Journal articles: 'Christine de Pisan'

1

Green, Karen. "Christine De Pisan and Thomas Hobbes." Philosophical Quarterly 44, no. 177 (October 1994): 456. http://dx.doi.org/10.2307/2220245.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

MEDICI, MARIA TERESA GUERRA. "The mother of international law: Christine de Pisan." Parliaments, Estates and Representation 19, no. 1 (January 1999): 15–22. http://dx.doi.org/10.1080/02606755.1999.9522069.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Bashpinar, Harika. "Christine De Pisan and Murasaki Shikibu as Medieval Feminists." Khazar Journal of Humanities and Social Sciences 18, no. 2 (July 2015): 23–33. http://dx.doi.org/10.5782/2223-2621.2014.18.2.23.

Full text

Abstract:

This study presents a comparative reading of Christine de Pizan’sThe Book of the City of Ladies and MurasakiShikibu’s The Tale of Genji. Having lived and written in the Middle Ages, both Christine de Pizan and MurasakiShikibu share the privilege of being among the first women writers as well as the first feminists. As their life stories picture them as strong, independent women unusual at that time, their works elaborate on the plight of their sex in a patriarchal and oppressive society, and propose ways to transcend these borders. What is striking in such a reading is that it makes the modern reader see that oppression on women has been existent since at least the Medieval Era, and it has been a case throughout the world. Since neither Pizan nor Shikibuknew the culture and works of the other, their attracting attention to the same issues suggests an interesting reading.

APA, Harvard, Vancouver, ISO, and other styles

4

Martin, Charles, and Johanna Keller. "Five Poems from the French of Christine de Pisan." Hudson Review 52, no. 2 (1999): 229. http://dx.doi.org/10.2307/3853405.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Duran, Jane. "Christine de Pisan and the Development of a Philosophical View." Philosophy and Theology 27, no. 2 (2015): 337–49. http://dx.doi.org/10.5840/philtheol2015102833.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Fuchs Godec, Kim. "Le tourbillon des sentiments amoureux dans la poésie de Marceline Desbordes-Valmore ou la poétisation d’une histoire amoureuse." Journal for Foreign Languages 12, no. 1 (December 28, 2020): 261–76. http://dx.doi.org/10.4312/vestnik.12.261-276.

Full text

Abstract:

Oubliées à tort pendant plusieurs siècles, les femmes de lettres, dont Christine de Pisan, Louise Labé, Madelaine et Catherine des Roches, Marceline Desbordes-Valmore et beaucoup d’autres, prêtaient à maintes reprises leur plume prolixe au service des épanchements du cœur. La voix féminine de la poésie courtoise, Christine de Pisan, s’est inscrite dans l’histoire comme la première Française à avoir jamais vécu de ses écrits. D’origine vénitienne, elle s’est permis, à la fin du XIVe, début du XVe siècle, de célébrer le mariage et chanter, en son propre nom, l’amour pour son mari et le délice de la nuit de noces afin de montrer du doigt le concept erroné de l’amour courtois, vanté par les troubadours. Néanmoins, ce n’est qu’à la Renaissance que la scène littéraire assiste à « l’avènement » de la figure de la femme écrivaine/poétesse, incarnée par-dessus tout dans le personnage de Louise Labé, femme dotée de la liberté d’esprit, qui assumait pleinement sa féminité dans ses vers. À l’aube du XIXe siècle, le cercle s’agrandit avec Marceline Desbordes-Valmore, connue de nos jours comme prédécesseure de la poésie romantique.

APA, Harvard, Vancouver, ISO, and other styles

7

Minois, Georges. "Christine de Pisan. Le Trésor de la Cité des Dames." Les Grands Dossiers des Sciences Humaines N° 49, no. 12 (December 1, 2017): 11. http://dx.doi.org/10.3917/gdsh.049.0011.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Iñarrea Las Heras, Ignacio. "Mujer, independencia y soledad. Le dit de la pastoure de Christine de Pisan." Epos : Revista de filología, no. 18 (September 4, 2013): 257. http://dx.doi.org/10.5944/epos.18.2002.10217.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Spagnolo, Tabitha. "Autorité féminine, voix masculine : l’égalité des sexes au dix-septième siècle." Convergences francophones 6, no. 2 (May 23, 2020): 29–36. http://dx.doi.org/10.29173/cf570.

Full text

Abstract:

Cette contribution s’intéresse à quelques stratégies textuelles et théoriques employées au dix-septième siècle par Marie Le Jars de Gournay (1565-1645) et François Poullain de la Barre (1647-1725). Ces derniers se sont impliqués dans la très longue « querelle des femmes ». Gournay et Poullain étaient d’ardents défenseurs de l'égalité des sexes et s’appuyaient tous deux sur le même héritage polémique établi par Christine de Pisan (1364-~1430) et Henri Corneille Agrippa (1486-1535) entre autres. Or, chacun s’exprimait depuis une positionnalité propre à son sexe, son origine et ses préjugés socioculturels tout en exploitant différentes approches rhétoriques pour exprimer sa perspective avec plus ou moins de succès. Nous traiterons de l’importance des contributions et de l’influence de ces deux auteurs en fonction des antécédents sociaux, éducatifs, sexuels, etc. Ils participaient au même débat avec des attentes manifestement différentes du public / lectorat et de réception. Les auteurs, leurs textes et le contexte méritent d’être étudiés de nouveau.

APA, Harvard, Vancouver, ISO, and other styles

10

Hook, David. "«Fons curarum; fluvius lachrymarum»: Three Variations Upon A Petrachan Theme (Christine de Pisan, Fernando de Rojas and Fray Luis de Granada)." Celestinesca 6, no. 1 (January 8, 2021): 1. http://dx.doi.org/10.7203/celestinesca.6.19544.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Costa, Daniel Padilha Pacheco da. "O amor cortês pelo avesso: François Villon e o debate sobre o Roman de la rose." Caligrama: Revista de Estudos Românicos 19, no. 1 (September 21, 2014): 81. http://dx.doi.org/10.17851/2238-3824.19.1.81-103.

Full text

Abstract:

Resumo: Neste artigo, pretende-se discutir a paródia do amor cortês pelos lamentos burlescos do Testament de François Villon, com base nos preceitos e modelos que orientavam a invenção das letras na época. Complementares ao lamento do próprio testador pelo amor louco da sua juventude, os Regrets de la belle heaulmière utilizam como modelo poético o sermão da Velha do Roman de la rose. A imitação de uma das passagens desse poema mais duramente censuradas por Christine de Pisan evidencia que esses lamentos só podem ser compreendidos à luz do debate sobre o Roman de la rose, realizado no início do séc. XV na França. Dessa perspectiva, a paródia deve ser considerada não como uma recusa da tradição cortês no final da Idade Média, como pela crítica contemporânea, mas como um gênero particular da poesia burlesca visando a ridicularização do amor louco. Palavras-chave: François Villon; paródia; amor cortês; debate sobre o Roman de la rose; lamentos burlescos. Abstract: This paper intends to discuss the parody of courtly love performed by the burlesque regrets of François Villon’s Testament, using the poetic precepts and models based on which the writing was invented at the time. Complementary to the regret of the testator himself for the mad love of his youth, the Regrets de la belle heaulmière use as a poetic model the Old Woman’s sermon of the Romance of the rose. The imitation of one of the passages of this poem most harshly criticized by Christine de Pisan shows that those regrets can only be understood in the light of the debate of the Romance of the rose at the beginning of the XVth century in France. From this point of view, his parody must be considered not as a rejection of the courtly tradition in the late Middle Ages, as it is by contemporary criticism, but as a particular genre of burlesque poetry aiming to mock mad love. Keywords: François Villon; parody; courtly love; debate on the Roman de la rose; burlesque regrets.

APA, Harvard, Vancouver, ISO, and other styles

12

González Doreste, Dulce Maria, and Francisca Del Mar Plaza Picón. "À propos de la compilation: Du De claris mulieribus de Boccace à Le Livre de la Cité des Dames de Christine de Pisan." Le Moyen Français 51-52-53 (January 2003): 327–37. http://dx.doi.org/10.1484/j.lmfr.2.303016.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Parvis, Sara. "Excavating Misogyny and Building on Women’s History: Christine de Pisan’s Book of the City of Ladies as a model for academic feminist theology." Teología y vida 61, no. 1 (March 2020): 73–89. http://dx.doi.org/10.4067/s0049-34492020000100073.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Ballesteros García, María Dolores. "De Christine de Pisan (1364-1430) y la "Querelle des femmes" a Louise Labé (1524?- 1566) y su "Epístola dedicatoria": por una genealogía del feminismo en el Renacimiento francés." Alabe Revista de Investigación sobre Lectura y Escritura 6, no. 12 (December 1, 2015): 1–17. http://dx.doi.org/10.15645/alabe.2015.12.8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Crane, Susan. "Earl Jeffrey Richards, ed., with Joan Williamson, Nadia Margolis, and Christine Reno. Reinterpreting Christine de Pisan. Athens, GA-London: University of Georgia Press, 1992. x + 310 pp. $40. - Maureen Quilligan The Allegory of Female Authority: Christine de Pizan's “Cité des Dames.” Ithaca-London: Cornell University Press, 1991. xv + 290 pp. $45 cloth; $14.95 paper." Renaissance Quarterly 47, no. 1 (1994): 167–72. http://dx.doi.org/10.2307/2863124.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Sidabraitė, Žavinta. "Kristijonas Donelaitis - a Lithuanian Homer?" Masuro-⁠Warmian Bulletin 298, no. 4 (January 4, 2018): 693–706. http://dx.doi.org/10.51974/kmw-134930.

Full text

Abstract:

Decyzja Donelaitisa o tym by pisać w języku litewskim była dobrze przemyślana. Dojrzewająca już od XVIII wieku idea, jakoby język litewski miał swoje źródła w starożytnej Grecji, mogła ośmielić go do zadania sobie trudu podjęcia eksperymentu tworzenia poezji w języku litewskim, dorównującej szlachetnym, antycznym dziełom Hellenów i biorąc za wzór twórczość Homera inspirowała ku temu, by spisać pierwsze, litewskie narodowe poematy. Podejmując się tworzenia literackiego języka litewskiego, Donelaitis zwracał uwagę nie tylko na jego konstrukcję, ale także na sposób wypowiedzi – w taki sposób, by narracja odzwierciedlała język litewskich chłopów, potoczny i niewyszukany. Decyzja ta, oryginalna w kontekście literatury europejskiej, mogła być podyktowana specyfiką ówczesnego języka litewskiego. Podział na język pisany i mówiony jeszcze nie był zbyt wyraźny, co implikowało konieczność tworzenia literatury w oparciu o dobrany odpowiednio materiał leksykalny bazujący na mowie litewskich wieśniaków. Stawiało to Donelaitisa, jako twórcę, w ekskluzywnej sytuacji. Nie miał on rów�nego sobie w owym czasie, który sam byłby w stanie poświęcić życie dla twórczości w języku litewskim. Podążając za przykładem najznamienitszych autorów starożytności, Donelaitis podjął się zadania utrwalenia prostego języka litewskich chłopów poprzez sprowadzenie go do formy klasycznej literatury. Jak się okazuje – z sukcesem.

APA, Harvard, Vancouver, ISO, and other styles

17

Posturzyńska-Bosko, Małgorzata. "Towards the collective anaphors: associative analysis of member/collection relation in prose works of Christine de Pizan." Annales Universitatis Mariae Curie-Sklodowska, sectio FF, Philologia 33, no. 1 (May 31, 2016): 71. http://dx.doi.org/10.17951/ff.2015.33.1.71.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Posturzyńska-Bosko, Małgorzata. "Towards the collective anaphors: associative analysis of member/collection relation in prose works of Christine de Pizan." Annales Universitatis Mariae Curie-Sklodowska, sectio FF, Philologia 33 (May 31, 2016): 71. http://dx.doi.org/10.17951/ff.2015.33.71.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Kristianto, Paulus Eko. "Meneropong Pendidikan Kristiani di Era Pascasekularitas." DUNAMIS: Jurnal Teologi dan Pendidikan Kristiani 5, no. 2 (April 1, 2021): 250–60. http://dx.doi.org/10.30648/dun.v5i2.334.

Full text

Abstract:

Abstract. This article discusses the Christian Education model in the post-secular era. In the Indonesian context, understood as religion is challenged to learn from secularity so as not to underestimate humanity and profane dimensions of life. The discussion of this model departs from the research question how is the Christian Education model that is relevant in the post-secularity era? The question was discussed by John D. Caputo’s religion theory as the scalpel. The result was that lifestyle spirituality significantly emphasized at the issue of humanity became the core value of the Christian Education model in the post-secular era.Abstrak. Artikel ini mengkaji model Pendidikan Kristiani di era pascasekularitas. Dalam konteks Indonesia, era ini dipahami bahwa agama ditantang untuk belajar dari sekularitas agar tidak menyepelekan kemanusiaan dan dimensi-dimensi profan kehidupan. Pembahasan model ini berangkat dari rumusan masalah bagaimana model Pendidikan Kristiani yang relevan di era pascasekularitas? Rumusan tersebut dikaji melalui teori agama John D. Caputo sebagai sebagai pisau bedahnya. Hasil yang diperoleh dalam kajian ini adalah semangat spiritualitas gaya hidup yang menekankan secara nyata pada persoalan kemanusiaan menjadi nilai pokok model Pendidikan Kristiani di era pascasekularitas.

APA, Harvard, Vancouver, ISO, and other styles

20

Reboiras, Fernando Domínguez. "‘In civitate Pisana, in monasterio Sancti Domnini’: Algunas observaciones sobre la estancia de Ramon Llull en Pisa (1307–1308)." Traditio 42 (1986): 389–437. http://dx.doi.org/10.1017/s036215290000413x.

Full text

Abstract:

Entre las ciudades que jalonan el itinerario del incansable viajero que fue Ramon Llull, Pisa ocupa un lugar especial. Al contrario de Génova, Montpellier, París etc. el encuentro de Ramon con Pisa fue casual y no estaba en los planes y afanes de su larga y azarosa vida. La estancia de Llull en Pisa fue relativamente corta, no llegó a durar un semestre, y sin embargo fue una época fecundísima en la producción literaria luliana. En Pisa escribió o terminó de escribir Ramon Llull una serie de obras de gran importancia y que, a juzgar por el número de manuscritos en que se conservan, pertenecen al grupo de obras lulianas más leidas en los siglos posteriores: Ars brevis, Ars generalis ultima, Liber disputationis Raimundi christiani et Homeri Saraceni, Liber clericorumy Liber de centum signis Dei.

APA, Harvard, Vancouver, ISO, and other styles

21

Lumintang, Danik Astuti. "Kepemimpinan Wanita Kristen: Suatu Sinergitas Antara Kesetaraan (Egalitarian) dengan Kemitraan (Partnership)." Excelsis Deo: Jurnal Teologi, Misiologi, dan Pendidikan 3, no. 2 (December 31, 2019): 57–72. http://dx.doi.org/10.51730/ed.v3i2.16.

Full text

Abstract:

AbstractThe view that emphasizes the hierarchy and leadership of men is known as complementary. Complementary emphasizes that although men and women are equal before God. Men and women are created to fulfill different roles in relationships with one another. However, due to the advancement of civilization, and due to the awareness of the facts of social-political injustice against women, modern secular feminists (social-political) have emerged. This research reveals a synergy between equality and Christian women's leadership partnerships. Keywords: Complementary; Egalitarianism, Partnership, Women AbstractPandangan yang menekankan hirarkhi dan kepemim-pinan kaum laki-laki dikenal dengan sebutan complementary. Complementary menekankan bahwa walaupun laki-laki dan perempuan setara di hadapan Allah. Laki-laki dan perempuan diciptakan untuk memenuhi peran yang berbeda dalam hubungan satu dengan yang lain. Namun, karena kemajuan peradaban, dan karena kesadaran fakta ketidakadilan sosial-politik terhadap kaum wanita, bangkitlah modern secular feminist (social-politic). Penelitian ini mengungkap suatu sinegitas antara kesetaraan dengan kemitraan kepemimpinan wanita Kristen. Kata Kunci: Komplementer; Egalitarianisme; Kemitraan; Perempuan

APA, Harvard, Vancouver, ISO, and other styles

22

Chia, Philip Suciadi, and Juanda Juanda. "Dispensasionalisme Sebagai Metode Dalam Memahami Alkitab." Journal KERUSSO 5, no. 1 (March 26, 2020): 20–37. http://dx.doi.org/10.33856/kerusso.v5i1.122.

Full text

Abstract:

The Bible is the word of God that needs to be understood by all those who already have Jesus as their personal Lord and Savior. This is called a Christian. It is different from people who are Christians as a 'religion'. Christians are obliged to study the Bible as a basic truth in order to know God's will from time to time. On the other hand, Bible learners often experience confusion problems, when understanding the continuity of the contents from Genesis to Revelation. Are there interrelations? Or it is just a fragmented story with different intentions.There are appropriate methods in avoiding confusion when doing this learning process. This method has been understood since the beginning of the century which then became popular throughout the world in the 19th century, with the term Dispensationalism.Dispensation is a period of time during which humans are tested in the perspective of obedience to a specific revelation of God's will. Theologically, the word dispensation means a religious system that is understood as a divine provision or as a sign of progressive revelation that expresses the changing needs of an individual nation or time period. Dispensationalism views the world as a household run or worked by God.Dispensation theology is often misunderstood by theologians, without wanting to study it carefully, where is the oddity? This discussion will show that Dispensationalism is as a sharp knife for understanding the Bible as a whole. Abstrak Alkitab itu firman Allah yang perlu dipahami oleh semua orang yang telah memiliki Yesus sebagai Tuhan dan Juruselamatnya secara pribadi. Ini disebut orang Kristen. Beda dengan orang yang beragama Kristen. Orang Kristen itu hukumnya wajib, untuk mempelajari Alkitab, sebagai dasar kebenaran dalam rangka mengetahui kehendak Allah dari zaman ke zaman.Di sisi lain, para pembelajar Alkitab sering mengalami kendala kebingungan, saat memahami kesinambungan dari isi Kitab Kejadian hingga Kitab Wahyu. Apakah ada saling keterkaitannya? Ataukah hanya kisah yang terpotong-potong dengan maksud yang berbeda-beda.Ada metode yang tepat guna dalam menghindarkan diri dari kebingungan saat melakukan proses pembelajaran ini. Metode ini telah dipahami sejak abad permulaan yang kemudian mulai populer ke seluruh dunia pada abad 19, dengan istilah Dispensasionalisme.Dispensasi merupakan suatu periode waktu di mana pada masa itu manusia diuji di dalam perspektif ketaatan kepada suatu wahyu spesifik dari kehendak Allah. Secara teologis kata dispensasi berarti sistem religius yang dipahami sebagai suatu ketetapan ilahi atau sebagai penunjuk cara pewahyuan secara progresif yang mengekspresikan perubahan kebutuhan bangsa secara individu atau periode waktu. Dispensasionalisme memandang dunia sebagai rumah tangga yang dijalankan atau dikerjakan oleh Allah.Teologi Dispensasi sering disalahmengerti oleh para teolog, tanpa mau mempelajari terlebih dahulu dengan teliti, di mana letak kejanggalannya? Pembahasan ini akan menunjukkan bahwa Dispensasionalisme merupakan pisau yang tajam untuk memahami Alkitab secara utuh.

APA, Harvard, Vancouver, ISO, and other styles

23

Dauphin, Cécile. "Christiane Veauvy, Laura Pisano, Paroles oubliées. Les femmes et la construction de VÉtat-nation en France et en Italie (1789-1860) (préface de Michelle Perrot), Paris, Armand Colin, 1997, 340 p." Annales. Histoire, Sciences Sociales 54, no. 1 (February 1999): 122–24. http://dx.doi.org/10.1017/s0395264900046527.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Coureas, Nicholas. "Crossing Cultural Boundaries in Merchants’ Wills from 14th-Century Cyprus." Perspektywy Kultury 30, no. 3 (December 20, 2020): 47–62. http://dx.doi.org/10.35765/pk.2020.3003.05.

Full text

Abstract:

The Western merchants operating in Famagusta, Cyprus—including Genoese, Venetians, Catalans, Pisans, Provençals, other nationalities, and Cypriot merchants based in this port city—drew up wills with Genoese and Venetian notaries, a number of which are extant. These wills impart information on the bequests these merchants made to family members and friends as well as to institutions, particularly churches, monasteries, and mendicant orders. Furthermore, they record the credits and debts of these merchants to various parties, decree the manumission of slaves owned by the merchants—some of whom also received bequests—and on occasion list material objects such as clothing, silverware, or sums of currency in their possession. We can glean from these types of information that merchants had commercial and personal relations with members of nationalities or Christian denominations different to their own, had slaves of various ethnic backgrounds, and had in their possession currencies other than that of the Lusignan kingdom of Cyprus, as well as objects originating from elsewhere. These are phenomena that testify to their geographical mobility and their willingness to cross physical, financial, as well as cultural boundaries. On occasion, they even bequeathed sums of money to individuals and churches of non-Latin rites. In this paper, I intend to examine and assess the importance and utility of such wills, explaining that through their contents one can discover how, why and the extent to which merchants crossed national, ethnic and religious boundaries in both their commercial and their personal dealings. In addition, the limitations of the information such wills offer and the reasons why these limitations exist will also be discussed.

APA, Harvard, Vancouver, ISO, and other styles

25

Tahon, Marie-Blanche. "Paroles oubliées. Les femmes et la construction de l’État-nation en France et en Italie, 1789-1860 de Christiane Veauvy, Laura Pisano, Préface de Michelle Perrot, Paris, Armand Colin, 1997, 340 p." Politique et Sociétés 18, no. 1 (1999): 179. http://dx.doi.org/10.7202/040159ar.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Chaszczewicz-Rydel, Marta. "Nieśmiertelność wyobrażona w artefaktach synkretycznej epoki konstantyńskiej na podstawie powieści Zlatno doba Silvany Hadži-Đokić." Slavica Wratislaviensia 168 (April 18, 2019): 581–94. http://dx.doi.org/10.19195/0137-1150.168.49.

Full text

Abstract:

Imagined immortality in the artifacts of the syncretic Constantinian era based on the novel Zlatno doba by Silvana Hadži-ĐokićAn example of a Serbian contemporary novel dedicated to the topic of death is Zlatno doba by Silvana Hadži-Đokić. Although the book can be considered solely as based on Christian metaphysics and faith in wonders, it also contains critically oriented observations, which are rooted in a deep knowledge and understanding of history, philosophy and art of late antiquity and early Christianity. As a result, not all of its claims and interpretations are in line with the Church’s religious beliefs. The writer presents a complex picture of Emperor Constantine and his mother, Empress Helena, the protagonist, whose figure, through the concept of mortal life, connects temporarily distant romanesque plans and ambiences. The story consists of historical passages, written from different points of view, taking into account contradictory facts and assumptions concerning the controversial life of Constantine, as well as his intellectual and material heritage. Besmrtnost zamišljena u artefaktima sinkretske Konstantinove ere na osnovi romana Zlatno doba Silvane Hadži-ĐokićJedan od primera srpskog savremenog romana posvećenog temi smrti jeste Zlatno doba Silvane Hadži-Đokić. Mada možemo knjigu Hadži Đokić smatrati pre svega prozom čija je okosnica hrišćanska metafizika i vera u čudesa, u njenim mozaičnim tokovima nalaze se i kritički usmerena zapažanja, koja imaju izvore u poznavanju istorije, filozofije i umetnosti kasne antike i ranog hrišćanstva. Dakle, nisu sve tvrdnje i interpretacije u skladu sa crkvenom veronaukom. Spisateljica predstavlja složenu sliku cara Konstantina i njegove majke, carice Jelene, protagonistkinje, čiji lik, putem koncepcije posmrtnog žitija, povezuje vremenski udaljene romaneskne planove i ambijente. Fabularno tkivo čine istorijski odlomci, pisani sa različitih tačaka gledišta, uzimajući u obrzir mnoštvo suprostavljenih činjenica te pretpostavki vezanih za kontroverzan život Konstantina, a takođe njegovo intelektualno i materijalno nasleđe.

APA, Harvard, Vancouver, ISO, and other styles

27

Gallik, Ján. "Motív smrti v tvorbe autorov slovenskej, českej a maďarskej katolíckej literatúry." Slavica Wratislaviensia 168 (April 18, 2019): 315–26. http://dx.doi.org/10.19195/0137-1150.168.26.

Full text

Abstract:

Motif of death in the work of Slovak, Czech and Hungarian authors of Catholic literatureIn the context of the evolution of religious literature, including the poetics of Slovak, Czech and Hungarian Catholic literature, the motif of death is not particularly unusual. This fact is clearly noticeable in the work of authors of the turn of the 19th century and the entire 20th century, as well as in the following millennium. For example, in the first phase of the creative work of Jakub Deml, who is considered one of the most important representatives of Czech Catholic literature of the first half of the 20th century, mirroring the so-called apocalyptic realism, we notice the thematization of solitude, death, extinction and nothingness. Death in Deml’s work is depicted as an entity that one seeks with an affection and desire, while “it constantly encounters Life. But as soon as they get excited and look for Life, they constantly meet Death, even those who don’t look for one for themselves”. Few years afterwards, a very similar thesis was developed by the later Catholic convert, important thinker and — it can be said — a comrade of the author of Slovak Catholic modernism, Pavol Strauss: “Life consists of search for life and it finds death within”. A Hungarian writer János Pilinszky, who besides spiritual-Christian poetry wrote great essays, the so-called Lyrical Diaries, wrote regarding death: “Death doesn’t exist for real, at least not the one that can be seen from the outside. We have to live first to be able to consider death”. And finally, Jan Zahradníček in his debut collection shifts the perception of death to the next semantic level, when it his poem Their shadow he writes “for the living ones I was alive too much / and for the alive ones I was too dead”. The aim of this paper is to interpret the motif of death in the work of selected authors of the Slovak, Czech and Hungarian Catholic literature. Motyw śmierci w twórczości słowackich, czeskich i węgierskich autorów literatury katolickiejW kontekście rozwoju twórczości religijnej, w tym poezji słowackiej, czeskiej i węgierskiej literatury katolickiej, motyw śmierci nie jest niczym wyjątkowym. Zjawisko to można zaobserwować również w dziełach autorów z przełomu XIX i XX wieku. Motyw śmierci pojawia się w całej dwudziestowiecznej literaturze i przechodzi do trzeciego tysiąclecia. Występuje na przykład u Jakuba Demla, który jest uważany za jednego z najwybitniejszych przedstawicieli czeskiej literatury katolickiej pierwszej połowy XX wieku. W pierwszym okresie jego twórczości, w czasie tak zwanego realizmu apokaliptycznego, można zauważyć, że tematyka utworów krąży wokół samotności, śmierci, zaniku i nicości. Pavol Staruss, wybitny myśliciel katolicki, konwertyta z judaizmu i — można powiedzieć — wierny towarzysz autorów słowackiego modernizmu katolickiego, często podkreślał, iż życie składa się z poszukiwania życia, a w ramach tych poszukiwań natrafia się na śmierć. Z kolei János Pilinszky — węgierski pisarz, który oprócz duchowo-chrześcijańskiej twórczości poetyckiej tworzył wspaniałe eseje i tak zwane dzienniki liryczne — pisał w odniesieniu do śmierci, że śmierć w rzeczywistości nie istnieje, przynajmniej nie ta śmierć, którą możemy zaznać z zewnątrz. Trzeba najpierw żyć, abyśmy mogli wziąć pod uwagę śmierć.I wreszcie Jan Zahradníček w swoim debiutanckim tomiku przesuwa pojęcie śmierci na inny poziom znaczeniowy. W wierszu Ich cień umieszcza strofę: „dla martwych byłem za bardzo żywy / a dla żywych za bardzo martwy”. Celem tego artykułu jest przedstawienie przeglądu i dokonanie interpretacji twórczości wybranych autorów słowackiej, czeskiej i węgierskiej literatury katolickiej pod kątem występującego w niej motywu śmierci.

APA, Harvard, Vancouver, ISO, and other styles

28

BROOK, LESLIE C. "Christine de Pisan, Heloise, and Abelard’s holy women." Zeitschrift für romanische Philologie (ZrP) 109, no. 5-6 (1993). http://dx.doi.org/10.1515/zrph.1993.109.5-6.556.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Cazés Menache, Daniel. "Para erradicar violencia y discriminación: pensar con libertad." Revista Mexicana de Ciencias Políticas y Sociales 49, no. 200 (October 9, 2013). http://dx.doi.org/10.22201/fcpys.2448492xe.2007.200.42563.

Full text

Abstract:

En este artículo, el autor hace un análisis histórico acerca de la violencia y la discriminación hacia las mujeres, resaltando algunas personalidades literarias —reales y ficticias — (Eloísa, Christine de Pisan, Marcela, François Poulain de la Barre, Olympia de Goujes, Simone de Beauvoir) claves para el desarrollo del pensamiento con libertad desde la Edad Media hasta nuestros días.

APA, Harvard, Vancouver, ISO, and other styles

30

Houel, Annik. "Adultère et romantisme." Voix Plurielles 1, no. 2 (February 1, 2005). http://dx.doi.org/10.26522/vp.v1i2.543.

Full text

Abstract:

En ce début de XIXème siècle, le combat que mène George Sand pour le droit des femmes à l’amour s’inscrit dans la tradition d’une contestation - qu’on peut qualifier de féministe - qui porte essentiellement sur les conditions du mariage, le plus souvent arrangé. Le leitmotiv de l’amour, qui traverse les oeuvres de la plupart des femmes qui l’ont précédée en littérature manifeste leur opposition au mariage tel qu’il leur est imposé, et l’adultère symbolise leur rêve : ainsi en va-t-il, dès le Moyen-Âge, pour Marie de France, Christine de Pisan, Marguerite de Navarre même, et bien sûr pour Madame de La Fayette avec La Princesse de Clèves qui incarne le clivage psychique entre corps et esprit auquel les femmes sont alors acculées.

APA, Harvard, Vancouver, ISO, and other styles

31

"The Beatitudes Attend the Court: The Princess´S Christian Education in Christine De Pisan´S The Treasure of the Book of the City of Ladies." International Journal on Studies in English Language and Literature 6, no. 6 (2018). http://dx.doi.org/10.20431/2347-3134.0606001.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

LÉCUYER, Carole. "Christiane VEAUVY et Laura PISANO, Paroles oubliées. Les femmes et la construction de l'Etat-nation en France et en Italie. 1789-1860, préface de Michelle Perrot, Paris, Colin, col. « Références Histoire », 1997, 340 p." Clio, no. 7 (April 1, 1998). http://dx.doi.org/10.4000/clio.361.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Journal articles on the topic 'Christine de Pisan'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles