Relevant bibliographies by topics / Christian Norberg-Schulz

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Academic literature on the topic 'Christian Norberg-Schulz'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "Christian Norberg-Schulz"

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Van Gerrewey, Christophe. "Christian Norberg-Schulz (1926-2000)." Environment, Space, Place 4, no. 1 (2012): 29–47. http://dx.doi.org/10.7761/esp.4.1.29.

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Sheffield, Clarence Burton. "Nightlands: Nordic Building. Christian Norberg-Schulz , Thomas McQuillan." Studies in the Decorative Arts 5, no. 1 (1997): 151–55. http://dx.doi.org/10.1086/studdecoarts.5.1.40662610.

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Rivero-Lamela, Gloria. "CHRISTIAN NORBERG-SCHULZ: GENIUS LOCI: PAESAGGIO, AMBIENTE, ARCHITETTURA." Proyecto, Progreso, Arquitectura 23 (November 19, 2020): 198–99. http://dx.doi.org/10.12795/ppa.2020.i23.13.

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Christian Norberg-Schulz publicó este libro en 1979 en italiano, y fue traducido al inglés solo un año después. Desde entonces, se ha posicionado como uno de los ensayos primordiales en la reflexión y comprensión del lugar desde la perspectiva fenomenológica de la arquitectura. Como secuela de sus trabajos teóricos precedentes, con esta obra pretende superar la teoría abstracta y científica para conquistar la dimensión existencial de la arquitectura en su contexto. Para ello, el libro se estructura en ocho capítulos que se podrían dividir en tres partes: en la primera, teórica, se asientan los
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García-Doménech, Sergio. "El espacio arquitectónico y urbano en la aproximación fenomenológica de NorbergSchulz. Una revisión crítica." Estoa 010, no. 020 (2021): 43–50. http://dx.doi.org/10.18537/est.v010.n020.a04.

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En el curso de treinta años y tras iniciales influencias estructuralistas, Christian Norberg-Schulz expondría interesantes enfoques fenomenológicos para la arquitectura y la ciudad. Dentro de su producción teórica, la mayoría de estos postulados se expondrían en la denominada trilogía fenomenológica. Conviene poner el acento en el ambiente crítico de la segunda mitad del siglo XX con la modernidad. El espacio, el lugar, la arquitectura, la ciudad, la existencia, la historia, el objeto o la noción de habitar, serían conceptos que Norberg-Schulz trabajaría profundamente bajo ese enfoque fenomeno
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Tourek, Jiří. "Notes on Early Architectural Phenomenology of Christian Norberg-Schulz." Actual Problems of Theory and History of Art 6 (2016): 751–54. http://dx.doi.org/10.18688/aa166-10-82.

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Krause, Linda R. "Review: Architecture: Meaning and Place by Christian Norberg-Schulz." Journal of the Society of Architectural Historians 50, no. 2 (1991): 197–99. http://dx.doi.org/10.2307/990596.

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Andersen, Anna Ulrikke. "Translation in the architectural phenomenology of Christian Norberg-Schulz." Architectural Research Quarterly 22, no. 1 (2018): 81–90. http://dx.doi.org/10.1017/s1359135518000088.

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This article offers a step by step analysis of an undiscussed note written by Christian Nor-berg-Schulz 18 April 1979, titled Translation, as I ask what role the notion of transla-tion played in his theory of genius loci. Scholars have recently shown interest in the way the field of translation and architecture intersect and can inform each other. Norberg-Schulz is widely read and researched, but the role of translation in his authorship has to date been undiscussed. Springing from my discovery of the note in the archive, I revisit Norberg-Schulz's phenomenological approach to architecture wit
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Chaves Hernández, Ricardo. "Fenomenologia de arquitetura. Discursos de Christian Norberg-Schulz e Juhani Pallasmaa." REVISTARQUIS 8, no. 2 (2019): 23–35. http://dx.doi.org/10.15517/ra.v8i2.37928.

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Na teoria arquitetónica, a fenomenologia entende-se como um movimento que investiga a arquitetura enquanto experiência humana. Dentro desse movimento, este artigo destaca dois discursos: o de Christian Norberg-Schulz e de Juhani Pallasmaa por apresentarem, respetivamente, uma “fenomenologia do exterior” e uma “fenomenologia do interior”– domínios pertencentes e interdependentes da arquitetura. Estes arquitetos-fenomenólogos problematizaram sobre arquitetura-lugar e arquitetura-corpo para marcar as suas posições críticas ao movimento moderno e pós-moderno. O objetivo deste artigo é compreender
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Rincón Borrego, Iván I. "Landscape architectures in Norway: The influence of AHO masters on the National Tourist Routes of Norway." Cuaderno de Notas, no. 20 (July 31, 2019): 89. http://dx.doi.org/10.20868/cn.2019.4263.

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ResumenDurante la década de los 90 el Gobierno Noruego ha venido desarrollando el National Tourist Routes Plan sobre una selección de 18 itinerarios de carreteras locales para su recuperación. El interesante programa se realiza sobre vías destinadas a vehículos rodados, lo que supone la recuperación del sentido épico del viaje en automóvil, el acceso a lugares remotos y su puesta en valor de forma sostenible. Muchas de las intervenciones han sido llevadas a cabo por equipos de jóvenes arquitectos y paisajistas noruegos formados en la Escuela de Arquitectura de Oslo (AHO) bajo la influencia de
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Spens, Michael. "In the presence of absence: Cambridge's forgotten masterpiece. The Cornford house by Colin St. John Wilson (1967)." Architectural Research Quarterly 2, no. 1 (1996): 26–37. http://dx.doi.org/10.1017/s135913550000107x.

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The house is not widely known but has been praised by a distinguished circle since its completion, including Aldo Van Eyck and Christian Norberg-Schulz. It represents a fusion of European revision of modernism as a model of the continuity of ‘The Other Tradition’ with avant-garde American design concepts of the late 1960s. Quite distinct from the work of the New York Five, for example, it is, the author claims, nonetheless related to it through the architect's teaching involvement with the Yale and MIT schools from 1960. Today it remains a significant architectural icon, and following the deat
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Dissertations / Theses on the topic "Christian Norberg-Schulz"

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Wolford, Rebecca L. "Wandering in dwelling." Pullman, Wash. : Washington State University, 2008. http://www.dissertations.wsu.edu/Thesis/Fall2008/R_Wolford_012609.pdf.

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Thesis (M.S. in architectural theory)--Washington State University, December 2008.<br>Title from PDF title page (viewed on June 30, 2009). "School of Architecture and Construction Management." Includes bibliographical references (p. 63-64).
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Pires, Sara Nunes. "O espaço existêncial e a arquitectura: contribuições de Norberg-Schulz." Master's thesis, 2011. http://hdl.handle.net/10400.6/2340.

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O que é ser? O que é pertencer? O que é fazer parte de algo? Somos parte integrante do mundo. Tornamo-nos existência no mundo, Martin Heidegger usa a expressão ser-no-mundo. Não somos sem um mundo onde existir. O mundo é uno, relacional. Só somos se nos relacionarmos com os outros. Somos seres sociais, habitantes num mundo comum. O ser Humano, as coisas, a linguagem, sistematizam-se em comum como um todo relacional. A linguagem converte-se na memória viva dos seres. Surge a partir da existência e a linguagem é a morada do ser. Para Heidegger a linguagem é a marca do ser. O ser Humano de
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Michel, Asso Nazlie. "Significations et perceptions en architecture dans l’œuvre de Christian Norberg-Schulz." Thèse, 2010. http://hdl.handle.net/1866/4602.

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L’architecture au sens strict, qui renvoie à la construction, n’est pas indépendante des déterminations mentales, des images et des valeurs esthétiques, comme références, amenées par divers champs d’intérêt au problème du sens. Elle est, de par ce fait, un objet d’interprétation. Ce qu’on appelle communément « signification architecturale », est un univers vaste dans lequel sont constellées des constructions hypothétiques. En ce qui nous concerne, il s’agit non seulement de mouler la signification architecturale selon un cadre et des matières spécifiques de référence, mais aussi, de voir de
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Křížová, Lucie. "Genius loci jako estetický problém." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-344045.

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(in English): Diploma thesis Genius loci as an aesthetic problem is addressed by defining the concept of genius loci and exploring its aesthetic implications and parallels. After clarification of the ontological nature of this phenomenon its commonalities will be monitored with selected concepts of environmental philosophy and aesthetics, especially the aesthetic dimension of the environmental experience. Publications of Christian Norberg-Schulz and David E. Cooper are used as a starting material.
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Clara, Bernardo Youd David Luz 1990. ""Refiguração" do espaço privado contemporâneo : a "casa portuguesa" repensada." Master's thesis, 2020. http://hdl.handle.net/11067/5401.

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Dissertação de mestrado integrado em Arquitectura, Universidade Lusíada de Lisboa, 2019<br>Exame público realizado em 13 de Março de 2020<br>Esta dissertação tem como objeto de estudo a evolução do habitar privado no século XX em Portugal, começando na “casa portuguesa” de Raul Lino, como paradigma dos ideais do Estado Novo, passando pela sua tentativa de uma conveniente aproximação aos princípios modernistas e, por fim, a sua adaptação a uma domesticidade contemporânea da casa e a sua consequente “refiguração”. Pretende-se demonstrar como evoluiu o conceito de habitar na “casa portuguesa”, d
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Books on the topic "Christian Norberg-Schulz"

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Lauvland, Gro. Verk og vilkår: Christian Norberg-Schulz' stedsteori i et arkitekturfilosofisk perspektiv. Arkitektur- og designhøgskolen i Oslo, 2007.

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Rivolgimenti: Dialoghi di fine millennio : Raimundo Panikkar, Karlheinz Stockhausen, Hans Küng, Luigi Pintor, Adriana Zarri, Christian Norberg-Schulz. Marietti, 1990.

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Book chapters on the topic "Christian Norberg-Schulz"

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Auret, Hendrik. "Christian Norberg-Schulz and the art of place." In Christian Norberg-Schulz’s Interpretation of Heidegger’s Philosophy. Routledge, 2018. http://dx.doi.org/10.4324/9781351232791-2.

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Gutzmer, Alexander. "Christian Norberg-Schulz: Fetisch und Produktivität des Genius Loci." In Haltung. Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-30287-0_5.

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