Relevant bibliographies by topics / Choruses, Sacred (Women's voices) with orchestra

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  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Choruses, Sacred (Women's voices) with orchestra'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Choruses, Sacred (Women's voices) with orchestra"

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Chaciński, Jaroslaw. "A music work portraying common ups and downs in Central Europe - based on music perceived by the young in Poland, Germany and Ukraine." Scientific collections of the Lviv National Music Academy named after M.V. Lysenko, 2018, 199–214. http://dx.doi.org/10.33398/2310-0583.2018.4243.199.214.

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Three outstanding music works have been presented in the article – “Polish Requiem” for 4 solo voices, mixed chorus and symphonic orchestra by Krzysztof Penderecki, “Panachyda za zmarłych z głodu” [A memorial service for those who died of hunger] for soloists, two mixed choruses, a reciter and symphonic orchestra by Jewhen Stankowycz, as well as Ocalały z Warszawy [A Survivor from Warsaw], a melodrama, op. 46, for a reciter, male chorus and orchestra by Arnold Schönberg. The works exemplify the idea of a composer's synthesis, present a programme of important, quite often tragic fates constituting the area of common ups and downs of Central Europe - Poles, Germans, Jews and Ukrainians. For that reason, the author has deemed it necessary to include these works in the school’s music curriculum, as an inter-cultural project, intentionally preparing the young for a dialogue and meetings. The thesis has been divided into two parts: The first one included a meaning and content-related analysis of music works in their mutual relations and differences in treating the language of artistic statement, similarity of topics formulated as a symbolic and narrative programme, as well as in references to religion and understanding the sacred sphere. The second part expresses pedagogic contributions which, during the musical education process, may constitute inspiration for the artistically-oriented inter-cultural education achieved by making the artistic activity available for the young. From among the trends, the following didactic and educational conceptions have been distinguished: a) Music educating by stimulating the cultural memory, b) Religious music in the “pedagogy of remembrance” trend, c) Music of martyrdom in the inter-cultural educational programme in the process of dialogue and assimilation.
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Dissertations / Theses on the topic "Choruses, Sacred (Women's voices) with orchestra"

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Dondero, Paul Stephen Sheba Mechthild Hildegard. "Rebeka and the matriarchs /." view abstract or download file of text, 2007. http://proquest.umi.com/pqdweb?did=765991401&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (D. M. A.)--University of Oregon, 2003.
Sacred oratorio for female narrator, 4 solo female voices, SA chorus, and chamber orchestra. Libretto compiled from biblical sources and the writings of Makeda, Queen of Sheba, Mechthild of Magdeburg, and Hildegard of Bingen. Includes libretto, p. 309-313. Includes vita and abstract. Also available for download via the World Wide Web; free to University of Oregon users.
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Lemieux, Glenn C. (Glenn Claude). "Sacred Symphony." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc330973/.

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Sacred Symphony is a work for orchestra, chorus and 8 soloists. It is scored for three horns in F, three trumpets in B flat (1st doubling trumpet in C), tenor trombone, bass trombone, percussion, celesta, piano and strings. The percussion consists of suspended cymbal, glockenspiel, vibraphone, marimba, bass marimba, tenor drum, snare drum, bass drum, two slit drums (4 tom-toms if unavailable), small triangle, and finger cymbals. The work is in three movements: Sanctus, Beatitudes (Matt. 5: 3-12) and Gloria. The Sanctus primarily gives glory to God the Father while the Beatitudes are Christ's own words. The Gloria acts as a culmination of the previous two movements because it gives glory to both the Father and the Son.
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Griffin, Sean Franz Patrick. "Snow Queen : in the halls of the Snow Queen and what finally happened there /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2003. http://wwwlib.umi.com/cr/ucsd/fullcit?p3099919.

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Thesis (Ph. D.)--University of California, San Diego, 2003.
Vita. For 6 solo sopranos, women's chorus, string orchestra, percussion, harp, piano, and celesta. Accompanying tape includes recording of work.
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Piekarski, James. "Te Deum." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc935762/.

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Te Deum is a single movement work for chorus and orchestra. It employs an ensemble comprising the complement of string, woodwind, and brass instruments typically available in a small symphony orchestra with an expanded percussion section. The choral forces are in proportional relation to the instrumental forces are in proportional relation to the instrumental forces and it is sung in the original Latin. The intended performance time is approximately 18 minutes. Temporal aspects of the work are characterized by three contrasting sections. The slow and solemn opening section is given to long stretches of silence sparsely punctuated by low drums. The remainder of the work is texturally more dense and employs a much quicker tempo. A steady core pulse is also a key feature, with attention given to avoiding any regular metrical implications by use offset accents, non-consecutive identical phrase lengths, and a slow harmonic rhythm.
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Man, Stanlas Ping Kwan. "Psalm 23." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc500804/.

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Psalm 23 is a sacred work in four movements, written for women's chorus (SSAA), a tenor solo and a chamber ensemble consisting of flute, oboe, trumpet, percussion, timpani, and string quartet. It is designed to be performed as a portion of a church service or in concert. The text, Psalm 23 from the Bible is sung in Chinese, and the verses of the Psalm are arranged as follows: Movement 1, Verse 1, General musical characteristics: pastoral; Movement 2, Verses 2-3, General musical characteristics: peaceful; Movement 3, Verses 4-5, General musical characteristics: agitated; Movement 4, Verse 6, General musical characteristics: majestic. The form, tonal structure and harmony of each movement are influenced by the characteristics of an original synthetic scale.
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ISAACS, KEVIN JAY. "TE DEUM OPUS 62. (ORIGINAL COMPOSITION)." Diss., The University of Arizona, 1986. http://hdl.handle.net/10150/188189.

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This work is a setting of the hymn of Thanksgiving written by St. Nicetius in the sixth century, the TE DEUM. In the Roman Catholic liturgy it replaces the last responsory of Matins on Feast Days and Sundays and in the Anglican liturgy it is one of the canticles of Morning Prayer. The text is one of the few surviving examples of Latin "Psalmus Idioticus" which were, along with the GLORIA of the Ordinary of the Mass and the EXULTET, early Latin texts written in imitation of the Psalms. This TE DEUM was written to continue a tradition of choral settings of this text, in Latin, English, and German, beginning with Palestrina and Handel, and continuing with Haydn, Mozart, Berlioz, Bruckner, Dvorak, Verdi, Britten, Walton, Kodaly, Persichetti, and Vaughan Williams to the present. The quotes from the Metamorphoses for 23 strings of Richard Strauss are used in honor of Strauss' quote of Beethoven's EROICA Funeral March at the end of the Metamorphoses. Strauss was acknowledging the "Master" and his compositional tradition and in the same way I humbly respect the artistic legacy I have inherited. The text and the music have symbiotically wended their way through the centuries out of the pens of the masters. The work is set using the English translation of the Anglican Church, is in one movement and is scored for the following forces: double woodwind with alto saxophone, four horns, 2 trumpets, 2 trombones, tuba, timpani, suspended cymbal, tam tam, tubular chimes, vibraphone, triangle, crash cymbals, SATB soli, SSAATTBB chorus, and strings.
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Job, Lynn R. (Lynn Renee). "Elatio: Praises and Prophecies." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc935642/.

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ELATIO: Praises and Prophecies is an allegorical composition based upon a collection of carols, poetry and prose in selected verses, phrases and fragments from medieval Christian liturgy, the canonical Hebrew Bible (Old Testament) and New Testament, and portions of various non-canonical Dead Sea Scroll texts. The languages used in the selections presented here are English, Medieval Latin, and transliterated Biblical Hebrew.
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Grant, John Ward. "Folio of compositions and critical commentary /." [St. Lucia, Qld.], 2006. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19321.pdf.

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Green, Richard T. (Richard Thurmond). "Remembrance of the Fiftieth Anniversary of the Dedication of the Moravian Church at Lititz, Pennsylvania, 13 August 1837: An Edition of Moravian Music." Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc500942/.

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This thesis is a musical reconstruction of the primary services held on 13 August 1837, for the fiftieth anniversary of the dedication of the Moravian church at Lititz, Pennsylvania. The work includes general background on the Moravians and interprets information from contemporary sources to place the music in its accurate historical context. The edition of music comprises more than one half of the paper, and is taken from the original manuscript scores used. Included in the edition are five concerted anthems for choir and orchestra, and eighteen hymns from eighteenth- and early nineteenth-century Moravian tunebooks. The special texts come from an original set of orders of service.
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Johnson, Julie. "A woman's work a music composition portfolio : a thesis submitted in fulfilment of the requirements for the degree of Master of Music in Composition in the University of Canterbury /." 2007. http://library.canterbury.ac.nz/etd/adt-NZCU20080310.014500.

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Books on the topic "Choruses, Sacred (Women's voices) with orchestra"

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1962-, Skovhus Bo, Albrecht Gerd 1935-, Plasson Michel, et al., eds. Triumphlied: Ave Maria ; Schicksalslied ; Nanie ; Begrabnisgesang. Brilliant Classics, 2008.

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Lamas, José Angel, J. F. Velázquez, and Cayetano Carreño. Niño mio: Tono de Navidad. Consejo Nacional de la Cultura, 1992.

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Szymanowski, Karol. Stabat Mater, op. 53 ; Symphony no. 3, op. 27 ; Demeter: Op. 37, bis ; Litany to the Virgin Mary : op. 59. Muza, 1990.

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Choir, Mormon Tabernacle. The Mormon Tabernacle Choir's greatest hits: 22 best-loved favorites. Sony Masterworks, 1992.

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Carter, Elliott. Harmony of morning: For four part women's voices with chamber orchestra (1944). Associated Music Publishers, 1986.

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Górecki, Henryk Mikołaj. Beatus vir: Ad Matrem ; Trzy utwory w dawnym stylu : na orkiestrę smyczkową = Three pieces in old style : for string orchestra. Polskie Nagrania Muza, 1993.

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Tredici, David Del. The last Gospel: New version, 1984, for chorus, solo female voice, rock group, and orchestra. Boosey & Hawkes, 1994.

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Benevoli, Orazio. Missa salisburgensis: Salzburger Domfestmesse ; Hymnus : "Plaudite tympana". Deutsche Harmonia Mundi, 1990.

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Prokofiev, Sergey. Two choral songs: Opus 7 (1909-11) for women's chorus and orchestra. Boosey & Hawkes, 1998.

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Polskie Radio. Chór we Wrocławiu. Choral music from Poland. Olympia, 1988.

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