORM OF PRESENTATION WORSHIP SONG AT HKKBP SUTOYO." Jurnal Penelitian Musik 4, no. 1 (2023): 239–58. http://dx.doi.org/10.21009/jurnalpenelitianmusik.41.02.

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The purpose of this research is to describe the form of worship music reviewed in the arrangement that is present at HKBP Sutoyo Church. The research method used is qualitative with a descriptive approach. The results showed that the form of worship music at HKBP Sutoyo Church was mixed music in a band format using electric pianos, keyboards, electric guitars, electric basses, electric drums, and singing guides. Form of presentation in arrangement of worship music has variations in the processing of melodies in the musical accompaniment, processing of singing forms, use of chords and various p

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Sakai, Naotaka. "Interosseous Muscle Pain in the Pianist's Hand: A Description of 27 Cases of Musician's Hand." Medical Problems of Performing Artists 22, no. 1 (2007): 24–25. http://dx.doi.org/10.21091/mppa.2007.1005.

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Among 703 professional pianists with medical problems in their hands seen by the author between 1981 and 2000, there were 27 patients who had interosseous muscle pain (23 women, 4 men; mean age, 30 yrs). The main symptom was dorsal hand pain during piano performance, especially when striking the keys with each finger rounded, mainly in the scale technique. Tenderness was noted in the deep part of the dorsal hand in the interosseous muscles, but not along or around the finger extensors. Patients sometimes complained of muscle weakness on abduction of the index, ring, and/or little fingers when

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Djau, Nurmila Sari. "Pelatihan Mengiring Lagu untuk Meningkatkan Keterampilan Bermusik Mahasiswa PGSD Universitas Negeri Gorontalo." JIM: Jurnal Ilmiah Mahasiswa Pendidikan Sejarah 7, no. 4 (2022): 306–12. http://dx.doi.org/10.24815/jimps.v7i4.22777.

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The implementation of PGSD student graduates is expected to be able to provide experience in various fields of study, art learning is no exception. In art learning in elementary school teachers are not only able to provide an experience of appreciation but also an experience of expression, where students can sing songs accompanied by music or play musical instruments together. However, based on observations, PGSD students, especially at Gorontalo State University, still lack musical knowledge and skills. This is the basis for implementing PKM. The purpose of the PKM is to provide experience an

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DeClerq, Trevor. "Big Data, Big Questions: A Closer Look at the Yale–Classical Archives Corpus (c. 2015)." Empirical Musicology Review 11, no. 1 (2016): 59. http://dx.doi.org/10.18061/emr.v11i1.5274.

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<p>This paper responds to the article by Christopher White and Ian Quinn, in which these authors introduce the Yale-Classical Archives Corpus (YCAC). I begin by making some general observations about the corpus, especially with regard to ramifications of the keyboard-performance origins of many pieces in the original MIDI collection. I then assess the accuracy of the scale-degree and local-key fields in the database, which were generated by the Bellman-Budge key-finding algorithm. I point out that some of the inaccuracies from the key-finding algorithm's output may influence the results

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Sakai, Naotaka. "Hand Pain Attributed to Overuse among Professional Pianists: A Study of 200 Cases." Medical Problems of Performing Artists 17, no. 4 (2002): 178–80. http://dx.doi.org/10.21091/mppa.2002.4028.

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Two hundred professional pianists and students with hand pain (35 men and 165 women; 102 right, 62 left, and 36 bilateral; with a mean age of 26.3 years) attributed to overuse while playing the piano were investigated. The diagnoses were divided into six groups: tenosynovitis or tendinitis (56 cases), enthesopathy (49), muscle pain (38), neurological disturbance (28), joint pain (24), and neck or scapular pain (5). Tenosynovitis or tendinitis included de Quervain’s disease (29), flexor tenosynovitis (17), and tendinitis of the extensor digitorum communis (6). The enthesopathy group consisted o

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Hoang, Shane, Konstantinos Karydis, Philip Brisk, and William H. Grover. "A pneumatic random-access memory for controlling soft robots." PLOS ONE 16, no. 7 (2021): e0254524. http://dx.doi.org/10.1371/journal.pone.0254524.

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Pneumatically-actuated soft robots have advantages over traditional rigid robots in many applications. In particular, their flexible bodies and gentle air-powered movements make them more suitable for use around humans and other objects that could be injured or damaged by traditional robots. However, existing systems for controlling soft robots currently require dedicated electromechanical hardware (usually solenoid valves) to maintain the actuation state (expanded or contracted) of each independent actuator. When combined with power, computation, and sensing components, this control hardware

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Kurnia, Yusuf, and Toga Parlindungan Silaen. "Android-Based Musical Instrument Recognition Application For Vocational High School Level." bit-Tech 4, no. 2 (2021): 47–55. http://dx.doi.org/10.32877/bt.v4i2.288.

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With the old way of learning and methods, Vocational High School students will be bored, especially in the field of Arts and Culture, which on average are considered difficult and not liked by most students. Therefore, it is necessary to make other learning media based on Android so that learning becomes more interesting and enjoyable. In addition, with this learning media, it is hoped that it can help children's creativity and thinking power, because it is equipped with several important components that can hone children's imaginative power such as pictures, videos in the material provided. T

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Kutluieva, D. V. "Under the sign of playing: C. M. Weber’s Piano Quartet." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 56, no. 56 (2020): 106–20. http://dx.doi.org/10.34064/khnum1-56.07.

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Background. A play principle is one of the essential properties of the artistic worldview and creative thinking of C. M. Weber. Declaring itself in works of different genres, it takes on many different shades, speaking in the form of comic, ironic, characteristic and carnival. In the instrumental opuses by the composer, the play aspect appears in complex of texture, articulation, intonation and thematic, dynamic and formative techniques that lead to immediate visual and theatrical associations. Expression of play principles in this genre sphere can be considered, on the one hand, as various ty

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Sediuk, I. O. "Artistic and aesthetic ideas in “Plays” for two pianos by P. Dambis." Aspects of Historical Musicology 15, no. 15 (2019): 181–98. http://dx.doi.org/10.34064/khnum2-15.09.

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Background. The piano ensemble as a special type of chamber music has become popular in recent decades, as evidenced by numerous international piano duo competitions taking place in different countries, music festivals, master classes. Whereas a large number of scientifi c works is devoted to four-hand duo, two-piano ensemble began to attract the active attention of researchers only in the present day. Despite the individual approaches to its specifi cs and selected music examples, the generic properties of this phenomenon, which distinguish it among other forms of duo music, remain uncertain.

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Frederick, Leah. "Diatonic Voice-Leading Transformations." Music Theory Spectrum, November 6, 2023. http://dx.doi.org/10.1093/mts/mtad017.

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Abstract This article draws on the mathematical approaches of Tymoczko (2011) and Hook (2008) to construct a transformational space of closed-position diatonic triads. The group acts on a set of twenty-one objects: the seven diatonic triads differentiated by the three closed-position inversions. After constructing the transformation group as an abstract voice-leading space, I interpret the system as an instrumental space (De Souza 2017) that captures the chord shapes required to play triadic progressions on a keyboard. This emphasis on the space’s ability to capture such chord shapes leads to

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Shuhui, Yuan. "Analysis of the Current Situation of Piano Education in Colleges and Universities in the Information Age and Research on Countermeasures." CONVERTER, July 28, 2021, 574–82. http://dx.doi.org/10.17762/converter.232.

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In view of the low application ability of piano improvisational accompaniment of music majors, this paper proposes a method of big data combined with MIDI keyboard and Kinect depth sensor to achieve the purpose of recognizing chord progression and judging fingering when students perform, and realizes the auxiliary teaching system. Firstly, the information of color and depth images is obtained, and the state transition diagram of chord transposition and chord gesture template library are constructed as the system initialization conditions. Secondly, using the traditional skin color modeling and

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"Evaluation of conventional, serial and chord keyboard options for mail encoding." Applied Ergonomics 20, no. 1 (1989): 64. http://dx.doi.org/10.1016/0003-6870(89)90037-9.

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"Typing with a two-hand chord keyboard: Will the QWERTY become obsolete?" Applied Ergonomics 21, no. 1 (1990): 80–81. http://dx.doi.org/10.1016/0003-6870(90)90107-9.

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Ibanescu, Corina. "“Study for the Left Hand” by Bela Bartok." Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts, January 30, 2023, 43–50. http://dx.doi.org/10.31926/but.pa.2022.15.64.2.5.

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The complexity of the artistic personality of the musician Bela Bartok also includes his works for the piano, he himself being a master of the keyboard, who, in his capacity as a composer, was concerned with enriching the piano art with new technical and aesthetic means. The "Study for the Left Hand" was originally intended as the first movement of a piece entitled "Sonata", but Bartók did not continue to compose the other parts. The initial idea grounds the construction of the work on the three dominant sections of this strict form. The tonality of the secondary theme is F major and the struc

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