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Journal articles on the topic 'Chris'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2024

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1

Novianti, Erlina, Silviana Amanda Tahalea, and Asih Retno Dewanti. "Kajian Estetika Fotografi Urban “#JakartaBelumHabis” Karya Chris Tuarisa." Rekam 19, no. 1 (2023): 47–58. http://dx.doi.org/10.24821/rekam.v19i1.7582.

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ABSTRAKFotografi urban adalah fotografi yang dilakukan dengan pendekatan urban life. Fotografi urban mengacu pada kehidupan dalam lingkup perkotaan. Salah satu fotografer yang menghasilkan karya fotografi urban adalah Chris Tuarisa. Karya-karya yang dihasilkan merupakan visualisasi masyarakat urban, tetapi juga memperlihatkan kawasan perkotaan dari sisi masyarakat menengah kebawah yang tidak dapat dipungkiri juga merupakan bagian dari masyarakat urban. Fotografer dapat menceritakan sisi lain dari isu perkotaan yang belum pernah dilihat oleh sebagian masyarakat Jakarta sendiri, karya foto Christ Tuarisa sekaligus menjadi kritik untuk pemerintah untuk dapat menyelesaikan isu perkotaan. Tujuan dari penelitian ini adalah memaknai dan membaca karya Chris Tuarisa menggunakan teori estetika fotografi. Manfaat dari penelitian ini adalah dapat menganalisa lebih dalam sisi lain tampilan foto urban karya Chris Tuarisa dalam estetika fotografi. Adapun metode yang digunakan adalah metode studi kasus, peneliti akan menggunakan karya foto dari hasil karya fotografer Chris Tuarisa. Kesimpulan penelitian ini adalah bahwa teori estetika merupakan teori yang tepat untuk digunakan untuk menganalisa sebuah foto, karena teori estetika dapat menantu spektator menaknai sebuah foto secara lebih dalam. Karya Chris Tuarisa bercerita mengenai kesenjangan sosial yang besar dalam keseharian masyarakat Jakarta, sekaligus menjadi kritik bagi pemerintah agar dapat memberikan solusi untuk permasalahan tersebut. Aesthetic Study of Urban Photography “#JakartaBelumHabis By Chris Tuarisa. Urban Photography has become a part of photography genre that can be carried out with an urban life approach. Urban photography is related to urban space and activity. One of the photographers doing urban photography is Chris Tuarisa. His works are visualizations of urban society, from the perspective of the middle and low class society as part of urban community. Chris’ works showing highlight about other side of urban issues that some people in Jakarta may have never see., Upon a closer examination, Christ Tuarisa's photographic work is actually a form of criticism addressed to the government to point out the urban issues. The purpose of this research is to interpret and comprehend the context of Chris’s works using the aesthetic theory of photography. The aim of this research is to study and analyze other perspectives from the visualization of urban photos by Chris Tuarisa using photographic aesthetics theory profoundly. The method used was a case study method. The conclusion of this study is that aesthetic theory is an applicable theory to analyze photography, because aesthetic theory can give the spectator a deeper interpretation and signification of the photo. Chris Tuarisa's works tell stories about the social gap in the daily life of Jakarta’s citizen, as well as being a criticism for the government to be able to provide solutions to these problems.
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2

Orchiston, Wayne, and Don Mathewson. "CHRIS CHRISTIANSEN AND THE CHRIS CROSS." Journal of Astronomical History and Heritage 12, no. 1 (2009): 11–32. http://dx.doi.org/10.3724/sp.j.1440-2807.2009.01.02.

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3

Tierney, William M. "Chris' Tears." Annals of Internal Medicine 155, no. 9 (2011): 644. http://dx.doi.org/10.7326/0003-4819-155-9-201111010-00018.

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4

Ciambra Rahe, Marina. "Chris Burden." Museologia & Interdisciplinaridade 9, no. 18 (2020): 252–64. http://dx.doi.org/10.26512/museologia.v9i18.34966.

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Este artigo procura explorar de que forma os registros de performances podem atuar não só como pontos de acesso a uma ação que provavelmente não voltará a se repetir, mas como possíveis recursos para sua atualização e ressignificação. Partindo da obra de Chris Burden (1946-2015), a ideia é entender quais são os elementos utilizados pelo artista a fim de transpor suas performances para novos suportes e contextos, construindo, assim, registros que se relacionam com o evento original, mas também assumem autonomia e podem produzir novos significados.
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5

Ofili, Chris. "Chris Ofili." Nka Journal of Contemporary African Art 2021, no. 48 (2021): 141. http://dx.doi.org/10.1215/10757163-8971440.

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6

Fleming, Chad. "Chris Lynch." English Journal 86, no. 3 (1997): 78. http://dx.doi.org/10.2307/820652.

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7

Marx, Vivien. "Chris Toumazou." Nature Methods 10, no. 7 (2013): 593. http://dx.doi.org/10.1038/nmeth.2550.

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8

Marx, Vivien. "Chris Xu." Nature Methods 14, no. 4 (2017): 327. http://dx.doi.org/10.1038/nmeth.4231.

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9

Schaffner, Ingrid. "Chris Burden." Grand Street, no. 71 (2003): 198. http://dx.doi.org/10.2307/25008664.

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10

Rowell, Charles H., and Chris Wiltz. "Chris Wiltz." Callaloo 29, no. 4 (2006): 1265–70. http://dx.doi.org/10.1353/cal.2007.0090.

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11

Birmingham, Karen. "Chris Walsh." Nature Medicine 8, no. 7 (2002): 648. http://dx.doi.org/10.1038/nm0702-648.

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12

Swett, Eileen. "Chris King." Home Healthcare Nurse: The Journal for the Home Care and Hospice Professional 11, no. 5 (1993): 49–50. http://dx.doi.org/10.1097/00004045-199309000-00008.

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13

Beasley, Chris. "Chris Beasley." Nursing Management 12, no. 2 (2005): 11. http://dx.doi.org/10.7748/nm2005.05.12.2.11.c2020.

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14

Allen, Chris. "Chris Allen." Review of African Political Economy 35, no. 118 (2008): 676. http://dx.doi.org/10.1080/03056240802574185.

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15

The Editors. "Chris Silagy." Evidence-Based Medicine 7, no. 1 (2002): 6. http://dx.doi.org/10.1136/ebm.7.1.6.

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16

Lancaster, T. "Chris Silagy." Tobacco Control 11, no. 1 (2002): 78. http://dx.doi.org/10.1136/tc.11.1.78.

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17

MARTIN, JOE. "Chris Kobrak." Enterprise & Society 19, no. 1 (2018): 24–30. http://dx.doi.org/10.1017/eso.2017.57.

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18

McKay, Chris. "Chris McKay." New Scientist 192, no. 2578 (2006): 60. http://dx.doi.org/10.1016/s0262-4079(06)61131-7.

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19

Wan, Julie. "Chris Upton." Weatherwise 62, no. 5 (2009): 44–45. http://dx.doi.org/10.3200/wewi.62.5.44.45.

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20

Selby, Andrew, Andrew Davies, Alastair Adams, and Jemma Robinson. "Chris Ware." International Journal of the Book 5, no. 3 (2008): 15–24. http://dx.doi.org/10.18848/1447-9516/cgp/v05i03/57845.

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21

Brown, Martin. "Chris Brown." British Dental Journal 214, no. 10 (2013): 535. http://dx.doi.org/10.1038/sj.bdj.2013.524.

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22

Oguibe, O. "CHRIS OFILI." Nka Journal of Contemporary African Art 1996, no. 4 (1996): 71. http://dx.doi.org/10.1215/10757163-4-1-71.

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23

Sweet, M. "Chris Silagy." BMJ 324, no. 7328 (2002): 53. http://dx.doi.org/10.1136/bmj.324.7328.53.

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24

Mitchell, Dann. "Chris Bell." Weather 65, no. 12 (2010): 339. http://dx.doi.org/10.1002/wea.728.

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25

Wordsworth, Saul. "Chris Koniditsiotis." Traffic Technology International 2020, no. 2 (2020): 13–14. http://dx.doi.org/10.12968/s1356-9252(23)40324-3.

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Chris Koniditsiotis, president of the International Society for Weigh-in-Motion, talks Covid-19, in-vehicle scales and why international, high-speed direct enforcement for WIM could be just around the corner
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26

Chad, Fleming. "Chris Lynch." English Journal 86, no. 3 (1997): 78–80. http://dx.doi.org/10.58680/ej19973359.

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27

Stringer, Chris. "Chris Stringer." Current Biology 34, no. 12 (2024): R556—R558. http://dx.doi.org/10.1016/j.cub.2024.05.020.

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28

Milne, Ronald. "Chris Woods." Bodleian Library Record 19, no. 2 (2006): 147–48. http://dx.doi.org/10.3828/blr.2006.19.2.147.

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29

Marker, Chris. "Chris Marker; Filmmaker." Film Quarterly 52, no. 1 (1998): 66. http://dx.doi.org/10.2307/1213385.

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30

Chalifour, Bruno. "Chris Steele Perkins." Afterimage 31, no. 6 (2004): 12. http://dx.doi.org/10.1525/aft.2004.31.6.12.

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31

Lines, Jo. "Professor Chris Curtis." Outlooks on Pest Management 19, no. 4 (2008): 159. http://dx.doi.org/10.1564/19aug08.

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32

Hynes, Nancy. "Africanizing Chris Ofili?" African Arts 34, no. 1 (2001): 9. http://dx.doi.org/10.2307/3337725.

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33

Dede, Chris. "Chris Dede's response." American Journal of Distance Education 10, no. 2 (1996): 74–75. http://dx.doi.org/10.1080/08923649609526930.

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34

Stephens, CD. "Obituary: Chris Kettler." Journal of Orthodontics 47, no. 1 (2020): 96–97. http://dx.doi.org/10.1177/1465312520906025.

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35

Gurss, Gerald. "Chris and Gabe." Women and Music: A Journal of Gender and Culture 23, no. 1 (2019): 122–28. http://dx.doi.org/10.1353/wam.2019.0015.

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36

Rowe, Christopher. "Chris Ware: Conversations." Journal of Graphic Novels and Comics 10, no. 4 (2018): 476–77. http://dx.doi.org/10.1080/21504857.2018.1480509.

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37

Burn, Bob. "Chris Ormell's article." Mathematical Gazette 94, no. 529 (2010): 112–13. http://dx.doi.org/10.1017/s0025557200007208.

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In [1], Chris Ormell raised a question about the uncountability of the real numbers. Ormell affirmed that only a countable collection of numbers may be defined by a finite number of words, a notion that stems from a letter of Richard (1905), reproduced in [2, p. 142]. This appears to conflict with Cantor's proof (1874) of the uncountability of the reals [3, p. 839]. Poincaré, whom Ormell claims as a witness in his defence, said ‘Now as is well known, Cantor proved that the continuum is not denumerable; this contradicts the proof of Richard. The question therefore arises which of the two proofs is correct. I maintain that they are both correct and that the contradiction is only apparent.’ [3, p. 1072] Poincaré then supplied a new proof that the points on an interval are not countable.
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38

Chopin, Henri. "Concerning Chris Mann." Continuum 8, no. 1 (1994): 129–31. http://dx.doi.org/10.1080/10304319409365631.

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39

Marker, Chris. "Chris Marker; Filmmaker." Film Quarterly 52, no. 1 (1998): 66. http://dx.doi.org/10.1525/fq.1998.52.1.04a00340.

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40

Dretske, Fred. "Chris Hill’s consciousness." Philosophical Studies 161, no. 3 (2011): 497–502. http://dx.doi.org/10.1007/s11098-011-9812-4.

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41

Glaser, Vicki. "Chris Curtis, Ph.D." Vector-Borne and Zoonotic Diseases 4, no. 3 (2004): 273–76. http://dx.doi.org/10.1089/1530366042162489.

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42

Labrooy, Chris. "Art: Chris Labrooy." Baffler 25 (March 2014): 73. http://dx.doi.org/10.1162/bflr_a_00263.

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43

Jones, R. "Obituary: Chris Silagy." Family Practice 19, no. 3 (2002): 222. http://dx.doi.org/10.1093/fampra/19.3.222.

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44

Whitelaw, Jackie. "Profile: Chris Wise." Structural Engineer 94, no. 8 (2016): 46–48. http://dx.doi.org/10.56330/ntzy2151.

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Award-winning structural engineer Chris Wise has always challenged convention and has no plans to stop. In his sights currently are multiple targets, including the whole structural engineering profession, its businesses and his own future.
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45

Gunness, Chris, and Sara Roy. "Interview: Chris Gunness." Middle East Policy 23, no. 1 (2016): 144–57. http://dx.doi.org/10.1111/mepo.12181.

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46

Lee, Kong‐Rae. "Obituary to Chris Freeman 1920–2010: Asian countries and Chris Freeman." Asian Journal of Technology Innovation 18, no. 2 (2010): 241–46. http://dx.doi.org/10.1080/19761597.2010.9668700.

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47

Van Hove, Geert, Susan L. Gabel, Elisabeth De Schauwer, et al. "Resistance and Resilience in a Life Full of Professionals and Labels: Narrative Snapshots of Chris." Intellectual and Developmental Disabilities 50, no. 5 (2012): 426–35. http://dx.doi.org/10.1352/1934-9556-50.5.426.

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Abstract In this article, the authors relate the life of Chris through narrative snapshots. Chris asked the authors to tell her story. They decided that it could be used to provide an insight into the different ways people with labels are confronted with professional practices and rituals. Although Chris lived a “tough life,” her story is full of resilience and resistance. Chris will be kept in the authors' memory as a strong woman, a teacher, and a friend.
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48

Rullyanti, Merry, and Nurdianto Nurdianto. "LANGUAGE STYLE OF HUMOR ON STAND-UP COMEDY VIDEO." JOALL (Journal of Applied Linguistics & Literature) 4, no. 1 (2019): 60–68. http://dx.doi.org/10.33369/joall.v4i1.6886.

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This research explained about language styles which used in stand-up comedy script brought by Chris Rock. Chris Rock owns famous joke material that is affected by the black comedy pioneers like Richard Pryor and Redd. He attacked the subject of much avoided by comics such as politics, race and celebrity. Openness and honesty witch extremely bold that what makes Chris Rock as one of the most successful and a famous comic in modern comedy. Chris Rock is known for his insulting comedian, he is also known for using satire and surreal in his joke. Language style has several functions in its uses. Stand up comedy brought by Chris Rock is usually shows about the different in human right between black and white skin.Based on the description above, the researcher decided to research language style in stand-up comedy brought by Chris Rock. In this research the researcher uses Keraf (2007) to analyze the language styles. This research is a qualitative descriptive research. This research source of data is stand-up comedy script with tittle “kill the messenger” brought by Chris Rock. Based on research, there are 2 language styles used in “kill the messenger”, there are 10 rhetorical language styles and 17 figurative language styles. Based on the data, hyperbole rhetorical language style is dominantly used in “kill the messenger”. And Epithet figurative language is dominantly used too.The reason is because Chris Rock is still try to persuade the white skin American to be humble to black skin American and must respect to each other. Keywords: Language Styles, Humor, Stand-Up Comedy
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49

Leeper, Finian J., and Anthony G. Coyne. "Chris Abell 1957–2020." Biochemist 43, no. 1 (2021): 45. http://dx.doi.org/10.1042/bio_2021_106.

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50

Frost, Robert. "Chris Naunton: Egyptologists’ Notebooks." African Archaeological Review 38, no. 2 (2021): 393–95. http://dx.doi.org/10.1007/s10437-021-09427-9.

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