To see the other types of publications on this topic, follow the link: Chronotop.
Journal articles on the topic 'Chronotop'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 journal articles for your research on the topic 'Chronotop.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.
1
Levanat-Peričić, Miranda. "The Chronotope of Exile in the Post-Yugoslav Novel and the Boundaries of Imaginary Homelands." Colloquia Humanistica, no. 7 (December 18, 2018): 82–97. http://dx.doi.org/10.11649/ch.2018.005.
Full textAbstract:
The Chronotope of Exile in the Post-Yugoslav Novel and the Boundaries of Imaginary HomelandsAlthough the chronotopic approach to the novels of exile is almost self-explanatory, certain specifics expressed by post-Yugoslav exile narrations evoke a separate chronotope interpretation. First and foremost, post-Yugoslav literature is additionally encumbered with the identity issue because the abandoned areas of the nineties for the exiled writer do not disappear at a metaphorical level, by turning into a mnemotope, but in the actual break-up of the political entity, the imaginary supranational heritage transforms itself into a kind of counterculture, mostly affirmed by exile writers. Therefore, returning to the abandoned place often becomes possible only as a return to the past. In this paper, the literary theme of exile will be followed comparatively, starting from the reflective nostalgia in the prose of Dubravka Ugrešić (The Ministry of Pain), through a global exile which reflects the history of the relationship between European persecutions and America as an unfair homeland, which breaks all identity support in the novels of Aleksandar Hemon (The Nowhere Man; The Lazarus Project), to the intra-Yugoslav, "hereditary" exile in the novels of Goran Vojnović (Chefurs Raus!; Yugoslavia, My Homeland), which fathers left to their sons like a curse of the genus. In the texts mentioned above, the chronotope of exile is dealt with at the level of genre, as the major, supreme chronotope, which includes or opens space to a series of specific local chronotopes, which are fundamental to exile narration. These motifs are also encountered in other genres, but in exile narration they are the bearing pillars of the genre. They are, by their nature, chronotopic because they are realised through the binary spatial-temporal categories of presence and absence, affiliation and non-affiliation, anchoring and nomadism. In this paper, I will look at three such chronotope motifs: 1) the motif of home as a non-place or a place of absence; 2) the motif of other/mirror country and other/”mirror” history; 3) the motif of return and travel (by train), which regularly invokes the stereotypical representation of the place and the past. Chronotop wygnania w powieści postjugosłowiańskiej i granice ojczyzn wyobrażonychChociaż chronotopiczne podejście do analizy powieści problematyzujących wygnanie wydaje się oczywiste, to specyficzne cechy postjugosłowiańskich powieści tego rodzaju wymagają szczególnej interpretacji koncepcji chronotopu, ponieważ literatura postjugosłowiańska jest dodatkowo obciążona kwestią tożsamości. Dla wygnanego pisarza opuszczone przestrzenie lat dziewięćdziesiątych nie znikają jedynie na poziomie metaforycznym, zamieniając się w przestrzeń pamięci (mnemotop), ale faktycznie przestają istnieć jako rzeczywisty byt polityczny. Tym samym, wyobrażone dziedzictwo ponadnarodowe przekształca się w swoistą kontrkulturę, w większości afirmowaną przez pisarzy na wygnaniu. Dlatego też powrót do opuszczonej przestrzeni często jest możliwy jedynie jako powrót do przeszłości. Artykuł omawia literacki motyw wygnania w perspektywie komparatystycznej. Rozpoczyna się od refleksyjnej nostalgii w prozie Dubravki Ugrešić (Ministerstwo bólu). Następnie wiedzie poprzez globalne wygnanie, które odzwierciedla historię związków między europejskimi prześladowaniami a Ameryką jako niesprawiedliwą ojczyzną łamiącą wszelkie tożsamości, w powieściach Aleksandra Hemona (Nowhere Man, The Lazarus Project). Wreszcie, dochodzi do wewnątrzjugosłowiańskiego wygnania „dziedzicznego” w powieściach Gorana Vojnovicia (Chefurs Raus!, Yugoslavia, My Homeland) – wygnania, które ojcowie pozostawili swoim synom niczym przekleństwo rodzaju. W wyżej wymienionych tekstach chronotop wygnania jest rozpatrywany na poziomie gatunku jako główny, nadrzędny chronotop, który zawiera w sobie lub otwiera przestrzeń dla szeregu specyficznych chronotopów lokalnych, fundamentalnych dla narracji wygnańczych. Chociaż podobne motywy występują także w innych gatunkach, to są one filarami w przypadku narracji wygnańczych, z natury chronotopicznych, gdyż realizowanych za pomocą binarnych kategorii czasoprzestrzennych: obecności i nieobecności, przynależności i braku przynależności, zakotwiczenia i nomadyzmu. W tym artykule przyjrzę się trzem takim motywom chronotopu: 1) motywowi domu jako nie-miejsca lub miejsca nieobecności; 2) motywowi innych/lustrzanych krajów i innych/lustrzanych historii; 3) motywowi powrotu i podróży (pociągiem), który regularnie przywołuje stereotypowe przedstawienie miejsca i przeszłości. Kronotop egzila u postjugoslavenskom romanu i granice imaginarnih domovinaPremda je kronotopski pristup romanima egzila gotovo samorazumljiv, određene specifičnosti koje iskazuje postjugoslavenske egzilne naracije prizivaju zasebnu kronotopsku interpretaciju. Prije svega, postjugoslavenska književnost opterećena je dodatnim identitetskim bremenom jer napušteni prostori devedesetih godina za pisca u egzilu ne nestaju na nekoj metaforičkoj razini seleći se u mnemotope, nego se stvarnim raspadom političke cjeline, imaginarna supranacionalna baština transformira u svojevrsnu kontrakulturu, najčešće afirmiranu upravo posredstvom egzilnih pisaca. Stoga i povratak na napušteno mjesto često postaje moguć samo kao povratak u prošlost. U ovom će se radu književna tema egzila pratiti komparativno, počevši od refleksivne nostalgije u prozi Dubravke Ugrešić (Ministarstvo boli), preko globalnog egzila u kojemu se zrcali povijest odnosa europskih progona i Amerike kao maćehinske domovine koja rastače sve identitetske oslonce u romanima Aleksandra Hemona (Čovjek bez prošlosti; Projekat Lazarus), do unutarjugoslavenskog, „naslijeđenog“ egzila u romanima Gorana Vojnovića (Čefuri raus!; Jugoslavija, moja domovina), koje, poput prokletstva roda, očevi ostavljaju sinovima. U navedenim tekstovima o kronotopu egzila govorimo na razini žanra, kao glavnom, nadređenom kronotopu koji uključuje ili otvara prostor nizu specifičnih lokalnih kronotopa ili motiva, ključnih za egzilnu naraciju. Te se motivske jedinice susreću i u drugim žanrovima, no u egzilnoj su naraciji nosivi stupovi žanra. Po svojoj su naravi kronotopični jer se realiziraju kroz binarne prostorno-vremenske kategorije prisutnosti i odsutnosti, pripadanja i nepripadanja, usidrenosti i skitalaštva. U ovom radu osvrnut ću se na tri takva kronotopska motiva: 1. motiv doma kao ne-mjesta ili mjesta odsustva; 2. motiv druge/zrcalne domovine i druge/zrcalne povijesti; 3. motiv povratka i putovanja (vlakom), koje redovito priziva stereotipnu reprezentaciju mjesta i prošlosti.
2
Беляева and Viktoriya Belyaeva. "The features of adaptation possibilities of the suvorov military school students withdifferent chronotype." Vladikavkaz Medico-Biological Bulletin 21, no. 31 (January 1, 2015): 8–13. http://dx.doi.org/10.12737/17131.
Full textAbstract:
The article presents the results of the analysis of the chronotype, parameters of the bioelectrograms, indicators of the chronotop spatial-temporal perception of the Suvorov Military School students of 13–14 years old. The representatives of expressed morning chronotype dominate among them. “Individual minute” in the students practically coincides with the astronomical minute. It was found out that the parameter of bioelectrogram «fractality» is above in the students with indifferent chronotype, but “mood” is lower than that in the students with expressed morning chronotype.
3
Алисеенко О. Н. "К ВОПРОСУ О СПЕЦИФИКЕ РЕНЕССАНСНОГО ПАСТОРАЛЬНОГО ХРОНОТОПА И ПУТЕЙ ЕГО ДАЛЬНЕЙШЕЙ МОДИФИКАЦИИ." International Academy Journal Web of Scholar 2, no. 8(38) (August 31, 2019): 22–27. http://dx.doi.org/10.31435/rsglobal_wos/31082019/6660.
Full textAbstract:
The specific character of the Renaissance pastoral chronotop as well as the ways of its further modification has been under consideration in the article provided. It has been proved that semantic background of pastoral chronotop as the specific fiction time and space predominant to the Renaissance stage of pastoral transtext development encloses a number of significant determinants. The definite components are closely connected with the Renaissance interpretation of Plato by the Neoplatonists, i.e. the predominance of the spacial existence, the idea of the community, the tradition of the demythologization of the novel space, the relatedness of the Renaissance pastoral chronotop with the ethico-philosophical complex “Love-Beauty-Good” which has become classical.
4
Turaeva, Bahor. "CHRONOTOP AS AN AESTHETIC CATEGORY." Theoretical & Applied Science 91, no. 11 (November 30, 2020): 308–13. http://dx.doi.org/10.15863/tas.2020.11.91.49.
Full text
5
Lyons, Agnieszka, and Caroline Tagg. "The discursive construction of mobile chronotopes in mobile-phone messaging." Language in Society 48, no. 5 (April 23, 2019): 657–83. http://dx.doi.org/10.1017/s004740451900023x.
Full textAbstract:
AbstractThis article draws on data from an ethnographic project to explore the ways in which migrant micro-entrepreneurs exploit mobile messaging apps to co-construct mobile chronotopes: dynamic configurations of time and space negotiated by geographically separated participants, who draw on different contexts and frames of understanding. Analysis of mobile messages by two couples—Chinese butchers in Birmingham and Polish shop-owners in London—informed by interview and interactional data collected at work and home, suggests they discursively negotiate and exploit multiple chronotopic layers, creating complex intersections between virtual and physical spaces in everyday interactions. We focus on the role that multilingual and multimodal semiotic resources play in co-constructing mobile chronotopes. In particular, we explore critical junctures at which communicative expectations are challenged, rendering mobile chronotope negotiation visible. Our concept of the mobile chronotope has implications for both the theorisation of mobile phone communication and understanding how chronotopes function in contemporary transnational migrant discourse. (Chronotope, migrant entrepreneur, mobile messaging, transnational migration)*
6
Belozerova, Natalia N. "Human internal organs as a possible and textual world." Tyumen State University Herald. Humanities Research. Humanitates 5, no. 2 (June 28, 2019): 20–34. http://dx.doi.org/10.21684/2411-197x-2019-5-2-20-34.
Full textAbstract:
Ever since Shakespeare had sent a fat king to go a progress through the guts of a lean beggar [31] human internal organs started to serve as a textual locus in fiction and non-fiction, or a subject in a possible world. Their presentation varies depending upon the purpose, the form and the style of writing, semiotic modalities of their exposition, as well as the epistemological development of knowledge. These varieties come under the umbrella property known as “the possibility of the impossible” [12]. In such possible world a cat can walk in the brain as if it were his apartments [3], or together with children travel through the whole system of human internal organs [9], or a concerto could be designed for neurons and synapses [22]. In scientific articles, a textual world takes the form of topographic maps and models, including semantic distribution [11]. With this in the mind, we state the purpose for this paper to classify the types of textual “chronotops” (in a Bakhtinian sense [2]) that characterize fictional and nonfictional loci of human internal organs. We also aim at stating the type of dependences that provide narrative shapes to a possible world inside a human body. For the analyses we attract among others M. Bakhtin’s theories of the “carnival poetics” and “Chronotop” [2], and Yu. Lotman’s theories of “semiotic textualization” [18] and “semantic intersection” [19].<br> We state as our hypotheses that a blend of epistemological knowledge, personal involvement of the authors into any sort of scientific experiment and an educational goal determine the type of the deixis or “chronotop”, the major semiotic modality being “SAVOIR”-TO KNOW (in the Greimasian sense).
7
Cloran, Carmel. "Rhetorical unit analysis and Bakhtin’s chronotype." Functions of Language 17, no. 1 (June 30, 2010): 29–70. http://dx.doi.org/10.1075/fol.17.1.02clo.
Full textAbstract:
Bakhtin introduced the concept of chronotope (chronos = time; topos = space) to facilitate his exploration of the ways in which space-time intersections occur in literary texts. However, he also suggests that chronotopes characterise non-literary texts — indeed, that “every entry into the sphere of meaning is accomplished only through the gates of the chronotope” (1981: 258) — this historical, biographical and social time-space configuration. This formulation immediately suggests that these categories should be accessible via the categories of language and indeed, in English, they are most generally expressed via the Mood categories Subject and Finite. These same Mood categories of English are crucially involved in the identification of a unit of discourse — the rhetorical unit (Cloran 1994). Thus, this discourse unit provides a useful means of concretising, from a linguistic perspective, Bakhtin’s concept of chronotope and investigating the presence of such chronotopes in the everyday mundane discourse of mother-child interaction. Selections from such interaction are illustrations of authentic cultural chronotopes, and provide exempla of a (sub)cultural chronotopic motif within the broader culture, i.e. social positioning at a particular historical point in time (the late 20th century Australian culture).
8
Baščarević, Snežana. "Chronotop of Kosovo and Metohija: 'The Raven kiss' Novica Sovrlić." Zbornik radova Uciteljskog fakulteta Prizren-Leposavic, no. 14 (2020): 103–10. http://dx.doi.org/10.5937/zrufpl2014103b.
Full textAbstract:
Collection of poems The Raven kiss Novica Sovrlić novel is related to the chronotop of Kosovo and Metohija, for the spirit and consciousness of the Serbian people, for sacred and world heritage and tradition, but also for modern sensations. The aim of the paper is to point out the poems that open the question of the survival of the Serbian people in the Kosovar region at the present moment, the question of patriotism, Orthodoxy, the resurrection of Slavs. Kosovo and Metohija is presented in this collection as a cult of the Serbian people, as liturgy of Serbian literature, as a spiritual center. Novica Sovrlić understood the various poetic achievements of the topic of Kosovo and Metohija as a personal tragedy within the framework of collective suffering. For this reason, research using an analytical - synthetic method will be necessary. We will conclude that the most successful are the songs in which medieval and modern music are permeated and that the songs of this collection are prone to tradition, but do not go into traditionalism, because the poet uses them in modern poetry. Through Sovrlić's poetic intimacy, the suffering of the Serbian people in Kosovo and Metohija is expressed and there is no other denominator other than Kosovo and Metohija. His poetry is a confession and personal experience, but also a documented reality of the suffering, refugees and homelands, because the issue of Kosovo-metohian poetry is also a question of the survival of the Serbian people and the pain for the Kosovar-Metohija country. The chronotopos of Kosovo and Metohija is surrounded by the Celestial Empire for Novica Sovrlić.
9
Rogova, Evgeniya N. "Elegiac chronotop and elegiac motives in a literary work." Sibirskiy filologicheskiy zhurnal, no. 2 (June 1, 2003): 32–37. http://dx.doi.org/10.17223/18137083/3/5.
Full text
10
Duleba, Maxim. "K poznámke pod čiarou: Bachtinov termín „chronotop“ v kontexte materializmu." Svět literatury XXXI, no. 64 (October 7, 2021): 57–72. http://dx.doi.org/10.14712/23366729.2021.2.4.
Full text
11
Burlina, Elena Y. "Chronotopia of the City." Koinon 2, no. 3 (2021): 84–108. http://dx.doi.org/10.15826/koinon.2021.02.3.029.
Full textAbstract:
The article aims to substantiate the concept of chronotopia of the city. It allows us to compare different urban types: the old town and industrial areas, the heritage of the past and new quarters. The author sees chronotopia as an essential diagnostic tool, a kind of imprint of different cultural and civilizational types. Professor K. Schlögel, a prominent German expert on Russian cities, describing the method of chronotopia, wrote: “We see space, we understand time”. This method has been tested in several studies of the author, as well as in the publications of graduate and doctoral students of the Philosophy and Cultural Studies Department of SamGMU. The author’s project “Space-time-diagnostics of the City” (Grant No. 14 03 00036 of the Russian Humanitarian Scientific Foundation), carried out by the author and his young colleagues. Thanks to the support of the Russian Foundation for Humanities in Science. Within its framework, a block of scientific articles was published, as well as collections and monographs, including “City and Time” (2012), “Time in the City” (2013), “City as Stage” (2015), “Chronotopia of the City” (2016). The tasks of the first two paragraphs of this article are to present domestic and foreign publications close to the author’s concept of chronotopia of the city or spatio-temporal diagnostics. The task of the third and final part of the article is a dialogue with the foundational work of the German cultural philosopher and historian, Professor Schlögel, “The Soviet Century” (2017). Professor Schlögel, drawing on N.P. Antsiferov, M.M. Bakhtin, and other renowned Russian cultural philosophists believe that the chronotope of the city is the most accurate tool for analyzing the entire Soviet civilization. The Soviet industrial city has read in “mini-chronotopes”: kommunalka, queue, barakholka, etc. According to the author of this article, the list of “Soviet chronotopes” is more diverse and contrasting. Besides other things, the “soviet chronotopes” included spaces, which M.M. Bakhtin called spaces of “impartiality”. The author of this article concludes that the choice of “tools” (chronotopes) to analyze the city is productive and far from exhausted.
12
Shvetsova, T. V., and V. E. Shakhova. "Chronotope of Russian Works about Robinson." Nauchnyi dialog, no. 5 (May 28, 2021): 287–302. http://dx.doi.org/10.24224/2227-1295-2021-5-287-302.
Full textAbstract:
The results of the study of the chronotope in Russian-language compositions based on the novel about Robinson’s adventures are presented. The material for the work was A. E. Razin’s novel “The Real Robinson” (1860) and Lev Tolstoy’s story “Robinson” (1862). The issues of the specifics of the representation of the chronotopic in the works of Russian writers are considered. The relevance of the study is due to the appeal to the universal of the chronotope, which contains an exhaustive toolkit for the artistic embodiment of images of space and time; as well as the search for new methods of literary analysis of the text. It is shown that in the analyzed texts, a kind of fusion of Russianlanguage compositions with a foreigncultural text in the aspect of a chronotope is realized. The similarities and differences in the rethinking of the story of Robinson are shown on the example of the model of textual connexity, the national specifics of the representation of the image of Robinson are indicated. It is noted that the external and internal chronotopes are retransmitted from work to work and create the basis for the emergence of the author’s intentions. It is proved that chronotopic analysis allows one to form an idea of the peculiarities of the Russian-language interpretation of the story of Robinson.
13
Burmistrova, S. V. "Manor chronotop in children’s literature of XX – beginning of XXI century." Sibirskiy filologicheskiy zhurnal, no. 1 (March 1, 2017): 119–26. http://dx.doi.org/10.17223/18137083/58/12.
Full text
14
Hassanzadeh Javanian, Mohammad Reza, and Farzan Rahmani. "The Art of Laughing: A Study of the Tempo-Spatial Matrix in Oliver Goldsmith’s She Stoops to Conquer." ELOPE: English Language Overseas Perspectives and Enquiries 17, no. 2 (February 11, 2020): 137–47. http://dx.doi.org/10.4312/elope.17.2.137-147.
Full textAbstract:
Oliver Goldsmith’s She Stoops to Conquer (1773) was staged only two weeks after the publication of his Essay on the Theatre, in which he famously compared sentimental comedies with what he described as laughing comedies. The play thus illustrates Goldsmith’s principles for his ideal laughing comedy. One of the aspects of this type of comedy, which has rarely been addressed, is its representation of the matrix of temporal and spatial elements, or what Mikhail Bakhtin calls a chronotope. The present study is thus aimed at investigating She Stoops to Conquer in terms of Bakhtinian chronotope. The study argues how different chronotopes have influenced the behaviours as well as the decisions of characters in the play. Moreover, it shows that the chronotopic framework can shed new light on the play’s portrayal of the class divisions in the eighteenth century, when the middle class was emerging in England’s social system.
15
Popova, Maria Yuryevna. "CHRONOTOP OF THE CASTLE IN THE “NOVEL” “PALAZZO FORLI” by E.P. Rostopchina." Ural Philological Herald. Series Draft: Young Science, no. 5 (2019): 73–84. http://dx.doi.org/10.26170/ufv19-04-07.
Full text
16
KRAVCHENKO, Olena, and Anna GALENKO. "Chronotop of the road in V. Rutkivsky’s novel “Dzhuras of Cossack Shvaika”." Humanities science current issues 2, no. 43 (2021): 117–22. http://dx.doi.org/10.24919/2308-4863/43-2-18.
Full text
17
Ilchenko, Iryna, and Nastasiia Isachuk. "Onyms – indicators of the historical-artistic chronotop of V. Chabanenko’s collection «Savur-moghila»." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 12, no. 20 (2019): 175–82. http://dx.doi.org/10.34079/2226-3055-2019-12-20-175-182.
Full text
18
Romenskaya, L. A., M. S. Zhirov, and L. A. Kinash. "Sacred chronotop as meaning-making phenomena of composer’s creative work: experience in modeling." Alma mater. Vestnik Vysshey Shkoly, no. 7 (July 2018): 54–58. http://dx.doi.org/10.20339/am.07-18.054.
Full text
19
Karimzad, Farzad, and Lydia Catedral. "‘No, we don't mix languages’: Ideological power and the chronotopic organization of ethnolinguistic identities." Language in Society 47, no. 1 (December 5, 2017): 89–113. http://dx.doi.org/10.1017/s0047404517000781.
Full textAbstract:
AbstractIn this study we address ethnolinguistic identity using Bakhtin's (1981) notion of chronotope. Taking an ethnographic approach to linguistic data from Azerbaijani and Uzbek communities, we trace the impact of various chronotopes on our participants’ acts of ethnolinguistic identification. Building on Blommaert & De Fina (2017), we illustrate how ethnolinguistic identification is an outcome of the interaction between multiple levels of large- and small-scale chronotopes. Furthermore, we argue that chronotopes differ in terms of their power, depending on the ideological force behind them. We demonstrate how power differentials between chronotopes can account for certain interactional and linguistic patterns in conversation. The power inherent in chronotopes that link nationhood with specific languages makes the notions ofdiscrete languagesandstatic identities‘real’ for our participants. Therefore, discussions of language and identity as flexible and socially constructed, we argue, must not obscure the power of these notions in shaping the perceptions of sociolinguistic subjects. (Chronotope, ethnolinguistic identity, power, Uzbek, Azeri/Azerbaijani, nationalism, language mixing, language ideology)*
20
Burlina, E. Ya. "URBAN CHRONOTOPE – URBAN SEMIOTICS. FLORENCE AND SAINT PETERSBURG." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 22, no. 74 (2020): 77–84. http://dx.doi.org/10.37313/2413-9645-2020-22-74-77-84.
Full textAbstract:
In this paper author presents an interdisciplinary interaction betweeen semiotics and chronotopy. The paper refers to the great cities of Renaissance and the Russian cities like Saint Petersburg. As M. M. Bakhtin formulated, "genre is cultural memory". According to the author, the structural and spatiotemporal memory lies in the core not only of artistic works, but of urban structurestoo.As an instruments of structural and semiotic analysis of city, the terms of chronotope and chronotopy were coined. The followers of M. M. Bakhtin, the structuralists and the semeiologists of the Yu. M. Lotman Semiotic School now agree on this point. In 1990s, one of the founders of Russian semiotics, Yu. M. Lotman came to the conclusion that new spatiotemporal modes can crystallize and spiritually develop citizens. This concept formed the basis of the first part of the paper. The second part considers practical opportunities of semiotics and urban chronotopy in dialogue with students during classes on such humanities subjects as philosophy, global art culture, aestetics e.t.c. According to the author, urban chronotope and urban semiotics are different and complementary instruments of scientific comprehension and development of cities.
21
НЕМИРОВСЬКА, Олександра Федорівна. "THE PROPER NAMES OF THE TITLE PERSONAGE AS MEANS OF CREATE OF THE BELLE-LETTER CHRONOTOP." Мова, no. 27 (July 28, 2017): 87–92. http://dx.doi.org/10.18524/2307-4558.2017.27.107888.
Full text
22
Anistratenko, Antonina. "The functional significance of chronotop in the leveled structure of prose (based on current novels expirience)." Current issues of social sciences and history of medicine, no. 3 (April 27, 2017): 139–44. http://dx.doi.org/10.24061/2411-6181.3.2017.95.
Full text
23
Kon’kov, Vladimir I., and Huejcin’ Chzhan. "Functional verb specificity in the report." Media Linguistics 7, no. 4 (2020): 409–17. http://dx.doi.org/10.21638/spbu22.2020.403.
Full textAbstract:
The work analyzes the functionality of the Russian verb in the genre of information reporting. The use of the verb in the form of this actual (real reportage) is considered one of the main features of the genre of reporting. However, the analysis shows that along with the forms of the present topical in the report are actively used forms of verbs of the past time of imperfect kind. The authors pay attention to the functional identity of these verb forms. The present reportage (real topical) can only be formed from the verbs of an imperfect kind. It is the imperfect ap pearance of the verb that gives the reader a sense of inclusion in the event, which is mentioned in the report. It does not matter whether the verbs of an imperfect kind are in the form of the present or the past. The functionality of the verb in the text of the report is described in close connection with the nature of the media text, in particular with the category of social space time. The concept of the communicative status of the media library is introduced — the degree of relevance of the media text for society, due to the nature of its connection with the coor dinates of social space-time. There are three communicative statuses. The actual mediatext is such at the time of publication, when it is part of the general practical activity of the society. The mediatext is being created for here and for now. Texts of the past time lose direct connec tion with the present topical society, but do not lose their importance. They store important information, experience acquired by society. Mediatexts that have lost touch with society be come artifacts of a bygone era, acquiring the status of a cognitive text. The ability to describe a mediate based on the chronotop category is analyzed. The use of the category of chronotop in the understanding of M. M. Bakhtin can be considered correct only in relation to the study of the essay and reportage of a large volume with a developed visual and analytical beginning.
24
De Fina, Anna, and Sabina Perrino. "Introduction: Chronotopes and chronotopic relations." Language & Communication 70 (January 2020): 67–70. http://dx.doi.org/10.1016/j.langcom.2019.04.001.
Full text
25
Palazón, María Rosa. "Identidad personal y narración: una lectura." Theoría. Revista del Colegio de Filosofía, no. 18 (July 1, 2007): 87–92. http://dx.doi.org/10.22201/ffyl.16656415p.2007.18.340.
Full textAbstract:
In Soi-même comme un autre, Ricoeur defines the personal identity as singular; so, it is the way in which every individual structures a sediment of experiences and ways of being in the world common within a chronotop, and, a personalized way of reacting to circumstance challenges. Commonly, due to what is shared, the other is an alter ego. Identity is a holon which can not be atomized, as the puzzling cases or Musil’s L’Homme sans qualités intend to do. Ricoeur splits the identity in “mêmeté” and “ipséité”. The first one designates a center of acummulative experiences; the ipséité, the other from the soi-même, that is, the historical or changing quality of the mêmeté. With Bremond and Greimas theories, Ricoeur attributes to the literary narration the best examples of the dialectics between mêmeté and ipséité. Besides, with McIntyre, he considers literary narration as the best way to formulate ethic judgements from the described experiences.
26
Tam, Po Chi. "Children’s Dialogic Aesthetics in the Chronotopes of Drama, Drawing, and Telling." SAGE Open 11, no. 3 (July 2021): 215824402110475. http://dx.doi.org/10.1177/21582440211047570.
Full textAbstract:
This paper aims to draw on Bakhtin’s theory of dialogic aesthetics and chronotope to address the thorny issue of data interpretation regarding using draw-and-tell as a research method in studying children’s lived and arts experiences. We argue that drawing and telling enframe children in different but successive chronotopes in which they are charged with opportunities for engagement in complex dialogues with their previous experiences and others. Two children from the groups of actors and spectators were sampled from a drama lesson to illustrate their becoming aesthetic across a succession of drama and post-performance activities due to the chronotopic factors. A microanalysis of their drawing and telling reveals the possibility of outsideness and complexity of dialogues varied with their participation as spectator or actor in the drama lesson. With all this understanding, I argue for a holistic and integral application of field observation, and drawing and telling to trace the trajectory of children’s becoming dialogic aesthetic. The study could also provide valuable insights into the research methodology of draw-and-tell, its pedagogical implications for children’s theatre participation, as well as drama teaching and learning.
27
Stamenković, Slađana S. "THE CITY, THE DESERT, THE ROAD: AMERICAN CHRONOTOPES IN DELILLO’S UNDERWORLD." ZBORNIK ZA JEZIKE I KNJIŽEVNOSTI FILOZOFSKOG FAKULTETA U NOVOM SADU 8, no. 8 (April 4, 2019): 97–108. http://dx.doi.org/10.19090/zjik.2018.8.97-108.
Full textAbstract:
In the contemporary discussion of the concept of space, there is a tendency to employ space to make a comment about the society that inhabits it. Regarding this and the prose of the contemporary American authors, the theory of Bakhtin’s chronotope may be one of the most legitimate ways to depict the society of contemporary America. In the fiction of Don DeLillo, one could discuss three typical American chronotopes: the city, the desert, and the road. The said chronotopes may be interpreted within the scopes of Bakhtin’s original chronotopes. They operate on both individual and mutually overlapping levels. In one way or the other, the American chronotopes mentioned seem to function as the ultimate Nowhere, space where the modern characters go to disappear in DeLillo’s prose.
28
Marievskaya, Natalia Yevgenyevna. "On the Approaches to the Formation of the Artistic Time Theory: M.M. Bakhtin, G. Deleuze." Journal of Flm Arts and Film Studies 5, no. 4 (December 15, 2013): 52–64. http://dx.doi.org/10.17816/vgik5452-64.
Full textAbstract:
The article surveys the experience of borrowing the concept of “Chrono-tope” from Relativistic Mechanics, defines the boundaries of chronotopic analysis in lit erature and cinema studies and suggests the possible ways of eliminating the difficulties in the chronotope theories of H. Bergson and G. Deleuze.
29
Piero, Mike. "Gaming Under Biopolitical Sovereign Power." Eludamos: Journal for Computer Game Culture 11, no. 1 (September 3, 2021): 55–70. http://dx.doi.org/10.7557/23.6431.
Full textAbstract:
This article argues that a spatiotemporal approach to abjection in video games helps scholars understand how confronting the abject in gameplay maps onto biopolitical conditions of living and gaming under sovereign state power. By means of a slow reading of The Binding of Isaac: Rebirth, this essay offers the chronotope of the abject as a flexible, interpretive tool to account for game narrative, mechanics, and iconography that map onto out-of-game lived realities. Drawing upon Kristeva’s psychoanalysis and Agamben’s philosophy of politics, I adapt Bakhtin’s chronotope of the threshold to the mutable video game medium in order to take up the threshold concepts of the abject, life/death, responsibility/ethics, and reading/writing presented in the game. Through the chronotope, I also reconsider this game’s critical response and relation to a Christian cosmology. Ultimately, the chronotope opens up a threshold space through which more just and equitable chronotopic relations might emerge.
30
Keller, Lena Katharina, Sarah Zöschg, Barbara Grünewald, Till Roenneberg, and Gerd Schulte-Körne. "Chronotyp und Depression bei Jugendlichen – ein Review." Zeitschrift für Kinder- und Jugendpsychiatrie und Psychotherapie 44, no. 2 (February 2016): 113–26. http://dx.doi.org/10.1024/1422-4917/a000406.
Full textAbstract:
Zusammenfassung. Depressive Erkrankungen gehen mit vielen Symptomen einher, die in Bezug zu einer tageszeitlichen Rhythmik und dem Schlafverhalten stehen. Die vielfältigen Zusammenhänge zwischen Schlaf, Depression und Tagesrhythmik sind nicht eindeutig geklärt. In den Forschungsarbeiten der letzten Jahre kommt dem Chronotyp eine besondere Bedeutung zu. Als biologisches Maß der inneren Uhr kann der Chronotyp – basierend auf Schlafzeiten – mit dem Munich ChronoType Questionnaire (MCTQ) bestimmt werden, als subjektive Präferenz für bestimmte Tageszeiten wird er mit dem Morningness-Eveningness-Questionnaire (MEQ) erfasst. Durch eine systematische Literaturrecherche konnten Studien identifiziert werden, die überwiegend einen Zusammenhang zwischen einem späten Chronotyp und depressiven Symptomen und depressiven Störungen zeigen. Dies ist besonders für Jugendliche relevant, da sich der Chronotyp zur Adoleszenz hin stark verändert. Bisher ist nicht geklärt, was am Zusammenhang zwischen Chronotyp und depressiver Störung Ursache und Wirkung ist und welche Faktoren als Moderator oder Mediator fungieren. Möglicherweise ist der Zusammenhang bidirektional: Einerseits ziehen sich Patienten mit depressiven Störungen häufig zurück und sind weniger Tageslicht ausgesetzt, was ihren Chronotyp später werden lässt. Andererseits führt eine Diskrepanz von Innenzeit (festgelegt durch die innere Uhr) und Außenzeit (z. B. durch Schul- und Arbeitszeiten) zu Problemen wie einer verringerten Schlafqualität und schlechteren Schulnoten, die wiederum im Zusammenhang mit Depressivität stehen können.
31
Goebel, Zane, and Howie Manns. "Chronotopic relations: Chronotopes, scale, and scale-making." Language & Communication 70 (January 2020): 82–93. http://dx.doi.org/10.1016/j.langcom.2019.03.002.
Full text
32
Marková, Ivana, and Adelina Novaes. "Chronotopes." Culture & Psychology 26, no. 1 (November 21, 2019): 117–38. http://dx.doi.org/10.1177/1354067x19888189.
Full textAbstract:
Dialogical single case studies involve mutually interdependent relations between humans in their real locations and in real time (here-and-now). Mikhail Bakhtin explored such relations in terms of chronotopes, i.e. as indivisible units serving as analytical tools for the study of dynamic processes in literature. We argue that chronotopic thinking also serves as an epistemological and ethical organising principle of human activities in daily thinking, knowing, actions and communication. This article explores different types of chronotopic thinking in dialogical single case studies, such as routines and changes; bildungsromans and heteroglossia; and values, meanings and intensities of these chronotopes in different time-scale situations. Considering ethical and dynamic interdependencies between the participants, this article suggests in what ways knowledge obtained in dialogical single case studies could be transferred (extended, generalised, resituated) to other kinds of studies.
33
Viķis-Freibergs, Vaira. "Narrative Structures, Meanings, and Life Histories in the Historical Novel Kaugurieši." Journal of Narrative and Life History 1, no. 4 (January 1, 1991): 343–62. http://dx.doi.org/10.1075/jnlh.1.4.05str.
Full textAbstract:
Abstract Narrative structures serve the double function of selecting episodes and charac-ters to be included in the narration, as well as offering a generative mechanism for their sequencing, both functions being simultaneous and mutually interac-tive. According to Eco (1984), narrative structures are multilayered, including an abstract level of ideology. Few studies have been done on specific narrative subgenres, such as the historical novel. This article examines a historical novel by Latvian writer Karlis Zariņš (1938, 1948, 1975, 1985), which depicts a failed peasant uprising at Kauguri, Latvia in 1802. Bakhtine's (1978) theoreti-cal notion of chronotope is invoked, distinguishing the external chronotope— the general historical and geographic situation—from the internal chronotope—the sequence of individual transformations. In Kaugurieši, the ex-ternal chronotope is depicted as a sociopolitical chess game, in which the Rus-sian king and the German knights play active roles, the queen is chance, and the pawns (Latvian peasants) are helpless victims. The plot centers on a tragi-cally failed attempt by the Latvians to change the historical givens by becom-ing an active, collective force. The internal chronotopes reveal the paths of individual lives, some of which follow the abstract model of heroic quest and sacrifice. (Psychohistory)
34
Buda, Agata. "The idyllic chronotope in Far from the Madding Crowd by Thomas Hardy." Ars Aeterna 12, no. 1 (June 1, 2020): 1–9. http://dx.doi.org/10.2478/aa-2020-0001.
Full textAbstract:
AbstractThe paper presents the idea of the chronotope in the novel Far from the Madding Crowd by Thomas Hardy, with special attention paid to idyllic time and space. The research is mainly based on the theory of chronotopes according to Mikhail Bakhtin, who distinguishes various types and motifs within this notion. The author presents here the features of an idyllic chronotope, among them vast descriptions of nature and its connection with human life, as well as the destruction of an idyll, unhappy love and the motif of a road or path, which seems to be one of the most significant motifs in the work. The paper also presents the importance of coincidence and the sudden decisions of characters in the process of constructing the whole story of Gabriel and Bathsheba.
35
Perrino, Sabina. "Chronotopes of story and storytelling event in interviews." Language in Society 40, no. 1 (February 2011): 91–103. http://dx.doi.org/10.1017/s0047404510000916.
Full textAbstract:
AbstractNarratives in interviews involve the alignment of two chronotopes (Bakhtin's term, literally ‘time-space’) or what has traditionally been termed the narrated and narrating events. While narrators are expected to separate the there-and-then narrated-event chronotope from the here-and-now narrating-event chronotope, tropic forms of coeval alignment exist that erase or blur the line between the two events, as if they were occurring in the same time and place. In this article I argue for the need to map these shifting alignments in interviews. This article begins with, but then moves beyond, the familiar case of the “historical present,” where narrators shift into using nonpast temporal deixis for past events. Drawing first on an oral narrative from Italy, I show how resources besides the historical present can produce similar alignment effects. In order to demonstrate more extreme forms of coeval alignment, I then compare these data with those from a Senegalese narrator in Dakar who transposes participants “into” his stories. Through this comparison I illustrate how cross-chronotope alignment reveals the way narrators manage the relationship between story and event in interviews. Mapping these shifting alignments can help illuminate the emergent relations between interviewer and interviewee and hence show how stories reflect and shape the interview context in which they occur. (Narrative, interview, chronotope, historical present, Italian, Senegal)*
36
Hirschwald, Barbara, Annette Nold, Frank Bochmann, Thomas Heitmann, and Yi Sun. "Chronotyp, Arbeitszeit und Arbeitssicherheit." Zentralblatt für Arbeitsmedizin, Arbeitsschutz und Ergonomie 70, no. 5 (April 30, 2020): 207–14. http://dx.doi.org/10.1007/s40664-020-00397-4.
Full textAbstract:
Zusammenfassung Hintergrund und Zielsetzung Viele Arbeitszeitregelungen greifen in den Biorhythmus der Beschäftigten ein und wirken sich negativ auf Konzentration und Schlafqualität aus. Schichtarbeitende leiden doppelt so häufig an Schlafstörungen wie andere Erwerbstätige. Schlafmangel und gestörter Schlaf erhöhen das Unfallrisiko. In dieser Studie wurde untersucht, ob die Schlafdauer von der Lage der Arbeitszeit und vom individuellen Chronotyp beeinflusst wird. Methode In einer Querschnittsuntersuchung wurden 374 Beschäftigte mit meldepflichtigem Arbeitsunfall zu ihrem Chronotyp und ihren üblichen Schlafenszeiten befragt. Zur Chronotypermittlung wurde die Composite Scale of Morningness (CSM) in der deutschsprachigen Version verwendet. Die Effekte von Schichtarbeit, Chronotyp und Alter auf die Schlafdauer wurden mittels multivariabler linearer bzw. logistischer Regression untersucht. Ergebnisse Ohne Schichtarbeit (Tagarbeitszeiten [TA]) betrug die durchschnittliche Schlafdauer an Arbeitstagen 7,2 h (SD 0,9). Vor einer Frühschicht (FS) war die Schlafdauer verkürzt auf 6,4 h (SD 0,6). Ein früher Arbeitsbeginn ist ein Risikofaktor für eine kurze Schlafdauer (<7 h) vor FS Odds Ratio (OR) = 13,8 (95 % Konfidenzintervall [KI] 3,38–56,25) im Vergleich zu einem späten Arbeitsbeginn (Spätschicht). Ein später Chronotyp erhöht ebenfalls das Risiko für kurze Schlafdauer an Arbeitstagen OR = 2,7 (95 % KI 0,97–7,67). An arbeitsfreien Tagen haben Frühtypen eine signifikant kürzere Schlafdauer als Intermediärtypen OR = 2,2 (95 % KI 1,16–4,31). Diskussion Ein späterer und flexibler Arbeitsbeginn unter Einbeziehung des Chronotyps sowie Maßnahmen für gesundheitsförderlichen Schlaf könnten dazu beitragen, müdigkeitsbedingte Arbeitsunfälle zu verhindern.
37
Ilivitskaya, Larisa Gennad'evna. "Diagnostic model of the city: a chronotopic approach." Человек и культура, no. 1 (January 2021): 36–46. http://dx.doi.org/10.25136/2409-8744.2021.1.33303.
Full textAbstract:
The object of this research is the city viewed as a multilayered semantic phenomenon. The needs of transdisciplinary nature determine the vector of its analysis in light of the possibility of application of diagnostic approach, which incorporates the theoretical and practical aspects, cognitive and transformative sides. The goal consists in the development of diagnostic model of the city as a cultural phenomenon. The position is defended on the limitation of classical diagnostic search applicable to the so-called city. The prospects of its research correlate with the nonclassical interpretation of diagnostics, which views it as methodology of cognition. The basic method of this research is modelling. The development of diagnostic model of the city is founded on M. M. Bakhtin’s concept of chronotope. Namely chronotope is determines as the basic parameter underlying its construct. Incorporating the spatiotemporal parameters of the city and their cultural meanings, it allows recording the temporal-topos configurations in city motion, which reflect various qualitative states of its existence, set by the past, present and future. The author offers a ternary model of the city, consisting of historical-cultural, eventful, and innovative chronotopes. The formulated conclusions indicate that the proposed chronotopes can be viewed separately or following the principle of complementarity, which allows assessing the city from the perspective effective arrangement of urban space, as well as the presence of problematic fields therein.
38
Park, Joseph Sung-Yul. "Transnationalism as interdiscursivity: Korean managers of multinational corporations talking about mobility." Language in Society 46, no. 1 (February 2017): 23–38. http://dx.doi.org/10.1017/s0047404516000853.
Full textAbstract:
AbstractThis article explores how transnationalism can be understood as an interdiscursive process. By making connections with chronotopes of past places along a transmigrant's trajectory, interdiscursivity allows for the emergence of complex indexical meaning associated with different speakers and different ways of speaking, imbuing the transmigrant's mobility with specific social significance. This article demonstrates this point through an analysis of how South Korean mid-level managers of multinational corporations in Singapore imagined their positioning in the global workplace. By tracing the ways the managers employed metapragmatic discourse associated with multiple chronotopes to make sense of their reasonably successful but limited careers, it offers an account of how interdiscursivity shaped their understanding of their own positionality as Koreans working beyond the time-space of Korea. (Interdiscursivity, transnationalism, chronotope, Korea, English, intercultural communication)*
39
Beletskaya, Alla Yur'evna, and Sergei Vladimirovich Mangushev. "Language means of representation of the chronotope of Chaos in a series of novels “The Chronicles of Amber” by Roger Zelazny." Litera, no. 2 (February 2020): 1–11. http://dx.doi.org/10.25136/2409-8698.2020.2.32454.
Full textAbstract:
This article examines the problem of representation of chronotope using language means. The object of this research is a series of novels “The Chronicles of Amber” by Roger Zelazny in English language. The subject of this research is the lexical units and stylistic techniques used by R. Zelazny for visualization of representation of the chronotope of Chaos. The article substantiates attribution of this series of novels to postmodernist based on the analysis of characteristic features of the text and realization of the ideological concept. The goal of study lies determination of the universal principles of representation of spatial-temporal continuum of the Chaos, as well as establishment of dependence of the choice evaluative connotation of language means on personality of the narrator. The work is conducted at the intersection of linguistics and literary studies. The novelty consists in recognition of the leading role of chronotopic subject in determining tonality of representation of the chronotope. The main conclusion is defined by the fact that the key principle of representation of spatial and temporal components of the chronotope of Chaos in R. Zelazny’s series of novels is the destruction of realistic perception of space and time. It was also established that change of voice of the narrator leads to the shift of evaluative paradigm. An extremely negative attitude of the first narrator to the Courts of Chaos as a representative of the chronotope of Chaos, expressed through the negatively connoted epithets, is justified by its affiliation to Amber as a representative of the Order. Dual position of the second narrator leads to the change in tonality of description of physical personification of the chronotope of Chaos. Counterbalance of negatively and positively connoted lexical units creates the effect of objectivity, essential for realization of ideological content of the novel.
40
Ilivitskaya, Larisa G. "The city and its co-existential chronotope: a diagnostic aspect." Verhnevolzhski Philological Bulletin 1, no. 24 (2021): 178–84. http://dx.doi.org/10.20323/2499-9679-2021-1-24-178-184.
Full textAbstract:
The article attempts to substantiate the possibilities of the chronotope as a tool for cultural diagnostics of the city. The angle of the research is chosen due to the current demand for a transdisciplinary approach in the study of a variety of phenomena associated with human existence. In this regard, the city is no exception, its research also involves the use of methodologies which allow combining managerial practices and scientific theories. The city is considered in the article in its «medial existence» as a space of meanings, which makes it possible to use the chronotope as an ontological unit, which can be used as the basis for the cultural diagnostics of the city. Due to the fact that the chronotope connects temporal-topos and semantic criteria into a single structure, different dimensions of the city acquire specific expression, being reflected in various chronotopic invariants (profane, global, innovative, etc.). The author concentrates on the co-existential chronotope which focuses on the present of the city, reflecting its spatio-temporal foundations, within the boundaries of which the life and activity of a person as a consumer of urban spacetime take place. Saturation, concentration and proportionality are suggested as indicators of the co-existential chronotope, which make it possible to carry out culturological diagnostics of the city. Saturation reflects the existing spectrum of spatio-temporal configurations, in which there is a direct reproduction of human life in the city, the realization of human needs and interests, the formation of a person as a city dweller. Concentration indicates the differentiation of the city from the point of view of the «centrality» of the place, determined by its functional purpose. Proportionality allows you to identify the correspondence between the city and its inhabitants, considered in a subjective aspect.
41
Tazhibaeva, Sh A., and A. Zhienbayeva. "SPECIFICS CHRONOTOPE IN THE MODERN PROSE OF KAZAKHSTAN." BULLETIN Series of Philological Sciences 76, no. 2 (June 15, 2021): 80–88. http://dx.doi.org/10.51889/2021-2.1728-7804.10.
Full textAbstract:
The chronotope issue has been relevant in literary criticism for several decades. Furthermore, Plato argued that the essence of art is an imitation of real life. Aristotle pointed out that art creates its own world as something possible or probable and thereby reveals the essential properties of the real world. This article attempts to summarize the main research results on the problem of spatial images and the chronotope as a whole and thereby determine what is the specificity of the image of space, what is its role in a particular work. The purpose of the study is to establish the role of the chronotope in the recreation of the artistic image of Kazakhstan. In modern prose, chronotopic parameters are traced, the topography and symbolism of urban space are examined and its essential characteristics are given. In our opinion, the chronotope is an important modeling tool of literature. The appeal to this problem is due to the fact that the organization of the chronotope in the modern literature of Kazakhstan has become much more complicated in comparison with the traditional space-time paradigms. Anel Meken and Anastasia Skripnikova demonstrate their virtuoso «play with time and space». Time and space set the parameters of the artistic world of the work. Their relationship in prose reflects the structure of the author's consciousness, their worldview, and the system of philosophical ideas and, therefore, their interpretation is a search for means of expressing the author's idea. The study of the categories of time and space allows one to penetrate deeper into the «fabric» of a work of art, to reveal the specifics of its construction, to determine the concept of the writer's world. However, despite such different positions of researchers, controversy continues to this day in literary criticism.
42
Szewczenko, Ludmiła. "К вопросу о векторах освоения темы смерти в современной русской прозе." Slavica Wratislaviensia 167 (December 21, 2018): 467–80. http://dx.doi.org/10.19195/0137-1150.167.39.
Full textAbstract:
On the vectors of studying of the topic of deathin modern Russian proseIn Russian prose of the past decades, one can see the broadening of the scope of mortal spaces presented. Traditional chronotopes of the trench war, battlefield, hospital, deathbed, cemetery, sites of murder and suicide are now complemented by the chronotope of exclusion zones after environmental or other catastrophe, the chronotope of foreign land of long-distance and hybrid warfare, and the chronotope of acts of terror and territories suffering from pandemics. There appear new angles of comprehension of the thanatological characters, plots, and topics. The article deals with the analysis of how the aforementioned are reflected in the works by S. Aleksievych, O. Yermakov, Z. Prilepin, E. Vodolazkin, O. Postnov, K. Khutsishvili, D. Bortnikov, M. Hobbel and other authors.До питання про напрямки розвитку теми смертів сучасній російській прозіВ російській прозі останніх десятиліть спостерігається значне урізноманітнення зображуваних мортальних просторів. Традиційні хронотопи війни, поля бою за свою вітч-изну, шпиталя, кімнати, де вмирає людина, доповнюються хронотопами зони відчудження після тегногенної катастрофи, ареалу чужої землі, де тепер відбуваються дистанційні та гибридні війни, хронотопами скоєння терористичних актів та територій поширення пандемії. Відкриваються нові ракурси бачення та осмислення танатологічних героїв, сюжетів та тем. В статті йдеться про специфіку їхньої актуалізації у творах С. Алексієвіч, О. Єрмакова. З. Прилєпіна, Є. Водолазкіна, О. Постнова, К. Хуцішвілі. Д. Бортникова, М. Хоббель та інших авторів.
43
Burtseva, M. A. "Worldview in Gothic Story by E. F. Benson “Gavon’s Eve”." Nauchnyi dialog, no. 6 (June 24, 2021): 192–206. http://dx.doi.org/10.24224/2227-1295-2021-6-192-206.
Full textAbstract:
The issues of creating a picture of the world in the story of the English writer E. F. Benson’s “Gavon’s Eve”. It is concluded that the picture of the world is organized by two external chronotopes: the chronotope of the Scottish village of Gavon, the chronotope of the Pictish fortress and the internal chronotope, concentrated around the consciousness of the narrator. Attention is paid to the functioning of forms of artistic space and time, built on the principle of binary oppositions. It is shown that spatial correlations between external and internal, far and near, western and eastern have an increased semantic significance in the narrative. Particular attention is paid to the role of the spatial categories of up and down, revealing the author’s concept of the eternity of infernal evil. It has been proven that the key forms of artistic time are day and night, light and dark, past and present, which are traditional for Gothic subjects. The relevance of the study is due to the growing interest in the genre of gothic prose, which today is associated, in particular, with attempts to resist anti-humanistic, destructive trends in the life of modern society. The novelty of the research is seen in the fact that the issues of artistry of Gothic stories by E. F. Benson is still underresearched.
44
Macmillan, Catherine. "The Witch(ES) of Aiaia: Gender, Immortality and the Chronotope in Madeline Miller’s Circe." Gender Studies 18, no. 1 (December 1, 2019): 27–38. http://dx.doi.org/10.2478/genst-2020-0002.
Full textAbstract:
Abstract This article explores Madeline Miller’s Circe from the perspective of Bakhtin’s concept of the chronotope, the inseparability of space and time in fiction. The article focuses on the chronotopes of the road, the idyll and the threshold in the novel, and how these intersect with its themes of gender and immortality. The island of Aiaia acts as a threshold, transforming all who cross it. Circe’s life on the island, however, is a repetitive idyll; only at the end of the novel does she become a traveller on the road herself rather than just a stop on the way.
45
Jereza, Rachelle, and Sabina Perrino. "“They are just a danger”." Journal of Language and Politics 19, no. 5 (May 4, 2020): 809–30. http://dx.doi.org/10.1075/jlp.19073.jer.
Full textAbstract:
Abstract In recent years, there has been much discussion about the role of social media platforms in the reproduction of exclusionary rhetoric leveled against social “others” in far-right contexts across the globe. While scholars have examined the ideologies underpinning exclusionary discourses, few have analyzed the discursive mechanisms through which such ideologies and “othered” social types become meaningful to ordinary citizens. In this article, we extend this conversation by analyzing digital discourses on Facebook and YouTube that pertain to Philippine “drug users” and racialized remarks against migrants in Italy through a chronotopic lens. We demonstrate that despite the historical, economic, and social differences, far-right ideologies are ordered through chronotopes of national crisis in both cases. Through these chronotopic worlds, despicable, “othered” social types such as “extracomunitari” in Italy and drug users in the Philippines, acquire coherence.
46
Alatas, Ismail Fajrie. "The Poetics of Pilgrimage: Assembling Contemporary Indonesian Pilgrimage to Ḥaḍramawt, Yemen." Comparative Studies in Society and History 58, no. 3 (July 2016): 607–35. http://dx.doi.org/10.1017/s0010417516000293.
Full textAbstract:
AbstractThis article investigates the socio-discursive processes that have enabled the emergence and maintenance of pilgrimage practice by examining the rising popularity of the Ḥaḍramawt valley of southern Yemen as a pilgrimage destination for Indonesian Muslims. Pilgrimage to Ḥaḍramawt mainly revolves around visiting the tombs of Bā ʿAlawī (a group of Ḥaḍramīs who claim direct descent from the Prophet Muḥammad) Sufi saints and scholars scattered around the valley. Moving away from ritual analysis, I examine the roles of various actors involved in the production and consumption of pilgrimage. I analyze pilgrimage as a poetic project that frames travel as a transformative process. As a project, pilgrimage can be described as poetic because it hinges on the construction of multiple chronotopes that are juxtaposed, compared, contrasted, and assembled into meaningful alignments. The actors discussed are involved in producing chronotopes of Ḥaḍramawt as a spiritually idealized place, which are made to resonate with mass-mediated chronotopes of idealized Islam circulating among Indonesian Muslims, and contrasted with chronotopes of the modern world. Framed by such a poetic mediation, pilgrims comprehend their actual travel to Ḥaḍramawt as a cross-chronotopic movement that they believe transforms their own selves. The article observes the various mechanisms of attraction and seduction at work in pilgrimage practice, while demonstrating the structural similarities between pilgrimage and other forms of tourism.
47
Creese, Angela, and Adrian Blackledge. "The ‘other woman’ in a mother and daughter relationship: The case of Mami Ji." Language in Society 46, no. 2 (February 27, 2017): 185–206. http://dx.doi.org/10.1017/s0047404516000993.
Full textAbstract:
ABSTRACTThis article describes the range of discursive strategies in the socializing messages of a mother and daughter interaction. The analysis draws on the work of Bakhtin (1981) and Tannen (2007) to interrogate the role of a physically absent but discursively present sister-in-law, ‘Mami Ji’, across three speech events. Following Tannen, we show how the characterisation of the sister-in-law, Mami Ji, has chronotopic value that connects mother and daughter in the present and makes links across family histories. Through the discursive strategies of repetition, dialogue, detail, and translanguaging, ‘Mami Ji’ becomes an iconic benchmark of how not to speak, how not to dress, and how not to behave. Drawing on material from a linguistic ethnography approach, we present three discourse analyses from a much larger international project that also looked at classroom interaction and break-time conversations. The article contributes to the under-researched topic of the representation of sisters-in-law in discourse, theorises the chronotope in everyday conversation, and demonstrates how mother and daughter solidarity is achieved through opposition to another female family member. (Chronotope, linguistic involvement strategies, translanguaging, socialisation, sister-in-laws, mothers and daughters)
48
Sinatora, Francesco L. "Chronotopes, entextualization and Syrian political activism on Facebook." Multilingua 38, no. 4 (July 26, 2019): 427–58. http://dx.doi.org/10.1515/multi-2018-0040.
Full textAbstract:
Abstract This article discusses the intersection of language choice, identity and online political activism in the context of the 2011 Syrian uprising by bringing together the notions of entextualization and chronotopes. The data is drawn from a longitudinal analysis of two Syrian dissidents’ Facebook pages between 2010 and 2012 as part of a study of Syrian dissidents’ digital practices. Through an analysis of their status updates and their friends’ comments, I show how the repertoire of these two Syrian dissidents changed abruptly with the onset of the 2011 uprising. The shift in repertoire underlies the emergence of distinct chronotopic identities, through which both subjects re-positioned themselves vis-à-vis the sociopolitical context: cosmopolitan identities before and dissident identities after the uprising. The article contributes to the study of chronotopic identities by showing how processes of entextualization are chronotopically informed, particularly in a context of socio-political upheaval. Additionally, it sheds further light on the role of technology in social and political change.
49
Neill, Lindsay, Nigel Hemmington, and Luca Sturny. "We’d love to turn you on: Considering Bakhtin and the music of The Beatles, ‘A Day in the Life’." Journal of European Popular Culture 10, no. 2 (October 1, 2019): 81–95. http://dx.doi.org/10.1386/jepc_00002_1.
Full textAbstract:
From the Sgt. Pepper’s Lonely Hearts Club Band album, this article re-reads The Beatles’ classic song ‘A Day in the Life’. Our re-reading uses Bakhtin’s chronotope. While ‘A Day in the Life’ was released in 1967, our chronotopic perspectives of it are timely. In using the chronotope to re-read this classic, we have developed an equation linking utterance to culture, time, history, the individual and interpretation. In those ways, our article not only reveals how texts are interpreted within socio-temporal constructs, but through our equation also shows how other texts may be understood and interpreted. Indeed, our equation explains the process of interpretation. Applied to ‘A Day in the Life’, our interpretation reveals the relevance of the songs lyric and music to contemporary understanding that transcends ways of being and becoming. That understanding also reflects The Beatles’ own change from four ordinary Liverpudlians to global mega-stars. Our interpretation of ‘A Day in the Life’ shows how, through lyric, The Beatles addressed their celebrity by reinstating their ordinariness within the music and lyric of the tune. Consequently, and while we concentrate on ‘A Day in the Life’ our article provides a wider view and understanding of how text and music combine to generate a timeless understanding of both meaning and interpretation.
50
Pticina, Ljiljana. "The Issue of Genre in Pekić's Early Opus." European Journal of Language and Literature 6, no. 2 (October 15, 2020): 78. http://dx.doi.org/10.26417/619iyy46r.
Full textAbstract:
The paper presents the analysis of genre definition of Pekić’s prose. Genre definition of the prose work The time of miracles is mainly analysed and explained, which theoreticians define differently, determining it as a chain, stories, but also as a novel. The analysis of the corpus, that is, the works The time of miracles and New Jerusalem is conducted through the prism of Bakhtin’s theory on the novel, with a brief resistance of Lukacs’ theory to Bakhtin’s when it comes to the analysis of Pekić’s prose. After the explanation of the characterisation of The time of miracles as a novel, we deal with chronotope, as genre definition, where the most common chronotopes that we encounter in Pekić’s prose are indicated. The novelties that Pekić brings to Serbian literature are reflected in one complete novelistic image, a parallel world, documented by historical sources, the witness’ stories, archeological sites. Generally speaking, the central point of his work is occupied by problematising man’s position in the world in general – so, also in the past, present, but in the future as well. And precisely that and such his relation towards culture and existence – erudite, problematising, predictive, revealing – is “analogous to the correlations between chronotope within the work“ (Bakhtin, 1989, p. 386).