Relevant bibliographies by topics / Church architecture, germany

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Church architecture, germany'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Church architecture, germany"

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Tabyisova, Fedosia W. "Trio Texture in Choral Arrangements and Polyclavier Organ of Southern Germany in the First Third of the 16th Century." Contemporary Musicology, no. 2 (2022): 81–106. http://dx.doi.org/10.56620/2587-9731-2022-2-081-106.

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The article is an attempt to establish a relationship between the structure of large South German church organs of the first third of the 16th century and the compositional features of the thencontemporary organ works. The historical boundaries of the Renaissance in German architecture and music do not coincide, while an organ may be viewed as an architectural element. This contradiction presents a certain difficulty. In the indicated period, the late Gothic architectural style, which preceded the Renaissance, played a leading role. As we see it, the organ music of this time, usually attribute
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Singler, Sofia, and Maximilian Sternberg. "The Civic and the Sacred: Alvar Aalto's Churches and Parish Centres in Wolfsburg, 1960–68." Architectural History 62 (2019): 205–36. http://dx.doi.org/10.1017/arh.2019.8.

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AbstractThis article considers Alvar Aalto's two church and parish centre projects in Wolfsburg in light of the architectural, political and sociocultural contexts that framed their design and construction in post-war Germany. The study interrogates how architect and parish came together to build the ecclesiastical complexes of Heilig-Geist (1960–62) and Stephanus (1963–68), and how the parties interacted and engaged with widely debated issues in church architecture and urban planning. Close analysis of the buildings and their design processes, based on site visits as well as the study of arch
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Makała, Rafał. "Dwa kościoły. Budownictwo kultowe w międzywojennych Niemczech jako przestrzeń modernistycznych eksperymentów." Porta Aurea, no. 19 (December 22, 2020): 325–46. http://dx.doi.org/10.26881/porta.2020.19.17.

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The time between WW I and II was a period of intensive development of church architecture in Germany. In the new situation after the defeat in WW I on the wave of Christian renewal movements, the concept of the church as a building corresponding to its functions, as an object expressing the character of religion and the vision of a congregation as a community in modern society was re -formulated. The dynamically developing church architecture was an area of intense experiments (especially in the 1920s.), creating new forms, as well as devising new iconography by Rudolf Schwartz, Otto Bartning,
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WEBER, FRIEDRICH, and CHARLOTTE METHUEN. "The Architecture of Faith under National Socialism: Lutheran Church Building(s) in Braunschweig, 1933–1945." Journal of Ecclesiastical History 66, no. 2 (2015): 340–71. http://dx.doi.org/10.1017/s0022046913002571.

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It has frequently been assumed that church building ceased after the National Socialists came to power in Germany in 1933. This article shows that it continued, and considers the reasons why this was the case. Focussing on churches built in the Church of Braunschweig between 1933 and 1936, it explores the interactions between emergent priorities for church architecture and the rhetoric of National Socialist ideology, and traces their influence on the building of new Protestant churches in Braunschweig. It examines the way in which Braunschweig Cathedral was reordered in accordance with Nationa
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Harasimowicz, Jan. "Longitudinal, Transverse or Centrally Aligned? In the Search for the Correct Layout of the ‘Protesters’ Churches." Periodica Polytechnica Architecture 48, no. 1 (2017): 1–16. http://dx.doi.org/10.3311/ppar.11309.

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The article was written within the framework of a research project “Protestant Church Architecture of the 16th -18th centuries in Europe”, conducted by the Department of the Renaissance and Reformation Art History at the University of Wrocław. It is conceived as a preliminary summary of the project’s outcomes. The project’s principal research objective is to develop a synthesis of Protestant church architecture in the countries which accepted, even temporarily, the Reformation: Austria, Czech Republic, Denmark, Estonia, Finland, France, Germany, Great Britain, Hungary, Island, Latvia, Lithuani
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Zahner, Walter. "Interaction/Cooperation." Actas de Arquitectura Religiosa Contemporánea 7 (October 1, 2020): 2–23. http://dx.doi.org/10.17979/aarc.2020.7.0.6284.

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Since 2000, in Germany there are both new built churches (around one hundred, sixty for the Catholic dioceses) and abandoned churches (around 500-600 Catholic churches, as well as some 500 Protestants). The reconverted churches are a reality in the north and east of Germany, up to half the country. In the south, both in the Catholic dioceses and in the Protestant regional churches, there are only some first examples and initial debates on these issues. Most of the relevant works of architecture and art within ecclesiastical organizations are churches reorganized from the point of view of the p
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Buchner, Maximiliane. "Wiederaufbau aus dem Glauben." Architectura 46, no. 1 (2016): 104–27. http://dx.doi.org/10.1515/atc-2016-0006.

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AbstractEuropean architecture in the second-half of the 20th century had many different roles to fulfil. Initially it sought to reconnect to what had been the ›modern style‹ before the outbreak of World War II, or rather, before the rise of National Socialism in Germany and Austria. This is true in a very special way for sacral architecture. After the human catastrophe of the Nazi regime with its destruction and desperation, all eyes were on the Church awaiting a statement. This was made not only through the erection of newly-built churches – in a density unique in the history of church buildi
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Чекмарёв, Андрей Викторович, and Ирина Викторовна Белинцева. "TEMPLE IN GROSSENASPE (SCHLESWIG-HOLSTEIN, GERMANY): THE RUSSIAN TRAIL OF THE ERA OF CATHERINE II." ВОПРОСЫ ВСЕОБЩЕЙ ИСТОРИИ АРХИТЕКТУРЫ, no. 2(13) (June 5, 2020): 272–95. http://dx.doi.org/10.25995/niitiag.2020.13.2.013.

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Cтатья посвящена описанию процесса проектирования и архитектурному анализу приходской церкви в Гроссенаспе (земля Шлезвиг-Гольштейн), связанной с историей российско-немецких отношений в XVIII в. Обстоятельства появления этого памятника отсылают к краткому и яркому периоду, когда Россия активно участвовала в решении судеб ряда немецких территорий, а российская императрица Екатерина II являлась регентом Голштинии при малолетнем сыне Павле, унаследовавшем от Петра III корону Гольштейн-Готторпа. Екатерина содействовала постройке храма, лично утвердив в 1771 г. проект архитектора Иоганна Адама Рихт
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Dark, Ken. "Gerd Detemple, Weltkulturerbe. Trierer Dom: Einblicke in Deutschlands älteste Kathedrale. Regensburg: Verlag Schnell & Steiner, 2021, 192 pp., 23 ill., and 81 photos." Mediaevistik 34, no. 1 (2021): 312. http://dx.doi.org/10.3726/med.2021.01.37.

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This is a ‘coffee-table’ book on Trier cathedral, in part the oldest church building used today in Germany, dominated by superb color photographs taken by Gerd Detemple. These are produced splendidly in large – often full-page – format, and are a credit to the photographer and publisher alike. As such, the book will appeal to several markets: scholars who are studying the art and architecture of the cathedral; students of art and architectural history; those with an amateur interest in art-history, architectural history or the city of Trier, and those who have visited Trier and been to the bui
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SERAFIN, Aleksander. "THE NEWEST CHURCH ARCHITECTURE IN GERMANY. AESTHETIC ASPECTS OF FORM - ANALYSIS OF SELECTED EXAMPLES." Architecture, Civil Engineering, Environment 9, no. 4 (2016): 43–52. http://dx.doi.org/10.21307/acee-2016-051.

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Dissertations / Theses on the topic "Church architecture, germany"

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Roy, Francine 1948. ""...Templum nova forma constructum..." : early 17th-century late Gothic churches in Wolfenbüttel and Bückeburg." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=31137.

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In the years around 1600, a change was noted in architecture towards a return to Gothic elements in Europe. The Gothic, in contrast to the Classical or Ancient, became a "new manner", a modern style. The residence churches at Wolfenbuttel and Buckeburg, which were erected around 1600 by Lower Saxon territorial princes, are Late Renaissance constructions that were made to look partly Gothic. This was neither a lingering on of Late Gothic design nor a misunderstanding of Renaissance architecture: it was rather a conscious evocation of the past and its merger with contemporary architecture. The f
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Bauer, Markus. "Der Münsterbezirk von Konstanz Domherrenhöfe und Pfründhäuser der Münsterkapläne im Mittelalter /." Sigmaringen : Jan Thorbecke, 1995. http://catalog.hathitrust.org/api/volumes/oclc/34292124.html.

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Homann, Annette. "Spielräume des Glaubens : Anthropomorphismus in der Architekturtheorie und die Umwandlung von St. Maximin in Trier." Berlin wvb, Wiss. Verl, 2005. http://www.wvberlin.de/data/inhalt/homanna̲nnette.htm.

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Huyer, Michael. "Die Stralsunder Nikolaikirche : die mittelalterliche Baugeschichte und kunstgeschichtliche Stellung : mit formalanalytischen Betrachtungen zu den Architekturgliedern der Domchöre in Lübeck und Schwerin, der Klosterkirche Doberan und den Pfarrkirchen St. Marien in Lübeck und Rostock." Schwerin Helms, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2677420&prov=M&dokv̲ar=1&doke̲xt=htm.

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Chadwick, Catherine Mary. "Wassily Kandinsky and the Gesamtkunstwerk tradition : the role of south German baroque architecture in Kandinsky's move to abstraction." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65454.

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Dorn, Ralf. "Die Kirche des ehemaligen Damenstifts St. Marien und Pusinna in Herford : Architektur unter den Edelherren zur Lippe /." Petersberg : Imhof, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2765972&prov=M&dok_var=1&dok_ext=htm.

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Mergenthaler, Gabriele. "Die mittelalterliche Baugeschichte des Benediktiner- und Zisterzienserklosters Disibodenberg : zwischen Tradition und Reform /." Bad Kreuznach : Kreisverwaltung, 2003. http://www.loc.gov/catdir/toc/fy0708/2006502311.html.

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Winkler, Eva. "Die Klosterbauten der Reichsabtei Werden : Versuch einer Rekonstruktion /." Münster : Aschendorff, 2005. http://www.loc.gov/catdir/toc/fy0710/2005438619.html.

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Meinert, Till. "Die Heilig-Grab-Anlage in Görlitz : Architektur und Geschichte eines spätmittelalterlichen Bauensembles /." Esens : Rust, 2004. http://www.loc.gov/catdir/toc/fy0803/2008359424.html.

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Trost, Heike. "Die Katharinenkirche in Lübeck : franziskanische Baukunst im Backsteingebiet ; von der Bettelordensarchitektur zur Bürgerkirche /." Kevelaer : Butzon & Bercker, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2803093&prov=M&dok_var=1&dok_ext=htm.

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Books on the topic "Church architecture, germany"

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Jolanda, Drexler, Hubel Achim, and Debold-Kritter Astrid 1939-, eds. Regensburg und die Oberpfalz. 2nd ed. Deutscher Kunstverlag, 2008.

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Brix, Michael. Niederbayern. 2nd ed. Deutscher Kunstverlag, 2008.

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Emil, Steffan, ed. "Können wir noch Kirchen bauen?": Emil Steffann und sein Atelier : deutsch-italienisch = "Possiamo ancora costruire chiese?" : Emil Steffann e il suo atelier : tedesco-italiano. Schnell + Steiner, 2014.

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Deutsche Gesellschaft für Christliche Kunst, ed. Spiritualität und Sinnlichkeit: Kirchen und Kapellen in Bayern und Österreich seit 2000. DG, Deutsche Gesellschaft für christliche Kunst, 2013.

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Kleffner, Marion. Die historistische Innenausstattung von St. Aposteln in Köln. Meidenbauer, 2008.

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Dethlefsen, Richard. Rytų Prūsijos kaimo namai ir medinės bažnyčios. "Mintis", 1995.

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Bodenseekreis, Kulturamt, ed. Auf den Spuren der Mönche: Bauliche Zeugen der Zisterzienserabtei Salem zwischen Neckar und Bodensee. Schnell & Steiner, 2009.

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Brock, Michael H. F., 1961-, ed. Heilig-Kreuz-Kirche Stuttgart: "ein Dreiklang" : Bernhard Huber, Rudolf Kurz, Wolfgang Liese-Grässer. Schnell & Steiner, 2000.

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Franck, Bernd. Die Nikolaikirche nach dem Hamburger Grossen Brand: Gottfried Semper und die Entwurfsgeschichte für den Hopfenmarkt mit dem Kirchenbau 1842-1845. F. Wittig, 1989.

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Berlin, Technische Universität, ed. Die Frauenkirche in Nürnberg, 1352-1358: Architektur, Baugeschichte, Bedeutung. Technische Universität, 1993.

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Book chapters on the topic "Church architecture, germany"

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Untermann, Matthias. "Between ‘Church Families’ and Monumental Architecture: German Eleventh-Century Cathedrals and Mediterranean Traditions." In Romanesque Cathedrals in Mediterranean Europe. Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.ama-eb.5.109565.

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Schurr, Marc Carel. "The East Choir of the Church of St Catherine (Oppenheim), the Church of St Stephen (Mainz), and the Problem of ‘German High Gothic Architecture’." In Mainz and the Middle Rhine Valley: Medieval Art, Architecture and Archaeology: Volume 30. Routledge, 2024. http://dx.doi.org/10.4324/9781003580263-10.

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Gallet, Yves. "Is There a German Decorated Style? Reflections on the Church of St Catherine (Oppenheim) and German Gothic Architecture in the First Half of the Fourteenth Century." In Mainz and the Middle Rhine Valley: Medieval Art, Architecture and Archaeology: Volume 30. Routledge, 2024. http://dx.doi.org/10.4324/9781003580263-11.

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Johnson, Danielle. "The Architecture and Sculpture of the Eleventh-Century Abbey Church of St Germain-des-Prés: Their Place in the Millennial Period." In International Medieval Research. Brepols Publishers, 2003. http://dx.doi.org/10.1484/m.imr-eb.3.2806.

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James-Chakraborty, Kathleen. "Modernism in German and Irish Church Design." In Modern Religious Architecture in Germany, Ireland and Beyond. Bloomsbury Visual Arts, 2019. http://dx.doi.org/10.5040/9781501336126.0007.

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Krauskopf, Kai. "Architects Debate Contemporary Church Building: Post-war German Sacred Architecture, 1945–60." In Modern Religious Architecture in Germany, Ireland and Beyond. Bloomsbury Visual Arts, 2019. http://dx.doi.org/10.5040/9781501336126.0008.

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Baker, Jean H. "Itching Ears." In Building America. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190696450.003.0002.

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Chapter 1 covers Latrobe’s early life from his birth in 1764 in a Moravian community, his rebellion against the church, and his expulsion from a seminary in Barby, Germany. It describes his thirteen years in London where he studied architecture and engineering and set up his own practice. Latrobe achieved success as an architect in London, but amid the successes there were disturbing signs of his inability to manage his financial affairs, especially when the city experienced an economic downturn. He continually complained that his Moravian background had sheltered him from negotiating the real
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Stauffer, George B. "Introduction." In J. S. Bach. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780195108026.003.0001.

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Abstract The introduction explores the rich musical life of Central Germany in Bach’s time. Music pervaded court, municipal, and church activities, requiring the composition, preparation, and performance of vast amounts of new music on a weekly—if not daily—basis. In his youth, Bach was surrounded by music and music-making. Also of critical importance in his upbringing was the primary role of the pipe organ in Central German culture. As the largest and most complex machine in Western civilization at the time, the pipe organ was the subject of veneration, awe, and civic pride. In Central and No
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"The use of ruins in postwar German church reconstruction." In Architecture and Armed Conflict. Routledge, 2014. http://dx.doi.org/10.4324/9781315766218-24.

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Kerceva, Galina. "Миграционные процессы в истории формирования национально-конфессиональной структуры и городского пространства г. Владикавказа в 1861-1917 гг." In Eurasiatica. Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-211-6/011.

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The subject of the study is the influence of migration processes on the formation of urban space. The hypothesis is that migration processes were the reason for the formation of the urban space of national diasporas and confessional groups of the population of Vladikavkaz in the late XIX-early XX centuries. During this period, various religious buildings appeared in the city: nine Orthodox churches, the Armenian church, the Polish church, the German church, the Jewish synagogue, the Lutheran church, two Moslem mosques. Near them there were concentrated residential buildings, national schools,
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Conference papers on the topic "Church architecture, germany"

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Bostenaru Dan, Maria. "Carol Cortobius Architecture." In World Lumen Congress 2021, May 26-30, 2021, Iasi, Romania. LUMEN Publishing House, 2022. http://dx.doi.org/10.18662/wlc2021/08.

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Carol Cortobius was an architect trained in Germany, with an initial practice at Otto Wagner in Vienna, who worked for the Hungarian community in Bucharest building churches. An introduction on the catholic Hungarian community in Bucharest will be given. Dănuț Doboș in a monograph of one catholic church in Bucharest offers an overview of all his works. For the three catholic churches on which he intervened (two built, one restored, but altered now) there are monographs showing archive images not available for the general public. Apart of the catholic churches (two of the Hungarian community) h
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Szymanska-Stulka, Katarzyna. "SPACE PERFORMS FOR SACRED AMONG MUSIC AND ARCHITECTURE. THE CASE OF STABAT MATER??S MOTIF IN POLISH CONTEMPORARY MUSICAL WORKS BY PAWEL LUKASZEWSKI AND IGNACY ZALEWSKI." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/vs08.09.

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In sacred musical works we find structures and composing solutions that introduce a specific action, similar to visual elements. What are the means for the architectural and sound space that create a sacred space? Are there playing in common? I answer this question on the basis of contemporary architecture (e.g. Church of Light by Tadao Ando in Ibaraki/Japan, Fritz Hoger�s Kirke in Berlin/Germany, Basilica Sanctuary of Our Lady of Tears by Stephane Aboudaram in Syracuse/Italy) confronted with music dedicated to the sacred sphere. In accordance with the currently developed cognitive interpretat
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Węcławowicz-Gyurkovich, Ewa. "Image of a Hanseatic city in the latest Polish architectural solutions." In International Conference Virtual City and Territory. Centre de Política de Sòl i Valoracions, 2016. http://dx.doi.org/10.5821/ctv.8086.

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The problem of the reconstruction of centres of Polish towns and cities after the destructions of the World War II evoke discussions even today. Over the first years after the war, in numerous cases the centres of historical cities and towns were lost; in the place of former market squares and networks of streets with tenements crowned with endwall trims, randomly dispersed concrete blocks of flats were erected, in order to satisfy urgent housing demands. The situation changed after 1980, when in Elbląg, Gdańsk, Szczecin, Kołobrzeg, a rule was adopted according to which the peripheral developm
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