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Journal articles on the topic 'Chthulucene'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

Dev, Laura. "Healing in the Chthulucene." Dialogue and Universalism 29, no. 3 (2019): 151–62. http://dx.doi.org/10.5840/du201929344.

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The term “Anthropocene” is frequently used to refer to the present planetary epoch, characterized by a geological signature of human activities, which have led to global ecological crises. This paper probes at what it means to be human on earth now, using healing as a concept to orient humanity in relation to other species, and particularly medicinal plants. Donna Haraway’s concept of the “Chthulucene” is used as an alternate lens to the Anthropocene, which highlights the inextricable linkages between humans and other-than-human species. Healing can be viewed as a type of embodied orientation or engagement with the world, which has the potential to reach across boundaries of the skin, blur distinctions between self and other, and allow for both transpersonal and trans-species reconciliation. I focus my attention on Indigenous Shipibo healing rituals, and Shipibo concepts of healing that integrate humans within the ecosystem, and traverse species boundaries through communication with and embodiment of plant spirits. These healing rituals offer ways of coming into being within an ecology of selves—both internal and external, human and non-human—through listening and lending voice. I explore the potential for healing and ritual to work as a form of porous resistance through the internal blurring of binaries and hierarchical structures.

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2

Joan Gordon. "An Ironic Faith in the Chthulucene." Science Fiction Studies 44, no. 3 (2017): 611. http://dx.doi.org/10.5621/sciefictstud.44.3.0611.

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3

Haraway, Donna. "Anthropocene, Capitalocene, Plantationocene, Chthulucene: Making Kin." Environmental Humanities 6, no. 1 (2015): 159–65. http://dx.doi.org/10.1215/22011919-3615934.

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4

Mahesh, Mahesh. "Education During Anthropocene, Capitalocene, and Chthulucene." Journal of Education and Research 11, no. 1 (May 18, 2021): 1–12. http://dx.doi.org/10.51474/jer.v11i1.494.

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5

Zedlitz, Sven Marian. "Donna J. Haraway: Staying with the Trouble." Zeitschrift für philosophische Literatur 5, no. 4 (October 23, 2017): 21–30. http://dx.doi.org/10.21827/zfphl.5.4.35407.

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6

Gough, Noel, and Chessa Adsit-Morris. "Troubling the Anthropocene: Donna Haraway, Science Fiction, and Arts of Un/Naming." Cultural Studies ↔ Critical Methodologies 20, no. 3 (November 14, 2019): 213–24. http://dx.doi.org/10.1177/1532708619883311.

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This article takes Donna Haraway’s Staying With the Trouble: Making Kin in the Chthulucene as a point of departure for troubling the largely uncontested acceptance of the Anthropocene as a matter of scientific “fact.” Our approach is informed by our methodological commitments to understanding writing as a mode of inquiry and our preference for diffraction (rather than reflection) in conceptualizing practices of reading and critique. The article is therefore organized around questions that Haraway’s text provokes, and our responses to them. We draw on various sources, including selected science fiction (SF) texts, to trouble practices of naming geological epochs and also to trouble some of the assumptions that Haraway makes in offering “Chthulucene” as an alternative name for our present epoch.

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7

Brookes, Alec. "Butterflies in the Chthulucene: Reading Nabokov Geologically." Russian Literature 114-115 (June 2020): 85–104. http://dx.doi.org/10.1016/j.ruslit.2020.07.005.

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8

Verlie, Blanche, Sherridan Emery, Maia Osborn, Kim Beasy, Bianca Coleman, Kevin Kezabu, and Jennifer Nicholls. "Becoming Researchers: Making Academic Kin in the Chthulucene." Australian Journal of Environmental Education 33, no. 3 (November 2017): 145–59. http://dx.doi.org/10.1017/aee.2017.24.

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AbstractGraduate students are often plagued by stress and anxiety in their journeys of becoming researchers. Concerned by the prevalence of poor graduate student wellbeing in Australia, we share our experiences of kin-making and collaboration within #aaeeer (Australasian Association for Environmental Education Emerging Researchers), a collective of graduate students and early career researchers formed in response to the Australian Association for Environmental Education (AAEE) conference in Hobart, Tasmania, in 2014. In this article, we begin to address the shortage of research into graduate student wellbeing, led by graduate students. Inspired by Donna Haraway's work on making kin in the Chthulucene, we present an exploration that draws together stories from the authors about the positive experiences our kin-making collective enables, and how it has supported our wellbeing and allowed us to work collaboratively. Specifically, we find that #aaeeer offers us a form of refuge from academic stressors, creating spaces for ‘composting together’ through processes of ‘decomposing’ and ‘recomposing’. Our rejection of neoliberal norms has gifted us experiences of joyful collective pleasures. We share our experiences here in the hope of supporting and inspiring other emerging and established researchers to ‘make kin’ and challenge the potentially isolating processes of becoming researchers.

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9

Hoofd, Ingrid M. "staying with the trouble: making kin in the Chthulucene." Feminist Review 117, no. 1 (November 2017): 208–9. http://dx.doi.org/10.1057/s41305-017-0074-7.

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10

Neimanis, Astrida. "Staying with the Trouble: Making Kin in the Chthulucene." Australian Feminist Studies 31, no. 90 (October 2016): 515–19. http://dx.doi.org/10.1080/08164649.2016.1278162.

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11

Haraway, Donna. "Revisiting Catland in 2019: Situating Denizens of the Chthulucene." a/b: Auto/Biography Studies 34, no. 3 (September 2, 2019): 385–86. http://dx.doi.org/10.1080/08989575.2019.1664032.

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12

O’Riordan, Kate. "Life and the Technological: Cyborgs, Companions, and the Chthulucene." a/b: Auto/Biography Studies 34, no. 3 (September 2, 2019): 387–402. http://dx.doi.org/10.1080/08989575.2019.1664181.

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13

Swinkels, Julian R. A. "Staying with the trouble: making kin in the Chthulucene." Social & Cultural Geography 19, no. 4 (December 29, 2017): 547–48. http://dx.doi.org/10.1080/14649365.2017.1421042.

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14

Hansen, Paul. "Staying with the Trouble: Making Kin in the Chthulucene." Anthrozoös 31, no. 3 (May 3, 2018): 383–87. http://dx.doi.org/10.1080/08927936.2017.1415748.

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15

McKeithen, Will. "Staying with the trouble: making kin in the Chthulucene." Gender, Place & Culture 24, no. 10 (May 31, 2017): 1517–19. http://dx.doi.org/10.1080/0966369x.2017.1336302.

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16

Jenner, Joseph. "Towards a Chthonic Spectatorship: Becoming-With the Aquatic in Evolution." Film-Philosophy 23, no. 3 (October 2019): 372–90. http://dx.doi.org/10.3366/film.2019.0121.

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Evolution (Lucile Hadžihalilović, 2016) offers a vision of Donna J. Haraway's feminist intervention where Haraway posits her neologistic chthulucene to signify the interpenetration of species in response to anthropocene discourse which recuperates the patriarchal narrative of homo faber – the human as maker. The risks and tribulations of cross-species “becoming-with”, as Haraway puts it, are dramatized in Evolution. The ambiguously defined, subaqueous species of the film nurture and care for human boys then impregnate them with squid-like creatures that are incubated in the child's mid-section. The film is marked by images that are difficult to anthropomorphise, eliciting corporeal engagements with tentacular sea creatures that are alienating and confronting. Evolution presents images that are in sympathy with Haraway's chthulucene, in which the subject dissolves into the matter of “humus” or “compost” that ontologically bind the human and nonhuman alike. The film signals a reverse evolution in which humans return to the sea, a temporal backwards turn that Haraway similarly advocates in her book. While Evolution plays out Haraway's chthonic vision in which it shows a subject, Nicolas, embedded in a compost community, the film nonetheless situates this subject as bounded and coherent. Evolution does not, ultimately, forego the human but offers a chance to comprehend the human's transformation in the historical moment of the anthropocene.

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17

Ott, Konrad. "Donna Haraway: Staying with the Trouble: Makng Kin in the Chthulucene." Environmental Ethics 41, no. 2 (2019): 185–88. http://dx.doi.org/10.5840/enviroethics201941217.

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18

Kortekallio, Kaisa. "Book review: Staying with the Trouble: Making Kin in the Chthulucene." European Journal of Women's Studies 26, no. 2 (April 21, 2019): 229–31. http://dx.doi.org/10.1177/1350506819832806b.

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19

Warren, Sarah. "Donna J. Haraway. Staying with the Trouble: Making Kin in the Chthulucene." Environmental Philosophy 14, no. 1 (2017): 157–59. http://dx.doi.org/10.5840/envirophil201714155.

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20

Andía, Juan Javier Rivera. "Haraway, Donna J.: Staying with the Trouble. Making Kin in the Chthulucene." Anthropos 113, no. 1 (2018): 309–10. http://dx.doi.org/10.5771/0257-9774-2018-1-309.

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21

Balkan, Stacey. "Inhabiting the Chthulucene: Forging Tentacular Intimacies at the End of the World1." ISLE: Interdisciplinary Studies in Literature and Environment 26, no. 4 (2019): 843–63. http://dx.doi.org/10.1093/isle/isz045.

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22

Iveson, Richard. "Donna J. Haraway. Staying with the Trouble. Making Kin in the Chthulucene." Humanimalia 9, no. 1 (September 22, 2017): 186–98. http://dx.doi.org/10.52537/humanimalia.9627.

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23

Derra, Aleksandra. "Holobionts, Symbiosis and New Narratives for the Troubled Times of Donna Haraway’s Chthulucene." Analiza i Egzystencja 50 (2020): 79–93. http://dx.doi.org/10.18276/aie.2020.50-05.

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24

Bauman, Whitney A. "Donna Haraway, Staying with the Trouble: Making Kin in the Chthulucene." Journal for the Study of Religion, Nature and Culture 13, no. 2 (May 2, 2019): 246–48. http://dx.doi.org/10.1558/jsrnc.36617.

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25

Shotwell, Alexis. "Staying with the Trouble: Making Kin in the Chthulucene by Donna J. Haraway." philoSOPHIA 8, no. 1 (2018): 145–50. http://dx.doi.org/10.1353/phi.2018.0009.

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26

Anderson, David R. "Staying with the Trouble: Making Kin in the Chthulucene by Donna J. Haraway." Feminist Formations 30, no. 1 (2018): 236–40. http://dx.doi.org/10.1353/ff.2018.0013.

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27

Proctor, Devin. "Staying with the Trouble: Making Kin in the Chthulucene by Donna J. Haraway." Anthropological Quarterly 90, no. 3 (2017): 877–82. http://dx.doi.org/10.1353/anq.2017.0054.

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28

Lee, Regina Yung. "Staying with the Trouble: Making Kin in the Chthulucene, by Donna J. Haraway." Women's Studies 48, no. 3 (April 3, 2019): 350–52. http://dx.doi.org/10.1080/00497878.2019.1593837.

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29

Dooren, Thom van. "Temporal promiscuities in the Chthulucene: A reflection on Donna Haraway’s Staying with the Trouble." Dialogues in Human Geography 8, no. 1 (February 26, 2018): 91–93. http://dx.doi.org/10.1177/2043820617739207.

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30

Midson, Scott. "Humus and Sky Gods: Partnership and Post/Humans in Genesis 2 and the Chthulucene." Sophia 58, no. 4 (August 3, 2018): 689–98. http://dx.doi.org/10.1007/s11841-018-0664-7.

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31

Boswell, Jacob. "“Post-Quantal Garden” Annotated." eTropic: electronic journal of studies in the Tropics 20, no. 2 (September 10, 2021): 240–50. http://dx.doi.org/10.25120/etropic.20.2.2021.3817.

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The Post-Quantal Garden is a work of speculative fiction based on J.G. Ballard’s short story “The Terminal Beach” first published in 1964. Set within Donna Haraway’s climate-changed Chthulucene, the work is intended as an elliptical rumination on the history of nuclear testing in the Pacific, bio-hacking, tropicality, and apocalyptic narrative. Moving between historical fact and speculative fiction, the story takes the form of a scholarly introduction to and contextualization of fictional passages from an imaginary journal supposedly found during the very real radiological clean-up of Enewetak Atoll. Enewetak, an atoll in the Marshall Islands group, was used by the US for nuclear testing and was the site of operation Ivy-Mike, the first fusion bomb test, and is the setting for Ballard’s Terminal Beach.

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32

Anderton, Joseph. "“living flesh”." Samuel Beckett Today / Aujourd’hui 32, no. 2 (July 30, 2020): 192–206. http://dx.doi.org/10.1163/18757405-03202004.

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Abstract This essay examines the human-nonhuman proximity emerging from Beckett’s representation of a deconstructed human being and his encounters with nonhuman animals in the “The Expelled,” “The Calmative,” “The End” and “First Love.” With reference to Simone Weil’s categories from The Need for Roots, I show how Beckett’s narrator is lacking physical, psychological, socio-political and philosophical aspects associated with normative human being, which result in a precarious, imprecise identity. In light of this dehumanisation, I close read passages featuring nonhuman animals to argue that while they emphasise the narrator’s marginalisation from human community, they also reveal profound alienation from other animals too. The destabilisation of specific identity, I argue, initiates a reevaluation of the narrator’s place among living beings in general and prefigures the multispecies connectedness advocated in twenty-first century ecocritical reviews of the human-nonhuman divide, such as Donna Haraway’s ‘chthulucene.’

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33

Cicholewski, Alena. "Entering the Chthulucene? Making Kin with the Non-human in Amie Kaufman and Meagan Spooner's Starbound Trilogy." Jeunesse: Young People, Texts, Cultures 12, no. 2 (2020): 86–102. http://dx.doi.org/10.1353/jeu.2020.0021.

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34

Hörst, Doortje. "Review: Staying with the Trouble: Making Kin in the Chthulucene. By Donna J. Haraway. Duke University Press, 2016." Junctions: Graduate Journal of the Humanities 4, no. 1 (April 1, 2019): 82. http://dx.doi.org/10.33391/jgjh.51.

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35

Fleming, David H., and William Brown. "Through a (First) Contact Lens Darkly: Arrival, Unreal Time and Chthulucinema." Film-Philosophy 22, no. 3 (October 2018): 340–63. http://dx.doi.org/10.3366/film.2018.0084.

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Science fiction is often held up as a particularly philosophical genre. For, beyond actualising mind-experiment-like fantasies, science fiction films also commonly toy with speculative ideas, or else engineer encounters with the strange and unknown. Denis Villeneuve's Arrival (2016) is a contemporary science fiction film that does exactly this, by introducing Lovecraft-esque tentacular aliens whose arrival on Earth heralds in a novel, but ultimately paralysing, inhuman perspective on the nature of time and reality. This article shows how this cerebral film invites viewers to confront a counterintuitive model of time that at once recalls and reposes what Gilles Deleuze called a “third synthesis” of time, and that which J. M. E. McTaggart named the a-temporal “C series” of “unreal” time. We finally suggest that Arrival's a-temporal conception of the future as having already happened can function as a key to understanding the fate of humanity as a whole as we pass from the anthropocene, in which humans have dominated the planet, to the “chthulucene,” in which humans no longer exist on the planet at all.

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36

Hayward Marcum, Joni. "Reconsidering the Aesthetics of Garbage in Waste Land." Afterimage 48, no. 3 (September 1, 2021): 35–57. http://dx.doi.org/10.1525/aft.2021.48.3.35.

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In the 2010 documentary film Waste Land, directed by Lucy Walker and co-directed by João Jardim and Karen Harley, Brazilian-born and Brooklyn-based visual artist Vik Muniz travels to the Jardim Gramacho landfill outside of Rio de Janeiro, Brazil. There, he creates works of art out of material from the landfill with the help of several catadores, or pickers, who work there. Though Muniz’s visual artwork and Walker’s film both form an aesthetic of garbage by making trash the material most central to their work, their redemptive impulses should be questioned, and their use of garbage aesthetics analyzed. Their work simultaneously takes part in and falls short of the political goals of this aesthetic, namely, to focus both visual and political attention on the inequalities faced by marginalized people, places, and materials. In reading Waste Land for the ways in which it both embraces and shirks garbage aesthetics, I will suggest how this aesthetic approach can help interrogate the limitations and possibilities offered by the theorizations of the Anthropocene, Capitalocene, and Chthulucene they intersect with, calling attention to their political and aesthetic qualities.

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37

SCARAMELLI, CATERINA. "Staying with the Trouble: Making Kin in the Chthulucene. Donna J. Haraway. Durham, NC: Duke University Press, 2016. 312 pp." American Ethnologist 44, no. 4 (November 2017): 700–701. http://dx.doi.org/10.1111/amet.12570.

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38

Franklin, Sarah. "Staying with the Trouble: Making Kin in the Chthulucene by Donna Haraway Durham, NC: Duke University Press, 2016. 296 pp." American Anthropologist 119, no. 3 (August 14, 2017): 555–56. http://dx.doi.org/10.1111/aman.12922.

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39

Chwałczyk, Franciszek. "Around the Anthropocene in Eighty Names—Considering the Urbanocene Proposition." Sustainability 12, no. 11 (May 31, 2020): 4458. http://dx.doi.org/10.3390/su12114458.

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There are now at least 80–90 proposed alternatives to the term “the Anthropocene”, following critique mainly from the social sciences. The most popular seem to be Moore’s Capitalocene and Haraway’s Chthulucene, but there are others, such as: Hornborg’s Technocene, Mann’s Homogenocene, Wilson’s Eremocene, Stiegler’s neganthropocene, Parikka’s Anthrobscene… Furthermore, similar recognitions and critiques have been made in urban studies (Urban Age, Planetary Urbanization…). What should we make of this multiplicity? Those propositions are approached here from the philosophical and cultural studies perspectives, in the spirit of Galison’s trading zones and Bal’s travelling concepts. They are treated with engaged pluralism (introduced through geography and urban studies) and, because of their eschatological dimension, with (secular) negative theology. The Urbanocene is also outlined using Nowak’s ontological imagination. None of the propositions are sufficient on their own. Most contribute to a better understanding of the Anthropocene. Those concerning the role of cities and urbanization (Astycene, Urbanocene, Urbicene, Metropocene) are insufficient. This entails that there is a need for an Urbanocene proposition to be formulated. This proposition draft is briefly outlined here by linking an example of exceeded planetary boundaries (levels of phosphorus and nitrogen) with urbanization, drawing on the works of Mumford and Gandy.

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40

Halpin, Jenni G. "You’re an Orphan When Science Fiction Raises You." American, British and Canadian Studies 35, no. 1 (December 1, 2020): 68–85. http://dx.doi.org/10.2478/abcsj-2020-0017.

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Abstract In Among Others, Jo Walton’s fairy story about a science-fiction fan, science fiction as a genre and archive serves as an adoptive parent for Morwenna Markova as much as the extended family who provide the more conventional parenting in the absence of the father who deserted her as an infant and the presence of the mother whose unacknowledged psychiatric condition prevented appropriate caregiving. Laden with allusions to science fictional texts of the nineteen-seventies and earlier, this epistolary novel defines and redefines both family and community, challenging the groups in which we live through the fairies who taught Mor about magic and the texts which offer speculations on alternative mores. This article argues that Mor’s approach to the magical world she inhabits is productively informed and futuristically oriented by her reading in science fiction. Among Others demonstrates a restorative power of agency in the formation of all social and familial groupings, engaging in what Donna J. Haraway has described as a transformation into a Chthulucene period which supports the continuation of kin-communities through a transformation of the outcast. In Among Others, the free play between fantasy and science fiction makes kin-formation an ordinary process thereby radically transforming the social possibilities for orphans and others.

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41

Bomastyk, Michał. "Donna J. Haraway, Staying with the Trouble. Making Kin in the Chthulucene, Duke University Press Duke University Press, Durham, Londyn 2016, ss. 296." Ruch Filozoficzny 73, no. 2 (June 15, 2017): 113. http://dx.doi.org/10.12775/rf.2017.017.

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42

Lewis, Sophie A. "A comradely politics of gestational work." Dialogues in Human Geography 8, no. 3 (November 2018): 333–39. http://dx.doi.org/10.1177/2043820618800603.

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In response to the four commentaries on ‘Cyborg uterine geography’, in which I argued normatively for reorganizing gestation on the basis of comradeliness, I grapple with three overlapping conceptual areas highlighted: the ethical and political affordances of the term ‘generosity’ in relation to care and pregnancy; the methodological question of bringing insights from the uterine field of ‘sympoeisis’ (‘making-with’, Haraway (2016) Staying with the Trouble: Making Kin in the Chthulucene. Durham: Duke University Press.) into the practice of scholarship; and the desire for more place-based specificity in the mapping of uterine geographies (plural, rather than singular; ‘normal’, as well as ‘queer’). Throughout this reply, I tie my remarks back to the core framework I advance in my piece, of gestation being work which, as such, has no predetermined gender, is subject to transformation through struggle, should not be romanticized (for instance, by identifying it with ‘the biological maternal’). Firstly, I rethink what it means to valorize gestational relationality in terms of generousness, from an antiwork perspective. Secondly, I engage the question, ‘can uterine geographies also create a methodology of engagement’? while seeking to qualify the proposed embrace of ‘indeterminacy’. Thirdly, I respond to concerns about the ‘universality’ in my piece by considering some contemporary examples of uterine politicization, specifically around abortion, that suggest to me that specificity has served as the matrix through which a ‘militant particularism’ (Harvey and Williams (1995) Militant particularism and global ambition. Social Text 42(Spring): 69–98.) can emerge in the form of geographically far-flung Reproductive Justice solidarities.

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43

Gajewska, Grażyna. "Ecology and Science Fiction. Managing Imagination in the Age of the Anthropocene." Przegląd Kulturoznawczy, no. 1 (47) (2021): 79–97. http://dx.doi.org/10.4467/20843860pk.21.005.13459.

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When formulating proecological strategies, social imagination is devoted relatively little attention. Contribution of the humanities to the management in the age of the Anthropocene is most often perceived as explaining threats that we and the future human and non-human beings will have to face as a result of irresponsible environmental policies. Hence, the presumed task of the humanities (and social science) consists primarily in analyzing and presenting the causes and the processes which culminated in the climate crisis and the decline of biodiversity. However, such an approach does not allow this knowledge to be actively engaged in constructing alternative, proecological attitudes. Consequently, I argue in this paper that in order for the state of affairs to change one requires not only new scientific tools (methodology, language), but also new sensitivity and aesthetics. The author argues that the challenges of the current times, resulting from environmental change, destruction of habitats and ecological disasters, direct our sensibilities and aesthetics ever more tangibly towards the fantastic: horror, science fiction, or fantasy. However, while ecohorror mainly exposes the negative aftermath of the Anthropocene – culminating in the inevitable disaster – science fiction offers leeway for a more speculative approach, enabling one to construct such visions of reality in which multispecies justice will be observed and cultivated. It is therefore suggested that there is much need for a science fiction aesthetic and narration that would be capable of guiding us out of the anthropocentric entanglement and the Anthropocene into the Chthulucene (as conceived by Haraway).

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44

Stewart, Sharon. "moonsong (I have dwelt upon the moon)." APRIA Journal 3, no. 2 (March 4, 2021): 92–108. http://dx.doi.org/10.37198/apria.03.02.a12.

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The initial aim of this project was to take a time-based, repetitive sonic practice, timed with the movements of the moon, and investigate this practice in relation to memory, process and meaning. The attendant goal was to see if I could, through contemplating on and adapting this practice, relay – through the sound of a sonic work – part of the notion of the 'thick present' as conveyed through the writings of Donna Haraway in Staying with the Trouble: Making Kin in in the Chthulucene (2016). Could I create a sonic work within the conventions of an online journal platform that conveys both the passage of time enfolded into its creation, punctuated by the process of following the moon, as well as one that – through its own sounding – says something about my journey toward a more sympoietic making process? What follows constitutes a thinking between practice and theoretical writings that develops through an iterative practice: initial process (born of a time-related artistic process curiosity) returns to theoretical investigation, returns to process, which in turn returns to theoretical reflection and assessment. This text has been co-composed with the sonic work moonsong and is meant to be read alongside – co-listened to with – the sonic work. Excerpts taken from emails, sent to friends and artists almost daily during the initial 30-day process of recording and journaling, called moonsong writings, are included throughout this article, with links. The 'Appendix: Artistic process of moon-song' contains a more technical and detailed overview of the process, equipment, and recording acts involved.

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45

Haraway, Donna, and Frédéric Neyrat. "Anthropocène, Capitalocène, Plantationocène, Chthulucène." Multitudes 65, no. 4 (2016): 75. http://dx.doi.org/10.3917/mult.065.0075.

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46

Rubini, Tiago. "Arte transviada de código aberto." Revista Periódicus 1, no. 6 (January 13, 2017): 61. http://dx.doi.org/10.9771/peri.v1i6.20553.

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Se gênero e sexualidade são construções sociais, é indispensável que os dispositivos pelos quais eles são produzidos sejam lidos e reorganizados de maneira crítica. No trabalho, nos atentaremos à atuação da arte neste quadro como pesquisa de ciência e tecnologia. Falaremos sobre algumas práticas artísticas tendo em mente a cultura do código aberto e conceitos como o Chthuluceno de Donna Haraway, a Teoria Ator-Rede de Michell Callon e as retóricas da modernidade que a resistência política desconstrói.

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Mattos, Thamires Ribeiro de, and Antonio Carlos Rodrigues de Amorim. "Simbiose e individualidade." Quaestio - Revista de Estudos em Educação 22, no. 2 (August 14, 2020): 525–46. http://dx.doi.org/10.22483/2177-5796.2020v22n2p525-546.

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Este ensaio apresenta perspectivas de aproximação ou distanciamento entre as abordagens do longa-metragem “Aniquilação” em relação às teorias do Antropoceno e Chthuluceno. Ao considerar que o filme é uma pedagogia cultural, busca articular suas narrativas imagéticas, em especial, com representações de humanidade e natureza. Busca também afirmar que práticas culturais diversas (escolares e não escolares) participam da constituição de nós mesmos e dos outros, bem como das formas como entendemos/atribuímos sentidos às diferenças. Essa é a linha de contribuição com o campo de estudos da educação. Faz seu movimento de apreciação e análise, recorrendo a matrizes conceituais contemporâneas, que questionam as relações entre seres da natureza, incluindo os humanos, analisando-as criticamente a partir de concepções de ambiente, simbiose e individualidade apresentadas por diferentes autores.

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Campos, Luis. "Staying with the Trouble: Making Kin in the Chthulucene. Experimental Futures: Technological Lives, Scientific Arts, Anthropological Voices. By Donna J. Haraway. Durham (North Carolina): Duke University Press. $94.95 (hardcover); $26.95 (paper). xv + 296 p.; ill.; index. ISBN: 978-0-8223-6214-2 (hc); 978-0-8223-6224-1 (pb); 978-0-8223-7378-0 (eb). 2016." Quarterly Review of Biology 93, no. 1 (March 2018): 28–29. http://dx.doi.org/10.1086/696738.

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Orrantia Cavazos, José Ramón. "¿Antropoceno o Capitaloceno? Más allá de los términos." LOGOS Revista de Filosofía 136, no. 136 (January 29, 2021): 59–76. http://dx.doi.org/10.26457/lrf.v136i136.2876.

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En este artículo abordamos dos enfoques sobre la catástrofe ambiental: el Antropoceno y el Capitaloceno. Primero, establecemos una relación entre la sobreexplotación de la naturaleza y la concepción moderna de sujeto des-incorporado que concibe la naturaleza como recurso. En seguida, señalamos la utilidad del término Antropoceno para enfatizar cómo la actividad humana es responsable por el cambio climático y el calentamiento global. En tercer lugar, señalamos las limitaciones del término, en tanto no distingue entre diferentes contextos socio-económicos y culturales y su relación con la naturaleza. En la cuarta parte exponemos las principales tesis del Capitaloceno, según el cual un argumento sobre la responsabilidad humana del calentamiento global retira la responsabilidad de estos procesos a formas muy específicas de explotación, producción, consumo y deshecho, a saber, las del capitalismo. Palabras Clave Antropoceno y Capitaloceno, sujeto moderno, catástrofe ambiental, límites planetarios, producción y explotación. Referencias Bernal, John D. (1986), La ciencia en la historia, México, Ed. Nueva Imagen/UNAM. Bernal Pérez, Javier Rolando (2016), Propuesta de un marco axiológico para la evaluación de un desarrollo tecnológico. El proyecto del tren de alta velocidad México-Querétaro, Tesis presentada para obtener el título de doctor por la Universidad Politécnica de Cataluña. Boulding, Kenneth E. (1966), “The Economics of the Coming Spaceship Earth”, en H. Jarrett (ed.), Environmental Quality in a Growing Economy, Baltimore, Resources for the Future/Johns Hopkins University Press, pp. 3-14. Crutzen, Paul J. (2002), “Geology of Mankind”, Revista Nature, Vol. 415. Descartes, René (2011), en Descartes, Madrid, Ed. Gredos. Ehrlich, Paul, John Holdren (1971), “Impacto of population growth”, Science, New Series, Vol. 171, No. 3977, pp. 1212-1217. Fuller, Steve (2018), “What can philosophy teach us about the Post-Truth condition”, en Peters, et al (eds.), Post-Truth, Fake News: viral modernity and higher education, Singapur, Ed. Springer. Haraway, Donna (2016), Staying with the trouble. Making kin in the Chthulucene, EUA, Duke University Press. Hegel, G. W. F. (2002), Lecciones sobre la historia de la filosofía, vol. III, México, Ed. FCE. Heidegger, Martin (2001), “La época de la imagen del mundo”, en Caminos de Bosque, España, Alianza Editorial. Manzo, Silvia (2001), “Algo nuevo bajo el sol : el método inductivo y la historia del conocimiento en la gran restauración de Francis Bacon”, Revista latinoamericana de filosofía, Vol. 27, No. 2, pp. 227-254. Marx, Karl (1988), “Prólogo a ‘Contribución a la Crítica de la Economía Política’”, en Contribución a la Crítica de la Economía Política, México D. F., Ediciones Quinto Sol. Meadows, D. H., D. L. Meadows, Randers, J., W. Behrens III (1972), The Limits to Growth, Nueva York, Universe Books. Moore, Jason (2017-1), “The Capitalocene: Part I: on the natura and origins of our acological crisis”, The Journal of Peasant Studies. Moore, Jason (2017-2), “The Capitalocene: Part II: accumulation by appropriation an the centrality of unpaid work/energy””, The Journal of Peasant Studies. Parakkal, Varkey (2018), “From Malthus to Thanos : The Problem with ‘Thinning the Herd’”, Ramjas Reading Room. Recuperado de https://ramjasreadingroom.wordpress.com/2018/11/22/from-malthus-to-thanos-the-problem-with-thinning-the-herd/ el 30 de septiembre de 2020. Radowitz, Jon Von (2017), “Stephen Hawking says we must colonise other planets to ensure human survival”, Independent. Recuperado de https://www.independent.co.uk/news/science/stephen-hawking-colonise-other-planets-ensure-human-survival-a7746016.html el 28 de spetiembre de 2020. Raworth, Kate (2012), A safe and just space for humanity: can we live within the doughnut?, Oxfam Discussion Papers. Röckstrom, Johan, et al (2009), “Planetary Boundaries: Exploring the Safe Operating Space for Humanity”, Ecology and Society, Vol. 14, No. 2. Sandel, Michael (1998), Liberalism and the limits of justice, EUA, Cambridge University Press. Stephen, Will, Jacques Grinevald, Paul Crutzen y John McNeil (2011), “The Anthropocene: conceptual and historical perspectives”, Philosophical Transactions of the Royal Society, Vol. 369, No. 1938. Taylor, Charles (2001), Sources of teh Self. The making of the modern identity, EUA, Harvard University Press. Vallaeys, François (1996), “Las deconstrucciones del sujeto cartesiano”, Areté, Revista de Filosofía, Vol. 8, No. 2, pp. 309-318. WWF (2018), Living Planet Report - 2018: Aiming Higher, Grooten, M. and Almond, R.E.A.(Eds), WWF, Gland, Switzerland.

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Tacoronte Domínguez, María José. "Seguir con el problema. Generar parentesco en el Chthuluceno, Donna J. Haraway. Edición Consonni, Bilbao, 2019. 365 páginas. ISBN: 9788416205417. Traducción de Helen Torres." Investigaciones Feministas 11, no. 1 (May 8, 2020): 187–88. http://dx.doi.org/10.5209/infe.68577.

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