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Journal articles on the topic 'Chrétien de Troyes'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 January 2023

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1

Colombo Timelli, Maria. "Chrétien de Troyes, Cligès." Studi Francesi, no. 151 (LI | I) (April 1, 2007): 146–47. http://dx.doi.org/10.4000/studifrancesi.25937.

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2

Busby, Keith. "Chrétien de troyes English'd." Neophilologus 71, no. 4 (October 1987): 596–613. http://dx.doi.org/10.1007/bf00636813.

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3

Lacy, Norris J. "The Complete Romances of Chrétien de Troyes. Chrétien de Troyes , David Staines." Speculum 67, no. 3 (July 1992): 650–51. http://dx.doi.org/10.2307/2863672.

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4

Kibler, William W. "L’Héritage de Chrétien de Troyes." Cahiers de recherches médiévales et humanistes, no. 14 (December 15, 2007): 7–10. http://dx.doi.org/10.4000/crm.2644.

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5

Ricci, Mariagrazia. "Estelle Doudet, Chrétien de Troyes." Studi Francesi, no. 163 (LV | I) (May 1, 2011): 142–43. http://dx.doi.org/10.4000/studifrancesi.5845.

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6

Colombo Timelli, Maria. "Chrétien de Troyes (?), Guillaume d’Angleterre." Studi Francesi, no. 157 (LIII | I) (May 1, 2009): 142–43. http://dx.doi.org/10.4000/studifrancesi.8166.

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7

White, Sarah. "Erec and Enide. Chrétien de Troyes , Ruth Harwood ClineCligès. Chrétien de Troyes , Ruth Harwood Cline." Speculum 77, no. 3 (July 2002): 896–97. http://dx.doi.org/10.2307/3301136.

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8

Sinclair, K. V. "Les manuscrits de Chrétien de Troyes: the manuscripts of Chrétien de Troyes (review)." Parergon 12, no. 2 (1995): 148–52. http://dx.doi.org/10.1353/pgn.1995.0098.

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9

Barney, Madeline Dorothy. "Women's Influence on Chrétien de Troyes." Journal of Student Research 4, no. 2 (June 3, 2015): 64–68. http://dx.doi.org/10.47611/jsr.v4i2.243.

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After researching tourbadours, historical women, and the French courts of love, I came to the conclusion that Guinevere is a fictional character in Chrétien de Troyes Lancelot or The Knight of the Cart.

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10

Steele, Stephen. "Qu'est-ce Qu'un Chrétien de Troyes?" Florilegium 12, no. 1 (January 1993): 99–106. http://dx.doi.org/10.3138/flor.12.007.

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11

McCullough, Ann, Norris J. Lacy, and Joan Tasker Grimbert. "A Companion to 'Chrétien de Troyes'." Modern Language Review 101, no. 4 (October 1, 2006): 1105. http://dx.doi.org/10.2307/20467063.

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12

Lacy, Norris J. "Chrétien de Troyes: Romancier Discutable.Per Nykrog." Speculum 72, no. 4 (October 1997): 1203–5. http://dx.doi.org/10.2307/2865994.

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13

Sayers, William. "Norse Horses in Chrétien de Troyes." Romania 125, no. 497 (2007): 132–47. http://dx.doi.org/10.3406/roma.2007.1392.

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14

Carles, Hélène. "L’innovation lexicale chez Chrétien de Troyes." Romania 131, no. 523 (2013): 281–337. http://dx.doi.org/10.3406/roma.2013.7417.

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15

Stones, Alison. "Les manuscrits de Chrétien de Troyes." Bulletin de la Société Nationale des Antiquaires de France 1993, no. 1 (1995): 198. http://dx.doi.org/10.3406/bsnaf.1995.9843.

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16

Bruckner, Matilda Tomaryn. "Chrétien de Troyes: Cligés. Lucie Polak." Speculum 60, no. 2 (April 1985): 449–51. http://dx.doi.org/10.2307/2846512.

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17

Stone, Gregory L. "Chrétien de Troyes and Cultural Materialism." Arthuriana 6, no. 2 (1996): 69–87. http://dx.doi.org/10.1353/art.1996.0040.

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18

Foulet, Alfred. "On Grid-Editing Chrétien de Troyes." L'Esprit Créateur 27, no. 1 (1987): 15–23. http://dx.doi.org/10.1353/esp.1987.0041.

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19

Franceschini, Baptiste. "« Qui sème peu récolte peu » : Chrétien de Troyes au champ romanesque." Études littéraires 40, no. 2 (September 14, 2009): 69–77. http://dx.doi.org/10.7202/037964ar.

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Résumé Chrétien de Troyes ouvre son Conte du Graal sur une étonnante métaphore de l’écrivain semeur en train de répandre ses graines romanesques. Cette représentation paysanne d’un auteur qui travaille le texte comme on travaillerait la terre permet alors de légitimer une écriture littéraire toujours susceptible, au Moyen Âge, de constituer un affront aux Écritures. En se peignant dans l’effort rustique, Chrétien de Troyes choisit donc de reconduire sa soumission, tant à l’ordre divin (le labeur est bien le destin de tout bon chrétien depuis le péché originel) qu’à la hiérarchie féodale où le fruit de l’activité n’est qu’une exigence du fief que le travailleur ne saurait réclamer.

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20

Brooks, Susan. "The Complete Story of the Grail: Chrétien de Troyes’ Perceval and Its Continuations by Chrétien de Troyes." Comitatus: A Journal of Medieval and Renaissance Studies 47, no. 1 (2016): 351–54. http://dx.doi.org/10.1353/cjm.2016.0001.

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21

Schulze-Busacker, Elisabeth. "La culture littéraire de Chrétien de Troyes." Romania 122, no. 487 (2004): 289–319. http://dx.doi.org/10.3406/roma.2004.1327.

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22

Mercier, Christophe. "Chronique de la Pléiade : Chrétien de Troyes." Commentaire Numéro 68, no. 4 (December 1, 1994): 1027–28. http://dx.doi.org/10.3917/comm.068.1027.

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23

Hays, Gregory. "Did Chrétien de Troyes Know Hyginus’ Fabulae?" Romance Philology 62, no. 1 (January 2008): 75–81. http://dx.doi.org/10.1484/j.rph.2.305845.

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24

Colombo Timelli, Maria. "Chrétien de Troyes, Le Chevalier au lion." Studi Francesi, no. 181 (LXI | I) (March 1, 2017): 126. http://dx.doi.org/10.4000/studifrancesi.6751.

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25

Laranjinha, Ana Sofia. "L'ironie comme principe structurant chez Chrétien de Troyes." Cahiers de civilisation médiévale 41, no. 162 (1998): 175–82. http://dx.doi.org/10.3406/ccmed.1998.2720.

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26

Englebert, Annick. "Un emploi de De chez Chrétien de Troyes." Romania 112, no. 445 (1991): 45–64. http://dx.doi.org/10.3406/roma.1991.1660.

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27

Luttrell, Claude. "Southampton dans le Cligés de Chrétien de Troyes." Romania 114, no. 453 (1996): 231–34. http://dx.doi.org/10.3406/roma.1996.2202.

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28

Ruhe, Ernstpeter. "L'émeraude minée. Chrétien de Troyes et le lapidaire." Romania 121, no. 481 (2003): 236–47. http://dx.doi.org/10.3406/roma.2003.1292.

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29

Sargent-Baur, Barbara N. "Chrétien de Troyes: Romancier discutable, by Per Nykrog." Romance Philology 54, no. 1 (January 2000): 165–74. http://dx.doi.org/10.1484/j.rph.2.304373.

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30

LEW, Hee-Soo. "Chivalry in the Romances of Chrétien de Troyes." Journal of Western Medieval History 38 (September 30, 2016): 197–230. http://dx.doi.org/10.21591/jwmh.2016.38.2.197.

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31

Bruckner, Matilda Tomaryn. "Thinking Through Chrétien de Troyes (review)." Arthuriana 21, no. 4 (2011): 72–73. http://dx.doi.org/10.1353/art.2011.0040.

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32

Colombo Timelli, Maria. "Chrétien de Troyes, Le Chevalier de la Charrette." Studi Francesi, no. 151 (LI | I) (April 1, 2007): 147. http://dx.doi.org/10.4000/studifrancesi.25942.

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33

Mello Gonçalves, Sínval Carlos. "Do Perceval de Chrétien de Troyes ao Perceval dos Manuscritos: um percurso imprevisto." SIGNUM - Revista da ABREM 14, no. 2 (January 31, 2014): 73. http://dx.doi.org/10.21572/2177-7306.2014.v14.n2.05.

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Nas duas últimas décadas o que se poderia chamar de "retorno aos manuscritos" tem suscitado significativas descobertas e reavaliações no campo dos estudos narrativos medievais. Deixar a imagem de uma narrativa individualizada e interrompida, fixada pelas edições modernas, e retornar aos manuscritos que contém o Perceval de Chrétien de Troyes é uma experiência exemplar desta abertura de novas possibilidades de investigação e, por consequência, de abordagem: na maioria destes manuscritos o que se encontra é uma narrativa que se integra sem descontinuidades aparentes a um tecido narrativo normalmente estudado de maneira fragmentária. Tomando como ponto de partida a composição do conjunto dos manuscritos do Perceval de Chrétien de Troyes e tendo como foco de análise o manuscrito de Mons, proponho neste estudo alguns princípios de análise que poderiam orientar e guiar uma leitura que pretenda considerar sua unidade narrativa.

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34

Gregory, Stewart, and Claude Luttrell. "Les fragments d'Oxford du Cligés de Chrétien de Troyes." Romania 113, no. 451 (1992): 320–48. http://dx.doi.org/10.3406/roma.1992.7167.

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35

Freeman, Michelle A. "Chrétien de Troyes: "Erec et Enide". Glyn S. Burgess." Speculum 62, no. 2 (April 1987): 389–92. http://dx.doi.org/10.2307/2855238.

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36

Costache, Anca-Lăcrămioara. "Frumusețea feminină reflectată în romanele lui Chrétien de Troyes." Hiperboreea A1, no. 2 (January 1, 2012): 29–37. http://dx.doi.org/10.5325/hiperboreea.1.2.0029.

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37

Colombo Timelli, Maria. "Gilles Roques, Chrétien de Troyes, des manuscrits aux éditions." Studi Francesi, no. 161 (LIV | II) (September 1, 2010): 332. http://dx.doi.org/10.4000/studifrancesi.6527.

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38

Vishnuvajjala, Usha. "Loyalty and Horizontal Cosmopolitanism in Chrétien de Troyes’ Cligés." Arthuriana 24, no. 1 (2014): 111–30. http://dx.doi.org/10.1353/art.2014.0011.

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39

Staines, David. "Erec and Enide, and: Cligés by Chrétien De Troyes." Arthuriana 11, no. 3 (2001): 117–19. http://dx.doi.org/10.1353/art.2001.0029.

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40

Rossi, Giuliano. "Luciano Rossi, Jean de Meun e Chrétien de Troyes." Studi Francesi, no. 190 (LXIV | I) (April 1, 2020): 145. http://dx.doi.org/10.4000/studifrancesi.22207.

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41

Megale, Heitor. "Uma nova tradução do Lancelote de Chrétien de Troyes." Revista USP, no. 27 (November 30, 1995): 190. http://dx.doi.org/10.11606/issn.2316-9036.v0i27p190-197.

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42

OWEN, D. D. R. "THEME AND VARIATIONS: SEXUAL AGGRESSION IN CHRÉTIEN DE TROYES." Forum for Modern Language Studies XXI, no. 4 (1985): 376–86. http://dx.doi.org/10.1093/fmls/xxi.4.376.

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43

Gambino, Francesca. "Signore degli animali o guardiano di tori?" Zeitschrift für romanische Philologie 129, no. 3 (August 2013): 589–607. http://dx.doi.org/10.1515/zrp-2013-0063.

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AbstractL’un des personnages les plus mémorables du Chevalier au lion de Chrétien de Troyes est le paysan qu’on rencontre dans la forêt de Brocéliande, juste avant d’atteindre la source merveilleuse. Dans certains manuscrits il apparaît comme le gardien des taureaux, des ours et des léopards qui se battent devant lui. Des associations similaires d’animaux ne devaient pas surprendre les hommes du Moyen Âge, qui étaient familiers des histoires dans lesquelles coexistaient des animaux sauvages de différentes régions géographiques. Le passage correspondant du Mabinogi de Owein, texte gallois qui suit le même récit que le roman de Chrétien, énumère cerfs, lions, serpents, et «toutes sortes d’animaux». Il est donc probable que la source commune aux deux romans citait plusieurs bêtes sauvages. L’archétype de ces personnages est probablement le légendaire «seigneur des animaux», divinité qui dans les cultures des chasseurs de la préhistoire présidait à la reproduction et à la distribution du gibier et qui a subi plusieures métamorphoses dans les contes hagiographiques de différents saints et dans d’autres textes de la littérature française médiévale. L’association d’animaux disparates constitue donc un canevas narratif traditionnel et le passage de Chrétien de Troyes se réfère à ce substrat mythique.

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44

Kibler, William W. "Les Manuscrits de Chrétien de Troyes/The Manuscripts of Chrétien de Troyes by Keith Busby, Terry Nixon, Alison Stones, and Lori Walters." Arthuriana 4, no. 3 (1994): 279–82. http://dx.doi.org/10.1353/art.1994.0036.

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45

Love, Nathan. "Why Tu, Rather Than Vous, in Chrétien de Troyes'Le Chevalier de la Charrete?" Lingvisticæ Investigationes. International Journal of Linguistics and Language Resources 11, no. 1 (January 1, 1987): 115–27. http://dx.doi.org/10.1075/li.11.1.05lov.

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Why Tu, Rather than Vous, in Chrétien de Troyes' Le Chevalier de la Charrete? In general, Chrétien de Troyes avoided mixing tu and singular vous in address to the same individual, used vous in a sustained manner, and had much less recourse to tu than vous. In Le Chevalier de la Charrete {Lancelot), however, tu occurs frequently, which allows one to examine second person pronoun selection in extended passages of direct discourse. Tu is not used to express anger; however, it is used by a prideful speaker to express scorn or contempt for his interlocutor. It is contrasted with vous, and used in complementary fashion with vous in disputes between pairs of fathers and sons as well as knights. The use of tu in the Lancelot — and of vous as a sort of contrastive correlative — is stylistically well suited to a romance which so greatly emphasizes shame and honor.

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46

Amor, Lidia. "Un ensayo de microhistoria literaria: mutaciones poéticas en Lancelot o el Caballero de la Carreta y sus vínculos con las culturas francesas del siglo XII." Inter Litteras, no. 1 (October 1, 2019): 84–106. http://dx.doi.org/10.34096/interlitteras.n1.7222.

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La historia de los amores de Lancelot y Ginebra posee una centralidad indiscutible en la producción romancesca de materia artúrica, desde que, en el siglo XII, Chrétien de Troyes sellara el destino del caballero al servicio de su reina en Lancelot o El caballero de la Carreta. De esta forma, Chrétien inventó una leyenda que rápidamente vino a competir, en términos análogos y a partir de una temática similar, con el popular mito de Tristán e Iseo, el cual, desde los oscuros parajes de la Bretaña insular, había conquistado la imaginación de los hombres medievales. En función de esta aseveración, el objetivo del artículo es revisar la relación que el escritor establece entre las dos parejas mediante el análisis particular de El caballero de la Carreta. Presentaré algunas hipótesis relativas al tipo de amor que el caballero siente para con su reina, el cual no parece reproducir los sentimientos de Tristán por Iseo. Finalmente, intentaré esbozar un panorama de la posición que el texto ocupa en toda la obra de Chrétien de Troyes, especular sobre las líneas directrices que guiaron su producción en general y proponer algunas explicaciones de cómo el roman responde a coordenadas intelectuales específicas de su momento de escritura.

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47

Lacy, Norris J. "The Romances of Chrétien de Troyes: A Symposium. Douglas Kelly." Speculum 63, no. 3 (July 1988): 690–92. http://dx.doi.org/10.2307/2852677.

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48

James-Raoul, Danièle. "L’écriture des commentaires dans les romans de Chrétien de Troyes." Littératures 53, no. 1 (2005): 123–40. http://dx.doi.org/10.3406/litts.2005.1984.

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49

Haidu, Peter. "Chrétien de Troyes: Perceval (Le Conte du Graal).Keith Busby." Speculum 71, no. 1 (January 1996): 141–43. http://dx.doi.org/10.2307/2865217.

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50

Eley, Penny, and Penny Simons. "Partonopeus de Blois and Chrétien de Troyes : a Re-assessment." Romania 117, no. 467 (1999): 316–41. http://dx.doi.org/10.3406/roma.1999.1503.

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