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Relevant bibliographies by topics / Christian poetry, English (Mid

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Academic literature on the topic 'Christian poetry, English (Mid'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Journal articles on the topic "Christian poetry, English (Mid"

1

Lundgreen-Nielsen, Flemming. "Grundtvigs nordisk-mytologiske billedsprog - et mislykket eksperiment?" Grundtvig-Studier 45, no. 1 (1994): 142–98. http://dx.doi.org/10.7146/grs.v45i1.16146.

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Grundtvig ’s Norse Mythological Imagery - An Experiment that Failed?By Flemming Lundgreen-NielsenSince his early youth, Grundtvig worked frequently and diligently with Norse mythology. From 1805 to 1810 he tried in a scholarly way to sort out its original sources and accordingly its ancient meanings, though Grundtvig even as a philologist preferred to give spontaneous enthusiasm aroused by a synthetic vision a priority above linguistic proofs (Norse Mythology, 1808). After a pause of some years, Grundtvig in 1815 returned to Norse mythology, allowing himself a more free and subjective interpre

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Edzard, Alexandra. "A Judeo-French Wedding Song from the Mid-13th Century: Literary Contacts between Jews and Christians." Journal of Jewish Languages 2, no. 1 (2014): 78–98. http://dx.doi.org/10.1163/22134638-12340022.

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The subject of this article is a bilingual Judeo-French wedding song, edited by David Simon Blondheim in 1927. It is studied in its linguistic (Hebrew and French) and cultural (Jewish and Christian France) context. In the Jewish tradition, the song belongs to a widely used form of poetry in which two or more languages alternate. A similar bi- and multilingualism can also be found in medieval Christian poetry in France and in Muslim poetry in Moorish Spain. The present study concentrates on poems in which French can be found together with other languages. The article demonstrates influence from

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Gardner, Kevin J. "Parish of the Dead." Religion and the Arts 20, no. 5 (2016): 637–62. http://dx.doi.org/10.1163/15685292-02005004.

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This essay offers an introduction to the poetry of Peter Scupham. Through close readings of individual poems, I demonstrate the beauty and formal accomplishment of his work, and I argue that his poetry embodies his sense of a living Christian tradition, one that also inheres in the English landscape. I further argue that this tradition connects the dead to the living, and the remote in time to more recent English history. The particular Christian ethos of Scupham’s poetry is one in which tradition, order, design, meaning, and essence are paramount.

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Sharma, Dr Lok Raj. "Exploring Birds as Glorified in the Romantic Poetry." Global Academic Journal of Linguistics and Literature 4, no. 2 (2022): 24–27. http://dx.doi.org/10.36348/gajll.2022.v04i02.001.

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English Romantic poetry contributes profound love and genuine reverence of the poets to nature. Birds constitute a part of nature, and love for nature is one of the perpetual features and themes of the Romantic poetry. This article, which aims at exploring birds how English Romantic poets glorify them in their poetry, comprises five poems of four celebrated English Romantic poets, namely Wordsworth, Coleridge, Shelley and Keats. This article concludes that the Romantic poets glorify birds as a blithe spirit, a light-winged fairy, an ethereal minstrel, a blithe new-comer, a wandering voice, a d

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Weiskott, Eric. "Poetry and the Inapprehensible: A Genealogy." ELH 91, no. 3 (2024): 629–62. http://dx.doi.org/10.1353/elh.2024.a936608.

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Abstract: Through close readings of William Langland, John Keats, Anne Carson, and Ben Lerner, this essay describes an enigmatic effect in and of English literature. Proposing Christian apophaticism as both source and analogue of literary styles, the essay introduces the concept of "apophatic effects," references to a literary realm not merely virtual but definitively inaccessible to perception. The imaginative leap that modern scholars value in English literature, epitomized by Keats's speaker's reflections on the urn, is a form of theological thinking that has forgotten where it came from. T

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Michelsen, William. "Om Grundtvigdebatten med svar til mine kritikere." Grundtvig-Studier 43, no. 1 (1992): 97–105. http://dx.doi.org/10.7146/grs.v43i1.16078.

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About the Grundtvig Debate, with Answers to my CriticsBy William MichelsenThis article has been written from the general principle that a distinction must be made between ascertaining what Grundtvig wrote in poetry or prose, and the individual scholars’ personal (existential) attitudes to it, even though such attitudes will inevitably colour their mode of expression. The essential thing is to maintain the fundamentally objective attitude as crucial to research. Kim Arne Pedersen's »Hermeneutic Reflections« in »Grundtvig Studier«, 1991, on the articles in Grundtvig’s »Danne-Virke«, 1816-19, con

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Wawn, Andrew, and Judith N. Garde. "Old English Poetry in Medieval Christian Perspective: A Doctrinal Approach." Modern Language Review 89, no. 1 (1994): 182. http://dx.doi.org/10.2307/3733170.

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Bately, Janet M. "Old English prose before and during the reign of Alfred." Anglo-Saxon England 17 (December 1988): 93–138. http://dx.doi.org/10.1017/s026367510000404x.

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Old English poetry had its origins in the pagan continental past of the Anglo-Saxons. The development of an Old English literary prose is generally supposed to have taken place many centuries later in Christian England. According to a recent work by Michael Alexander, for instance.

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Markova, E. A. "THE TRADITION OF ENGLISH-LANGUAGE ELEGY AND J. BRODSKY’s POETRY." Bulletin of Udmurt University. Series History and Philology 29, no. 6 (2019): 1030–36. http://dx.doi.org/10.35634/2412-9534-2019-29-6-1030-1036.

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In the present article J. Brodsky’s poetry is analyzed in the context of a particular elegiac tradition associated with some key figures of English-language poetry of the mid-to-late 20th century. These are W.B. Yeats, T.S. Eliot, W.H. Auden and S. Heaney. The aim of the article is to examine the continuity of the 20th century English poetry by the example of a sequence of dedication poems (elegies), in which each subsequent poem alludes to the previous one(s). The comparative method allows us not only to show the features of modern English-language poetry (for instance, the link between elegi

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Gangchuk, Gangchuk, and Norbu Dukpa. "Challenges English teachers and students face in teaching and learning poetry in Class VI of Rangaytung Primary School, Chhukha Dzongkhag." Journal of Humanities and Education Development 6, no. 2 (2024): 87–93. http://dx.doi.org/10.22161/jhed.6.2.12.

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The poetry question of class VI is marked out of 8 both in the mid-term as well as in the annual examination according to the English Curriculum Framework, Classes PP-XII, of which the poem should be from outside Reading & Literature, Class VI. After studying the marks scored by 14 students of class VI of Rangaytung Primary School, Chhukha in the mid-term examination, 2023, more than 75% of the students on average scored below 4. Therefore, the study found out what reasons students had for not fully understanding the poems taught in the classroom. The study also touched on the perceptions

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Dissertations / Theses on the topic "Christian poetry, English (Mid"

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Williamson, Paul. "The metaphysical basis of mid eighteenth-century English poetry." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314489.

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Goodridge, John Anthony. "Rural life in English poetry of the mid-eighteenth century." Thesis, University of Newcastle Upon Tyne, 1990. http://hdl.handle.net/10443/1052.

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This thesis examines several mid-eighteenth century poems, assessing their portrayal of rural life, its literary and historical significance, and the aesthetic and ideological issues it presents. An introductory essay on developments in rural poetry sets'the scene for two extended essays. The first essay is a comparative reading of the subject of rural labour in three poems: James Thomson's The Seasons %724-40, Stephen Duck's The Thresher's Labour (1730,1736) and Mary Collier's The Woman's Labour The viewpoints of a professional poet (Thomson), a farm labourer (Duck), and a working woman (Coll

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Wain, Leah Elizabeth. "Christian frameworks and critical readings in mid-nineteenth-century women's poetry." Thesis, Birkbeck (University of London), 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271945.

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Moore, Natasha Lee. "The unpoetical age : modern life and the mid-Victorian long poem." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610158.

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Esser, Carolin Maud. "Naming the divine : designations for the Christian God in old English poetry." Thesis, University of York, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.434102.

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James, Lara. "Unsre Wissenschaft ist Freude,/Unsre Kunst, Geselligkeit : the emergence of the Lied in mid-eighteenth-century Berlin." Thesis, University of Bristol, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326723.

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Turner, Kandy M. (Kandy Morrow). "A Study of "The Rhyming Poem": Text, Interpretation, and Christian Context." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc331700/.

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The purpose of the research presented here is to discover the central concept of "The Rhyming Poem," an Old English Christian work known only from a 10th-century manuscript, and to establish the poem's natural place in the body of Old English poetry. Existing critical literature shows little agreement about the poem's origin, vocabulary, plot, or first-person narrator, and no single translation has satisfactorily captured a sense of the poem's unity or of the purposeful vision behind it. The examination of text and context here shows that the Old English poet has created a unified vision in w

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Herbison, David Ivan Currie. "The legacy of Christian epic : a study of Old English biblical and hagiographical poetry." Thesis, Queen's University Belfast, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.394463.

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Leduc, Natalie. "Dissensus and Poetry: The Poet as Activist in Experimental English-Canadian Poetry." Thesis, Université d'Ottawa / University of Ottawa, 2019. http://hdl.handle.net/10393/38773.

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Many of us believe that poetry, specifically activist and experimental poetry, is capable of intervening in our society, as though the right words will call people to action, give the voiceless a voice, and reorder the systems that perpetuate oppression, even if there are few examples of such instances. Nevertheless, my project looks at these very moments, when poetry alters the fabric of our real, to explore the ways these poetical interventions are, in effect, instances of what I have come to call “dissensual” poetry. Using Jacques Rancière’s concept of dissensus and the distribution of the

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Richardson, Rebecca M. "A silent savior the inapproachability of Christ in the Dream of the rood /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2008. http://hdl.handle.net/10355/6679.

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Thesis (M.A.)--University of Missouri-Columbia, 2008.<br>Title from Graduate School website. The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on September 22, 2008) Includes bibliographical references.

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Books on the topic "Christian poetry, English (Mid"

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1949-, Trott James H., ed. A sacrifice of praise: An anthology of Christian poetry in English from Caedmon to the mid-twentieth century : selected and arranged with notes on the poets, periods, and genres. 2nd ed. Cumberland House Pub., 2006.

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Douglas, Moffat, ed. The Soul's address to the body: The Worcester fragments. Colleagues Press, 1987.

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Chong-wha, Chung, ed. Love in mid-winter night: Korean sijo poetry. KPI, 1985.

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Reilly, Catherine W. Mid-Victorian poetry, 1860-1879: An annotated biobibliography. Mansell, 2000.

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1974-, Walton Chris, ed. Southern Christian messengers. Triumph House, 1996.

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Mary, Batchelor, ed. The Lion Christian poetry collection. Lion, 2001.

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7

Joseph, Brendan. Verses by would-be Christian. Cheeky Sparrow Press, 1997.

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8

Greenhalgh, Margaret A. Love and inspiration: Sentimental poetry. Rosebud Publications, 2003.

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Kenneally, Christy. Miracles and me: A poems for children. Paulist Press, 1986.

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Killingley, Siew-Yue. Sound, speech, and silence: Selected poems. Grevatt & Grevatt, 1995.

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Book chapters on the topic "Christian poetry, English (Mid"

1

Kennedy, Charles W. "Christian Allegory." In The Earliest English Poetry. Routledge, 2023. http://dx.doi.org/10.4324/9781003424222-10.

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2

Clarke, Danielle. "Mid-Tudor Poetry." In The Oxford History of Poetry in English. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198830696.003.0024.

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Rather than viewing ‘mid-Tudor’ as a transitional phase, this chapter argues that the poetry of the 1560s and 1570s provides significant innovation in form, presentation, style, and social reach. The chapter suggests that to impose aesthetic and formal distinctions retrospectively is to mistake the uniquely vernacular and hybrid nature of much of the verse of this period, and the ways in which it is presented to the reader in increasingly sophisticated forms: anthologies, miscellanies, and single-author collections of variegated material. The chapter looks in detail at work by Thomas Howell, G

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"Mary Russell Mitford (1787-1855)." In A Century of Sonnets, edited by Paula R. Feldman and Daniel Robinson. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195115611.003.0061.

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Abstract Mary Russell Mitford was a respected dramatist and poet. She published several accomplished volumes of poetry, including Poems (1810), Christina, or the Maid ef the South Seas (1811), and Poems on the Female Character (1813); and her tragedy Julian was performed at Covent Garden to much acclaim in 1823. However, it was Our Village (1824), with its amusing, affectionate, and down-to-earth prose sketches of Berkshire life, that became an English classic. She had further success with Foscari (1826) and Rienzi (1828). Mitford’s long friendship with Elizabeth Barrett was later immortalized

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"Theories of Poetry." In Classical and Christian Ideas in English Renaissance Poetry. Routledge, 2003. http://dx.doi.org/10.4324/9780203359952-18.

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"THEORIES OF POETRY." In Classical and Christian Ideas in English Renaissance Poetry. Routledge, 2003. http://dx.doi.org/10.4324/9780203359952-33.

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McDowell, Nicholas. "Cavalier Poetry." In The Oxford History of Poetry in English. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780198930259.003.0034.

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Abstract ‘The Cavalier poets’ remains the short-hand phrase for those mid-seventeenth-century poets seen as central to the Caroline lyric tradition, in particular, Robert Herrick, Thomas Carew, Sir John Suckling, and Richard Lovelace. ‘Cavalier’ identifies a school of writing largely by allegiance to the royalist cause in the English Civil Wars rather than by a distinguishing literary attribute. Yet none of these four writers ever fought in the Civil Wars, and, apart from Lovelace, they wrote their poetry mostly before the wars even began. This chapter shifts the critical focus towards the rec

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"MOSHE NATAN (mid-fourteenth century)." In The Dream of the Poem: Hebrew Poetry from Muslim and Christian Spain, 950-1492. Princeton University Press, 2009. http://dx.doi.org/10.1515/9781400827558.297.

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Wogan-Browne, Jocelyn. "The Hero in Christian Reception: Ælfric and Heroic Poetry." In Old English Literature. Yale University Press, 2002. http://dx.doi.org/10.12987/yale/9780300091397.003.0010.

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Wogan-Browne, Jocelyn. "The Hero in Christian Reception: Ælfric and Heroic Poetry." In Old English Literature. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300129113-013.

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Picciotto, Joanna. "Practising Flow in Marvell and Ashbery." In Imagining Andrew Marvell at 400. British Academy, 2022. http://dx.doi.org/10.5871/bacad/9780197267073.003.0017.

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John Ashbery named Marvell as one of the three poets to whom he was most attracted when he decided on his vocation in college, and Marvellian echoes resound throughout his work. This chapter argues that Marvell and Ashbery’s kinship is grounded in a shared experience of historical rupture introduced by new media, and in their efforts to welcome its derangements of individual experience. Both poets were alert to the possibilities mass media offered for the realization of traditionally Christian (though hardly exclusively Christian) virtues, and they made stylistic choices with these possibiliti

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Conference papers on the topic "Christian poetry, English (Mid"

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Yatsenko, Maria. "CALL FOR PRAYER IN THE OLD ENGLISH TRADITION: LINGUISTIC MEANS OF PRESENTING." In VII Readings in Memory of V. N. Yartseva. Institute of Linguistics of the Russian Academy of Sciences, 2024. http://dx.doi.org/10.37892/978-5-6049527-5-7-18.

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The article explores the linguistic methods employed in conveying the significant Christian invocation—a call for prayer—in Old English prose and poetry. This invocation finds its origins in Caedmon’s Hymn, the earliest known text of Old English poetry, which is notably unconventional. One of its distinctive features is the form of the call for prayer, highlighting the importance of comparing similar invocations in the broader context of Old English Christian literature genres. Research indicates that in homilies and commentaries on liturgical texts (such as the “Benedictine Office”), the call

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Yatsenko, Maria. "qCaedmon's Hymnq in the Context of the Old English Christian Poetry (with special reference to the Song of the Three Youths)." In 45th International Philological Conference (IPC 2016). Atlantis Press, 2017. http://dx.doi.org/10.2991/ipc-16.2017.32.

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