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Relevant bibliographies by topics / Chronicle of a death foretold

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Academic literature on the topic 'Chronicle of a death foretold'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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Journal articles on the topic "Chronicle of a death foretold"

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Rifkin, Dena E. "Chronicle of a Death Foretold." Clinical Journal of the American Society of Nephrology 15, no. 6 (2020): 883–85. http://dx.doi.org/10.2215/cjn.09390819.

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Dale, John. "Chronicle of a Death Foretold." New Writing 5, no. 1 (2008): 27. http://dx.doi.org/10.2167/nw486.0.

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Walker, David. "Chronicle of a death foretold." Public Money & Management 31, no. 1 (2011): 6–7. http://dx.doi.org/10.1080/09540962.2011.545533.

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Dale, John. "Chronicle of a Death Foretold." New Writing 5, no. 1 (2008): 27–34. http://dx.doi.org/10.1080/14790720802237196.

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Siddiqa, Ayesha. "Chronicle of a Death Foretold." Development and Change 49, no. 5 (2018): 1336–46. http://dx.doi.org/10.1111/dech.12445.

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Riggs, C. M. "Chronicle of a death foretold." Equine Veterinary Journal 44, no. 6 (2012): 631–32. http://dx.doi.org/10.1111/j.2042-3306.2012.00665.x.

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Teubner, Gunther. "Regulatory Law : Chronicle of a Death Foretold." Social & Legal Studies 1, no. 4 (1992): 451–75. http://dx.doi.org/10.1177/096466399200100401.

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Wilkinson, Michael A. "Constitutional pluralism: Chronicle of a death foretold?" European Law Journal 23, no. 3-4 (2017): 213–33. http://dx.doi.org/10.1111/eulj.12236.

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Rosello, Mercedes, Juan Vilata, and Dyhia Belhabib. "Atlantic Shortfin Mako: Chronicle of a Death Foretold?" Laws 10, no. 3 (2021): 52. http://dx.doi.org/10.3390/laws10030052.

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This article outlines recent events concerning the conservation and management trajectory of a highly migratory shark species, the shortfin mako (Isurus oxyrinchus), in the North Atlantic, where it has been routinely captured recreationally and as part of commercial fishing operations alongside other species. Noting recent warnings concerning the high mortality of the species in this ocean region, and the threat of imminent population collapse, this article sets out a number of applicable law of the sea provisions, and carries out an evaluation of relevant measures for target and incidental capture species, discussing their applicability to the mako fishery. It also presents an analysis of regional and global governance actions taken to date by the international community and by individual actors, noting a number of shortfalls, and outlining potential responses.

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Cahana, Alex, Brian T. Bateman, and Ruth Landau. "The Death of a Prince: Chronicle of a Death Foretold." Pain Practice 16, no. 7 (2016): 788–90. http://dx.doi.org/10.1111/papr.12487.

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Dissertations / Theses on the topic "Chronicle of a death foretold"

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SANTOS, DIANA AGUIAR ORRICO. "CHRONICLE OF A FRUSTRATION FORETOLD: DILEMMAS OF FEMINIST (DIS)ENGAGEMENTS WITH THE MONTERREY FINANCING FOR DEVELOPMENT AGENDA. WHOSE CONSENSUS?" PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2008. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=14476@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>Essa dissertação analisa diversos dilemas enfrentados por ativistas feministas no processo de escolha entre engajar-se ou não em agendas institucionais do sistema ONU. Esses dilemas gravitam entre arriscar-se a ser cooptado pelos processos aos quais se opõem, possivelmente legitimá-los e/ou contestar e oferecer resistência a esses processos. O caso sobre o qual se centra a análise é o processo Financiamento do Desenvolvimento (FfD) que culminou no Consenso de Monterrey em março de 2002. Apesar das perspectivas (anunciadas) de frustração, muitos Movimentos Feministas Transnacionais (MFTs) decidiram permanecer engajados no processo até o fim, articulando uma política de engajamento e resistência (chamada por eles de estratégia inside/outside). Essa estratégia visa a participar das discussões oficiais criticamente e, ao mesmo tempo, contestar a invisibilidade de como as questões de gênero estruturam o projeto intelectual e prático do desenvolvimento atual. Para concluir, duas hipóteses de trabalho são levantadas a respeito da decisão de engajamento desses MFTs. Segundo a primeira hipótese, contida nos discursos dos MFTs, essa decisão de engajamento - a priori contra-intuitiva - é decorrência de dois fatores: a percepção da ONU como espaço de engajamento imprescindível; e a importância das bandeiras de luta dentro de um processo de longo prazo e não como busca imediatista de resultados. A segunda hipótese entende essa decisão como permeada de lógicas de poder internas aos MFTs que buscam a manutenção dos espaços institucionais duramente conquistados desde a Década da ONU para as Mulheres. A conclusão aponta para a própria natureza dilemática dessa estratégia.<br>This thesis analyses the multiple dilemmas faced by feminist activists in the process of choosing between engaging or not in UN institutional agendas. These dilemmas include risking cooptation by the very processes they seek to oppose, possibly legitimating them; or contesting and offering resistance to these processes. The case upon which the analysis is carried is the Financing for Development (FfD) process, which culminated in the Monterrey Consensus in 2002. Despite the (foretold) perspectives of frustration, many Transnational Feminist Movements (TFMs) decided to stay in the process until the end, by articulating a politics of engagement and resistance (which they call an inside/outside strategy). The strategy calls for critically participating in official discussions and, at the same time, contesting the invisibility of how gender structures the current intellectual and practical development project. To conclude, two hypotheses are raised regarding this decision to engage. According to the first, this counter-intuitive decision is a result of two factors: the perception of the UN as a vital space of engagement; and the importance of carrying out contentious politics as part of a larger process. The second hypothesis understands this decision as pervaded by logics of power internal to the TFMs, who seek to maintain the institutional spaces they have struggled to acquire since the UN Decade for Women. The conclusion points to the dilemmatic nature of this strategy.

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Ha, Hansoo. "A Walker’s Chronicle: Seeing Life and Death through Objects." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1372505102.

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Batista, José Geraldo. "Casa dos Braga, de Rubem Braga: retratos de uma morte feliz." Universidade Federal de Juiz de Fora (UFJF), 2006. https://repositorio.ufjf.br/jspui/handle/ufjf/3257.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-02-07T11:14:16Z No. of bitstreams: 1 josegeraldobatista.pdf: 649001 bytes, checksum: 43b74a71bca15671d1fd0dcaabaf4318 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-02-07T14:10:04Z (GMT) No. of bitstreams: 1 josegeraldobatista.pdf: 649001 bytes, checksum: 43b74a71bca15671d1fd0dcaabaf4318 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-02-07T14:10:21Z (GMT) No. of bitstreams: 1 josegeraldobatista.pdf: 649001 bytes, checksum: 43b74a71bca15671d1fd0dcaabaf4318 (MD5)<br>Made available in DSpace on 2017-02-07T14:10:21Z (GMT). No. of bitstreams: 1 josegeraldobatista.pdf: 649001 bytes, checksum: 43b74a71bca15671d1fd0dcaabaf4318 (MD5) Previous issue date: 2006-09-29<br>Esta dissertação aborda as similaridades e incongruências entre a arte de registrar os instantes através da fotografia e a arte de Rubem Braga em escrever suas crônicas. A partir da leitura do livro Casa dos Braga: memória de infância, de Rubem Braga (1913-1990), publicado em 1997, intenta-se evidenciar nessa obra o caráter fragmentário, o recorte de personagens e paisagens, as dimensões reduzidas dos textos coligidos e o pendor documentário dessa recolha de crônicas da infância que conduzem o leitor a surpreender a tangência e a contaminação das operações da escrita memorialística pelos processos do dispositivo fotográfico, aqui considerado tanto como metáfora da permanência dos resíduos mnemônicos no aparelho psíquico, quanto como sintoma que reúne a fotografia e as écritures de soi na mesma tensão “indecidível” entre o registro testemunhal do passado e as muitas irrupções do imaginário e da ficção. Procura-se, também, demonstrar, na leitura da Casa dos Braga, a impressão sedutora e enigmática de encontrar-se diante de um álbum de fotografias. Da mesma forma que uma coleção de retratos de família nos prende e nos interroga silenciosamente, a substância textual das crônicas de Rubem Braga, enquanto modo de fixação e acumulação de instantes fugidios, aciona no leitor práticas similares àquelas do “amador” de fotos, pois ali também fragmentos e recortes estão a exigir do olhar e da imaginação movimentos e digressões que permitam complementar o espaço e unir as muitas estações do tempo. Ali mudada em tipos imóveis, a memória textualizada nos mobiliza para vivificar o que está morto, como no paradoxo em que a fotografia se diz: “eternização do instante”. Enfim, pretende-se ressaltar a importância do espaço da casa de infância em relação ao espaço literário do escritor e discutir a pertinência da analogia entre o “álbum de retrato” e a obra referida, correlacionando a literatura com a prática semiótica da fotografia.<br>This dissertation approaches the similarities and incongruities among the art of registering the instants through the picture and the art of Rubem Braga in writing his chronicles. Starting from the reading of the book Casa dos Braga: memory of childhood, of Rubem Braga (1913-1990), published in 1997, it is attempted to evidence in that work the fragmentary character, the characters and landscapes cutting, the reduced dimensions of the gathered texts and the documentary tendency of that collection of childhood chronicles that drive the reader to surprise the tangency and the contamination of the operations of memorialist writing by the processes of the photographic device, here considered as much as metaphor of the permanence of the mnemonic residues in the psychic apparel, as much as symptom that gathers the picture and the écritures de soi in the same "indecisive tension" between the testimonial registration of the past and the several irruptions from the imaginary and from the fiction. It is sought, also, to demonstrate, in the reading of the Casa dos Braga, the seductive and enigmatic impression of finding before an album of pictures. In the same way that a collection of family pictures arrests us and it interrogates us quietly, the textual substance of Rubem Braga's chronicles, while fixation way and accumulation of fugitive instants, works in the reader similar practices to those of the "amateur" of pictures, because there also fragments and cuttings are to demand of the glance and of the imagination movements and digressions that allow to complement the space and to unite multiple stations of the time. There changed in immobile types, the textualized memory mobilizes us to vivify what is dead, as in the paradox in that the picture is said: "eternization of the instant". Finally, it is intended to emphasize the importance of the space of the house of childhood in relation to the writer's literary space and to discuss the pertinence of the analogy between the "picture album" and the referred work, correlating the literature with the semiotics practice of the picture.

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Brocanelli, Noelma da Silva. "A morte nas crônicas memorialísticas de Helena Silveira." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-23112009-155832/.

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Esta dissertação tem como objetivo principal o estudo das crônicas de memória de Helena Silveira contidas em sua obra Sombra Azul e Carneiro Branco. Publicada em 1960, trata-se de uma seleção de crônicas escolhidas em vida pela autora, que, inicialmente, foram publicadas na seção Paisagem e memória do jornal Folha da Manhã. A caracterização das crônicas tem como principal objetivo o reconhecimento de suas técnicas de composição, partindo da temática referente à morte. Esta análise permitirá discutir a relação entre os gêneros cronístico e memorialístico, resgatar a importância da produção literária de Helena Silveira e traçar um perfil de sua relação com a temática. Para isso, constará neste estudo um resgate histórico e conceitual sobre os gêneros cronístico e memorialístico, uma análise minuciosa de tais crônicas no tocante às técnicas de composição da autora, ao ponto de vista, à temática e à presença das crônicas no gênero memorialístico brasileiro.<br>This paper aims to present the study about Helena Silveiras memory chronicles in her book Sombra Azul e Carneiro Branco. Released in 1960, the book is an authors selection of chronicles, which was previously published in the Folha da Manhã newspaper, inside the section Paisagem da memória (Memorys landscape, in verbal translation). The chronicles characterization has, as main purpose, the recognition of composing techniques starting from the death theme. This analysis allows the discuss about and between the chronicle and the memory text styles, as a rescue of the influence of Helena Silveiras literary work; and also allows a profile trace of her relation with the mentioned theme. This paper is a study about the historical and conceptual redemption of chronicle and memory text styles; it is a particular analysis of the chronicles of Sombra Azul e Carneiro Branco book concerning the authors composition techniques, her point of view, the selected theme, and the Brazilian chronicles written with the memorial text style.

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Hsiao, Yu-Chi, and 蕭玗琦. "The narrative art of the cinematographic adaptation in Chronicle of a Death Foretold by Gabriel Garcia Marquez." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/43637234658677343032.

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碩士<br>淡江大學<br>西班牙語文學系碩士班<br>102<br>Gabriel Garcia Marquez is a Colombian writer who won uncountable awards in his life. He is a master of magical realism, his masterpiece “One Hundred Years of Solitude” had been known all over the world. In 1981, he published a novel “Chronicle of a Death Foretold” which is based on a true story. The plot of the novel is very complicate, therefore got the high praise from wide readership. The Italian director Francesco Rosi, who is good at produce realism film, directed the cinematography adaptation of “Chronicle of a Death Foretold”. After the broadcast, several sources have criticized the movie saying that is not as good as the original novel, which has an excellent content and rigorous structure. The thesis mainly focus on the narrative elements and art of this film and tries to apply the narrative theory of Gerard Genette and Seymour Chatman to analyze the differences between the novel and the film''s content and structure. The methodology of this thesis is based on the textual analysis. We will analyze and explore the artistic value through narrative perspectives in the case of the novel “Chronicle of a Death Foretold” and the homonym movie. This thesis consists of four chapters. The first chapter gives an overview of the novel and the film narrative theory. The second chapter deals with the introduction of Marquez’s life, main works and his writing style. The third chapter is about the meaning and the artistic value in “Chronicle of a Death Foretold”, including plot genre, characters, theme and time. The last chapter introduce the director Rosi’s life, then analyze the form of structure and narrative element in the novel and the movie by narrative theory, which contained characters, time and space, focalization and plot genre, to explain why the director arranged the different elements in the film. It is used the methodology of textual analysis and the application of narrative theory to compare the structure of the novel and the movie and analyze the process of the adaptation which enables to demonstrate the artistic value of this cinematography adaptation.

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De, Abreu Ferreira José António. "Ecuadorian political death foretold and the Correa's era." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-324979.

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"Inheriting man's estate : constructions of masculinity in selected popular narrative." Thesis, 2005. http://hdl.handle.net/10413/1913.

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This dissertation analyses the violence of patriarchal culture as it is staged in three twentieth century texts: the Colombian writer Gabriel Garcia Marquez's Chronicle of a Death Foretold (1981), the South African novelist Mark Behr's The Smell of Apples (1993) and the American film Night of the Hunter (1954) directed by Charles Laughton. Each of these works focuses on the induction of the boy child into culture and the trauma attendant on this process of accession. The thesis is that if culture is violent then it must follow that damage is done to the developing subject in the process of its construction by the cultural forces that shape masculinity. The theoretical grounding of the analysis is derived from two main sources: Jacques Derrida's account of the violence of culture in Of Grammatology (1976) and the analysis of patriarchy and the Oedipal development of the boy child into manhood found in the work of Freud and Lacan. Derrida is used for his thinking on the inherently violent nature of culture and the way in which cultural discourse is structured through binary dualisms. The three chosen works all critique and dismantle binarist thinking as a move towards imagining a less destructive discursive order. The Oedipal narrative, as a myth which describes and explains the forces shaping the male child in the process of acculturation, exemplifies and illustrates cultural violence: As expounded by Freud and Lacan, the Oedipal myth is one which underpins all three of the chosen works. Derrida, Freud and Lacan have been very usefully mediated by several cultural critics and therefore extensive use is made of commentaries by Kaja Silverman, Frank Krutnik and Madan Sarup. Slavoj Zizek's interpretations of Lacan have also yielded much that is interesting about the nature of the Law of the Father and consequently reference is made to his ideas, principally in Chapter Four.This dissertation analyses the violence of patriarchal culture as it is staged in three twentieth century texts: the Colombian writer Gabriel Garcia Marquez's Chronicle of a Death Foretold (1981), the South African novelist Mark Behr's The Smell of Apples (1993) and the American film Night of the Hunter (1954) directed by Charles Laughton. Each of these works focuses on the induction of the boy child into culture and the trauma attendant on this process of accession. The thesis is that if culture is violent then it must follow that damage is done to the developing subject in the process of its construction by the cultural forces that shape masculinity. The theoretical grounding of the analysis is derived from two main sources: Jacques Derrida's account of the violence of culture in Of Grammatology (1976) and the analysis of patriarchy and the Oedipal development of the boy child into manhood found in the work of Freud and Lacan. Derrida is used for his thinking on the inherently violent nature of culture and the way in which cultural discourse is structured through binary dualisms. The three chosen works all critique and dismantle binarist thinking as a move towards imagining a less destructive discursive order. The Oedipal narrative, as a myth which describes and explains the forces shaping the male child in the process of acculturation, exemplifies and illustrates cultural violence: As expounded by Freud and Lacan, the Oedipal myth is one which underpins all three of the chosen works. Derrida, Freud and Lacan have been very usefully mediated by several cultural critics and therefore extensive use is made of commentaries by Kaja Silverman, Frank Krutnik and Madan Sarup. Slavoj Zizek's interpretations of Lacan have also yielded much that is interesting about the nature of the Law of the Father and consequently reference is made to his ideas, principally in Chapter Four.<br>Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2005.

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SONG, MIN-FONG, and 宋敏鳳. "THE THEME OF "THE FAMILY OF PASCUAL DUARTE" AND "CHONICLE OF A DEATH FORETOLD"." Thesis, 1995. http://ndltd.ncl.edu.tw/handle/92660349467441072408.

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Books on the topic "Chronicle of a death foretold"

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Marquez, Gabriel Garcia. Chronicle of a death foretold. Viking, 2008.

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Marquez, Gabriel Garcia. Chronicle of a Death Foretold. 5th ed. Vintage International, 2003.

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Marquez, Gabriel Garcia. Chronicle of a death foretold: A novel. Vintage International, 2003.

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Allum, Percy. Chronicle of a death foretold: The first Italian republic. Department of Politics, University of Reading, 1993.

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Kwitney, Alisa. Destiny: A chronicle of deaths foretold. DC Comics, 1997.

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Kwitney, Alisa. Destiny: A chronicle of deaths foretold. DC Comics, 1997.

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Marquez, Gabriel Garcia. Collected Novellas. HarperCollins Publishers, 1990.

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1953: Chronicle of a birth foretold : a novel. Anansi, 1997.

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Sachs, Jeffrey. The Mexican peso crisis: Sudden death or death foretold? National Bureau of Economic Research, 1996.

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D, Aguilar Mila. Chronicle of a life foretold: 101 poems, 1995-2003. JC-MDA Publications with Popular Bookstore, 2012.

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Book chapters on the topic "Chronicle of a death foretold"

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Corwin, Jay. "Chronicle of a Death Foretold." In Gabriel García Márquez. Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-51337-3_6.

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Bell, Michael. "Male Tragedy/Female Novella: Chronicle of a Death Foretold." In Gabriel García Márquez. Macmillan Education UK, 1993. http://dx.doi.org/10.1007/978-1-349-23015-0_6.

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Philippou, Eleni. "Márquez’s Chronicle of a Death Foretold and its Quiet Politics." In Speaking Politically. Routledge, 2021. http://dx.doi.org/10.4324/9781003005810-3.

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Williams, Suzanne, and Tina Wallace. "9. Chronicle of a death foretold: The birth and death of Oxfam GB’s Gender and Development Unit; GADU remembered: Some reflections on the early years." In Gender Works. Oxfam Publishing, 1999. http://dx.doi.org/10.3362/9780855987572.009.

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McKoy, Michael. "Neoconservatism: A Death Prematurely Foretold?" In Rethinking Security in the Twenty-First Century. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-52542-0_19.

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de Gilder, Dick. "Commentary: Lernout & Hauspie – Chronicle of a Bankruptcy Foretold." In European Business Ethics Cases in Context. Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-90-481-9334-9_24.

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Barrios-Guerra, Carlos A. "Mercury Contamination in Chile: A Chronicle of a Problem Foretold." In Reviews of Environmental Contamination and Toxicology. Springer New York, 2004. http://dx.doi.org/10.1007/978-1-4419-9100-3_1.

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Sifuentes-Jáuregui, Ben. "Introduction Chronicle of Gender Foretold: Transvestism and the Difficulty of Gender." In Transvestism, Masculinity, and Latin American Literature. Palgrave Macmillan US, 2002. http://dx.doi.org/10.1057/9780230107281_1.

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Tortella, Gabriel, and José Luis García Ruiz. "The Bursting of the Bubble: Savings Banks, a Death Foretold." In Spanish Money and Banking. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137317131_11.

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Queralt Jiménez, Argelia. "Chronicle of an Enforcement Foretold: The Effectiveness of the Del Río Prada ECtHR Judgement in Spain." In Multilevel Protection of the Principle of Legality in Criminal Law. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63865-2_11.

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Conference papers on the topic "Chronicle of a death foretold"

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Verdoni, Dominique. "Literary production in Corsican language: chronicle of a death foretold ?" In 2006 First International Symposium on Environment Identities and Mediterranean Area. IEEE, 2006. http://dx.doi.org/10.1109/iseima.2006.344981.

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Reports on the topic "Chronicle of a death foretold"

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Sachs, Jeffrey, Aaron Tornell, and Andres Velasco. The Mexican Peso Crisis: Sudden Death or Death Foretold? National Bureau of Economic Research, 1996. http://dx.doi.org/10.3386/w5563.

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