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1

Miceli, Salviano. Christopher Nolan. Sovera, 2008.

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2

Christopher Nolan. Sovera, 2008.

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3

The fictional Christopher Nolan. University of Texas Press, 2012.

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4

Christopher, Nolan. Dam-burst of dreams: The writings of Christopher Nolan. Pan, 1988.

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5

Under the eye of the clock: The life story of Christopher Nolan. St. Martin's Press, 1987.

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6

Nolan, Christopher. Under the eye of the clock: The life story of Christopher Nolan. St. Martin's Press, 1988.

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Under the eye of the clock: The life story of Christopher Nolan. Clio, 1988.

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Christopher, Nolan. Under the eye of the clock: The life story of Christopher Nolan. Dell Pub., 1989.

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Under the eye of the clock: The life story of Christopher Nolan. Weidenfeld and Nicolson, 1987.

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Under the eye of the clock: The life story of Christopher Nolan. Pan Books, 1988.

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11

Helbig, Jörg, ed. Christopher Nolan. edition text + kritik im Richard Boorberg Verlag, 2021. http://dx.doi.org/10.5771/9783967074697.

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Der in London geborene Christopher Nolan (*1970) gehört zu den maßgebenden und erfolgreichsten Regisseuren der Gegenwart – auch und besonders in Hollywood. Mit Filmen, die einen hohen Unterhaltungswert mit visueller Ästhetik, technischer Qualität und philosophischer Tiefe in seltenen Einklang bringen, versteht es der Regisseur, Produzent und Drehbuchautor Christopher Nolan, Kritik und Publikum gleichermaßen zu begeistern. Von experimentellen Independentfilmen wie "Memento" (2000) bis zu globalen Blockbustern wie "The Dark Knight" (2008) und "Inception" (2010) gelingt es Nolan zudem immer wiede
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12

Goh, Robbie B. H. Christopher Nolan. Bloomsbury Publishing Plc, 2022. http://dx.doi.org/10.5040/9781350140004.

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Christopher Nolan is the writer and director of Hollywood blockbusters like The Dark Knight and The Dark Knight Rises, and also of arthouse films like Memento and Inception. Underlying his staggering commercial success however, is a darker sensibility that questions the veracity of human knowledge, the allure of appearance over reality and the latent disorder in contemporary society. This appreciation of the sinister owes a huge debt to philosophy and especially modern thinkers like Friedrich Nietzsche, Sigmund Freud and Jacques Derrida. Taking a thematic approach to Nolan’s oeuvre, Robbie Goh
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McGowan, Todd. The Fictional Christopher Nolan. University of Texas Press, 2013.

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14

Christopher Nolan: A Retrospective. Faber & Faber, Limited, 2020.

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15

The Philosophy of Christopher Nolan. Lexington Books, 2017.

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Furby, Jacqueline, and Stuart Joy, eds. The Cinema of Christopher Nolan. Columbia University Press, 2015. http://dx.doi.org/10.7312/furb17396.

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17

Nolan Variations: The Movies, Mysteries, and Marvels of Christopher Nolan. Knopf Doubleday Publishing Group, 2020.

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18

Traumatic Screen: The Films of Christopher Nolan. Intellect, Limited, 2020.

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19

Christopher Nolan: un mago en el laberinto. T&B, 2014.

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20

Joy, Stuart. Traumatic Screen: The Films of Christopher Nolan. Intellect, Limited, 2020.

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21

Furby, Jacqueline, and Stuart Joy. Cinema of Christopher Nolan: Imagining the Impossible. Wallflower Press, 2015.

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22

Furby, Jacqueline, and Stuart Joy. Cinema of Christopher Nolan: Imagining the Impossible. Columbia University Press, 2015.

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23

The Cinema of Christopher Nolan: Imagining the Impossible. Wallflower Press, 2015.

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24

Christopher, Nolan. Under the Eye of the Clock: The Life Story of Christopher Nolan. ISIS Audio Books, 1993.

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Christopher, Nolan. Under the eye of the clock: The life story of Christopher Nolan. Isis Audio Books, 1988.

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26

Beebee, Helen, Christopher Hitchcock, and Huw Price, eds. Making a Difference. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198746911.001.0001.

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Making a Difference presents fifteen original essays on causation and counterfactuals by philosophers and political theorists. Collectively, they represent the state of the art on these topics. The essays in this volume are inspired by the work of the late Australian philosopher Peter Menzies (1953–2015), who himself made a very great difference to our contemporary understanding of these matters. Topics covered include: the semantics of counterfactuals, agency theories of causation, the context-sensitivity of causal claims, structural equation models, mechanisms, mental causation, the causal e
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27

Halfyard, Janet K. Cue the Big Theme? The Sound of the Superhero. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0009.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. The most successful superheroes of modern cinema are Superman and Batman. This chapter considers the changes wrought by digital technology in their cinematic construction and the impact on their music. The relationship between action, heroic theme, and the iconography of the superhero demonstrates a significant shift in how thematic music is employed in the more recentBatmanandSupermanfilms. This chapter contrasts musical and visual construction of the title
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28

Strange Abstraction: Robert Gober, Cady Noland, Phillip Taafee, Christopher Wool. Archer Fields Pr, 1992.

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