Relevant bibliographies by topics / Chronotop

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Academic literature on the topic 'Chronotop'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "Chronotop"

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Levanat-Peričić, Miranda. "The Chronotope of Exile in the Post-Yugoslav Novel and the Boundaries of Imaginary Homelands." Colloquia Humanistica, no. 7 (December 18, 2018): 82–97. http://dx.doi.org/10.11649/ch.2018.005.

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The Chronotope of Exile in the Post-Yugoslav Novel and the Boundaries of Imaginary HomelandsAlthough the chronotopic approach to the novels of exile is almost self-explanatory, certain specifics expressed by post-Yugoslav exile narrations evoke a separate chronotope interpretation. First and foremost, post-Yugoslav literature is additionally encumbered with the identity issue because the abandoned areas of the nineties for the exiled writer do not disappear at a metaphorical level, by turning into a mnemotope, but in the actual break-up of the political entity, the imaginary supranational heritage transforms itself into a kind of counterculture, mostly affirmed by exile writers. Therefore, returning to the abandoned place often becomes possible only as a return to the past. In this paper, the literary theme of exile will be followed comparatively, starting from the reflective nostalgia in the prose of Dubravka Ugrešić (The Ministry of Pain), through a global exile which reflects the history of the relationship between European persecutions and America as an unfair homeland, which breaks all identity support in the novels of Aleksandar Hemon (The Nowhere Man; The Lazarus Project), to the intra-Yugoslav, "hereditary" exile in the novels of Goran Vojnović (Chefurs Raus!; Yugoslavia, My Homeland), which fathers left to their sons like a curse of the genus. In the texts mentioned above, the chronotope of exile is dealt with at the level of genre, as the major, supreme chronotope, which includes or opens space to a series of specific local chronotopes, which are fundamental to exile narration. These motifs are also encountered in other genres, but in exile narration they are the bearing pillars of the genre. They are, by their nature, chronotopic because they are realised through the binary spatial-temporal categories of presence and absence, affiliation and non-affiliation, anchoring and nomadism. In this paper, I will look at three such chronotope motifs: 1) the motif of home as a non-place or a place of absence; 2) the motif of other/mirror country and other/”mirror” history; 3) the motif of return and travel (by train), which regularly invokes the stereotypical representation of the place and the past. Chronotop wygnania w powieści postjugosłowiańskiej i granice ojczyzn wyobrażonychChociaż chronotopiczne podejście do analizy powieści problematyzujących wygnanie wydaje się oczywiste, to specyficzne cechy postjugosłowiańskich powieści tego rodzaju wymagają szczególnej interpretacji koncepcji chronotopu, ponieważ literatura postjugosłowiańska jest dodatkowo obciążona kwestią tożsamości. Dla wygnanego pisarza opuszczone przestrzenie lat dziewięćdziesiątych nie znikają jedynie na poziomie metaforycznym, zamieniając się w przestrzeń pamięci (mnemotop), ale faktycznie przestają istnieć jako rzeczywisty byt polityczny. Tym samym, wyobrażone dziedzictwo ponadnarodowe przekształca się w swoistą kontrkulturę, w większości afirmowaną przez pisarzy na wygnaniu. Dlatego też powrót do opuszczonej przestrzeni często jest możliwy jedynie jako powrót do przeszłości. Artykuł omawia literacki motyw wygnania w perspektywie komparatystycznej. Rozpoczyna się od refleksyjnej nostalgii w prozie Dubravki Ugrešić (Ministerstwo bólu). Następnie wiedzie poprzez globalne wygnanie, które odzwierciedla historię związków między europejskimi prześladowaniami a Ameryką jako niesprawiedliwą ojczyzną łamiącą wszelkie tożsamości, w powieściach Aleksandra Hemona (Nowhere Man, The Lazarus Project). Wreszcie, dochodzi do wewnątrzjugosłowiańskiego wygnania „dziedzicznego” w powieściach Gorana Vojnovicia (Chefurs Raus!, Yugoslavia, My Homeland) – wygnania, które ojcowie pozostawili swoim synom niczym przekleństwo rodzaju. W wyżej wymienionych tekstach chronotop wygnania jest rozpatrywany na poziomie gatunku jako główny, nadrzędny chronotop, który zawiera w sobie lub otwiera przestrzeń dla szeregu specyficznych chronotopów lokalnych, fundamentalnych dla narracji wygnańczych. Chociaż podobne motywy występują także w innych gatunkach, to są one filarami w przypadku narracji wygnańczych, z natury chronotopicznych, gdyż realizowanych za pomocą binarnych kategorii czasoprzestrzennych: obecności i nieobecności, przynależności i braku przynależności, zakotwiczenia i nomadyzmu. W tym artykule przyjrzę się trzem takim motywom chronotopu: 1) motywowi domu jako nie-miejsca lub miejsca nieobecności; 2) motywowi innych/lustrzanych krajów i innych/lustrzanych historii; 3) motywowi powrotu i podróży (pociągiem), który regularnie przywołuje stereotypowe przedstawienie miejsca i przeszłości. Kronotop egzila u postjugoslavenskom romanu i granice imaginarnih domovinaPremda je kronotopski pristup romanima egzila gotovo samorazumljiv, određene specifičnosti koje iskazuje postjugoslavenske egzilne naracije prizivaju zasebnu kronotopsku interpretaciju. Prije svega, postjugoslavenska književnost opterećena je dodatnim identitetskim bremenom jer napušteni prostori devedesetih godina za pisca u egzilu ne nestaju na nekoj metaforičkoj razini seleći se u mnemotope, nego se stvarnim raspadom političke cjeline, imaginarna supranacionalna baština transformira u svojevrsnu kontrakulturu, najčešće afirmiranu upravo posredstvom egzilnih pisaca. Stoga i povratak na napušteno mjesto često postaje moguć samo kao povratak u prošlost. U ovom će se radu književna tema egzila pratiti komparativno, počevši od refleksivne nostalgije u prozi Dubravke Ugrešić (Ministarstvo boli), preko globalnog egzila u kojemu se zrcali povijest odnosa europskih progona i Amerike kao maćehinske domovine koja rastače sve identitetske oslonce u romanima Aleksandra Hemona (Čovjek bez prošlosti; Projekat Lazarus), do unutarjugoslavenskog, „naslijeđenog“ egzila u romanima Gorana Vojnovića (Čefuri raus!; Jugoslavija, moja domovina), koje, poput prokletstva roda, očevi ostavljaju sinovima. U navedenim tekstovima o kronotopu egzila govorimo na razini žanra, kao glavnom, nadređenom kronotopu koji uključuje ili otvara prostor nizu specifičnih lokalnih kronotopa ili motiva, ključnih za egzilnu naraciju. Te se motivske jedinice susreću i u drugim žanrovima, no u egzilnoj su naraciji nosivi stupovi žanra. Po svojoj su naravi kronotopični jer se realiziraju kroz binarne prostorno-vremenske kategorije prisutnosti i odsutnosti, pripadanja i nepripadanja, usidrenosti i skitalaštva. U ovom radu osvrnut ću se na tri takva kronotopska motiva: 1. motiv doma kao ne-mjesta ili mjesta odsustva; 2. motiv druge/zrcalne domovine i druge/zrcalne povijesti; 3. motiv povratka i putovanja (vlakom), koje redovito priziva stereotipnu reprezentaciju mjesta i prošlosti.
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Беляева and Viktoriya Belyaeva. "The features of adaptation possibilities of the suvorov military school students withdifferent chronotype." Vladikavkaz Medico-Biological Bulletin 21, no. 31 (January 1, 2015): 8–13. http://dx.doi.org/10.12737/17131.

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The article presents the results of the analysis of the chronotype, parameters of the bioelectrograms, indicators of the chronotop spatial-temporal perception of the Suvorov Military School students of 13–14 years old. The representatives of expressed morning chronotype dominate among them. “Individual minute” in the students practically coincides with the astronomical minute. It was found out that the parameter of bioelectrogram «fractality» is above in the students with indifferent chronotype, but “mood” is lower than that in the students with expressed morning chronotype.
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Алисеенко О. Н. "К ВОПРОСУ О СПЕЦИФИКЕ РЕНЕССАНСНОГО ПАСТОРАЛЬНОГО ХРОНОТОПА И ПУТЕЙ ЕГО ДАЛЬНЕЙШЕЙ МОДИФИКАЦИИ." International Academy Journal Web of Scholar 2, no. 8(38) (August 31, 2019): 22–27. http://dx.doi.org/10.31435/rsglobal_wos/31082019/6660.

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The specific character of the Renaissance pastoral chronotop as well as the ways of its further modification has been under consideration in the article provided. It has been proved that semantic background of pastoral chronotop as the specific fiction time and space predominant to the Renaissance stage of pastoral transtext development encloses a number of significant determinants. The definite components are closely connected with the Renaissance interpretation of Plato by the Neoplatonists, i.e. the predominance of the spacial existence, the idea of the community, the tradition of the demythologization of the novel space, the relatedness of the Renaissance pastoral chronotop with the ethico-philosophical complex “Love-Beauty-Good” which has become classical.
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Turaeva, Bahor. "CHRONOTOP AS AN AESTHETIC CATEGORY." Theoretical & Applied Science 91, no. 11 (November 30, 2020): 308–13. http://dx.doi.org/10.15863/tas.2020.11.91.49.

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Lyons, Agnieszka, and Caroline Tagg. "The discursive construction of mobile chronotopes in mobile-phone messaging." Language in Society 48, no. 5 (April 23, 2019): 657–83. http://dx.doi.org/10.1017/s004740451900023x.

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AbstractThis article draws on data from an ethnographic project to explore the ways in which migrant micro-entrepreneurs exploit mobile messaging apps to co-construct mobile chronotopes: dynamic configurations of time and space negotiated by geographically separated participants, who draw on different contexts and frames of understanding. Analysis of mobile messages by two couples—Chinese butchers in Birmingham and Polish shop-owners in London—informed by interview and interactional data collected at work and home, suggests they discursively negotiate and exploit multiple chronotopic layers, creating complex intersections between virtual and physical spaces in everyday interactions. We focus on the role that multilingual and multimodal semiotic resources play in co-constructing mobile chronotopes. In particular, we explore critical junctures at which communicative expectations are challenged, rendering mobile chronotope negotiation visible. Our concept of the mobile chronotope has implications for both the theorisation of mobile phone communication and understanding how chronotopes function in contemporary transnational migrant discourse. (Chronotope, migrant entrepreneur, mobile messaging, transnational migration)*
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Belozerova, Natalia N. "Human internal organs as a possible and textual world." Tyumen State University Herald. Humanities Research. Humanitates 5, no. 2 (June 28, 2019): 20–34. http://dx.doi.org/10.21684/2411-197x-2019-5-2-20-34.

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Ever since Shakespeare had sent a fat king to go a progress through the guts of a lean beggar [31] human internal organs started to serve as a textual locus in fiction and non-fiction, or a subject in a possible world. Their presentation varies depending upon the purpose, the form and the style of writing, semiotic modalities of their exposition, as well as the epistemological development of knowledge. These varieties come under the umbrella property known as “the possibility of the impossible” [12]. In such possible world a cat can walk in the brain as if it were his apartments [3], or together with children travel through the whole system of human internal organs [9], or a concerto could be designed for neurons and synapses [22]. In scientific articles, a textual world takes the form of topographic maps and models, including semantic distribution [11]. With this in the mind, we state the purpose for this paper to classify the types of textual “chronotops” (in a Bakhtinian sense [2]) that characterize fictional and nonfictional loci of human internal organs. We also aim at stating the type of dependences that provide narrative shapes to a possible world inside a human body. For the analyses we attract among others M.&nbsp;Bakhtin’s theories of the “carnival poetics” and “Chronotop” [2], and Yu.&nbsp;Lotman’s theories of “semiotic textualization” [18] and “semantic intersection” [19].<br> We state as our hypotheses that a blend of epistemological knowledge, personal involvement of the authors into any sort of scientific experiment and an educational goal determine the type of the deixis or “chronotop”, the major semiotic modality being “SAVOIR”-TO KNOW (in the Greimasian sense).
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Cloran, Carmel. "Rhetorical unit analysis and Bakhtin’s chronotype." Functions of Language 17, no. 1 (June 30, 2010): 29–70. http://dx.doi.org/10.1075/fol.17.1.02clo.

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Bakhtin introduced the concept of chronotope (chronos = time; topos = space) to facilitate his exploration of the ways in which space-time intersections occur in literary texts. However, he also suggests that chronotopes characterise non-literary texts — indeed, that “every entry into the sphere of meaning is accomplished only through the gates of the chronotope” (1981: 258) — this historical, biographical and social time-space configuration. This formulation immediately suggests that these categories should be accessible via the categories of language and indeed, in English, they are most generally expressed via the Mood categories Subject and Finite. These same Mood categories of English are crucially involved in the identification of a unit of discourse — the rhetorical unit (Cloran 1994). Thus, this discourse unit provides a useful means of concretising, from a linguistic perspective, Bakhtin’s concept of chronotope and investigating the presence of such chronotopes in the everyday mundane discourse of mother-child interaction. Selections from such interaction are illustrations of authentic cultural chronotopes, and provide exempla of a (sub)cultural chronotopic motif within the broader culture, i.e. social positioning at a particular historical point in time (the late 20th century Australian culture).
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Baščarević, Snežana. "Chronotop of Kosovo and Metohija: 'The Raven kiss' Novica Sovrlić." Zbornik radova Uciteljskog fakulteta Prizren-Leposavic, no. 14 (2020): 103–10. http://dx.doi.org/10.5937/zrufpl2014103b.

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Collection of poems The Raven kiss Novica Sovrlić novel is related to the chronotop of Kosovo and Metohija, for the spirit and consciousness of the Serbian people, for sacred and world heritage and tradition, but also for modern sensations. The aim of the paper is to point out the poems that open the question of the survival of the Serbian people in the Kosovar region at the present moment, the question of patriotism, Orthodoxy, the resurrection of Slavs. Kosovo and Metohija is presented in this collection as a cult of the Serbian people, as liturgy of Serbian literature, as a spiritual center. Novica Sovrlić understood the various poetic achievements of the topic of Kosovo and Metohija as a personal tragedy within the framework of collective suffering. For this reason, research using an analytical - synthetic method will be necessary. We will conclude that the most successful are the songs in which medieval and modern music are permeated and that the songs of this collection are prone to tradition, but do not go into traditionalism, because the poet uses them in modern poetry. Through Sovrlić's poetic intimacy, the suffering of the Serbian people in Kosovo and Metohija is expressed and there is no other denominator other than Kosovo and Metohija. His poetry is a confession and personal experience, but also a documented reality of the suffering, refugees and homelands, because the issue of Kosovo-metohian poetry is also a question of the survival of the Serbian people and the pain for the Kosovar-Metohija country. The chronotopos of Kosovo and Metohija is surrounded by the Celestial Empire for Novica Sovrlić.
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Rogova, Evgeniya N. "Elegiac chronotop and elegiac motives in a literary work." Sibirskiy filologicheskiy zhurnal, no. 2 (June 1, 2003): 32–37. http://dx.doi.org/10.17223/18137083/3/5.

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Duleba, Maxim. "K poznámke pod čiarou: Bachtinov termín „chronotop“ v kontexte materializmu." Svět literatury XXXI, no. 64 (October 7, 2021): 57–72. http://dx.doi.org/10.14712/23366729.2021.2.4.

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Dissertations / Theses on the topic "Chronotop"

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Kłoskowicz, Małgorzata. "Autonomia i autodeterminacja : chronotop poezji konkretnej Stanisława Dróżdża." Doctoral thesis, Katowice : Uniwersytet Śląski, 2013. http://hdl.handle.net/20.500.12128/5454.

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W temacie rozprawy niemalże każde słowo domaga się szczególnej uwagi, odrębnego rozdziału (okazuje się, że nawet ‘i’ usytuowane między autonomią i autodeterminacją nie jest przezroczyste). Jakakolwiek analiza musi być poprzedzona wprowadzeniem, w którym zarysowana zostaje pojęciowa architektura rozprawy, wyłaniająca się z próby zetknięcia myśli rosyjskiego filozofa Michaiła Bachtina oraz francuskiego filozofa Michela Serresa ze światem poezji konkretnej Stanisława Dróżdża. Poniższa analiza jest więc miejscem spotkania, spektaklem.
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Gloor, Gisela [Verfasser], and Rainer [Akademischer Betreuer] Grübel. "Chronotop und Körperzeit in Tolstojs Roman Anna Karenina / Gisela Gloor. Betreuer: Rainer Grübel." Oldenburg : IBIT - Universitätsbibliothek, 2012. http://d-nb.info/1023081849/34.

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Gloor, Gisela [Verfasser], and Rainer Georg [Akademischer Betreuer] Grübel. "Chronotop und Körperzeit in Tolstojs Roman Anna Karenina / Gisela Gloor. Betreuer: Rainer Grübel." Oldenburg : IBIT - Universitätsbibliothek, 2012. http://nbn-resolving.de/urn:nbn:de:gbv:715-oops-14221.

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Cwiek, Bellomo Ewa. "La dynamique des contrastes dans la construction romanesque chez Fred Vargas." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3074.

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Construit sur un réseau de contrastes, le monde romanesque de Fred Vargas arbore le masque de la fiction policière. Les meurtres au présent cachent les meurtrissures de l’amour au passé. Médiateur entre ces pôles diégétiques, la passion du personnage vargassien fait faillir les règles du jeu que lui impose le monde. Car derrière les apparences civilisées perdure l’ordre originel de Nature : la prédation. Face à son échec, le personnage doit relever un défi qui transforme son enquête sur le crime en une quête identitaire. Choisir la transgression ou le sacrifice de soi décide de sa chute ou du resurgissement de sa dignité. Superposant l’intrigue et l’Histoire, le hic et nunc diégétique confère au personnage le rôle de trait d’union entre les Ici et les Ailleurs identitaires adverses. L’enquête approche la psyché du meurtrier et de l’enquêteur, reconstituant l’interaction de l’individu et du monde précisé en tant que son chronotope synchronique et diachronique. La relation entre l’homme et ses Autres révèle la personne derrière le personnage. La confrontation de l’animal humain aux animaux réels et mythifiés, remet en question les frontières entre l’identité et l’altérité. Le réel meurtrier s’avère incarner un des masques de l’imaginaire, tandis que l’imaginaire, érigé en idéal de l’humanité, devient une réalité à conquérir au prix du sacrifice de soi, et dévoile la polyvalence des réalités de l’échec et l’accomplissement. L’analyse du jeu de miroirs entre l’opposition et la complémentarité conclut à l’union des contraires qui fait coexister l’horreur et le sublime, l’amour et la mort dans le couple d’opposés que forment l’homme et le monde
Built on a network of contrasts, the romantic world of Fred Vargas bears the mask of detective fiction.The murders of the present hide the bruises of love in the past.Mediator between these diegetic poles,the passion of Vargas’s character breaches the rules of the game that is imposed on him by the world.For behind these civilized appearances ,the original order continues:predation. Confronted by his failure,the character must take up a challenge that will transform his investigation in a quest for identity. Selecting either transgression or self-sacrifice will determine whether he collapses or reappears with his dignity.Converging the plot and the Story, the diegetic here and now bestows upon the character the role of linking the Here and Elsewhere, and adverse identities. The enquiry approaches, the psyche of the murderer and the investigator, reconstituting the interaction between the individual and the world, defined as its synchronic and diachronic chronotope. The relationship between humans and their Others reveals the person behind the character.The confrontation between the human animal and real and mythologized animals challenges the borders between identity and otherness.The real murderer turns out to embody one of the masks of the imagination, while the imagination, established as an ideal of humanity, becomes a reality to conquer at the price of self-sacrifice, and reveals how flexible the realities of failure and fulfillment can be. Analysing the mirror effect between opposition and complementarity accentuates the union of opposites that create the coexistence of horror and the sublime, and love and death in the dichotomy that make up mankind and the world
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Kohlhoff, Enno Ole. "Circadiane Variationen von Aufmerksamkeitsfunktionen bei extremen Chronotypen." Doctoral thesis, Universitätsbibliothek Leipzig, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-154780.

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Die Leistungsfähigkeit vieler kognitiver Funktionen zeigt tageszeitliche Schwankungen, welche auf dem Zusammenspiel der im 2-Prozess-Modell der Schlafregulation beschriebenen Prozes- se basieren: dem homöostatischen Schlafdruck (Prozess S) sowie dem circadianen Schrittma- cher (Prozess C). Darüberhinaus existieren verschiedene Chronotypen, welche oftmals einen synchrony-effect, also eine bessere Leistung zu für sie optimalen Tageszeiten im Vergleich zu nicht-optimalen Tageszeiten, zeigen. In der vorliegenden Arbeit wurde untersucht, in- wieweit die Leistungsfähigkeit der mittels des Attention Network Task (ANT) gemessenen Aufmerksamkeitsfunktionen tonische und phasische Alertness, Orientierung und exekutive Aufmerksamkeit aufgrund homöostatischer und circadianer Faktoren bei extremen Chrono- typen tageszeitabhängige und/oder chronotypabhängige Variationen unter synchronisierten Bedingungen (also einem normalen Tag-Nacht-Rhythmus) mit selbstgewählten Schlafzeiten zeigen. Zu diesem Zweck wurden je 20 ausgeprägte Morgen- bzw. Abendtypen zu fünf ver- schiedenen Uhrzeiten (9:00, 12:00, 15:00, 18:00 und 21:00 Uhr) in randomisierter Reihenfolge getestet. Phasische Alertness, Orientierung sowie die exekutive Aufmerksamkeit zeigten sich bei beiden Chronotypen im Tagesverlauf stabil. Die in einer ähnlichen Studie gefundenen Schwankungen der phasischen Alertness der Morgen-/Neutraltypen sowie der exekutiven Auf- merksamkeit bei beiden Chronotypen konnten nicht repliziert werden, was wahrscheinlich auf eine unterschiedliche Einteilung in Chronotypgruppen sowie ein unterschiedliches Studiende- sign zurückzuführen ist. Möglicherweise kann dies aber auch darauf hinweisen, dass es sich bei der Chronotyp-Dimension auf behavioraler Ebene nicht um ein Kontinuum handelt. Wäh- rend die tonische Alertness bei den Morgentypen gleich blieb, zeigte sich bei den Abendtypen ein synchrony-effect, d.h. sie zeigten eine Verbesserung der Leistung im Tagesverlauf, wobei nicht auszuschließen ist, dass neben der nicht-optimalen circadianen Phase der Abendtypen am Morgen auch sleep inertia sowie partielle Schlafdeprivation zu diesem Verlauf beigetragen haben können. Darüberhinaus zeigten die Morgentypen unabhängig von der Tageszeit eine generell schlechtere Orientierungsfunktion als die Abendtypen, was die Hypothese einer ver- schiedenartigen hemisphärischen Dominanz bei den verschiedenen Chronotypen unterstützt. Die Ergebnisse der vorliegenden Studie unterstützen die These, dass verschiedene kognitive Prozesse selektiv durch homöostatische und circadiane Prozesse moduliert werden, da selbst so ähnliche Funktionen wie die tonische und die phasische Alertness unterschiedliche Ver- läufe zeigen und in einer früheren Studie Schwankungen der phasischen Alertness und der exekutiven Aufmerksamkeit bei moderaten Morgen-/Neutraltypen bzw. moderaten Abendty- pen beschrieben wurden. Ob die unterschiedlichen Ergebnisse der vorliegenden und früherer Studien tatsächliche Unterschiede zwischen verschiedenen Chronotypen reflektieren oder Un- terschieden des jeweiligen Studiendesigns geschuldet sind, ist in weiterführenden Studien zu untersuchen.
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Assis, Rosangela Freitas de. "Tempo, espaço e memória: fronteiras do relato em Cinzas do Norte." Pontifícia Universidade Católica de São Paulo, 2011. https://tede2.pucsp.br/handle/handle/14683.

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The study of Cinzas do Norte novel written by the manauara Milton Hatoum (2005) is about the reminder report of the Amazon history built by the redesigning of time and space connections. Dissolving the inventive past, correspondent relations between chronotopes and anachronism articule the writing of memory experience to the narrator characters in metafictional labor without marking social and geographic frontiers. In this event, the artistic and epistolary genres have a mediator role in the hybrid speech of the relate between narrators, and characters while sharing the communication among the past memories, felicity appeal, and future dreams of a new Amazon. The demonstration of metafictional construction of Cinzas do Norte relate is announced in a triadic context: in the errant frontiers of the time, space and place, in the bivocal discurse of the letters, and the visual art, and in the physical and human space up dated by the ironic and parodic discurses questioning supports of historical-social chronotope. The reached interpretation expands the history of Amazon by the semantic ambiguity, by the historical critical and the poetic revitalization of ecologic and humanist local language
O estudo do romance Cinzas do Norte do escritor manauara Milton Hatoum (2005) refere-se ao relato rememorativo da história da Amazônia construído pelo redesenho das relações tempo e espaço. No desfazer inventivo do passado, relações correspondentes entre cronotopos e anacronias articulam a escritura da experiência da memória à vivência das personagens narradoras em trabalho metaficcional, sem marcar fronteiras sociais e geográficas. Neste evento, o gênero artístico e epistolar têm um papel mediador no discurso híbrido do relato, entre narradores e personagens, ao compartilhar a comunicação entre as lembranças do passado, os apelos de felicidade e sonho futuros de uma nova Amazônia. A demonstração da construção da metaficção do relato de Cinzas do Norte é apresentada em contexto tríplice: nas fronteiras errantes do tempo, espaço e lugar, no discurso da bivocalidade das cartas e arte visual, e nos espaços físicos e humanos atualizados pelo questionamento dos discursos irônico e paródico, suportes do cronotopo histórico-social. A interpretação alcançada amplia a história da Amazônia pela via da ambiguidade semântica, da crítica histórica e da revitalização poética da linguagem ecológica e humanista local
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LIU, Jingya. "Chronotope and regional Chinese independent films." Digital Commons @ Lingnan University, 2010. https://commons.ln.edu.hk/cs_etd/2.

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This thesis aims to re-categorize Chinese independent films from a region-based perspective as a critical response to existing literature on Chinese independent films. This thesis analyzes three independent films made in three different regions of China in order to investigate regional Chinese independent cinema as a recently rising phenomenon: respectively, Jia Zhangke’s Xiaowu (1997) made in Shanxi Province, Ying Liang’s Taking Father Home (Bei yazi de nanhai, 2006) in Sichuan Province, and Robin Weng’s Fujian Blue (Jinbi huihuang, 2007) in Fujian Province. By using Bakhtin’s concept of chronotope (literally time-space) as the fundamental framework and exploring the many aspects of it, I will develop three major theoretical points to study selected regional Chinese independent films: first, chronotope enables the evaluation of texts of Chinese independent films; second, the documentary impulses prevailing Chinese independent films serve as the chronotopic linkage between the world in the film text and the world the film text represents; three, the mediation function as one aspect of chronotope is characterized by the negotiation between regional Chinese independent films and many social relations, for example, filmmakers, casting, audiences. This thesis also explores many issues related to Chinese independent films, for example: How do we value the unique film practice of Chinese independent filmmakers instead of viewing them as a unified whole? How do we relate Chinese independent films as aesthetic practices to the region-specific reality they are embedded in? How can Chinese independent cinema as a social practice play an effective role in society? The exploration of these questions does not only enlighten new research perspectives on Chinese independent films, but also provide reflections on the geographical, cultural and social diversity of Chinese regions.
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Larsen, M. D. H. "The Bakhtinian chronotope : origins, modifications and additions." Thesis, University of Kent, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244340.

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Elmgren, Charlotta. "The Chronotope of Immigration in Jeffrey Eugenides' Middlesex." Thesis, Stockholms universitet, Engelska institutionen, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-61587.

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Jeffrey Eugenides‟ Middlesex can be ascribed to many genres, one of which is the novel of immigration. Mikhail Bakhtin has suggested that each genre, indeed any literary motif, can be defined by its own chronotope, literally “time space,” “the intrinsic connectedness of temporal and spatial relationships that are artistically expressed in literature.” The essay discusses the chronotope of immigration in Middlesex, and looks at how four specific intersections of time and space, embodied by the four houses inhabited by the Stephanides family, contribute to the unfolding of this particular immigration saga. The four houses can thus be seen to represent the key elements of this novel‟s instance of a chronotope of immigration, which brings up concepts such as assimilation, hybridity and “third space.” The essay also examines the relations of central characters to time, space and each other; the upstairs/downstairs and inside/outside dichotomies within each house providing interesting keys to inter-gender and inter-generational alienation within this chronotope of immigration.
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Montgomery, Michael Vincent. "Bakhtin's chronotope and the rhetoric of Hollywood film." Diss., The University of Arizona, 1992. http://hdl.handle.net/10150/185758.

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This dissertation considers Hollywood film locales rhetorically, as the site of many different kinds of community activities and perspectives. In particular, my focus will be on locales and mise-en-scene elements that replicate certain "chronotopic" patterns of time and space organized by our culture in its literature. These special patterns, along with their signifying functions, were first outlined by Mikhail Bakhtin during the period 1937-1938. As a first step, I begin with a broad survey, outlining the salient features of Bakhtin's individual chronotopes ancient and modern, and considering fundamental connections between these chronotopes and classical Hollywood genres of the 1940s. I devote my second chapter to the exploration of other important theoretical bases of Bakhtin's work; in particular, to the belief in the rejuvenating power of folk language and the carnivalesque. My argument is that the "idyllic chronotope" is given the same position of centrality in Bakhtin's discussions of space and time as carnivalesque speech genres are in his discussions of language. The appearance of an "idyllic interlude" in a work of literature or in a film can suddenly throw the rest of the represented world into moralizing "perspective" just as a carnivalesque insult or quip can "degrade" a high-sounding speech. My third theoretical problem will be the reception and processing of the film text. How does the audience of a film apply their socially-formed schema and knowledge of the characters' "situations" to a film text in order to construct meaning? Here I demonstrate how the "high-lighting" of a film text with recognizable chronotopes can help an audience to form judgments about characters and to construct analogies between character situations and situations arising in their own communities. In my fourth and final chapter, I branch out from Bakhtin's models to consider new chronotopes as they may develop during a particular historical decade. Specifically, I examine the representation of the "shopping mall" as it appears throughout a dozen or so 1980s films in order to show how the spatiotemporal worlds suggested by these films can be "opened out" into a study of teen culture and social mores across the decade as a whole.
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Books on the topic "Chronotop"

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Kadlečík, Ivan. Chronoskop. Bratislava: F.R.& G., 2006.

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1951-, Cooke Lynne, Dia Art Foundation, and Hispanic Society of America, eds. Chronotopes & dioramas. New York: Dia Art Foundation, 2010.

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Afghanistan chronotopia. 2nd ed. Stockport: Dewi Lewis Pub., 2005.

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Norfolk, Simon. Afghanistan chronotopia. Stockport: Dewi Lewis, 2002.

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Craig, Berry. Chronolog, 1912-1954. Paducah, KY: Turner Pub. Co., 1989.

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Kroon, Sjaak, and Jos Swanenberg, eds. Chronotopic Identity Work. Bristol, Blue Ridge Summit: Multilingual Matters, 2019. http://dx.doi.org/10.21832/9781788926621.

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Piero, Mike. Video Game Chronotopes and Social Justice. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-91944-3.

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Bemong, Nele. Bakhtin’s Theory of the Literary Chronotope: Reflections, Applications, Perspectives. Gent: Academia Press, 2010.

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Montgomery, Michael V. Carnivals and commonplaces: Bakhtin's chronotope, cultural studies, and film. New York: P. Lang, 1993.

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Nele, Bemong, Borghart Pieter, De Dobbeleer Michel, and Demoen Kristoffel, eds. Bakhtin's theory of the literary chronotope: Reflections, applications, perspectives. Gent: Ginko, Academia Press, 2010.

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Book chapters on the topic "Chronotop"

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Beck, Klaus. "Mehr Geschwindigkeit oder mehr als Geschwindigkeit? Medien zwischen Dromokratie und Chronotop." In Im Rausch der Geschwindigkeit, 39–53. Berlin, Heidelberg: Springer Berlin Heidelberg, 1999. http://dx.doi.org/10.1007/978-3-642-60130-9_4.

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Nogués-Pedregal, Antonio-Miguel. "Chronotope." In Encyclopedia of Tourism, 1–2. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-01669-6_246-1.

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Nogués-Pedregal, Antonio Miguel. "Chronotope." In Encyclopedia of Tourism, 153–54. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-01384-8_246.

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Peter, Helga, and Thomas Penzel. "Chronotyp." In Springer Reference Medizin, 1. Berlin, Heidelberg: Springer Berlin Heidelberg, 2020. http://dx.doi.org/10.1007/978-3-642-54672-3_394-1.

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Perrino, Sabina. "Chronotopes." In The Handbook of Narrative Analysis, 140–59. Hoboken, NJ: John Wiley & Sons, Inc, 2015. http://dx.doi.org/10.1002/9781118458204.ch7.

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Murrey, Lucas. "The Dionysiac Chronotope." In Hölderlin’s Dionysiac Poetry, 9–23. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10205-4_2.

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Murrey, Lucas. "The Visualised Chronotope." In Hölderlin’s Dionysiac Poetry, 25–36. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10205-4_3.

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van Eijck, Michiel, and Wolff-Michael Roth. "Place and Chronotope." In Cultural Studies of Science Education, 133–62. Dordrecht: Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-5392-1_7.

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Kroon, Sjaak, and Jos Swanenberg. "1. Introducing Chronotopic Identity Work." In Chronotopic Identity Work, edited by Sjaak Kroon and Jos Swanenberg, 1–15. Bristol, Blue Ridge Summit: Multilingual Matters, 2019. http://dx.doi.org/10.21832/9781788926621-002.

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Blommaert, Jan. "2. Are Chronotopes Helpful?" In Chronotopic Identity Work, edited by Sjaak Kroon and Jos Swanenberg, 16–24. Bristol, Blue Ridge Summit: Multilingual Matters, 2019. http://dx.doi.org/10.21832/9781788926621-003.

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Conference papers on the topic "Chronotop"

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Frank, Tina. "Chronomops." In ACM SIGGRAPH 2009 Computer Animation Fesitval. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1596685.1596707.

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Bennett, Peter, Mike Fraser, and Madeline Balaam. "ChronoTape." In TEI'12: Sixth International Conference on Tangible, Embedded, and Embodied Interaction. New York, NY, USA: ACM, 2012. http://dx.doi.org/10.1145/2148131.2148144.

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"Chronotope and real estate." In 19th Annual European Real Estate Society Conference: ERES Conference 2012. ERES, 2012. http://dx.doi.org/10.15396/eres2012_337.

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"POETICS OF CHRONOTOPE IN NOVELS BY NIKOLAY LUGINOV." In NORDSCI Conference on Social Sciences. SAIMA CONSULT LTD, 2018. http://dx.doi.org/10.32008/nordsci2018/b1/v1/34.

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Zaharinova, Maria, Nikolay Zaekov, Krassimir Rankov, and Milena Nikolova. "CHRONOTYPE IDENTIFICATION OF BULGARIAN SPORTS STUDENTS." In INTERNATIONAL SCIENTIFIC CONGRESS “APPLIED SPORTS SCIENCES”. National Sports Academy "Vassil Levski", 2017. http://dx.doi.org/10.37393/icass2017/64.

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Baktoraz, Aliya, Nurzhan Saduyev, Orazaly Kalikulov, Dmitriy Beznosko, Yerzhan Mukhamejanov, Shynbolat Utey, Saken Shinbulatov, et al. ""Chronotron" timing detectors for EAS studies." In 37th International Cosmic Ray Conference. Trieste, Italy: Sissa Medialab, 2021. http://dx.doi.org/10.22323/1.395.0259.

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Borkina, Anastasia. "THE CHRONOTOPE OF ROAD IN THE WORKS OF JIPPENSHA IKKU (TŌKAIDŌCHŪ HIZAKURIGE) AND OKAMOTO KANOKO (TŌKAIDŌ GOJYŪSANTSUGI)." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.35.

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In the center of the works studied, Tōkaidōchū hizakurige by Jippensha Ikku and Tōkaidō gojyūsantsugi by Okamoto Kanoko, lies a journey of the characters along the Tōkaidō road. Despite the fact that the two works are of different genres and are more than one hundred years apart from each other, the space of the Tōkaidō road is a common element for them, wherein the ways of expression of the chronotope of the road varies for both authors. The Tōkaidō road in Ikku’s work is a specific “anti- world” — a grotesque, carnival dimension, where sensuous pleasures and humor rule. The dimension here is discrete, the time in this chronotope is linear and “endless”. In Tōkaidō gojyūsantsugi, in opposite, amidst the Tōkaidō road, a “micro-world” of a heroine, a journey into the deepest layers of her soul is taking place. With the heroes of past and present, wandering along the road in reality and in fantasy, the heroine finally finds her own place in the changing world.
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Liu, Chuchang, and Mehmet A. Orgun. "Executing specifications of distributed computations with Chronolog(MC)." In the 1996 ACM symposium. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/331119.331415.

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Babintsev, Valentin Pavlovich. "Dynamics Of Social Chronotope Of Russian-Ukrainian Borderlands During Nonequilibrium Turbulent Chaos." In RPTSS 2017 International Conference on Research Paradigms Transformation in Social Sciences. Cognitive-Crcs, 2018. http://dx.doi.org/10.15405/epsbs.2018.02.9.

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Minasyan, Alla. "CHRONOTOPE IN ENGLISH, ARMENIAN AND RUSSIAN FOLK FAIRY TALES: LINGUO-CULTURAL PERSPECTIVES." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/3.6/s14.011.

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