Log in

Relevant bibliographies by topics / Christian iconography

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers

Academic literature on the topic 'Christian iconography'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Christian iconography.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Christian iconography"

1

Talloen, Peter. "FROM PAGAN TO CHRISTIAN: RELIGIOUS ICONOGRAPHY IN MATERIAL CULTURE FROM SAGALASSOS." Late Antique Archaeology 7, no. 1 (2011): 573–607. http://dx.doi.org/10.1163/22134522-90000168.

Full text

Abstract:

The evidence of domestic artefacts bearing religiously inspired imagery from Sagalassos (south-west Turkey) is used here to trace how the religious revolution of Late Antiquity affected daily life and how that evidence may reflect wider patterns in the shift from a pagan to a Christian culture in Late Antiquity. After a period characterised by a common iconographic repertoire shared by pagans and Christians alike, in which the Christian impact on material culture was limited, the material expression of the changing religious atmosphere became more visible from the second half of the 4th c. onw

APA, Harvard, Vancouver, ISO, and other styles

2

Luka, Oksana Victoria. "On Western Ukrainian Iconographic Practice." Studies in World Christianity 17, no. 2 (2011): 119–36. http://dx.doi.org/10.3366/swc.2011.0016.

Full text

Abstract:

Standard works on the theology of icons and histories of Byzantine art usually present us with well-known and prominent examples of Byzantine iconography. Often overlooked, however, are the many and various traditions of iconography that have flourished in small and distant regions. These little-known local iconographic traditions, however, have great value. The aim of this paper is to present reflections on the importance of local iconography in the life of faith of Eastern Christian communities by drawing attention to the unique iconographic tradition developed in Western Ukraine. Emphasis i

APA, Harvard, Vancouver, ISO, and other styles

3

Creamer, Elizabeth. "Towards a Christian Iconography." Theology Today 51, no. 3 (1994): 437–38. http://dx.doi.org/10.1177/004057369405100313.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

D-Vasilescu, Elena Ene. "Development of Eastern Christian Iconography." Transformation: An International Journal of Holistic Mission Studies 27, no. 3 (2010): 169–85. http://dx.doi.org/10.1177/0265378810370303.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Pinciroli Vago, Nicolò Oreste Pinciroli, Federico Milani, Piero Fraternali, and Ricardo da Silva Torres. "Comparing CAM Algorithms for the Identification of Salient Image Features in Iconography Artwork Analysis." Journal of Imaging 7, no. 7 (2021): 106. http://dx.doi.org/10.3390/jimaging7070106.

Full text

Abstract:

Iconography studies the visual content of artworks by considering the themes portrayed in them and their representation. Computer Vision has been used to identify iconographic subjects in paintings and Convolutional Neural Networks enabled the effective classification of characters in Christian art paintings. However, it still has to be demonstrated if the classification results obtained by CNNs rely on the same iconographic properties that human experts exploit when studying iconography and if the architecture of a classifier trained on whole artwork images can be exploited to support the muc

APA, Harvard, Vancouver, ISO, and other styles

6

Butyrskii, Mikhail Nikolaevich. "Christ as Comes Augusti: On the Question of Numismatic Iconography of Justinian II." Античная древность и средние века 49 (2021): 55–69. http://dx.doi.org/10.15826/adsv.2021.49.004.

Full text

Abstract:

This paper compares iconography of the “image of power” on Roman coins of Emperor Aurelian (minted in Serdica, minted in 274–275) and Byzantine pieces of Emperor Justinian II (Constantinople and several Western provincial mints, 705–711). Not synchronous coin types demonstrate the similarity of the idea and image, which affirmed the divine power over the earthly empire in the pagan and Christian periods of its existence. This was achieved due to the novelty of the iconographic language: the half-length images of Sol and Christ, both titled “dominus”, are placed on obverse, with their physiogno

APA, Harvard, Vancouver, ISO, and other styles

7

Klejnowski-Różycki, Dariusz. "Teologiczne typy bizantyjskich ikon maryjnych." Sympozjum 25, no. 1 (40) (2021): 55–65. http://dx.doi.org/10.4467/25443283sym.21.005.13718.

Full text

Abstract:

Theological types of Byzantine icons of the Virgin Mary The Christian East is extremely diverse. Some Churches of the Christian East have developed extensive iconographic art along with the theory of this art, while others have not. The Church of Constantinople developed patterns in the field of iconography, including Marian iconography. Byzantine Marian icons can be divided into four groups: (1) Marian feasts; (2) theological icons; (3) symbolic icons; (4) liturgical icons. A characteristic feature of theological icons is the focus on the close relationship between Mary and Christ (God). Thes

APA, Harvard, Vancouver, ISO, and other styles

8

Hedeager, Lotte. "Cosmological endurance: pagan identities in early Christian Europe." European Journal of Archaeology 1, no. 3 (1998): 382–96. http://dx.doi.org/10.1179/eja.1998.1.3.382.

Full text

Abstract:

In this article, I attempt to show how the Germanic peoples of the Migration Period in Early Chiristian Europe (c. AD 400–500) created – or preserved – a pagan Scandinavian myth of their origin as a, significant part of their identity and perception. The function of the myths as political and ideological legitimations is related to the iconography of the material culture, notably the early animal ornamentation (Salins' Style I). Integration of the written evidence and the archaeological sources makes it possible to demonstrate how origins, myths and iconography together express a formative cor

APA, Harvard, Vancouver, ISO, and other styles

9

Dmytrenko, Nataliia. "ICONOGRAPHY OF "THE LAST SUPPER" AND ITS ORIGINS IN THE MONUMENTS OF THE EARLY CHRISTIAN ERA." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 28 (December 15, 2019): 98–108. http://dx.doi.org/10.33838/naoma.28.2019.98-108.

Full text

Abstract:

The article deals with the works of monumental painting, decorative and applied art and art of the book miniature of the early Christian era with the first images that refer to the prototypes of the "Last Supper". The research of iconography and the origins of the plot, namely, the influence of Roman art on the formation of iconography and artistic works of Christian art at its earliest stages of creation is the main line of the article. The main problems of identification of the plot, its symbols and use in various art forms are highlighted.In the study of the iconography of the plot "The Las

APA, Harvard, Vancouver, ISO, and other styles

10

Milani, Federico, and Piero Fraternali. "A Dataset and a Convolutional Model for Iconography Classification in Paintings." Journal on Computing and Cultural Heritage 14, no. 4 (2021): 1–18. http://dx.doi.org/10.1145/3458885.

Full text

Abstract:

Iconography in art is the discipline that studies the visual content of artworks to determine their motifs and themes and to characterize the way these are represented. It is a subject of active research for a variety of purposes, including the interpretation of meaning, the investigation of the origin and diffusion in time and space of representations, and the study of influences across artists and artworks. With the proliferation of digital archives of art images, the possibility arises of applying Computer Vision techniques to the analysis of art images at an unprecedented scale, which may

APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Christian iconography"

1

Forrest, Matthew. "Iconography profiles." Morgantown, W. Va. : [West Virginia University Libraries], 2008. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=5698.

Full text

Abstract:

Thesis (M.F.A.)--West Virginia University, 2008.<br>Title from document title page. Document formatted into pages; contains v, 29 p. : ill. (some col.). Vita. Includes abstract. Includes bibliographical references (p. 11).

APA, Harvard, Vancouver, ISO, and other styles

2

Von, Veh Karen Elaine. "Transgressive Christian iconography in post-apartheid South African art." Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1002220.

Full text

Abstract:

In this study I propose that transgressive interpretations of Christian iconography provide a valuable strategy for contemporary artists to engage with perceived social inequalities in postapartheid South Africa. Working in light of Michel Foucault’s idea of an “ontology of the present”, I investigate the ways in which religious iconography has been implicated in the regulation of society. Parodic reworking of Christian imagery in the selected examples is investigated as a strategy to expose these controls and offer a critique of mechanisms which produce normative ‘truths’. I also consider how

APA, Harvard, Vancouver, ISO, and other styles

3

Kordis, George D. "St. Nikodemos the Hagiorite on Byzantine iconography." Theological Research Exchange Network (TREN), 1989. http://www.tren.com.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Werner, Xenia. "Marian typology an analysis of hymnography and iconography /." Theological Research Exchange Network (TREN), 1999. http://www.tren.com.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Hammond, John Arthur. "British Great War rememberance : the influence of Christian text, teaching and iconography." Thesis, University of Wales Trinity Saint David, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683028.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Waltz, Connie Lou. "Sources and iconography of the figural sculpture of the Church of the Holy Cross at Aght'amar." Connect to resource, 1986. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1228504313.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Peers, Glenn Alan. "The iconography of the archangel Michael on Byzantine icons /." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66084.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Kakaletris, George. "Icons the concerns inherent within the theology of the Eastern Orthodox Church on iconography /." Theological Research Exchange Network (TREN), 1997. http://www.tren.com.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Kellaris, Georgios. "The iconography of sanctuary doors from Patmos and its place in the iconographic program of the Byzantine iconostasis." Thesis, McGill University, 1991. http://books.google.com/books?id=4OjVAAAAMAAJ.

Full text

Abstract:

Thesis (M.A.)--McGill University, 1991.<br>Contains an English abstract and a French résumé. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 83-87).

APA, Harvard, Vancouver, ISO, and other styles

10

Bullough, Kathryn Mary. "Temptress, virgin and whore : icons of sexuality - a comparative investigation of the religious significance of the figures Eve, the Virgin Mary and Mary Magdalen in the work of Dante Gabriel Rossetti, Edward Burne-Jones and George Frederick Watts." Thesis, Lancaster University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369551.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Christian iconography"

1

Deschler, Jean-Paul. Christliche Ikonographie=: (Christian iconography). St. Ephrem Ecumenical Research Institute (SEERI), 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Iconography: Faith in color. Basilian Press, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Burke, Marcus B. Jesuit art and iconography, 1550-1800. Saint Peter's College, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Dionigi, R. SS. Quattuor Coronati: Bibliography and iconography : an essay. Aisthesis, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Charalampidis, Constantine P. The dendrites in pre-Christian and Christian historical-literary tradition and iconography. "Erma" di Bretschneider, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

St. Nicholas: His legends and iconography. L.S. Olschki, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Malbon, Elizabeth Struthers. The iconography of the sarcophagus of JuniusBassus. Princeton University Press, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Trottein, Gwendolyn Alder. The Children of Venus in late medieval and renaisssance iconography. University Microfilms International, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

The iconography of the sarcophagus of Junius Bassus. Princeton University Press, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Hayotsʻ terunakan srbapatkernerě =: Armenian Lord's icons. Zangak-97, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Christian iconography"

1

Friedman, John B., and Jessica M. Wegmann. "The Christian Tradition." In Medieval Iconography. Routledge, 2021. http://dx.doi.org/10.4324/9781003249610-6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Badzvi, Abdo. "Initiation to Christian Iconography." In The Harp (Volume 17), edited by Geevarghese Panicker, Rev Jacob Thekeparampil, and Abraham Kalakudi. Gorgias Press, 2011. http://dx.doi.org/10.31826/9781463233051-008.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Trüeb, Ralph M. "Epilogue: Female Hair in Christian Iconography." In Female Alopecia. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-35503-5_7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Parry, Ken. "7. The Iconography of the Christian Tombstones from Zayton." In Silk Road Studies. Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.srs-eb.4.00177.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Zimmermann, Norbert. "Catacomb Painting and the Rise of Christian Iconography in Funerary Art." In The Routledge Handbook of Early Christian Art. Routledge, 2018. http://dx.doi.org/10.4324/9781315718835-2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Maier, Harry O. "Chapter 8. Reading Colossians in the Ruins: Roman Imperial Iconography, Moral Transformation, and the Construction of Christian Identity in the Lycus Valley." In Colossae in Space and Time. Vandenhoeck & Ruprecht, 2011. http://dx.doi.org/10.13109/9783666533976.212.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Tsakiridou, C. A. "Tradition and Iconographic Types." In Tradition and Transformation in Christian Art. Routledge, 2018. http://dx.doi.org/10.4324/9781351187275-2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Grishin, Alexander. "Eastern Christian Iconographic and Architectural Traditions: Eastern Orthodox." In The Blackwell Companion to Eastern Christianity. Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470690208.ch18.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Hunt, Lucy-Anne. "Eastern Christian Iconographic and Architectural Traditions: Oriental Orthodox." In The Blackwell Companion to Eastern Christianity. Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470690208.ch19.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

de Castro León, Víctor, and Alberto Tiburcio. "‘Alī al-Sharafīʼs 1551 Atlas: A Construct Full of Riddles." In Übersetzungskulturen der Frühen Neuzeit. Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-662-62562-0_13.

Full text

Abstract:

AbstractThis paper examines the practices of translation in the 1551 Atlas of ‘Alī al-Sharafī of Sfax (d. after 1579). Drawing on conceptual frameworks from translation studies, linguistics, and other disciplines of textual and historical analysis, we argue that the iconographic and textual elements of the atlas –such as calendrical tables, qibla charts, knot patterns in frames, and depictions of flags and banners in sectional charts– reflect a quest for ways to culturally adapt map-making practices that were shared across the Mediterranean realm. As such, the product in question cannot be fully understood through the lens of traditional dichotomies such as Islamic vs. Christian or European vs. Middle Eastern or North African, as its cultural references and semiotic repertoire extend beyond subregional and confessional demarcations.

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Christian iconography"

1

Gräslund, Ann-Sofie. "Christian or Pagan?: Some Reflections on the Iconography of U 448." In The Eighth International Symposium on Runes and Runic Inscriptions. Department of Scandinavian Languages, Uppsala University, 2021. http://dx.doi.org/10.33063/diva-438875.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Davico, Pia. "Fortificazioni della Tunisia contese tra Spagnoli e Turchi a metà del secolo XVI, documentate dall’iconografia coeva. Un’analisi dal ter-ritorio all’architettura." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11347.

Full text

Abstract:

Tunisian fortifications disputed between Spaniards and Turks in the mid-sixteenth century, documented by coeval iconography. An analysis from the territory to the architectureThe five volumes of the precious archival collection of drawings called Architettura Militare (Military Architecture), kept at the Archivio di Stato di Torino (Turin State Archive), propose documents made mostly by military engineers from the half of the sixteenth to the following first decade. The tomes collect mostly drawings of places under the aegis of the Duchy of Savoy, apart from the second one, dedicated to docume

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!