Relevant bibliographies by topics / Christian art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Christian art'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Christian art"

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Panjinda, Wipawee. "The Importance of Thai Christian Art: An Analysis of Three Artists and Their Impact on Society." International Bulletin of Mission Research 48, no. 1 (2024): 76–89. http://dx.doi.org/10.1177/23969393231204225.

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In this article, three differing approaches to faith representation will be presented. Sawai Chinnawong uses a traditional Thai art form, while Arnan Moontrakorn utilizes an amalgamated approach to Thai and Modern art. Jompol Puatawee, while using Thai imagery in his contemporary art style, does not reference traditional symbols. The artists featured, while all representing their Christian faith, do not use obvious Christian symbolism. As this article shows, Thai Christians can accept Thai traditional art as a useful medium for presenting Christian ideas, and these works of art are understood
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Karivieri, Arja. "Divine or Human Images? Neoplatonic and Christian Views on Works of Art and Aesthetics." NUMEN 63, no. 2-3 (2016): 196–209. http://dx.doi.org/10.1163/15685276-12341420.

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This paper explores how Neoplatonists and Christians experienced and interpreted works of art, and how views on artists and individual works of art, such as Pheidias’ Zeus in Olympia, were expressed by the representatives of traditional Greco-Roman religions and Christians. The way the value of a work of art was expressed in Greco-Roman literature is compared with the comments and opinions of Neoplatonists and Christian authors, which show that art and its appreciation and function are closely connected to the relationship to God in ancient sources. The ideal of beauty took its place to enrich
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EFIRD, DAVID, and DANIEL GUSTAFSSON. "Experiencing Christian art." Religious Studies 51, no. 3 (2015): 431–39. http://dx.doi.org/10.1017/s0034412515000335.

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AbstractIn this article, we argue that a secularist cannot experience Christian art in the same way that a Christian can. To defend this claim, we argue that Christian faith is best conceived as an engagement with God, such that coming to have faith is a transformative, second-person experience where a person comes to know what it is like to be loved by God and that Christian art is best conceived as iconic, such that it is an occasion for, and a mode of, experiencing God. Thus, for the Christian, but not for the secularist, experiencing Christian art consists in an experience of God himself.
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Ross, David A. "The Art of the Faithful Heart: A Comparison of Classical Christian and Islamic Art Traditions." Bible Translator 74, no. 3 (2023): 366–414. http://dx.doi.org/10.1177/20516770231220040.

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When a translation of a text is complete, the presentation of the text should, as much as possible, avoid any influence that could reduce the impact or acceptability of the contents of the text. This is especially true of faith-critical texts, whether they are of Christian or Islamic origin. The study and comparison of different art traditions can help us reduce the possibility of such unfortunate influences. Since Christians and Muslims have very different assumptions even about the nature of God (or Allah) as he reveals himself through sacred writings, it is not surprising that Christians an
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Julisa Rowe. "Storytelling As Imaginational Art In Christian Education." Conference Series 4, no. 2 (2023): 132–42. http://dx.doi.org/10.34306/conferenceseries.v4i2.933.

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A few years ago, I went to see the play “The Christians” at a college in Portland, OR. Portland is, philosophically, an extremely liberal town. And the college doing the play is a very secular, liberal college reflection of that. I found it interesting that they were doing a play called “The Christians” and wanted to see what they were going to do to the Christian message, since there is a tendency for non-Christians to present Christians as narrow-minded, bigoted or even idiotic! The play takes place in a megachurch that has just paid off its debts, and the pastor declares there is no physica
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Jaksic, Predrag. "Is „ecclesiastical art“ possible?" Theoria, Beograd 68, no. 1 (2025): 195–203. https://doi.org/10.2298/theo2501195j.

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In this paper, we deal with the problem of the possibility of the existence of ecclesiastical art. We are investigating whether it is possible for a single work to be an integral part of the Church at the same time, in these terms we are talking about a living organism, the Church as a community of Christians whose head is Jesus Christ, and a work of art, and as such to be artistically and aesthetically observed and evaluated by the criteria of the secular world. We deal exclusively with the Christian Church and the so-called Christian ecclesiastical art, mainly on the example of icons. We tak
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Marianus Dinata Alnija. "HOMILI MELAMPAUI SEGALA BENTUK KATEKESE (Evangelii Gaudium, art 135-159)." Jurnal Filsafat dan Teologi Katolik 3, no. 1 (2019): 45–51. http://dx.doi.org/10.58919/juftek.v3i1.24.

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Today Christians has faced various challengge that plunge many christian into consumerism, terrible sadness, hedonism and covetous. As the result many christian become selfish, irritable, and egoist. For that reason, Pope Francis urged many preachers should work hard in proclaiming the gospel especially through homilies because homilies beyond all form of catechesis. This paper aims to explore Pope Francis' theological ideas about concerning homily. In a way of exploring the theological conception regarding homily, the writer treats the apostolic exhortation of evangelii Gaudium article number
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Taylor, John Wesley. "Aesthetics in Christian education." Asia Adventist Seminary Studies 3, no. 1 (2000): 51. https://doi.org/10.63201/grws9934.

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Concept confusion readily assaults the Christian mind. For certain Christians, "beauty" and "sin" have become synonyms, mirror images of depravity and degradation. Furthermore, these individuals often equate piety with somberness, drabness with holiness. If one experiences delight, such feelings must be inevitably wrong and the source of pleasure inherently evil. By some, the injunction "love not the world" (1 John 2:15) is viewed, in fact, as a grim warning against literature, music, and art. Such aesthetic experiences are viewed as subtle, sinister attempts to sneak worldliness in through th
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Jeffrey, David Lyle. "Meditation and Atonement in the Art of Marc Chagall." Religion and the Arts 16, no. 3 (2012): 211–30. http://dx.doi.org/10.1163/156852912x635205.

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Abstract Chagall’s crucifixion paintings, long a delicate subject among art historians, are best contextualized in the light of his life-long repatriation of Christian iconography to its Jewish foundation. Chagall reverses typological sequences familiar to Christians, so that instead of the Old Testament being seen as prefiguring the events of the Gospels, in his work the New Testament refers back to the Hebrew Scriptures in such a way as to illuminate the universal in Jewish experience. In Solitude (1933) and The Yellow Crucifixion (1943) we see how Chagall achieves a remarkable fusion of Jew
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Cristian, GAGU. "THE EVOLUTION OF CHRISTIAN ICONOGRAPHY IN THE VI-VII CENTURIES." Icoana Credintei 10, no. 20 (2024): 65–89. http://dx.doi.org/10.26520/icoana.2024.20.10.65-89.

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The II-III centuries represented the period of the birth of Christian sacred art through Christians imitating the custom of pagans, from whose ranks most of them came, to decorate their graves, sarcophagi or mausoleums with images and even by borrowing some pagan symbols and themes, to which they obviously gave a new, Christian meaning, to which, of course, exclusively Christian themes were added, most often of biblical origin, most of them having a narrative-historical character. In the 4th-5th centuries, under the careful supervision of the Church, a synthesis was made regarding the themes a
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Dissertations / Theses on the topic "Christian art"

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Gustafsson, Daniel. "A philosophy of Christian art." Thesis, University of York, 2014. http://etheses.whiterose.ac.uk/8052/.

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This thesis offers an original and comprehensive philosophical approach to the understanding of Christian art. It draws on a range of sources, from analytic and theological aesthetics, philosophy and theology, to interpret and articulate a vision of the aims and prerogatives of Christian art. Works by William Blake, David Jones, and R. S. Thomas are among those receiving close attention; works which yield a picture of art and creative labour as deeply implicated in the central mysteries and practices of the Christian faith. In five chapters, the thesis addresses the nature and the implications
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Cordy, Raven. "Making Christian Art in a Contemporary Setting." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/honors/601.

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Over the past 4 and a half years, I have studied contemporary art and seen countless artworks being made in an academic setting. In doing so, I have come to the realization that religious content is rare in today’s time. While it is not actively discouraged, the environment I am in and the current art community does not seem to be particularly interested in merging the two concepts. Without understanding why, I subconsciously kept art and my faith as separate entities for the first few years of my higher education. But as I matured and developed my own artwork, I began to feel as though my ide
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McDonald, David L. "The art of financial stewardship consultation." Theological Research Exchange Network (TREN) Access this title online Theological Research Exchange Network (TREN), 1995. http://www.tren.com.

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Von, Veh Karen Elaine. "Transgressive Christian iconography in post-apartheid South African art." Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1002220.

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In this study I propose that transgressive interpretations of Christian iconography provide a valuable strategy for contemporary artists to engage with perceived social inequalities in postapartheid South Africa. Working in light of Michel Foucault’s idea of an “ontology of the present”, I investigate the ways in which religious iconography has been implicated in the regulation of society. Parodic reworking of Christian imagery in the selected examples is investigated as a strategy to expose these controls and offer a critique of mechanisms which produce normative ‘truths’. I also consider how
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Nail, Brian W. "Models of sacrifice and the art of Christian tragedy." Thesis, University of Glasgow, 2011. http://theses.gla.ac.uk/3183/.

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This thesis is a literary investigation of sacrifice in works of tragic literature and the Bible. In Part I, this thesis critiques René Girard’s scapegoating model of sacrifice and demonstrates the interpretive limitations that his theory of sacrifice imposes upon works of tragic literature and the Bible. In the first chapter, this thesis examines Eurpides’ play The Bacchae. Contrary to Girard’s assessment of works of classical Greek tragedy as texts that come to the defense of the tragic victim, I argue that this play participates in an elaborate re-mystification of scapegoating. Next, I cond
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Blakeley-Carroll, Grace. "Illuminating the spiritual : the symbolic art of Christian Waller." Phd thesis, Canberra, ACT : The Australian National University, 2017. http://hdl.handle.net/1885/146396.

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Australian artist Christian Waller nee Yandell (1894-1954) created artworks that unified her aesthetic and spiritual values. The technical and expressive brilliance of her work across a range of art media - drawing, painting, illustration, printmaking, stained glass and mosaic - makes it worthy of focused scholarly attention. Important influences on her practice included Pre-Raphaelitism, Art Deco and the Celtic Revival. Her spirituality was informed by a range of orthodox and alternative systems of belief, including: Christianity, Theosophy, the Hermetic Order of the Golden Dawn and the inter
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Joumaa, Jamal, University of Western Sydney, of Arts Education and Social Sciences College, and School of Contemporary Arts. "The influence of the icon in contemporary Egyptian art." THESIS_CAESS_CAR_JOUMAA_J.xml, 2002. http://handle.uws.edu.au:8081/1959.7/229.

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The icon represents a great part of the heritage of Christian arts in Egypt. In this thesis the early stages of iconic art are studied to find out the influential factors leading to the formation of the icon as it is now. The Coptic icon in particular is studied, both the icon itself and how it differs from the Byzantine icon. The religious factor is focussed on as an effective and modelling element in defining the icon, and the symbols are studied in order to go back to their historical roots. This study also aims at tracing the phenomenon of iconic art, by studying its characteristics and th
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Allen, Susanne Bostick. "Christian Diet Books| Thinning, Not Sinning." Thesis, The George Washington University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10118622.

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<p> All women, including Christian women, are susceptible to the diet industry&rsquo;s selling of thin bodies as a commodity and media portrayals of thin women as desirable and successful. Overall, diet books are the most popular category of nonfiction, worth over $1.2&nbsp;billion annually as of 2005. Evangelical Christian women believe they are obeying God&rsquo;s will when they follow a Christian diet, but in reality they are subscribing to and perpetuating the prevailing American culture of thinness. The popularity of Christian diet books began in post-World War II America and continues to
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Waltz, Connie Lou. "Sources and iconography of the figural sculpture of the Church of the Holy Cross at Aght'amar." Connect to resource, 1986. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1228504313.

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Munk, Ana. "Pallid corpses in golden coffins : relics, reliquaries, and the art of relic cults in the Adriatic Rim /." Thesis, Connect to this title online; UW restricted, 2003. http://hdl.handle.net/1773/6213.

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Books on the topic "Christian art"

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Fernando, Winitha. Christian art. Fernando Publishers, 2008.

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Fernando, Winitha. Christian art. Fernando Publishers, 2008.

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Meer, Frederik van der. Early Christian art. University Microfilms, 1995.

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K, Elliott J., ed. Art and Christian Apocrypha. Routledge, 2001.

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Vasile, Dragut, ed. Christian art in Romania. Publishing House of the Bible and Mission Institute of the Romanian Orthodox Church, 1985.

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Malta) Biennale of Christian Art (4th 2002 Mdina. Contemporary Christian art: Malta 2002 : the Fourth Biennale of Christian Art. Edited by Borg Vincent and Cathedral Museum (Mdina Malta). Cathedral Museum Publications, 2002.

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Morman, Jean Mary. Art shapes faith shapes art. ACTA Publications, 1993.

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interviewer, Fleischer Alain 1944, ed. Christian Boltanski. IMEC éditeur, 2014.

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Mito Geijutsukan. Gendai Bijutsu Gyararī, ed. Christian Boltanski. Mito Geijutsukan Gendai Bijutsu Gyararī, 1990.

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Jankowski, Christian. Christian Jankowski. Museo d'Arte Contemporanea Roma, 2003.

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Book chapters on the topic "Christian art"

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Apostolos-Cappadona, Diane. "Christian Art." In The Routledge Handbook of Christianity and Culture. Routledge, 2024. http://dx.doi.org/10.4324/9780429260490-35.

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Jensen, Robin M. "Art." In The Early Christian World. Routledge, 2017. http://dx.doi.org/10.4324/9781315165837-35.

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Couzin, Robert. "“Early” “Christian” “Art”." In The Routledge Handbook of Early Christian Art. Routledge, 2018. http://dx.doi.org/10.4324/9781315718835-23.

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Pattison, George. "Christian Theoria." In Art, Modernity and Faith. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21461-7_4.

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Stokstad, Marilyn. "The Early Christian Period." In Medieval Art, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9780429037184-2.

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Jensen, Robin M. "Jesus in Christian Art." In The Blackwell Companion to Jesus. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444327946.ch29.

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Leeb, Leopold. "Indigenization of Christian Art." In Parallel Lives, Congenial Visions. Routledge, 2024. http://dx.doi.org/10.4324/9781032623313-27.

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Jensen, Robin M. "Early Christian Symbols." In Understanding Early Christian Art, 2nd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003216094-2.

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Bhalla, Niamh. "Christian Ivories." In The Routledge Handbook of Early Christian Art. Routledge, 2018. http://dx.doi.org/10.4324/9781315718835-13.

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Smith, Eric C. "Art and Heterotopia." In Foucault’s Heterotopia in Christian Catacombs. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137468048_5.

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Conference papers on the topic "Christian art"

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Di Meo, Antimo, Pasquale Mormile, Maria Palma Recchia, and Massimo Rippa. "Infrared thermography analyses in the early Christian basilica complex in Cimitile (Italy)." In Optics for Arts, Architecture, and Archaeology (O3A) X, edited by Roger Groves and Haida Liang. SPIE, 2025. https://doi.org/10.1117/12.3062160.

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Moiseenko, Marina. "Phenomenon of Christian Art Through the Prism of Ancient Russian Art." In 2nd International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.3.

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MATVEEVA, E. V. "FILM ART AS A FORM OF CHRISTIAN DISCOURSE REPRESENTATION." In СЛОВО, ВЫСКАЗЫВАНИЕ, ТЕКСТ В КОГНИТИВНОМ, ПРАГМАТИЧЕСКОМ И КУЛЬТУРОЛОГИЧЕСКОМ АСПЕКТАХ. Chelyabinsk State University Publishing House, 2024. http://dx.doi.org/10.47475/9785727119631_67.

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The article is devoted to assessing the potential of film art as a form of Christian discourse elements representation and identifying ways to actualize Christian discourse in works of cinema based on the material of the American Christian drama “The Case for Christ”. The analysis of the film as an integral and complete product of film art is conducted at the level of three components: verbal, non-verbal and cinematographic. The results of the study show that at the level of verbal components, the most frequent structural type of biblicalisms are sentences. In most cases biblical lexical units
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Isbasoiu, Iulian. "Representations of God in Icons. Immanence and Transcendence in Christian Art." In The concepts of "transcendence" and "immanence" in the Philosophy and Theology. EDIS - Publishing Institution of the University of Zilina, Slovak Republic, 2016. http://dx.doi.org/10.18638/dialogo.2015.2.2.14.

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Siahaya, K. M., N. Rinukti, N. D. Nababan, S. A. Budiyanto, and S. H. Nugroho. "The Effect of Emotional Intelligence on Music Art Learning Performance Mediated by Motivation." In International Conference on Theology, Humanities, and Christian Education (ICONTHCE 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220702.038.

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Zendrato, Melur, Suharno Suharno, and Leo Agung. "Development of Christian Character Teaching Materials In the Implementation of Character Education." In Proceedings of the 1st Conference of Visual Art, Design, and Social Humanities by Faculty of Art and Design, CONVASH 2019, 2 November 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.2-11-2019.2294878.

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Du, Yingying. "Interpretation of Power: A Comparison Between Christian-based West and Confucius-based East." In 2021 International Conference on Public Art and Human Development ( ICPAHD 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220110.171.

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Vatamanu, Catalin. "THE VOICE OF GOD AND ITS ANTHROPOMORPHIC REPRESENTATION IN THE JEWISH AND CHRISTIAN ART." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/2.2/s06.019.

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Bogatyrev, Andrei, and Elena Milyugina. "PALLADIAN TRADITION OF STUDYING CHRISTIAN ARCHITECTURE IN THE ART HISTORY HERITAGE OF NIKOLAY LVOV." In 8th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH Proceedings 2021. SGEM World Science, 2021. http://dx.doi.org/10.35603/sws.iscah.f2021/s07.15.

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Dancak, Pavol. "The Christian Universalism, Globalization and Tolerance in the Thought of Joseph Ratzinger - Benedict XVI." In 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016). Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-16.2017.165.

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Reports on the topic "Christian art"

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Yousef, Yohanna, and Nadia Butti. “There is No Safety”: The Intersectional Experiences of Chaldean Catholic and Orthodox Women in Iraq . Institute of Development Studies, 2022. http://dx.doi.org/10.19088/creid.2022.026.

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This CREID Policy Briefing provides recommendations to address the marginalisation and discrimination faced by Chaldean Catholic Christian women in Iraq. Christian communities in Iraq have faced threats and discrimination throughout their history. Their numbers have declined considerably in recent years as more Christians have been displaced or forced to migrate due to war, occupation and persecution. This research, which focuses on the experiences of Chaldean Catholic and Orthodox women and men in Iraq, demonstrates the commonalities among different groups of Christian women and men. However,
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Needham, David. Multidisciplinary teaching cruise MNF-bioc-301 Plankton along the Baltic Sea salinity gradient, Cruise No. AL618, August 18th – August 30th 2024, Kiel (Germany) – Kiel (Germany), MNF-bioc-301. GEOMAR Helmholtz Centre for Ocean Research Kiel, Germany, 2025. https://doi.org/10.3289/cr_al618.

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The multidisciplinary teaching cruise AL618 was part of the curriculum of the master “Biological Oceanography” at the Christian-Albrechts-University Kiel and the GEOMAR Helmholtz Centre for Ocean Research. During this mandatory part of the MNF-bioc-301 module the students were able to gain hands-on experience of the scientific operation on-board a modern multidisciplinary research vessel. Methods in physical, biological and chemical oceanography were taught based on biodiversity changes in several functional plankton groups along the Baltic Sea salinity gradient as a main subject. The students
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Prud’homme, Joseph. Quakerism, Christian Tradition, and Secular Misconceptions: A Christian’s Thoughts on the Political Philosophy of Ihsan. IIIT, 2020. http://dx.doi.org/10.47816/01.006.20.

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In his elegant and insightful book Muqtedar Khan admonishes Muslims to do beautiful things. It is an arresting call in a book itself beautiful in style, clarity, and boldness of vision for a better world. Professor Khan’s quest for beauty in a specific Muslim context: the beauty that arises when actions are done with the inescapable sense that God sees all one does – or, Ihsan. But what exactly do the commands of God require of those who, knowing He is watching, set themselves the task of scrupulously doing His will?
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Mittermayer, Felix. Multidisciplinary teaching cruise MNF-bioc-301 Plankton along the Baltic Sea salinity gradient Cruise No. AL580, August 30th – September 9th 2022 Kiel (Germany) – Kiel (Germany), MNF-bioc-301. GEOMAR Helmholtz Centre for Ocean Research Kiel, Germany, 2022. https://doi.org/10.3289/cr_al580.

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The multidisciplinary teaching cruise AL580 was part of the curriculum of the master “Biological Oceanography” at the Christian-Albrechts-University Kiel and the GEOMAR Helmholtz Centre for Ocean Research. During this mandatory part of the MNF-bioc-301 module the students were able to gain hands-on experience of the scientific operation on-board a modern multidisciplinary research vessel. Methods in physical, biological and chemical oceanography were taught based on biodiversity changes in several functional plankton groups along the Baltic Sea salinity gradient as a main subject. The students
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Mittermayer, Felix. Multidisciplinary teaching cruise MNF-bioc-301 Plankton along the Baltic Sea salinity gradient, Cruise No. AL563, August 31st – September 11th 2021, Kiel (Germany) – Kiel (Germany), MNF-bioc-301. GEOMAR Helmholtz Centre for Ocean Research Kiel, 2022. https://doi.org/10.3289/cr_al563.

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The multidisciplinary teaching cruise AL563 was part of the curriculum of the master “Biological Oceanography” at the Christian-Albrechts-University Kiel and the GEOMAR Helmholtz Centre for Ocean Research. During this mandatory part of the MNF-bioc-301 module the students were able to gain hands-on experience of the scientific operation on-board a modern multidisciplinary research vessel. Methods in physical, biological and chemical oceanography were taught based on biodiversity changes in several functional plankton groups along the Baltic Sea salinity gradient as a main subject. The students
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Markov, Smilen. COVID-19 and Orthodoxy: Uncertainty, Vulnerability, and the Hermeneutics of Divine Economy. Analogia 17 (2023), 2023. http://dx.doi.org/10.55405/17-4-markov.

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COVID-19 was a great challenge for Orthodox Christians worldwide. As all natural disasters in modernity, the pandemic was explained and combatted on the basis of science. There could be no doubt that death, pain, suffering, despair, imprisonment (the quarantine can indeed be experienced as an imprisonment) are opportunities for the Church to bear witness to Christ. To be ashamed of one’s vulnerability and to neglect the communal aspect of suffering means to render oneself less capable of bearing witness. Hence, it is important to find the conceptual ground for calibrating the truthful reaction
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Fouts, Jeffrey. Institutional environments as perceived by the faculty and administrators at six small liberal arts Christian colleges. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.790.

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Suleman, Naumana. Experiences of Intersecting Inequalities for Christian Women and Girls in Pakistan. Institute of Development Studies (IDS), 2020. http://dx.doi.org/10.19088/creid.2020.013.

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In Pakistan, where gender-based discrimination is already rampant, women and girls belonging to religious minority or belief communities face multiple and intersecting forms of discrimination over and above those faced by an average Pakistani woman and girl. This policy briefing shares findings from a study on the situation of socioeconomically excluded Christian women and girls in Pakistan. During the research, they discussed their experiences of different forms of discrimination, which predominantly took place within their workplace (largely sanitary, domestic and factory work) and education
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Варданян, Марина Володимирівна. The sphere of “The Self” concept: thematic horizons in literary works for children and youth of Ukrainian Diaspora writers. Lulu Press, 2017. http://dx.doi.org/10.31812/0564/1672.

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The article deals with the leading issues in the children's literature of the Ukrainian Diaspora writers. Among the key themes are the following such as historical, patriotic, religious and Christian topics, which are considered through the image of “The Self”. This concept includes the image of the Motherland, historically native land, prominent figures (Taras Shevchenko, hetmans of Ukraine), the family line, national symbols (the flag, the trident) and religious and Christian symbols (the church, the blessing). The idea of preserving the cultural identity and the national identity of Ukraini
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Ambrus, Steven, and Rita Funaro. Ideas for Development in the Americas (IDEA): Volume 33: January-April, 2014: Clientelism: Poison for Public Policy. Inter-American Development Bank, 2014. http://dx.doi.org/10.18235/0008289.

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In Latin America, clientelism pervades civil services; bureaucrats entrusted with critical areas of national life are often hired more for their political value than professional competence. This issue of IDEA was prepared by Steven Ambrus and Rita Funaro, and is based largely on research conducted at the IDB on governance issues. The articles presented in this newsletter are based on the research of Paulo Bastos, Paolo Buonanno, María Franco Chuaire, Daniel Gingerich, Enrique Kawamura, Sebastián Miller, Virginia Oliveros, Sebastián Saiegh, Carlos Scartascini, Christian Schuster, Jorge Streb,
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