Relevant bibliographies by topics / Christoph Schlingensief

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Christoph Schlingensief'

Author: Grafiati
Published: 5 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Christoph Schlingensief"

1

ANNUẞ, EVELYN. "Actionism's Afterlife: Christoph Schlingensief Revisited." Theatre Research International 50, no. 1 (2025): 5–17. https://doi.org/10.1017/s0307883324000373.

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The provocative work of German artist Christoph Schlingensief may seem to be not possible today. However, it developed an afterlife of its own. Against the backdrop of current discourse shifts and political developments my article historicizes this work from the early stage productions at the Berlin Volksbühne after the fall of the Wall to taking to the streets of Vienna at the turn of the millennium, when right-wing populism entered government politics in Europe. Determining the politicality of its fabrication of public tensions, the article calls for a closer consideration of concepts of aff
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2

Irmer, Thomas. "Theatre as Intervention: Christoph Schlingensief's Hamlet in Zürich and Berlin, 2001." New Theatre Quarterly 28, no. 4 (2012): 343–51. http://dx.doi.org/10.1017/s0266464x12000644.

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Christoph Schlingensief (1960–2010) was a filmmaker, theatre director, and performance artist. In his Hamlet at the Schauspielhaus in Zürich in 2001 – his only staging of a classic – Schlingensief deployed the strategies of intervention typical of his whole work. In this article Thomas Irmer focuses on the actors' troupe in the play, performed by former neo-Nazis. Schlingensief was asking whether an audience would accept the reintegration of people who were determined to leave this extremist group with the support of the German government. At the same time, Schlingensief referred to a historic
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3

Cornish, M. "Christoph Schlingensief (1961 - 2010)." Theater 41, no. 2 (2011): 3–5. http://dx.doi.org/10.1215/01610775-2010-030.

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Davis, Jack. "Christoph Schlingensief: Art Without Borders." Monatshefte 104, no. 2 (2012): 306–7. http://dx.doi.org/10.1353/mon.2012.0056.

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Koch, Lars. "Über artivistische Interventionen. Invektivität, Medien, Moral." Kulturwissenschaftliche Zeitschrift 6, no. 1 (2021): 247–66. http://dx.doi.org/10.2478/kwg-2021-0018.

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Abstract On the basis of two aesthetic interventions of Christoph Schlingensief and the Center for Political Beauty (ZPS) this article analyses the relationship between artivism and invectivity. In each case the underlying theatrical dispositifs are being discussed. With this, the article inquires into the respective procedures of disturbing the audience and the public. Whereas Schlingensief’s politics of form aims at creating a sphere of ambiguity, the ZPS is all about stimulating moral indignation. This also reflects the diametrically opposed capabilities of artivistic art: Controversy on th
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Pollock, Katherine. "Matter’s Performance in Christoph Schlingensief’s “Animatographische Editionen”." Studia Germanica Posnaniensia, no. 42 (August 1, 2023): 193–208. http://dx.doi.org/10.14746/sgp.2022.42.12.

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German director Christoph Schlingensief’s Animatographische Editionen (2004-06) included a series of three geographically-distinct labyrinthine walkthrough installations with a constellation of rooms and rotating platforms, leading to an Animatograph – a spinning carousel of material upon which videos were projected. Diverging from the current tendency in Schlingensief scholarship towards Niklas Luhmann’s systems theory, this paper focuses on the role of material in the Animatograph to show how it sympoietically enfolds autopoietic systems of communication. In particular, I investigate how hum
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7

Schmidt, Theron. "Christoph Schlingensief and the Bad Spectacle." Performance Research 16, no. 4 (2011): 27–33. http://dx.doi.org/10.1080/13528165.2011.606047.

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8

Arjomand, Minou. "Christoph Schlingensief and Richard Wagner #CheckTheirPrivilege." Opera Quarterly 32, no. 1 (2016): 94–102. http://dx.doi.org/10.1093/oq/kbw003.

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9

Baum, Constanze. "Werther-Spuren. : Exemplargeschichten aus den Archiven der Gegenwart." Zeitschrift für Germanistik 34, no. 2 (2024): 385–402. http://dx.doi.org/10.3726/92174_385.

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Abstract Der Beitrag geht dem Versuch nach, exemplargeschichtliche Befunde an Einzelexemplaren von Goethes Werther in den Nachlassbibliotheken von Autoren und Autorinnen zu rekonstruieren. Dabei rücken Anna Seghers und Christoph Schlingensief in den Fokus der Betrachtung. Der Beitrag zeigt auf, wo Möglichkeiten und Grenzen einer solchen Exemplargeschichte liegen und liefert Perspektiven auf die Tradierung des Textes und seine Wertigkeit im literarischen Diskurs.This paper attempts to reconstruct the history of single book copies via case studies on copies of Goethes Werther in the libraries of
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10

Kubart, Tomáš. ""Avant-garde, Marmelade!" : Christoph Schlingensief a avantgarda." Theatralia, no. 2 (2023): 248–54. http://dx.doi.org/10.5817/ty2023-2-19.

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Dissertations / Theses on the topic "Christoph Schlingensief"

1

Koch, Lars. "Christoph Schlingensiefs Bilderstörungsmaschine." J.B. Metzler, Part of Springer Nature, 2014. https://tud.qucosa.de/id/qucosa%3A34449.

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The mechanisms of disruption in paradigmatic performances of Christoph Schlingensief like “Talk 2000” and “Chance 2000” which established his reputation as “agent provocateur” are to be investigated in this paper. With his artistic events and stagings that often integrated marginalized people Schlingensief aimed less at creating scandals, but at irritating the ways of perceiving societal reality. The paper illustrates the functionality of the “image disruption machine”, Schlingensiefs mode of achieving alienation effects that implies a subversive counter-strategy against commercialization and
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Books on the topic "Christoph Schlingensief"

1

Knapp, Lore. Christoph Schlingensief und die Avantgarde. Verlag Wilhelm Fink, 2019.

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2

Hegemann, Carl, and Christian Mahlow. Christoph Schlingensief: Mea Culpa : eine ReadyMadeOper. 2nd ed. Edited by Burgtheater (Vienna Austria). Burgtheater, 2009.

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3

Gilles, Catherina. Kunst und Nichtkunst: Das Theater von Christoph Schlingensief. Königshausen & Neumann, 2009.

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4

Georg, Hegemann Carl, ed. Christoph Schlingensief und seine Auseinandersetzung mit Joseph Beuys. Peter Lang, 2011.

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5

1952-, Schulz Wilfried, and Lochte Julia, eds. Schlingensief!: Notruf für Deutschland : über die Mission, das Theater und die Welt des Christoph Schlingensief. Rotbuch, 1998.

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6

(Foundation), Thyssen-Bornemisza Art Contemporary, ed. Figura cuncta videntis = the all-seeing eye: Homage to Christoph Schlingensief. Buchhandlung Walther König, 2011.

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7

Schlingensief, Christoph Metteur en sce ne, 1960-2010, Schlingensief Christoph Director 1960-2010, and Biennale di Venezia, eds. Christoph Schlingensief: German Pavilion, 2011 : 54th International Art Exhibition La Biennale Di Venezia. Sternberg Press, 2011.

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8

Nissen-Rizvani, Karin. Autorenregie: Theater und Texte von Sabine Harbeke, Armin Petras/Fritz Kater, Christoph Schlingensief und René Pollesch. Transcript, 2011.

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9

Torsten, Lemmer, Heineke Thekla, and Umathum Sandra, eds. Christoph Schlingensiefs Nazis rein. Suhrkamp, 2002.

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10

Harald, Martenstein, Schlingensief Christoph 1960-, Diederichsen Diedrich, Wewerka Alexander, and Schleyer Susanne, eds. Bensheimer Rede: Ein Gespräch zwischen Josef Bierbichler, Christoph Schlingensief, Harald Martenstein und Alexander Wewerka ; mit einem Essay von Diedrich Diederichson ; Fotografien von Susanne Schleyer. 2nd ed. Alexander, 1998.

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Book chapters on the topic "Christoph Schlingensief"

1

Niermann, Jan Endrik. "Christoph Schlingensief und das Operndorf Afrika." In Schlingensief und das Operndorf Afrika. Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-658-01055-3_3.

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Fassio, Marcella. "9 Christoph Schlingensief Tagebuch und Blog." In Das literarische Weblog. transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839456132-018.

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Wąsik-Linder, Monika. "Der rhizomatische Weg zur Wahrheit. Wiederholung als Theaterregel bei Christoph Schlingensief." In Wiederholung im Theater. V&R unipress, 2021. http://dx.doi.org/10.14220/9783737012348.51.

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4

Lücke, Bärbel. "Bambiland; Babel; Parsifal: (Laß o Welt o Schreck laß nach!); Tod-krank.Doc (für Christoph Schlingensief)." In Jelinek-Handbuch. J.B. Metzler, 2024. http://dx.doi.org/10.1007/978-3-476-05993-2_31.

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Duchon, Eva, Fabian Filz, and Martina Hofer. "Christoph Schlingensiefs Containerprojekt." In Politische Bildung im Theater. Springer Fachmedien Wiesbaden, 2015. http://dx.doi.org/10.1007/978-3-658-09978-7_10.

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6

Todorut, Ilinca. "Epilogue." In Christoph Schlingensief's Realist Theater. Routledge, 2021. http://dx.doi.org/10.4324/9781003042778-8.

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Todorut, Ilinca. "Hamlet." In Christoph Schlingensief's Realist Theater. Routledge, 2021. http://dx.doi.org/10.4324/9781003042778-4.

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Todorut, Ilinca. "Freakstars." In Christoph Schlingensief's Realist Theater. Routledge, 2021. http://dx.doi.org/10.4324/9781003042778-3.

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Todorut, Ilinca. "Parsifal." In Christoph Schlingensief's Realist Theater. Routledge, 2021. http://dx.doi.org/10.4324/9781003042778-6.

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10

Todorut, Ilinca. "Please Love Austria." In Christoph Schlingensief's Realist Theater. Routledge, 2021. http://dx.doi.org/10.4324/9781003042778-5.

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