Relevant bibliographies by topics / Choreographers

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Choreographers'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Choreographers.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Choreographers"

1

МОВА, Людмила. "Improvisation as an important element of future choreographers training." EUROPEAN HUMANITIES STUDIES: State and Society 1, no. I (2019): 130–40. http://dx.doi.org/10.38014/ehs-ss.2019.1-i.10.

Full text
Abstract:
Improvisation is considered an important and indispensable element of future choreographer's training, that contributes to future choreographer’s personality development and his/ her creative potential. The author analyzes the structure of work when creating a composition according to the 3q-system (Iztok Kovac, Slovenia). This article shows cases and analysis of personal variants of working with improvisation when training students-choreographers.
APA, Harvard, Vancouver, ISO, and other styles
2

Kant, Marion. "Mark Morris: Musician-Choreographer." Dance Research Journal 50, no. 1 (2018): 104–11. http://dx.doi.org/10.1017/s0149767718000104.

Full text
Abstract:
Mark Morris: Musician-Choreographer by Stephanie Jordan is unusual in many ways, and there are hardly any volumes to which it can be compared. That alone sets this study apart from other recent titles on choreographers and their works. Jordan's book was published by Dance Books; yet, it is about music more than anything else—a choreographer's relationship to music, his formation and evolution as a dancer and dancemaker through music, the exploration of music through dance, and eventually Mark Morris's arrival in music as a conductor.
APA, Harvard, Vancouver, ISO, and other styles
3

Pyzhianova, Nataliia, Serhiy Kutsenko, and Petro Voloshyn. "The role of folk dance in formation of the choreographer creative potential." Revista Amazonia Investiga 9, no. 27 (2020): 252–59. http://dx.doi.org/10.34069/ai/2020.27.03.27.

Full text
Abstract:
The aim of the article is to substantiate the role of folk dance in the process of formation of the creative potential of a student-choreographer. Methods of generalization and comparative analysis were used in the research process. The article identifies three pedagogical conditions for formation the creative potential of students-choreographers by means of folk dance. It is pointed out that promising planning for professional growth plays an important role in formation the choreographers’ creative potential. The expediency of involving students in creative experiments, which include the crea
APA, Harvard, Vancouver, ISO, and other styles
4

Gavish, Maya, and Catherine J. Stevens. "Thinking Strategically about Dance Making: An Analysis of the Structuring Stage and the Strategies Choreographers Use for Varying Dance Works." Dance Research 38, no. 1 (2020): 41–64. http://dx.doi.org/10.3366/drs.2020.0290.

Full text
Abstract:
This empirical study investigates how expert choreographers structure their dance pieces and vary their dance designs. Specifically, the methods choreographers apply for selecting, ordering, and refining movement material into a coherent whole were explored. Accordingly, the structuring process of two expert contemporary choreographers was isolated and examined separately from other stages of dance development. We have used observations, interviews and questionnaires to understand the choreographers’ actions and thoughts as they worked on creating three dance pieces. In addition, a model from
APA, Harvard, Vancouver, ISO, and other styles
5

Miao, Yu. "An Introduction to the Relationship between Dance Choreographers and Dancers: Taking the dance work "Looking at the Sea Tide" as an Example." Highlights in Art and Design 4, no. 2 (2023): 145–48. http://dx.doi.org/10.54097/hiaad.v4i2.13454.

Full text
Abstract:
The process of producing a dance work of art, which can be roughly divided into the creation of dance art and the conveyance of dance art, is a process of continuous fusion and perfection between the choreographer and the dancers. Their roles are both independent of each other and interconnected, and they are constantly switching with each other. They share the same mind with each other, but they share different tasks and responsibilities. For the perfect presentation of dance art, this paper takes the basic conception of choreographer's creation and the analysis of the basic quality of dancer
APA, Harvard, Vancouver, ISO, and other styles
6

Candelario, Rosemary. "Choreographing American Dance Archives: Artist-Driven Archival Projects by Eiko & Koma, Bebe Miller Company, and Jennifer Monson." Dance Research Journal 50, no. 1 (2018): 80–101. http://dx.doi.org/10.1017/s0149767718000050.

Full text
Abstract:
Choreographers have begun experimenting with artist-driven archives using digital technologies, exhibitions and installations, and live performance as a way to generate new work from their own archival materials and increase access to their body of work for audiences. This article focuses on three recent artist-driven archive projects by notable American choreographers Eiko & Koma, Bebe Miller Company, and Jennifer Monson. Drawing on interviews with the choreographers as well as on analyses of the three projects, I suggest that these projects' most important contribution is the idea that a
APA, Harvard, Vancouver, ISO, and other styles
7

PLAKHOTNYUK, Oleksandr. "CHOREOGRAPHERS OF THE STATE THEATER OF MUSICAL COMEDY IN LVIV FROM 1946-1953." Bulletin of the Lviv University. Series of Arts Studies 280, no. 20 (2019): 203–11. http://dx.doi.org/10.30970/vas.20.2019.10625.

Full text
Abstract:
A study is conducted of the historical processes of the formation of dance traditions in musical theaters, as well as operetta theaters on the example of the activities of choreographers of the Lviv Theater of Musical Comedy in the period from 1946 to 1953. The study outlines the historical processes of the formation of the above dance traditions. This study identifies the personalities of the choreographers of the directors of this theater and their creative result; there is a careful attitude to the traditions of the past and the introduction of modern techniques of theatrical choreographer.
APA, Harvard, Vancouver, ISO, and other styles
8

Jonīte, Dita. "Horeogrāfa stratēģijas mūsdienu teātrī: Agates Bankavas piemērs." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 25 (March 4, 2020): 259–68. http://dx.doi.org/10.37384/aplkp.2020.25.259.

Full text
Abstract:
During the last two decades, contemporary dance choreographers of Latvia have been more and more intensely involved in staging dramatic theatre performances. This observation has served as a basis for my research question: if and how the stage movement paradigm has changed in the dramatic theatre due to the input of professional contemporary dance choreographers. The increase of the choreographer’s competency and responsibility is related to the paradigmatic change in the theatre in general. Hans-Thies Lehmann, the distinguished German theatre theorist, has developed his post-dramatic theatre
APA, Harvard, Vancouver, ISO, and other styles
9

Kenzhetaeva, Aliya, Karlgash Aitkalieva, and Tolkyn Amreyeva. "Integration of Experience and Achievements in the Development of Performing Skills of Kazakh Dance in Higher Education Institutions of the Republic of Kazakhstan." Harmonia: Journal of Arts Research and Education 23, no. 1 (2023): 53–63. http://dx.doi.org/10.15294/harmonia.v23i1.43859.

Full text
Abstract:
The main purpose of this research is to study the experience and achievements of previous generations of folk dance performers to improve work with future choreographers who study Kazakh folk dance in higher education institutions of the Republic of Kazakhstan. The study’s methodological approach is the search and theoretical analysis of sources aimed at studying both the history of the Kazakh folk dance itself and the development of the performing skills methods of Kazakh dance in future choreographers. This research uses typological, historical, and thematic analysis methods from used litera
APA, Harvard, Vancouver, ISO, and other styles
10

TKACHENKO, M. "VISUALIZATION OF THE DIDACTIC PROCESS DURING THE SPECIAL COURSE "PROJECT TECHNOLOGIES IN THE PROFESSIONAL ACTIVITIES OF A CHOREOGRAPHER"." ТHE SOURCES OF PEDAGOGICAL SKILLS, no. 31 (August 7, 2023): 240–47. http://dx.doi.org/10.33989/2075-146x.2023.31.283442.

Full text
Abstract:
The article reveals the peculiarities of the visualization of the didactic process during the implementation of the special course "Project technologies in the professional activity of a choreographer", which consist in the use of three types of computer presentations: presentation as an accompaniment to a report; presentation as a video clip; presentation as schematic animation (scribing). It was found that the visualization of the didactic process during the implementation of the special course "Project technologies in the professional activity of a choreographer" has a dual nature, since co
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Choreographers"

1

Lamia, Louis M. "Video annotation for choreographers on the NB platform." Thesis, Massachusetts Institute of Technology, 2015. http://hdl.handle.net/1721.1/105994.

Full text
Abstract:
Thesis: M. Eng., Massachusetts Institute of Technology, Department of Electrical Engineering and Computer Science, 2015.<br>This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.<br>Cataloged from student-submitted PDF version of thesis.<br>Includes bibliographical references (page 71).<br>The NB Platform, originally developed to host discussion on class materials, has been adapted to suit the needs of dance choreographers. A Video Annotator was developed, and features requested by choreographers were a
APA, Harvard, Vancouver, ISO, and other styles
2

Pollard, Nicola Jane. "Folding and withholding : writing with and by choreographers." Thesis, Middlesex University, 2007. http://eprints.mdx.ac.uk/11149/.

Full text
Abstract:
The impetus for the present research comes from questions that arose in projects of collaborative writing by the author with British-based choreographers Rosemary Lee, Kim Brandstrup and Rosemary Butcher. In these projects, the three choreographers differently attempted to word elements of their ongoing choreographic enquiries. The conviction was that such writing might participate in a choreographer's current choreographic research, rather than document research that had already unfolded in the creation of a performance work. The present research thus interrogates the philosophical implicatio
APA, Harvard, Vancouver, ISO, and other styles
3

Senaratne, Tharanga Niroshini. "Homology and Heterology Effects in Drosophila: Cohesin and Condensin as Chromosome Choreographers." Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493465.

Full text
Abstract:
The organization of interphase nuclei has numerous consequences for gene expression and genome stability in eukaryotes. Here, we present studies of chromosome organization in Drosophila melanogaster over the course of the cell cycle. We report surprising observations suggesting that cohesin, a protein complex essential in mitosis for holding together the products of DNA replication known as sister chromatids, may not be required to keep sister chromatids in close proximity during interphase. These observations raise questions regarding the nature of cohesin-independent connections between chro
APA, Harvard, Vancouver, ISO, and other styles
4

Kim, Chan Ji Kim Chan Ji. "I. Composer and choreographer a study of collaborative compositional process. II. The lotus flower : ballet music for chamber ensemble and two-channel audio /." [Gainesville, Fla.] : University of Florida, 2006. http://purl.fcla.edu/fcla/etd/UFE0013897.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

De, Boer Kyle Dylan. "Queer transgressions : the choreographing of a male homosexual presence with reference to selected choreographers." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1009442.

Full text
Abstract:
Queer Transgressions: The choreographing of a male homosexual presence with reference to selected choreographers explores queer identity and in particular representations of a male homosexual presence in dance. Within the methodological framework of dance studies and queer theory I explore the ―self fashioning‖ of my male homosexual presence in dance. This is achieved by critically deconstructing my choreographic process when making choreography. Therefore this thesis is informed by both academic research and my self-reflexive experience of choreography and dance performance. The deconstructio
APA, Harvard, Vancouver, ISO, and other styles
6

Carroll, Jacqui. "Changing lanes : an exploration of the journey from dance through choreography to directing and the spoken word." Thesis, Queensland University of Technology, 1998. https://eprints.qut.edu.au/35821/1/35821_Digitised%20Thesis.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Snyder, Marie Carmen Alonzo. "Contemporary female choreographers of Asian descent : three case studies of an evolving cultural expression in American modern dance /." Access Digital Full Text version, 1995. http://pocketknowledge.tc.columbia.edu/home.php/bybib/1178958x.

Full text
Abstract:
Thesis (Ed.D.)--Teachers College, Columbia University, 1995.<br>Includes tables. Typescript; issued also on microfilm. Sponsor: Judith M. Burton. Dissertation Committee: Ann H. Dils. Includes bibliographical references (leaves 237-248).
APA, Harvard, Vancouver, ISO, and other styles
8

Smith, Darion. "Boosting My Creative Process in Choreography: Analyzing Related Work, Integrating Methods of Select Master Choreographers, Creating a Dance." Thesis, University of Oregon, 2018. http://hdl.handle.net/1794/23800.

Full text
Abstract:
During a ten week period at the University of Oregon I created a sociopolitically based dance work, The Big Red Button. I researched theories about creativity. I researched a selection of master choreographers in order to integrate their methods of creation with my own. Finally, I created a dance piece with students from the University of Oregon which was shared with the public in a live performance. In this document I discuss this exploration into my creative process in dance with the intention of understanding more about it, expending upon what I already posses as a choreographer, and attemp
APA, Harvard, Vancouver, ISO, and other styles
9

McCombe, Christine. "Slave to the Dance? The role and function of music in the work of four contemporary Australian choreographers." Thesis, Victorian College of the Arts, University of Melbourne, 1994. https://eprints.qut.edu.au/172/1/slavetothedance.pdf.

Full text
Abstract:
In this thesis I wish to examine the ways in which several Australian choreographers have explored a variety of possible relationships between music and dance in their work. By examining their work and ideas I will show how they have each individually met the hallenge offered by modern dance by finding new relationships between the two art forms. I will focus on four Australian choreographers - Helen Herbertson, Don Asker, Beth Shelton and Sue Healey. Although these choreographers represent a fairly small cross section of the world of contemporary dance in Australia, I feel that their work r
APA, Harvard, Vancouver, ISO, and other styles
10

Borsani, Flávia Brassarola [UNESP]. "O revelar da paixão: as relações estabelecidas entre coreógrafo, bailarinos e obra no processo de criação do Pas de Deux de Bachiana n.1." Universidade Estadual Paulista (UNESP), 2013. http://hdl.handle.net/11449/86836.

Full text
Abstract:
Made available in DSpace on 2014-06-11T19:22:26Z (GMT). No. of bitstreams: 0 Previous issue date: 2013-09-27Bitstream added on 2014-06-13T20:48:56Z : No. of bitstreams: 1 borsani_fb_me_ia.pdf: 3239776 bytes, checksum: 0169e27d51456120d22ec29ac8130aa9 (MD5)<br>Esse estudo empírico é fruto de questionamentos relacionados aos processos de criação de dança surgidos ao longo de minha trajetória como bailarina, graduanda em Dança e professora, em que tive a oportunidade de participar e observar processos de criação em diferentes gêneros como coreógrafa e bailarina. Esta pesquisa tem como objetivo
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Choreographers"

1

P, Cohan Robert, and Jordan Stephanie, eds. Choreographers/composers/collaboration. Harwood Academic Publishers, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Grody, Svetlana McLee. Conversations with choreographers. Heinemann, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Bremser, Martha. Fifty contemporary choreographers. Routledge, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Souritz, Elizabeth. Soviet choreographers in the 1920s. Dance Books, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Sally, Banes, ed. Soviet choreographers in the 1920s. Duke University Press, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Marsico, Katie. Choreographer. Cherry Lake Pub., 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Osumare, Halifu. Black choreographers moving: A national dialogue. Expansion Arts Services, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Jo, Butterworth, Clarke Gill, and Centre for Dance and Theatre Studies at Bretton Hall., eds. Dance makers portfolio: Conversations with choreographers. Centre for Dance and Theatre Studies at Bretton Hall, and the British Association of Choreographers, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Marsico, Katie. Choreographer. Cherry Lake Pub., 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Connie, Kreemer, ed. Further steps: Fifteen choreographers on modern dance. Harper & Row, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Choreographers"

1

Foster, Susan Leigh. "Choreographies and Choreographers." In Worlding Dance. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230236844_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Morgan, Amanda Wansa. "Director/Choreographers." In Conversations with Women in Musical Theatre Leadership. Routledge, 2023. http://dx.doi.org/10.4324/9781003324652-4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Pickering, Kenneth, and David Henson. "Talking with Choreographers." In Musical Theatre. Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-60566-5_9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

De Weerdt, Mona. "Choreographers at Work!" In Tanzen/Teilen - Sharing/Dancing. transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839462379-017.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Brannigan, Erin. "Choreographers and Artists." In Choreography, Visual Art and Experimental Composition 1950s–1970s. Routledge, 2022. http://dx.doi.org/10.4324/9781003253556-6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Butterworth, Jo, and Lorna Sanders. "Fifty Contemporary Choreographers." In Fifty Contemporary Choreographers, 3rd ed. Routledge, 2020. http://dx.doi.org/10.4324/9780429355578-2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Butterworth, Jo, and Lorna Sanders. "Introduction to the Third Edition." In Fifty Contemporary Choreographers, 3rd ed. Routledge, 2020. http://dx.doi.org/10.4324/9780429355578-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Das, Joanna Dee. "How Choreographers and Dancers Work." In The Routledge Companion to Musical Theatre. Routledge, 2022. http://dx.doi.org/10.4324/9780429260247-30.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Kennedy, Laura E. "Shostakovich and Ballet: Lives and Afterlives." In Shostakovich's Ballets and the Search for Soviet Dance. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197698082.003.0006.

Full text
Abstract:
Abstract This chapter examines the lives and afterlives of Shostakovich’s music in the work of four representative choreographers—Massine, Belsky, Grigorovich, and Ratmansky—who worked in very different traditions and milieus. In the 1930s, Massine in France choreographed Shostakovich’s symphonic music in Rouge et noir, an abstract ballet based on the composer’s First Symphony. In the 1960s, the Soviet choreographer Belsky also turned to Shostakovich’s symphonies to create the “ballet-symphony” Leningrad Symphony, after Shostakovich’s eponymous work. Belsky’s approach asserted the primacy of m
APA, Harvard, Vancouver, ISO, and other styles
10

Knyt, Erinn E. "Dancing to the Goldberg Variations." In Johann Sebastian Bach's Goldberg Variations Reimagined. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197690659.003.0005.

Full text
Abstract:
Abstract Since William Dollar’s Air and Variations in 1937, there have been at least nineteen additional choreographed versions of Bach’s Goldberg Variations, including an iconic classic by Jerome Robbins (1971). With dance styles ranging from tap dance, to modern dance, to classical ballet, Bach’s work, which was inspired by dance, has become a regularly choreographed work. Although many choreographers have shown reverence toward the Goldberg Variations and have viewed the dance movements as visual representations of Bach’s musical architecture, since the late 1990s, there has been more openn
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Choreographers"

1

Soga, Asako, Akiko Miwa, and Bin Umino. "Experimental Movement Creation by Choreographers Using Augmented Body with a VR Device." In 2024 International Conference on Cyberworlds (CW). IEEE, 2024. https://doi.org/10.1109/cw64301.2024.00023.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Ciolfi Felice, Marianela, Sarah Fdili Alaoui, and Wendy E. Mackay. "How Do Choreographers Craft Dance?" In MOCO'16: 3rd International Symposium on Movement and Computing. ACM, 2016. http://dx.doi.org/10.1145/2948910.2948941.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Yurko, N. A., M. M. Vorobel, and Yu O. Kalymon. "ENGLISH FOR CHOREOGRAPHERS: THE KEY ASPECTS." In АКТУАЛЬНІ ПРОБЛЕМИ РОЗВИТКУ УКРАЇНСЬКОГО ТА ЗАРУБІЖНОГО МИСТЕЦТВ: КУЛЬТУРОЛОГІЧНИЙ, МИСТЕЦТВОЗНАВЧИЙ, ПЕДАГОГІЧНИЙ АСПЕКТИ. Liha-Pres, 2025. https://doi.org/10.36059/978-966-397-500-9-76.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Calvert, Tom W., Armin Bruderlin, Sang Mah, Thecla Schiphorst, and Chris Welman. "The evolution of an interface for choreographers." In the SIGCHI conference. ACM Press, 1993. http://dx.doi.org/10.1145/169059.169113.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Akinina, Lidiia Nikolaevna. "Outstanding choreographers of Soviet and Russian operetta." In All-Russian Scientific Conference with International Participation. Publishing house Sreda, 2025. https://doi.org/10.31483/r-116233.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Крулица, Анна. "Conversation with the past in contemporary choreography." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.18.

Full text
Abstract:
My article examines the problem of the archival turn in scientific works and discourse that affects artistic practice, including the choreographic one. In recent years, we can find several attempts to reconstruct the performances of famous choreographers who worked in the 1920s and 1930s. Modern choreographers have recalled forgotten performances of the former era, but recalling these choreographic works, they want to give them a modern meaning. This attempt is similar to rewriting history. In this context of rewriting history, I want to emphasize the importance of bodily memory and bring the
APA, Harvard, Vancouver, ISO, and other styles
7

Muraro, Zjana, and Colin Higgs. "Portable Interactive Explorations of Motion Data for Choreographers." In MOCO '20: 7th International Conference on Movement and Computing. ACM, 2020. http://dx.doi.org/10.1145/3401956.3404255.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Мацаренко, Татьяна Николаевна. "DIFFERENT PSYCHOLOGICAL FEATURES BALLET ARTISTS FROM TEACHER-CHOREOGRAPHERS." In Перспективные исследования в современном мире: сборник статей международной научной конференции (Санкт-Петербург, Ноябрь 2022). Crossref, 2023. http://dx.doi.org/10.58351/221129.2022.89.23.005.

Full text
Abstract:
В статье представлены результаты исследования психологических особенностей артистов балета и педагогов-хореографов по методикам “Цель-Средство-Результат” А.А. Карманова, «Экспресс-диагностика уровня социальной фрустрированности» Л.И. Вассермана, возможность самореализации артистов балета после сценической карьеры. Рассмотрены требования педагогической деятельности, создание авторского проекта - стартапа.
APA, Harvard, Vancouver, ISO, and other styles
9

Gillies, Marco, Max Worgan, Hestia Peppe, Will Robinson, and Nina Kov. "Exploring Choreographers’ Conceptions of Motion Capture for Full Body Interaction." In Proceedings of HCI 2011 The 25th BCS Conference on Human Computer Interaction. BCS Learning & Development, 2011. http://dx.doi.org/10.14236/ewic/hci2011.48.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

ASTUTI, Fuji. "The Contribution of Choreographers toward the Development of Minangkabau Dance." In Sixth International Conference on Languages and Arts (ICLA 2017). Atlantis Press, 2018. http://dx.doi.org/10.2991/icla-17.2018.44.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Choreographers"

1

Fritz, David J., Christopher B. Harrison, C. W. Perr, and Steven A. Hurd. Choreographer Pre-Testing Code Analysis and Operational Testing. Office of Scientific and Technical Information (OSTI), 2014. http://dx.doi.org/10.2172/1171431.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Mayas, Magda. Creating with timbre. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.686088.

Full text
Abstract:
Unfolding processes of timbre and memory in improvisational piano performance This exposition is an introduction to my research and practice as a pianist, in which I unfold processes of timbre and memory in improvised music from a performer’s perspective. Timbre is often understood as a purely sonic perceptual phenomenon. However, this is not in accordance with a site-specific improvisational practice with changing spatial circumstances impacting the listening experience, nor does it take into account the agency of the instrument and objects used or the performer’s movements and gestures. In m
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Choreographers' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography