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Relevant bibliographies by topics / Choreographers / Dissertations / Theses

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Dissertations / Theses on the topic 'Choreographers'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Lamia, Louis M. "Video annotation for choreographers on the NB platform." Thesis, Massachusetts Institute of Technology, 2015. http://hdl.handle.net/1721.1/105994.

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Thesis: M. Eng., Massachusetts Institute of Technology, Department of Electrical Engineering and Computer Science, 2015.<br>This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.<br>Cataloged from student-submitted PDF version of thesis.<br>Includes bibliographical references (page 71).<br>The NB Platform, originally developed to host discussion on class materials, has been adapted to suit the needs of dance choreographers. A Video Annotator was developed, and features requested by choreographers were a

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2

Pollard, Nicola Jane. "Folding and withholding : writing with and by choreographers." Thesis, Middlesex University, 2007. http://eprints.mdx.ac.uk/11149/.

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The impetus for the present research comes from questions that arose in projects of collaborative writing by the author with British-based choreographers Rosemary Lee, Kim Brandstrup and Rosemary Butcher. In these projects, the three choreographers differently attempted to word elements of their ongoing choreographic enquiries. The conviction was that such writing might participate in a choreographer's current choreographic research, rather than document research that had already unfolded in the creation of a performance work. The present research thus interrogates the philosophical implicatio

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3

Senaratne, Tharanga Niroshini. "Homology and Heterology Effects in Drosophila: Cohesin and Condensin as Chromosome Choreographers." Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493465.

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The organization of interphase nuclei has numerous consequences for gene expression and genome stability in eukaryotes. Here, we present studies of chromosome organization in Drosophila melanogaster over the course of the cell cycle. We report surprising observations suggesting that cohesin, a protein complex essential in mitosis for holding together the products of DNA replication known as sister chromatids, may not be required to keep sister chromatids in close proximity during interphase. These observations raise questions regarding the nature of cohesin-independent connections between chro

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4

Kim, Chan Ji Kim Chan Ji. "I. Composer and choreographer a study of collaborative compositional process. II. The lotus flower : ballet music for chamber ensemble and two-channel audio /." [Gainesville, Fla.] : University of Florida, 2006. http://purl.fcla.edu/fcla/etd/UFE0013897.

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5

De, Boer Kyle Dylan. "Queer transgressions : the choreographing of a male homosexual presence with reference to selected choreographers." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1009442.

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Queer Transgressions: The choreographing of a male homosexual presence with reference to selected choreographers explores queer identity and in particular representations of a male homosexual presence in dance. Within the methodological framework of dance studies and queer theory I explore the ―self fashioning‖ of my male homosexual presence in dance. This is achieved by critically deconstructing my choreographic process when making choreography. Therefore this thesis is informed by both academic research and my self-reflexive experience of choreography and dance performance. The deconstructio

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Carroll, Jacqui. "Changing lanes : an exploration of the journey from dance through choreography to directing and the spoken word." Thesis, Queensland University of Technology, 1998. https://eprints.qut.edu.au/35821/1/35821_Digitised%20Thesis.pdf.

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7

Snyder, Marie Carmen Alonzo. "Contemporary female choreographers of Asian descent : three case studies of an evolving cultural expression in American modern dance /." Access Digital Full Text version, 1995. http://pocketknowledge.tc.columbia.edu/home.php/bybib/1178958x.

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Thesis (Ed.D.)--Teachers College, Columbia University, 1995.<br>Includes tables. Typescript; issued also on microfilm. Sponsor: Judith M. Burton. Dissertation Committee: Ann H. Dils. Includes bibliographical references (leaves 237-248).

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8

Smith, Darion. "Boosting My Creative Process in Choreography: Analyzing Related Work, Integrating Methods of Select Master Choreographers, Creating a Dance." Thesis, University of Oregon, 2018. http://hdl.handle.net/1794/23800.

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During a ten week period at the University of Oregon I created a sociopolitically based dance work, The Big Red Button. I researched theories about creativity. I researched a selection of master choreographers in order to integrate their methods of creation with my own. Finally, I created a dance piece with students from the University of Oregon which was shared with the public in a live performance. In this document I discuss this exploration into my creative process in dance with the intention of understanding more about it, expending upon what I already posses as a choreographer, and attemp

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9

McCombe, Christine. "Slave to the Dance? The role and function of music in the work of four contemporary Australian choreographers." Thesis, Victorian College of the Arts, University of Melbourne, 1994. https://eprints.qut.edu.au/172/1/slavetothedance.pdf.

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In this thesis I wish to examine the ways in which several Australian choreographers have explored a variety of possible relationships between music and dance in their work. By examining their work and ideas I will show how they have each individually met the hallenge offered by modern dance by finding new relationships between the two art forms. I will focus on four Australian choreographers - Helen Herbertson, Don Asker, Beth Shelton and Sue Healey. Although these choreographers represent a fairly small cross section of the world of contemporary dance in Australia, I feel that their work r

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10

Borsani, Flávia Brassarola [UNESP]. "O revelar da paixão: as relações estabelecidas entre coreógrafo, bailarinos e obra no processo de criação do Pas de Deux de Bachiana n.1." Universidade Estadual Paulista (UNESP), 2013. http://hdl.handle.net/11449/86836.

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Made available in DSpace on 2014-06-11T19:22:26Z (GMT). No. of bitstreams: 0 Previous issue date: 2013-09-27Bitstream added on 2014-06-13T20:48:56Z : No. of bitstreams: 1 borsani_fb_me_ia.pdf: 3239776 bytes, checksum: 0169e27d51456120d22ec29ac8130aa9 (MD5)<br>Esse estudo empírico é fruto de questionamentos relacionados aos processos de criação de dança surgidos ao longo de minha trajetória como bailarina, graduanda em Dança e professora, em que tive a oportunidade de participar e observar processos de criação em diferentes gêneros como coreógrafa e bailarina. Esta pesquisa tem como objetivo

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Borsani, Flávia Brassarola 1986. "O revelar da paixão : as relações estabelecidas entre coreógrafo, bailarinos e obra no processo de criação do Pas de Deux de Bachiana n.1 /." São Paulo, 2013. http://hdl.handle.net/11449/86836.

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Orientador: Kathya Maria Ayres de Godoy<br>Coorientador: Alba Pedreira Vieira<br>Banca: Ana Cristina Echevengua Teixeira<br>Banca: Nirvana Neves Gottberg<br>Resumo: Esse estudo empírico é fruto de questionamentos relacionados aos processos de criação de dança surgidos ao longo de minha trajetória como bailarina, graduanda em Dança e professora, em que tive a oportunidade de participar e observar processos de criação em diferentes gêneros como coreógrafa e bailarina. Esta pesquisa tem como objetivo refletir sobre um processo de criação em dança para compreender como o coreógrafo concebe sua obr

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12

Schulze, Guilherme Barbosa. "Distributed choreography : a framework to support the design of computer-based artefacts for choreographers with special reference to Brazil." Thesis, University of Surrey, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.418266.

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Williams, G. "Disability, the dancer and the dance with specific reference to three choreographers : Caroline Bowditch, Marc Brew and Claire Cunningham." Thesis, Coventry University, 2014. http://curve.coventry.ac.uk/open/items/49662a71-d15a-48a7-a817-7bae88d03a9b/1.

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This thesis offers critical exploration of the intersection of four elements within the historical space, or field, of UK theatre dance between 2007 and 2012: disability, impairment, dance and artistry. It addresses four questions: What is disability? What is disability in relation to dance? What supports the entry of a disabled dance artist into the field of professional dance in the twenty-first century? How can we approach a critical analysis of the works they create? At the centre of the thesis are case studies of three self-described disabled dance artists, performers and choreographers:

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14

Truter, Orlando Vincent. "The originating impulses of Ankoku Butoh: towards an understanding of the trans-cultural embodiment of Tatsumi Hijikata's dance of darkness." Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1004454.

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From Introduction: Ankoku Butoh is a performing art devised in Japan in the wake of the Second World War by the dancer and choreographer Tatsumi Hijikata (born Akita, 1928; died Tokyo, 1986). A highly aesthetic and subversive performing art, Butoh often evokes "images of decay, of fear and desperation, images of eroticism, ecstasy and stillness." Typically performed with a white layer of paint covering the entire body of the dancer, Butoh is visually characterized by continual transformations between postures, distorted physical and facial expressions, and an emphasis on condensed and visually

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Boluda, Julián Amèlia. "Poètiques coreogràfiques i autors: ballet contemporani de Barcelona (1977 - 1996)." Doctoral thesis, Universitat Autònoma de Barcelona, 2019. http://hdl.handle.net/10803/669842.

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La tesi analitza l'ample recorregut del Ballet Contemporani de Barcelona, per la seva peculiaritat històrica i pel seu treball continuat de vint anys, a partir de les poètiques coreogràfiques i dels autors que les van dur a terme, pel fet de ser alguns dels pioners en introduir la dansa contemporània com a nou paradigma de les arts escèniques al nostre país. Un dels trets distintius que s'analitzen en aquesta investigació és que va ser al mateix temps una companyia estable i una plataforma de creació coreogràfica, per on van passar alguns dels coreògrafs més rellevants de Catalunya, en la qual

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Ferraz, Fernando Marques Camargo [UNESP]. "O fazer saber das danças afro: investigando matrizes negras em movimento." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/110346.

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Made available in DSpace on 2014-11-10T11:09:38Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-07-11Bitstream added on 2014-11-10T11:58:08Z : No. of bitstreams: 1 000702783.pdf: 6490053 bytes, checksum: 80a140d0dadfed2ce0a6993a0525bd34 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)<br>Nesta pesquisa, analisa-se como coreógrafos e intérprete-criadores identificados com a linguagem da dança afro engendram os saberes dessa arte em suas práticas. Busca-se refletir como esse estilo se inscreve n

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Lau, Tin-ming, and 劉天明. "Modern dance choreography in 1990s Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B29511471.

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Ferraz, Fernando Marques Camargo. "O fazer saber das danças afro : investigando matrizes negras em movimento /." São Paulo : [s.n.], 2012. http://hdl.handle.net/11449/110346.

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Orientador: Marianna Francisca Martins Monteiro<br>Banca: Helena Katz<br>Banca: Renata de Lima Silva<br>Resumo: Nesta pesquisa, analisa-se como coreógrafos e intérprete-criadores identificados com a linguagem da dança afro engendram os saberes dessa arte em suas práticas. Busca-se refletir como esse estilo se inscreve na história da dança brasileira por meio da indicação de linhagens artísticas e da reconstrução das trajetórias de seus personagens. Para tanto, compara-se as diversas perspectivas de seus criadores, vistos como interlocutores na construção de um conhecimento crítico sobre a danç

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19

Parker, Alan Charles. "Corporeal tales : an investigation into narrative form in contemporary South African dance and choreography." Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1007658.

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In the years following the fall of Apartheid in South Africa, dance and choreography have undergone considerable transformation. This investigation stems from one observation relative to this change that has been articulated by two of South Africa's most respected dance critics, Adrienne Sichel and Matthew Krouse. Both critics have noted a growing concern for narrative in South African contemporary choreography, coupled with an apparent propensity for narratives of a distinctly personal and 'autobiographical' nature. In Part One: 'Just after the beginning', the proposed preoccupation with narr

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20

Hocking, Rachel School of Music &amp Music Education UNSW. "Crafting connections: original music for the dance in Australia, 1960-2000." Awarded by:University of New South Wales. School of Music and Music Education, 2006. http://handle.unsw.edu.au/1959.4/27289.

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This thesis documents the artistic connections made between composers and choreographers in Australia during the period 1960-2000. These 40 years saw a growth in the establishment of dance companies, resulting in many opportunities for composers to write original music for original dance works. The findings of original dance-music are tabulated in an extensive database giving details of 208 composers and over 550 music compositions written specifically for dance. Examples of choreographer and composer collaborative relationships and attitudes to each other???s artforms are discussed. Further e

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21

DiLodovico, Amanda. "Choreographies of Disablement." Diss., Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/479157.

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Dance<br>Ph.D.<br>Choreographies of Disablement interrogates the historical relationship between dance and disability to recognize and define ‘disablement’ as a choreographic concept within contemporary dance practice. Working from choreographic analysis, interviews, and theories of sovereignty and crip time I argue ‘disablement’ grows out of the historical nexus in which Western concert dance, through the paradigm of ballet, was cultivated: the seventeenth century French political sphere and the prestige of a sovereign balletomane King. The performances of French kings in the burlesque ballet

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Giallorenzo, Saverio <1986&gt. "Real-World Choreographies." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amsdottorato.unibo.it/7512/1/Saverio_Giallorenzo_-_Real-World_Choreographies.pdf.

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Choreographies are a relatively new tool for designing distributed systems from a global viewpoint. Moreover, choreographies are also free from deadlocks and race conditions by design. Recent theoretical results defined proper Endpoint Projection (EPP) functions to compile choreographic specifications into their single components. Since EPPs are behavioural preserving, projected systems also enjoy freedom from deadlocks and races by construction. Aim of this PhD is to formalise non-trivial features of distributed systems with choreographies and to translate our theoretical results into the

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Giallorenzo, Saverio <1986&gt. "Real-World Choreographies." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amsdottorato.unibo.it/7512/.

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Choreographies are a relatively new tool for designing distributed systems from a global viewpoint. Moreover, choreographies are also free from deadlocks and race conditions by design. Recent theoretical results defined proper Endpoint Projection (EPP) functions to compile choreographic specifications into their single components. Since EPPs are behavioural preserving, projected systems also enjoy freedom from deadlocks and races by construction. Aim of this PhD is to formalise non-trivial features of distributed systems with choreographies and to translate our theoretical results into the

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Fossum, Louis Eric. "Danny Daniels: A life of dance and choreography." CSUSB ScholarWorks, 2003. https://scholarworks.lib.csusb.edu/etd-project/2357.

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The career of Danny Daniels was significant for its contribution to dance choreography for the stage and screen, and his development of concept choreography. Danny's dedication to the art of dance, and the integrity of the artistic process was matched by his support and love for the dancers who performed his choreographic works.

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Hasch, Hannah R. "MY YEAR AS A CHOREOGRAPHER." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/honors/201.

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My Year as a Choreographer analyzes the art and craft of dance choreography. My training as a theatre and dance student at East Tennessee State University from 2010-2014, culminated in my final senior capstone experience as a choreographer for two productions, the ETSU Division of Theatre and Dance’s 2014 Dance Concert and University School’s musical, Sleepy Hollow. Composing a new dance in a concert setting and choreographing for musical theatre provided significant material for analysis, and the following research compares the two processes. In addition, the research of the history and devel

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Larsen, Ulrik Martin. "The Choreographed Garment." Licentiate thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-3698.

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Contemporary dance and modern ballet often focus on conveying emotions through patterns of movement which may be abstract, obvious, or anywhere in between, as supported by music, sound, or spoken words that set the mood. Scenography is typically sparse or confined to the available space, leaving the dancers as the main instrument of communication. This work explores choreography and costume design, with a focus on how garments can inform and direct movement, choreography, and performance, and in turn how movement may inform and contribute to the development of dynamic garments. Through a serie

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Lange, Julien. "On the synthesis of choreographies." Thesis, University of Leicester, 2013. http://hdl.handle.net/2381/29310.

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The theories based on session types stand out as effective methodologies to specify and verify properties of distributed systems. A key result in the area shows the suitability of choreography languages and session types as a basis for a choreography-driven methodology for distributed software development. The methodology it advocates is as follows: a team of programmers designs a global view of the interactions to be implemented (i.e., a choreography), then the choreography is projected onto each role. Finally, each program implementing one or more roles in the choreography is validated again

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Decker, Gero. "Design and analysis of process choreographies." Phd thesis, Universität Potsdam, 2009. http://opus.kobv.de/ubp/volltexte/2010/4076/.

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With the rise of electronic integration between organizations, the need for a precise specification of interaction behavior increases. Information systems, replacing interaction previously carried out by humans via phone, faxes and emails, require a precise specification for handling all possible situations. Such interaction behavior is described in process choreographies. Choreographies enumerate the roles involved, the allowed interactions, the message contents and the behavioral dependencies between interactions. Choreographies serve as interaction contract and are the starting point for ad

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Ruf, Fabian. "Fault handling in BPEL-based choreographies." [S.l. : s.n.], 2007. http://nbn-resolving.de/urn:nbn:de:bsz:93-opus-33113.

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McIlvenna, Stephen. "Synthesis of orchestrators from service choreographies." Thesis, Queensland University of Technology, 2009. https://eprints.qut.edu.au/29162/1/Stephen_McIlvenna_Thesis.pdf.

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With service interaction modelling, it is customary to distinguish between two types of models: choreographies and orchestrations. A choreography describes interactions within a collection of services from a global perspective, where no service plays a privileged role. Instead, services interact in a peer-to-peer manner. In contrast, an orchestration describes the interactions between one particular service, the orchestrator, and a number of partner services. The main proposition of this work is an approach to bridge these two modelling viewpoints by synthesising orchestrators from choreograph

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McIlvenna, Stephen. "Synthesis of orchestrators from service choreographies." Queensland University of Technology, 2009. http://eprints.qut.edu.au/29162/.

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With service interaction modelling, it is customary to distinguish between two types of models: choreographies and orchestrations. A choreography describes interactions within a collection of services from a global perspective, where no service plays a privileged role. Instead, services interact in a peer-to-peer manner. In contrast, an orchestration describes the interactions between one particular service, the orchestrator, and a number of partner services. The main proposition of this work is an approach to bridge these two modelling viewpoints by synthesising orchestrators from choreograph

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Mahfouz, Ayman. "Requirements-driven adaptation of choreographed interactions." Thesis, Open University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.578666.

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Electronic services are emerging as the de-facto enabler of interaction interoperability across organization boundaries. Cross-organizational interactions are often "choreographed", i.e. specified by a messaging protocol from a global point of view independent of the local view of each interacting organization. Local requirements motivating an interaction as well as the global contextual requirements governing the interaction inevitably evolve over time, requiring adaptation of the corresponding interaction protocol. Adaptation of an interaction protocol must ensure the satisfaction of both se

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O'Keeffe, Anne. "The art of presence : contemplation, communing and creativity /." Connect to thesis, 2009. http://repository.unimelb.edu.au/10187/7072.

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The Art of Presence: Contemplation, Communing and Creativity reflects on the making of a dance theatre work called Song of Longing presented at Victorian College of the Arts in 2008. Song of Longing was made in collaboration with the cast, who participated in a process centred on improvisation. The resulting performance was a synergy of dance and unaccompanied singing.<br>The thesis is an investigation of the choreographer's ongoing exploration of movement, singing and improvisation, informed by Buddhist philosophy. Both the writing and the performance mirror an embodied practice - making tang

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Manaf, Nurulhuda A. "Generating verifiable service choreographies from SBVR models." Thesis, University of Surrey, 2018. http://epubs.surrey.ac.uk/845645/.

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Guaranteeing the correct coordination of distributed applications that are built up as networks of autonomous participants, e.g., software components, web services, online resources, software as a service (SaaS) peers, is inherently challenging. This is obvious when the current distributed applications involve a collaboration between loosely-coupled services on distinct providers; the ordering of interactions that may further affects the dependencies between different participants, including control flow dependencies (e.g., a given service invocation must occur before another one), time constr

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Steckles, Katrina Mary. "Loop spaces and choreographies in dynamical systems." Thesis, University of Manchester, 2011. https://www.research.manchester.ac.uk/portal/en/theses/loop-spaces-and-choreographies-in-dynamical-systems(6fce2dbc-7035-4ff3-990c-6dd102389266).html.

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We consider a subset of the set of solutions to the n-body problem, termed choreographies, which involve a motion of particles where each follows the same path in space with a fixed time delay. Focusing on planar choreographies, we use the action of symmetry groups on the spatial and temporal motion of such systems to restrict a space of loops and study the topology of the resulting manifolds. As well as providing a framework of notation and terminology for the study of such systems, we prove various useful properties which allow us to classify the possible groups of symmetries, and discuss wh

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Nikaj, Adriatik [Verfasser], and Mathias [Akademischer Betreuer] Weske. "Restful choreographies / Adriatik Nikaj ; Betreuer: Mathias Weske." Potsdam : Universität Potsdam, 2019. http://d-nb.info/1218169648/34.

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Elliot, Sundlin. "The Power of Choreographed Movement in The City." Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-174441.

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Sen, Priyanka M. A. "The Choreographed Landscape:Performance of the Queensgate Rail Yard." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1491316158905738.

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Kim, Jane H. "The WT1 Interacting Protein: a choreographer of podocyte morphology and transcription." Case Western Reserve University School of Graduate Studies / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=case1323401670.

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Bernagozzi, Stefano. "Towards artificial creativity: evolutionary methods for generating robot choreographies." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2020. http://amslaurea.unibo.it/21493/.

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Today robotics is widely used in many fields, from simple houseworks like floor cleaning to more complex tasks like rescuing people in dangerous situations such as earthquakes. Recently it has been expanding to a more creative field: entertainment. For this reason we have thought of developing a genetic algorithm that allows the robot to dance, starting from the codification of movements in order to achieve the creation of true choreographies.We start by analysing Noh choreographies, and then we transpose them ontoa humanoid robot, Nao. We then proceed by going through the implement

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Smith, Sue. "Dancing in the dark : described dances and unseen choreographies." Thesis, University of the Arts London, 2015. http://ualresearchonline.arts.ac.uk/13358/.

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This thesis enquires how a rethinking of sight as the primary sense for experiencing dance performance can instigate new choreographies that embody the interplay between seen and unseen, described and not described, inside and outside, subject and object. By ‘unseen’ I mean invisible to the eye but potentially available to other senses or imaginative capacities. Choreography is a methodological and critical lens through which to explore relationships between description, translation and sensory perception in a range of performance engagements that invite multi-sensory attention. The research i

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Leijel, Rosemarie Helena. "Quadcopter formation simulated in a choreographed dance to music." Thesis, KTH, Skolan för teknikvetenskap (SCI), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-210823.

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The purpose of this project is to simulate a dance formation for a group of quadcopters, moving in rhythm to music. Focus has lied on getting the dance to move in synchronization to the music. A description of the quadcopter and its dynamics is made. After simplifications was made, the dance was designed by controlling the velocities of the quadcopters. A song was chosen for the music and a beat detection analysis was made to calculate the number of beats per minute (BPM) of the song. The BPM was used when creating the dance formation. Velocity restrictions and the composition of the music was

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Friman, Jacob, and Rosmarie Helena Leijel. "Quadcopter formation simulated in a choreographed dance to music." Thesis, KTH, Skolan för teknikvetenskap (SCI), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-210824.

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The purpose of this project is to simulate a dance formation for a group of quadcopters, moving in rhythm to music. Focus has lied on getting the dance to move in synchronization to the music. A description of the quadcopter and its dynamics is made. After simplifications was made, the dance was designed by controlling the velocities of the quadcopters. A song was chosen for the music and a beat detection analysis was made to calculate the number of beats per minute (BPM) of the song. The BPM was used when creating the dance formation. Velocity restrictions and the composition of the music was

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Cappelle, Laura. "Nouveaux classiques. La création de ballets dans les compagnies de répertoire." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA157.

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Cette thèse a pour objet d’étude les processus d’élaboration de nouveaux ballets dans les compagnies de répertoire. À travers une enquête internationale, elle se propose d’interroger dans une perspective sociologique la situation de création spécifique qui est celle des chorégraphes de formation classique, insérés dans des institutions vouées principalement à l’entretien d’un répertoire d’œuvres existantes. Leurs trajectoires professionnelles et les différences genrées qu’elles mettent en évidence y sont élucidées, ainsi que la dimension fondamentalement collective d’un travail artistique qui

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Stiehl, Pamyla Alayne. "The "Dansical": American musical theatre reconfigured as a choreographer's expression and domain." Connect to online resource, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3303864.

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Traiger, Lisa. "Making dance that matters dancer, choreographer, community organizer, public intellectual Liz Lerman /." College Park, Md. : University of Maryland, 2004. http://hdl.handle.net/1903/1399.

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Thesis (M.F.A.) -- University of Maryland, College Park, 2004.<br>Thesis research directed by: Dance. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Andrijeski, Julie J. "A Survey of the Loure Through Definitions, Music, and Choreographies." Case Western Reserve University School of Graduate Studies / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=case1138130626.

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Morris, Geraldine. "A network of styles : discovering the choreographed movement of Frederick Ashton (1904-1988)." Thesis, Roehampton University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326826.

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Повалій, Тетяна Леонідівна, та Tetiana Leonidivna Povalii. "Актуальність формування компетентності у професійно спрямованому англомовному монологічному мовленні майбутніх хореографів". Сумський державний педагогічний університет імені А. С. Макаренка, 2017. http://repository.sspu.sumy.ua/handle/123456789/3218.

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Висвітлюється професійно спрямований підхід до формування компетентності у англомовному монологічному мовленні, який передбачає підготовку майбутніх хореографів до іншомовного спілкування в конкретних професійних, ділових, наукових сферах, а також у ситуаціях із урахуванням особливостей професійного мислення. Розкриваються основні комунікативні ситуації, в рамках яких має формуватися іншомовна комунікативна компетентність майбутніх хореографів у монологічному мовленні.<br>The professionally oriented approach to the formation of competence in the English monologue speech, which involves the pre

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Weiß, Andreas [Verfasser], and Dimka [Akademischer Betreuer] Karastoyanova. "Flexible modeling and execution of choreographies / Andreas Weiß ; Betreuer: Dimka Karastoyanova." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2018. http://d-nb.info/1177040972/34.

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