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Journal articles on the topic 'Christine (de Pisan) Christine'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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1

Green, Karen. "Christine De Pisan and Thomas Hobbes." Philosophical Quarterly 44, no. 177 (October 1994): 456. http://dx.doi.org/10.2307/2220245.

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2

MEDICI, MARIA TERESA GUERRA. "The mother of international law: Christine de Pisan." Parliaments, Estates and Representation 19, no. 1 (January 1999): 15–22. http://dx.doi.org/10.1080/02606755.1999.9522069.

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3

Bashpinar, Harika. "Christine De Pisan and Murasaki Shikibu as Medieval Feminists." Khazar Journal of Humanities and Social Sciences 18, no. 2 (July 2015): 23–33. http://dx.doi.org/10.5782/2223-2621.2014.18.2.23.

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This study presents a comparative reading of Christine de Pizan’sThe Book of the City of Ladies and MurasakiShikibu’s The Tale of Genji. Having lived and written in the Middle Ages, both Christine de Pizan and MurasakiShikibu share the privilege of being among the first women writers as well as the first feminists. As their life stories picture them as strong, independent women unusual at that time, their works elaborate on the plight of their sex in a patriarchal and oppressive society, and propose ways to transcend these borders. What is striking in such a reading is that it makes the modern reader see that oppression on women has been existent since at least the Medieval Era, and it has been a case throughout the world. Since neither Pizan nor Shikibuknew the culture and works of the other, their attracting attention to the same issues suggests an interesting reading.

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4

Martin, Charles, and Johanna Keller. "Five Poems from the French of Christine de Pisan." Hudson Review 52, no. 2 (1999): 229. http://dx.doi.org/10.2307/3853405.

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5

Duran, Jane. "Christine de Pisan and the Development of a Philosophical View." Philosophy and Theology 27, no. 2 (2015): 337–49. http://dx.doi.org/10.5840/philtheol2015102833.

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6

Fuchs Godec, Kim. "Le tourbillon des sentiments amoureux dans la poésie de Marceline Desbordes-Valmore ou la poétisation d’une histoire amoureuse." Journal for Foreign Languages 12, no. 1 (December 28, 2020): 261–76. http://dx.doi.org/10.4312/vestnik.12.261-276.

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Oubliées à tort pendant plusieurs siècles, les femmes de lettres, dont Christine de Pisan, Louise Labé, Madelaine et Catherine des Roches, Marceline Desbordes-Valmore et beaucoup d’autres, prêtaient à maintes reprises leur plume prolixe au service des épanchements du cœur. La voix féminine de la poésie courtoise, Christine de Pisan, s’est inscrite dans l’histoire comme la première Française à avoir jamais vécu de ses écrits. D’origine vénitienne, elle s’est permis, à la fin du XIVe, début du XVe siècle, de célébrer le mariage et chanter, en son propre nom, l’amour pour son mari et le délice de la nuit de noces afin de montrer du doigt le concept erroné de l’amour courtois, vanté par les troubadours. Néanmoins, ce n’est qu’à la Renaissance que la scène littéraire assiste à « l’avènement » de la figure de la femme écrivaine/poétesse, incarnée par-dessus tout dans le personnage de Louise Labé, femme dotée de la liberté d’esprit, qui assumait pleinement sa féminité dans ses vers. À l’aube du XIXe siècle, le cercle s’agrandit avec Marceline Desbordes-Valmore, connue de nos jours comme prédécesseure de la poésie romantique.

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7

Minois, Georges. "Christine de Pisan. Le Trésor de la Cité des Dames." Les Grands Dossiers des Sciences Humaines N° 49, no. 12 (December 1, 2017): 11. http://dx.doi.org/10.3917/gdsh.049.0011.

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8

Iñarrea Las Heras, Ignacio. "Mujer, independencia y soledad. Le dit de la pastoure de Christine de Pisan." Epos : Revista de filología, no. 18 (September 4, 2013): 257. http://dx.doi.org/10.5944/epos.18.2002.10217.

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9

Spagnolo, Tabitha. "Autorité féminine, voix masculine : l’égalité des sexes au dix-septième siècle." Convergences francophones 6, no. 2 (May 23, 2020): 29–36. http://dx.doi.org/10.29173/cf570.

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Cette contribution s’intéresse à quelques stratégies textuelles et théoriques employées au dix-septième siècle par Marie Le Jars de Gournay (1565-1645) et François Poullain de la Barre (1647-1725). Ces derniers se sont impliqués dans la très longue « querelle des femmes ». Gournay et Poullain étaient d’ardents défenseurs de l'égalité des sexes et s’appuyaient tous deux sur le même héritage polémique établi par Christine de Pisan (1364-~1430) et Henri Corneille Agrippa (1486-1535) entre autres. Or, chacun s’exprimait depuis une positionnalité propre à son sexe, son origine et ses préjugés socioculturels tout en exploitant différentes approches rhétoriques pour exprimer sa perspective avec plus ou moins de succès. Nous traiterons de l’importance des contributions et de l’influence de ces deux auteurs en fonction des antécédents sociaux, éducatifs, sexuels, etc. Ils participaient au même débat avec des attentes manifestement différentes du public / lectorat et de réception. Les auteurs, leurs textes et le contexte méritent d’être étudiés de nouveau.

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10

Posturzyńska-Bosko, Małgorzata. "Towards the collective anaphors: associative analysis of member/collection relation in prose works of Christine de Pizan." Annales Universitatis Mariae Curie-Sklodowska, sectio FF, Philologia 33, no. 1 (May 31, 2016): 71. http://dx.doi.org/10.17951/ff.2015.33.1.71.

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11

Posturzyńska-Bosko, Małgorzata. "Towards the collective anaphors: associative analysis of member/collection relation in prose works of Christine de Pizan." Annales Universitatis Mariae Curie-Sklodowska, sectio FF, Philologia 33 (May 31, 2016): 71. http://dx.doi.org/10.17951/ff.2015.33.71.

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12

Hook, David. "«Fons curarum; fluvius lachrymarum»: Three Variations Upon A Petrachan Theme (Christine de Pisan, Fernando de Rojas and Fray Luis de Granada)." Celestinesca 6, no. 1 (January 8, 2021): 1. http://dx.doi.org/10.7203/celestinesca.6.19544.

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13

Costa, Daniel Padilha Pacheco da. "O amor cortês pelo avesso: François Villon e o debate sobre o Roman de la rose." Caligrama: Revista de Estudos Românicos 19, no. 1 (September 21, 2014): 81. http://dx.doi.org/10.17851/2238-3824.19.1.81-103.

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<p><strong>Resumo: </strong>Neste artigo, pretende-se discutir a paródia do amor cortês pelos lamentos burlescos do <em>Testament </em>de François Villon, com base nos preceitos e modelos que orientavam a invenção das letras na época. Complementares ao lamento do próprio testador pelo amor louco da sua juventude, os <em>Regrets de la belle heaulmière </em>utilizam como modelo poético o sermão da Velha do <em>Roman de la rose</em>. A imitação de uma das passagens desse poema mais duramente censuradas por Christine de Pisan evidencia que esses lamentos só podem ser compreendidos à luz do debate sobre o <em>Roman de la rose</em>, realizado no início do séc. XV na França. Dessa perspectiva, a paródia deve ser considerada não como uma recusa da tradição cortês no final da Idade Média, como pela crítica contemporânea, mas como um gênero particular da poesia burlesca visando a ridicularização do amor louco.</p> <p><strong>Palavras-chave: </strong>François Villon; paródia; amor cortês; debate sobre o <em>Roman de la rose</em>; lamentos burlescos.</p> <p class="Pa2"><strong> </strong></p> <p class="Pa2"><strong>Abstract: </strong>This paper intends to discuss the parody of courtly love performed by the burlesque regrets of François Villon’s <em>Testament</em>, using the poetic precepts and models based on which the writing was invented at the time. Complementary to the regret of the testator himself for the mad love of his youth, the <em>Regrets de la belle heaulmière </em>use as a poetic model the Old Woman’s sermon of the <em>Romance of the rose</em>. The imitation of one of the passages of this poem most harshly criticized by Christine de Pisan shows that those regrets can only be understood in the light of the debate of the <em>Romance of the rose </em>at the beginning of the XVth century in France. From this point of view, his parody must be considered not as a rejection of the courtly tradition in the late Middle Ages, as it is by contemporary criticism, but as a particular genre of burlesque poetry aiming to mock mad love.</p> <strong>Keywords: </strong>François Villon; parody; courtly love; debate on the <em>Roman de la rose</em>; burlesque regrets.

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14

González Doreste, Dulce Maria, and Francisca Del Mar Plaza Picón. "À propos de la compilation: Du De claris mulieribus de Boccace à Le Livre de la Cité des Dames de Christine de Pisan." Le Moyen Français 51-52-53 (January 2003): 327–37. http://dx.doi.org/10.1484/j.lmfr.2.303016.

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15

Crane, Susan. "Earl Jeffrey Richards, ed., with Joan Williamson, Nadia Margolis, and Christine Reno. Reinterpreting Christine de Pisan. Athens, GA-London: University of Georgia Press, 1992. x + 310 pp. $40. - Maureen Quilligan The Allegory of Female Authority: Christine de Pizan's “Cité des Dames.” Ithaca-London: Cornell University Press, 1991. xv + 290 pp. $45 cloth; $14.95 paper." Renaissance Quarterly 47, no. 1 (1994): 167–72. http://dx.doi.org/10.2307/2863124.

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16

Parvis, Sara. "Excavating Misogyny and Building on Women’s History: Christine de Pisan’s Book of the City of Ladies as a model for academic feminist theology." Teología y vida 61, no. 1 (March 2020): 73–89. http://dx.doi.org/10.4067/s0049-34492020000100073.

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17

Ballesteros García, María Dolores. "De Christine de Pisan (1364-1430) y la "Querelle des femmes" a Louise Labé (1524?- 1566) y su "Epístola dedicatoria": por una genealogía del feminismo en el Renacimiento francés." Alabe Revista de Investigación sobre Lectura y Escritura 6, no. 12 (December 1, 2015): 1–17. http://dx.doi.org/10.15645/alabe.2015.12.8.

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18

Sidabraitė, Žavinta. "Kristijonas Donelaitis - a Lithuanian Homer?" Masuro-⁠Warmian Bulletin 298, no. 4 (January 4, 2018): 693–706. http://dx.doi.org/10.51974/kmw-134930.

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Decyzja Donelaitisa o tym by pisać w języku litewskim była dobrze przemyślana. Dojrzewająca już od XVIII wieku idea, jakoby język litewski miał swoje źródła w starożytnej Grecji, mogła ośmielić go do zadania sobie trudu podjęcia eksperymentu tworzenia poezji w języku litewskim, dorównującej szlachetnym, antycznym dziełom Hellenów i biorąc za wzór twórczość Homera inspirowała ku temu, by spisać pierwsze, litewskie narodowe poematy. Podejmując się tworzenia literackiego języka litewskiego, Donelaitis zwracał uwagę nie tylko na jego konstrukcję, ale także na sposób wypowiedzi – w taki sposób, by narracja odzwierciedlała język litewskich chłopów, potoczny i niewyszukany. Decyzja ta, oryginalna w kontekście literatury europejskiej, mogła być podyktowana specyfiką ówczesnego języka litewskiego. Podział na język pisany i mówiony jeszcze nie był zbyt wyraźny, co implikowało konieczność tworzenia literatury w oparciu o dobrany odpowiednio materiał leksykalny bazujący na mowie litewskich wieśniaków. Stawiało to Donelaitisa, jako twórcę, w ekskluzywnej sytuacji. Nie miał on rów�nego sobie w owym czasie, który sam byłby w stanie poświęcić życie dla twórczości w języku litewskim. Podążając za przykładem najznamienitszych autorów starożytności, Donelaitis podjął się zadania utrwalenia prostego języka litewskich chłopów poprzez sprowadzenie go do formy klasycznej literatury. Jak się okazuje – z sukcesem.

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19

Ehrlich, Nina, and Helle Stangerup. "Christine." World Literature Today 77, no. 1 (2003): 141. http://dx.doi.org/10.2307/40157919.

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20

Liseblad, Madeleine. "Christine." American Journalism 34, no. 2 (April 3, 2017): 258–59. http://dx.doi.org/10.1080/08821127.2017.1309918.

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21

Albisson, G�rard. "Rue Christine." Che Vuoi ? N�1, no. 1 (2016): 129. http://dx.doi.org/10.3917/chev1.001.0129.

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22

Akkermans, Rebecca. "Christine Chambers." Lancet Child & Adolescent Health 4, no. 7 (July 2020): 494. http://dx.doi.org/10.1016/s2352-4642(20)30064-x.

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23

Moorman, Marissa. "Christine Messiant." ASA News 39, no. 2-3 (July 2006): 7. http://dx.doi.org/10.1017/s0002021400017801.

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24

Nelson, Marilyn. "Millie-Christine." African American Review 50, no. 4 (2017): 468–71. http://dx.doi.org/10.1353/afa.2017.0077.

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25

Wakley, Gill. "Christine Falls." Journal of Family Planning and Reproductive Health Care 34, no. 4 (October 1, 2008): 271. http://dx.doi.org/10.1783/147118908786000488.

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26

Hollands, Charlotte. "Christine Schreyer." Anthropology News 59, no. 2 (March 2018): e86-e89. http://dx.doi.org/10.1111/an.791.

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27

Davies, Louise, and Janet Nicholls. "Christine Nicholson." British Journal of Occupational Therapy 71, no. 6 (June 2008): 268. http://dx.doi.org/10.1177/030802260807100621.

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28

Murphy, A., and D. Christensen. "Christine Ivory." BMJ 342, apr20 2 (April 20, 2011): d2518. http://dx.doi.org/10.1136/bmj.d2518.

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29

Nelson, Marilyn. "Millie-Christine." African American Review 43, no. 2-3 (2009): 397–400. http://dx.doi.org/10.1353/afa.2009.0044.

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30

Schutt, Christine. "Christine Schutt." Sewanee Review 127, no. 4 (2019): 747–49. http://dx.doi.org/10.1353/sew.2019.0069.

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31

Kaplan, Janet A., Matthias Harder, and Jens Liebchen. "Christine Hill'sVolksboutique." Art Journal 57, no. 2 (June 1998): 39–46. http://dx.doi.org/10.1080/00043249.1998.10791877.

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32

Delphy, Christine. "Christine Delphy." Ballast N° 2, no. 1 (December 31, 2014): 38–52. http://dx.doi.org/10.3917/ball.002.0038.

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33

Hancock, Christine. "Christine Hancock column." Nursing Standard 14, no. 46 (August 2, 2000): 22. http://dx.doi.org/10.7748/ns.14.46.22.s37.

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34

Hancock, Christine. "Christine Hancock column." Nursing Standard 15, no. 3 (October 4, 2000): 22. http://dx.doi.org/10.7748/ns.15.3.22.s37.

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35

Hancock, Christine. "Christine Hancock column." Nursing Standard 15, no. 7 (November 2000): 27. http://dx.doi.org/10.7748/ns.15.7.27.s43.

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36

Janody, Patricia. "Christine Dal Bon." Essaim 33, no. 2 (2014): 151. http://dx.doi.org/10.3917/ess.033.0151.

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37

Apollinaire, Guillaume, and Ron Padgett. "Monday Rue Christine." Chicago Review 43, no. 2 (1997): 26. http://dx.doi.org/10.2307/25304160.

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38

Reyna Robles, Rosa Ma. "Christine Niederberger Betton." Journal de la société des américanistes 87, no. 87 (January 1, 2001): 401–5. http://dx.doi.org/10.4000/jsa.2219.

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39

Patraș, Roxana. "Andrea Hajek, Christine." Questions de communication, no. 30 (December 31, 2016): 466–68. http://dx.doi.org/10.4000/questionsdecommunication.10966.

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40

Blackwell, Will H. "Christine S. Chantry." American Biology Teacher 65, no. 5 (May 1, 2003): 330. http://dx.doi.org/10.2307/4451509.

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41

Richaud, Renée-Laetitia. "Sylvie-Christine. Réaction." Adolescence 56, no. 2 (2006): 469. http://dx.doi.org/10.3917/ado.056.0469.

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42

Crawford, D. "Esther Christine Jessen." BMJ 347, aug07 1 (August 7, 2013): f4468. http://dx.doi.org/10.1136/bmj.f4468.

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43

Surendran, Aparna. "Profile: Christine Seidman." Nature Medicine 10, no. 5 (May 2004): 444. http://dx.doi.org/10.1038/nm0504-444.

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44

Richmond, Caroline. "Christine Margaret Puxon." BMJ 336, no. 7659 (June 26, 2008): 1510. http://dx.doi.org/10.1136/bmj.a476.

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45

No authorship indicated. "Christine A. Courtois." American Psychologist 52, no. 4 (1997): 333–35. http://dx.doi.org/10.1037/h0090673.

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46

Perrin, Bobbie. "Lynne Christine Millar." British Journal of Occupational Therapy 61, no. 11 (November 1998): 533. http://dx.doi.org/10.1177/030802269806101125.

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47

Johnson, Timothy. "Christine Smith Jany." American Entomologist 54, no. 4 (2008): 254–55. http://dx.doi.org/10.1093/ae/54.4.254.

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48

Jones, E. N. M. H. S. "Christine Elizabeth Jones." BMJ 347, no. 01 3 (November 1, 2013): f6434. http://dx.doi.org/10.1136/bmj.f6434.

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49

Kaplan, Janet A., Matthias Harder, Jens Liebchen, and Christine Hill. "Christine Hill's Volksboutique." Art Journal 57, no. 2 (1998): 38. http://dx.doi.org/10.2307/778007.

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50

Adams, Tracy. "Christine de Pizan." French Studies 71, no. 3 (June 1, 2017): 388–400. http://dx.doi.org/10.1093/fs/knx129.

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