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Books on the topic 'Choreography and technology'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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1

McGregor, Wayne. Wayne McGregor, Random Dance: La grammatica del corpo : un incontro tra danza, tecnologia e architettura = the grammar of the body : an encounter between dance, technology and architecture. Silvana, 2014.

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2

Thompson, Charis. Making Parents: The Ontological Choreography of Reproductive Technologies (Inside Technology). The MIT Press, 2007.

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3

Making Parents: The Ontological Choreography of Reproductive Technologies (Inside Technology). The MIT Press, 2005.

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4

Program to perform: Exploring dance and new media. Oslo School of Architecture and Design, 2009.

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5

Pinch, Trevor, Charis Thompson, Wiebe E. Bijker, and W. Bernard Carlson. Making Parents: The Ontological Choreography of Reproductive Technologies. MIT Press, 2007.

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6

Thompson, Charis. Making Parents: The Ontological Choreography of Reproductive Technologies. MIT Press, 2007.

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7

Tanzerfahrung und Welterkenntnis. Henschel, 2012.

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8

Burrill, Derek A., and Melissa Blanco Borelli. Dancing with Myself. Edited by Melissa Blanco Borelli. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199897827.013.027.

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This chapter acts as a video game battle or interaction between the two authors. It discusses how dance video games construct corporeality. It provides an overview of Microsoft Xbox 360Dance Central’srelationship to choreography, choreographers, and dance analysis. It also theorizes how bodies and corporeality function in a virtual world. Finally, the chapter considers how avatar bodies provide new ways of thinking about the relationship between technology and the body.

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9

Borelli, Melissa Blanco, ed. The Oxford Handbook of Dance and the Popular Screen. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199897827.001.0001.

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This anthology offers contemporary perspectives on dance in the context of the popular screen. It analyzes the role played by the dancing body in popular culture and its multi-layered meanings in film, television, music videos, video games, commercials, and Internet sites such as YouTube. It explores how dance and choreography function within the filmic apparatus, and how the narrative, dancing bodies, and/or dance style set in motion multiple choreographies of identity such as race, gender, sexuality, class, and nation. It also considers the types of bodies that are associated with specific d

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10

Parfitt-Brown, Clare. An Australian in Paris. Edited by Melissa Blanco Borelli. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199897827.013.005.

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Reviewers of Baz Luhrmann’sMoulin Rouge!(2001) often claimed to be bombarded, overloaded, or pathologically infected by the film’s rapid-fire imagery and eclectic cultural references. This chapter explores these visceral experiences of spectatorship, focusing on the film’s dance sequences. It argues that in these sequences, choreography and digital technology (including computer-generated imagery and editing) combine to allow spectators to physically experience on-screen bodies that are historically and culturally complex, distant, and “other.” Alison Landsberg’s notion of “prosthetic memory”

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11

Century, Michael. Northern Sparks. The MIT Press, 2022. http://dx.doi.org/10.7551/mitpress/10818.001.0001.

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An “episode of light” in Canada sparked by Expo 67 when new art forms, innovative technologies, and novel institutional and policy frameworks emerged together. Understanding how experimental art catalyzes technological innovation is often prized yet typically reduced to the magic formula of “creativity.” In Northern Sparks, Michael Century emphasizes the role of policy and institutions by showing how novel art forms and media technologies in Canada emerged during a period of political and social reinvention, starting in the 1960s with the energies unleashed by Expo 67. Debunking conventional w

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12

Rosenberg, Douglas, ed. The Oxford Handbook of Screendance Studies. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199981601.001.0001.

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The Oxford Handbook of Screendance Studies is the first publication to offer a scholarly overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema, and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each essay discusses and reframes current issues, as a means of

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13

Baird, Bruce. A History of Butô. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197630273.001.0001.

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A History of Butô: Dancing in a Swirl of Imagery is a rip-roaring account of one of the most important and influential performance arts of the latter half of the 20th century. Tracing the performances and techniques of ten of the most important names in the first and second generation of butô, A History of Butô puts on display the mind-blowing creativity of the founders as well as the variety of directions taken by subsequent dancers. In addition, A History of Butô places these choreographer/dancers at the center of some of the most important issues of our time, such as the relationship betwee

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14

Duffy, Ali. Careers in Dance. Human Kinetics, 2021. http://dx.doi.org/10.5040/9781718212701.

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Never before has a greater variety of careers been available in dance—and never before has such comprehensive, expert guidance on those burgeoning careers been accessible in one book. Careers in Dance is a master guide that will help students navigate the expanding opportunities in dance and familiarize current professionals with potential career choices that best align with their pursuits and strengths. This highly practical text offers a wealth of information on career options in a variety of settings and with a variety of focuses, including commercial ventures, scholarly pursuits, administr

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15

UUelcome Matte©: Déltos from Link Starbureiy: an exercise of imagination, creativity, and wonder. The Link Egglepple Starbureiy Museum, 2010.

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