Relevant bibliographies by topics / Chris Marker

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Chris Marker'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Chris Marker"

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Marker, Chris. "Chris Marker; Filmmaker." Film Quarterly 52, no. 1 (1998): 66. http://dx.doi.org/10.2307/1213385.

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Marker, Chris. "Chris Marker; Filmmaker." Film Quarterly 52, no. 1 (1998): 66. http://dx.doi.org/10.1525/fq.1998.52.1.04a00340.

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Murat, Pierre. "Chris Marker, in memoriam." Médium 40, no. 3 (2014): 46. http://dx.doi.org/10.3917/mediu.040.0046.

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Pourvali, Bamchade. "Jeunesses de Chris Marker." Vertigo 46, no. 2 (2013): 7. http://dx.doi.org/10.3917/ver.046.0007.

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Ostor, Akos. ": Sans Soleil . Chris Marker." American Anthropologist 89, no. 4 (1987): 1022–23. http://dx.doi.org/10.1525/aa.1987.89.4.02a00940.

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Murray, Oswyn. "Erinnerungen an Chris Marker." Maske und Kothurn 63, no. 2-3 (2017): 204–6. http://dx.doi.org/10.7767/mako.2017.63.2-3.204.

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Mayer, Oliver. "Sarah Cooper (2008) Chris Marker." Film-Philosophy 14, no. 1 (2010): 395–400. http://dx.doi.org/10.3366/film.2010.0025.

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Pimenta, Joana. "Sarah Cooper (2008) Chris Marker." Film-Philosophy 14, no. 1 (2010): 401–14. http://dx.doi.org/10.3366/film.2010.0026.

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Bujon, Anne-Lorraine, and Carole Desbarats. "Les engagements de Chris Marker." Esprit Mai, no. 5 (2018): 37. http://dx.doi.org/10.3917/espri.1805.0037.

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Matta and Chris Marker. "Chris Marker, Matta Zone, 1985." Chimères 36, no. 1 (1999): 85–92. http://dx.doi.org/10.3406/chime.1999.2278.

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Dissertations / Theses on the topic "Chris Marker"

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Auad, Pedro Henrique Trindade Kalil. "Para além do movimento: Samuel Beckett, Chris Marker e Marcelo Mirisola: Samuel Beckett; Chris Marker e Marcelo Mirisola." Universidade Federal de Minas Gerais, 2010. http://hdl.handle.net/1843/ECAP-829FGH.

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Nesta dissertação estuda-se a aproximação do cinema e da literatura através do estudo de suas construções temporais, tendo como conceito operacional a imagem-tempo, conceito criado a partir de estudos sobre o cinema realizados por Gilles Deleuze. Através da análise das obras A Última Gravação de Samuel Beckett, La Jetée de Chris Marker, e Joana a Contragosto de Marcelo Mirisola, busca-se estabelecer relações entre diferentes sistemas semióticos. A pesquisa abrange uma delimitação do conceito imagem-tempo estabelecendo suas características. A partir da análise das obras estabelecidas para este
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Strejcovský, Jan. "Chris Marker prizmatem Gillese Deleuze: imaginární setkání." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-371126.

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Despite the fact that the French philosopher Gilles Deleuze has included many contemporaries, co-workers and friends of Chris Marker in his controversial writings on film, Marker himself is missing among the analyzed filmmakers. This thesis challenges the supposed passiveness between both authors assuming certain intersections between their thoughts, aiming to look at several of Chris Marker's emblematic films - indeed not comprehensively, rather naturally subjectively - through the key themes from some of Gilles Deleuze's books. Statues Also Die and Cinama II: The Time-Image; La Jetée and Ber
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Talpin, Emilie V. "L'exploration du quotidien dans Chats perchés de Chris Marker." Oxford, Ohio : Miami University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1201736838.

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MARANHÃO, Luís Henrique Barbosa Leal. "Chris Marker: comentários sobre uma crítica da imagem." Universidade Federal de Pernambuco, 2014. https://repositorio.ufpe.br/handle/123456789/17499.

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Submitted by Isaac Francisco de Souza Dias (isaac.souzadias@ufpe.br) on 2016-07-20T18:14:46Z No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Chris Marker comentários sobre uma crítica da imagem - Dissertação de Mestrado - Luís Henrique Barbosa Leal Maranhão.pdf: 2105944 bytes, checksum: 5c1eda34f9d0ccc610251e9d7239c5d9 (MD5)<br>Made available in DSpace on 2016-07-20T18:14:46Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Chris Marker comentários sobre uma crítica da imagem - Dissertac
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Mary, Nathalie. "La communauté politique dans le cinéma de Chris Marker." Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030078.

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Ce travail tente d’analyser de quelle manière la communauté politique cherche en vain l’unité et l’entente, quelle représentation le cinéma en général et celui de Chris Marker en particulier donnent à cette recherche, ainsi qu’aux rapports entre les différents acteurs de cette communauté (Etat, société civile), au fonctionnement de celle-ci, aux événements qui la traversent (révoltes, révolutions, guerres). Il étudie aussi comment l’utopie, désir de fonder des communautés plus justes, se trouve au coeur du destin de l’humanité, à tel point que les pouvoirs, les idéologies et les totalitarismes
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Talpin, Emilie V. "L’EXPLORATION DU QUOTIDIEN DANS CHATS PERCHÉS DE CHRIS MARKER." Miami University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=miami1201736838.

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Koide, Emi. "Por um outro cinema - jogo da memória em Chris Marker." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/47/47131/tde-09092011-152805/.

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O presente trabalho é uma reflexão crítica sobre o estatuto da imagem e sua relação com amemória e a história na sociedade contemporânea, em que a influência dos meios de comunicação demassa, da indústria cultural e dos recursos audiovisuais é dominante. Em contraponto a essa produçãoaudiovisual, que produz consenso acerca da memória e da história, impondo uma espécie depadronização das experiências, examinou-se como uma outra produção cinematográfica pode servircomo meio de um aprendizado crítico frente às mudanças da percepção humana com o advento denovas tecnologias, tal como apresentado po
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Azuma, Shiho. "Villes ouvertes. La flânerie dans les images urbaines de Chris Marker." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030123.

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Chris Marker, (1921-2012) qui photographie et filme des lieux divers dans le monde entier, avait pour thème de prédilection la ville. En effet, ce lieu de circulation et de mobilité, dépassant toutes les clôtures, se prête particulièrement aux œuvres markériennes, caractérisées par l’entrecroisement de différents espace-temps, et par l’expérience de l’altérité. En étant à la fois cinéaste et voyageur, les images de la ville capturées par Marker se caractérisent par le déplacement, en particulier par l’expérience de la flânerie, qui constitue un élément essentiel de la réflexion philosophique s
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Broad, Lynne English Media &amp Performing Arts Faculty of Arts &amp Social Sciences UNSW. "Chris Marker: A stylistic analysis of his film and media work." Publisher:University of New South Wales. English, Media, & Performing Arts, 2009. http://handle.unsw.edu.au/1959.4/41548.

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This thesis explores the poetics of editing in the films and multimedia works of Chris Marker. From his first essay films of the 1950s to his 1998 CD-ROM Immemory, the director’s work has attracted critical attention for its beauty and originality of expression. Much existing analysis engages with this work in terms of its subject matter and themes and their relationship with its associational, rather than linear, narrative form, with relatively little focus on the stylistics of Marker’s editing. While questions of the director’s thematic concerns also arise in my study, I argue that Marker
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Mayer, Oliver [Verfasser], and A. [Akademischer Betreuer] Böhn. "Chris Marker und das audiovisuelle Archiv / Oliver Mayer. Betreuer: A. Böhn." Karlsruhe : KIT-Bibliothek, 2016. http://d-nb.info/1112224912/34.

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Books on the topic "Chris Marker"

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Alter, Nora M. Chris Marker. University of Illinois Press, 2006.

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Tissot, Florence. Chris Marker. La cinémathèque française, 2018.

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Harbord, Janet. Chris Marker, La jetée. Afterall Books, 2009.

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Harbord, Janet. Chris Marker, La jetée. Afterall Books, 2009.

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Harbord, Janet. Chris Marker, La jetée. Afterall Books, 2009.

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1921-, Marker Chris, ed. Chris Marker, La jetée. Afterall Books, 2009.

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1952-, Dubois Philippe, ed. Recherches sur Chris Marker. Presses Sorbonne nouvelle, 2002.

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André, Habib, and Paci Viva, eds. Chris Marker et l'imprimerie du regard. Harmattan, 2008.

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André, Habib, and Paci Viva, eds. Chris Marker et l'imprimerie du regard. Harmattan, 2008.

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Bernard, Eisenschitz, and Mostra Internazionale del Nuovo Cinema, (32nd. : 1996 : Pesaro), eds. Chris Marker: Pesaro, 14-22 giugno 1996. Dino Audino, 1996.

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Book chapters on the topic "Chris Marker"

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Darke, Chris. "Chris Marker Takes the Stairs." In La Jetée. British Film Institute, 2016. http://dx.doi.org/10.1057/978-1-84457-887-0_4.

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Harrow, Kenneth W. "Sans Soleil (Chris Marker 1983)." In Space and Time in African Cinema and Cine-scapes. Routledge, 2022. http://dx.doi.org/10.4324/9781003288893-8.

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Lupton, Catherine. "Chris Marker: Memories of the Future." In Visual Sense. Routledge, 2024. http://dx.doi.org/10.4324/9781003579588-49.

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Geva, Dan. "1966 Christian François Bouche-Villeneuve, aka Chris Marker." In A Philosophical History of Documentary, 1960-1990. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-89956-0_9.

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Leeb, Susanne. "2. ACHTUNDSECHZIG ANTIKOLONIAL." In Image. transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839460023-002.

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Susanne Leeb fragt in diesem Beitrag nach dem Blickwechsel, der sich auf die (Kunst-)Geschichtsschreibung von 1968 ergibt, wenn man aus antikolonialer Perspektive auf '68 schaut. In den Blick kommt die Verknüpfung von globaler Imagination und lokaler Produktion. Exemplarisch stehen dafür die Plakate von Emory Douglas, dem Informationsminister der Black Panther Partei, und ihre Distribution bzw. ihr Vorkommen in anderen Szenen militanter Kulturproduktion, etwa bei Chris Marker, Sun Ra, Godard, William Klein u.a. Sie bilden eine Art visuelle Signatur eines Globalen 68 aus antikolonialer Perspekt
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Chamarette, Jenny. "Knowing and Nothing: Chris Marker, Subjective Temporalities and Vocalic Bodies in the Future Tense." In Phenomenology and the Future of Film. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137283740_3.

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Clover, Joshua. "Chris Marker." In Exile Cinema. SUNY Press, 2008. http://dx.doi.org/10.1515/9780791478615-023.

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Clover, Joshua. "Chris Marker:." In Exile Cinema. State University of New York Press, 2008. http://dx.doi.org/10.2307/jj.18253303.25.

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Cooper, Sarah. "Front matter." In Chris Marker. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526141224.00001.

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Cooper, Sarah. "Contents." In Chris Marker. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526141224.00002.

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Conference papers on the topic "Chris Marker"

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Uya, Yifan. "Vibração colaborativa: A jornada mítica de um menino de carvão." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.119.g190.

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A pesquisa tem como objetivo examinar o conceito de mito das perspectivas psicológicas e estruturais de Carl Jung e Lévi-Strauss, com as reflexões filosóficas de Maurice Merleau-Ponty e Martin Heidegger sobre a fenomenologia e discussões em torno do conceito ocidental da luz simbólica e críticas à postura instrumentalista da tecnologia. A pesquisa argumenta que a criação de mitos é uma forma necessária de tecnologia social, que pode transformar a experiência em valores altruístas a serem realizados no futuro, movidos pelo poder saciável da sabedoria e do conhecimento. Para desenvolver ainda ma
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Uya, Yifan. "Collaborative Vibration: The Mythic Journey of A Coal Boy." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.119.

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Acknowledging the Anthropocene crisis, my research examines myth and myth-making to reimagine the role of Claude Lévi-Strauss’ bricoleur concept. Following Joseph M. Coll’s Taoist and Buddhist systemic thinking inspired theory of sustainable transformation, the practice-led project evolves into the making of an essayist film that conveys a specific personal myth.My research reckons that a bricoleur should perceive myth-making as an organic growing organisation that acquires intuition and posteriori knowledge. And focus on a narrative that evolves into the mythic identity of a piece of coal and
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Uya, Yifan. "Vibración colaborativa: El viaje mítico de un niño de carbón." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.119.g189.

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La investigación tiene como objetivo examinar el concepto de mito desde las perspectivas psicológicas y estructurales de Carl Jung y Levi Strauss, junto con los pensamientos filosóficos sobre fenomenología de Maurice Merleau-Ponty y Martin Heidegger y las discusiones en torno al concepto occidental de luz simbólica y las críticas sobre la postura instrumentalista de la tecnología. La investigación sostiene que la creación de mitos es una forma necesaria de tecnología social que puede transformar la experiencia en valores altruistas que se realizarán en el futuro, impulsados por el poder sacian
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Gvozdetskaya, Natalia Yu. "PERCEPTION OF TIME IN HUNGRVAKA." In Second Scientific readings in memory of Professor V. P. Berkov. St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063569.

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The paper examines the perception of time in the Old Icelandic ‘chronicle’ Hungrvaka ‘Awakening hunger’ (13th century) in the aspect of the correlation of local and foreign traditions of time counting and time markers. The paper discusses the specifics of usage of natural temporal names (winter and summer, day and night, etc.), indications of the time of power and death of foreign and Icelandic leaders, the role of genealogies and chronology ‘from the Birth of Christ’, as well as that of church holidays. The author comes to the conclusion about the combination in this work of the old local tra
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Davidov, Robin, Larry Plitch, and Chris Pollatos. "What’s Happening With Green Power Marketing and the Latest on Renewable Energy Credits: How Much Are They Worth and Who Owns Them?" In 11th North American Waste-to-Energy Conference. ASMEDC, 2003. http://dx.doi.org/10.1115/nawtec11-1663.

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The subject of the presentation is Green Power Marketing for Waste To Energy Facilities. Many WTE projects signed long term energy contracts under the rules of PURPA. Several projects signed short term agreements. In other cases, power contacts were sold or assigned by the original purchaser or the project voluntarily agreed to a buy out. In any case, power markets have changed and are continuing to change. One of the most significant changes is the deregulation of the electricity market. WTE projects are no longer required to sell power to a captive utility. While electricity continues to flo
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Kalyan, Bharath, and Mandar Anil Chitre. "Concept of Operations for Collaborative Human Robot Inspection and Intervention System in Challenging Underwater Environments." In Offshore Technology Conference. OTC, 2023. http://dx.doi.org/10.4043/32189-ms.

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Abstract The onset of electrification and increasing penetration of renewable energy resources as well as prioritization for greater environmental, social and governance factors in the offshore energy sector will lead to the emergence of disruptive technologies. The offshore inspection, repair and maintenance (IRM) market was USD 8.93 billion in 2020 and is projected to grow to USD 18.04 billion by 2028 [1]. At present, remotely operated vehicles (ROVs) generally supported with large offshore support vessels (OSVs), have established themselves as indispensable for offshore IRM operations. Key
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