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Books on the topic 'Church architecture Sacred space'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Sacred power, sacred space: An introduction to Christian architecture and worship. Oxford: Oxford University Press, 2008.

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2

Chartres: Sacred geometry and mystical space. Edinburgh: Floris, 2003.

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3

Arhitectura sacră contemporană =: Sacred architecture today. București: Noi Media Print, 2003.

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4

The Carolingian debate over sacred space. New York: Palgrave Macmillan, 2012.

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5

1949-, Klein Richard, and Armstrong Cara 1969-, eds. A guide to Cleveland's sacred landmarks. Kent, Ohio: Kent State University Press, 1992.

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6

Klanten, Robert. Closer to God: Religious architecture and sacred spaces. Berlin: Gestalten, 2010.

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7

Bennett, Vicki. Sacred space and structural style: The embodiment of socio-religious ideology. Ottawa: University of Ottawa Press, 1997.

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8

Edward, Willis Alfred, ed. Sacred spaces: Los Angeles' historic religious architecture. New York: Princeton Architectural, 2003.

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9

Nilsén, Anna. Focal point of the sacred space: The boundary between chancel and nave in Swedish rural churches : from Romanesque to Neo-Gothic. Uppsala: Uppsala Universitet, 2003.

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10

Berger, Robert. Sacred spaces: Historic houses of worship in the City of Angels. [Los Angeles]: Balcony Press, 2003.

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11

Topographien des Sakralen: Religion und Raumordnung in der Vormoderne. Hamburg: Dölling und Galitz, 2008.

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12

Colloque, Fanjeaux (France), ed. Lieux sacrés et espace ecclésial (IXe-XVe siècle). Toulouse: Editions Privat, 2011.

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13

Gottes Haus: Untersuchungen zur Kirche als heiligem Raum von der Spätantike bis ins Frühmittelalter. Berlin: De Gruyter, 2012.

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14

Kirchen, Macht, Raum: Beiträge zu einer kontroversen Debatte. Zürich: TVZ, Theologischer Verlag, 2010.

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15

Etna, Chrysostomos Archbishop of, ed. Retrofuturism: Spațiul sacru astăzi. București: Paideia, 2010.

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16

Saints and church spaces in the late antique Mediterranean: Architecture, cult, and community. Cambridge, UK: Cambridge Univ Press, 2009.

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17

Piers, Vitebsky, ed. Sacred architecture. Boston: Little, Brown, 1997.

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18

Vision und Realität: Die Darstellung des Kirchenraums in der niederländischen Malerei des 15. Jahrhunderts. Marburg: Tectum, 2005.

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19

Nothingness: Tadao Ando's Christian sacred space. London: Routledge, 2009.

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20

Lee, Leslie. Sacred space: Pine Hollow. Traverse City, Michigan: Leslie Lee Publisher, 2014.

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21

College, New Europe, ed. Lost in space. [Bucureşti]: New Europe College, 2003.

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22

Lubienecki, Paul E. Frank Lloyd Wright's Graycliff: Architecture as sacred space. Buffalo, NY: State University of New York College at Buffalo, Monroe Fordham Regional History Center, 2006.

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23

Herman, Barry K. Cleveland's vanishing sacred architecture. Charleston, SC: Arcadia Pub., 2010.

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24

Walter, Grossman, ed. Cleveland's vanishing sacred architecture. Charleston, SC: Arcadia Pub., 2010.

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25

Sacred space: An aesthetic for the liturgical environment. Bristol, IN, U.S.A: Wyndham Hall Press, 1985.

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26

Sacred space: Exploring the birthplace of Mormonism. Provo: Religious Studies Center, 2016.

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27

Mosques in Norway: The creation and iconography of sacred space. Oslo: Novus, 2001.

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28

Naguib, Saphinaz-Amal. Mosques in Norway: The creation and iconography of sacred space. Oslo: Novus, 2004.

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29

Lancashire's sacred landscape. Stroud, Gloucestershire: History Press, 2010.

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30

Sever, Linda. Lancashire's sacred landscape. Stroud, Gloucestershire: History Press, 2010.

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31

Sacred space: The prayer book 2015. Notre Dame, Indiana: Ave Maria Press, 2015.

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32

DeMott, Nancy. Holy places: Matching sacred space with mission and message. Herndon, Va: Alban Institute, 2007.

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33

God's place in the world: Sacred space and sacred place in Judaism. London: Cassell, 1998.

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34

Tadgell, Christopher. Imperial space: Rome, Constantinople and the early church. London: Ellipsis, 1998.

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35

Tadgell, Christopher. Imperial space: Rome, Constantinople and the early church. New York: Whitney Library of Design, 1998.

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36

1938-, Kamioka Kōji, ed. Qom-shū no seisho. Tōkyō-to Fuchū-shi: Tōkyō Gaikokugo Daigaku Ajia Afurika Gengo Bunka Kenkyūjo, 2011.

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37

1938-, Kamioka Kōji, ed. Teheran-shū no seisho. Tōkyō-to Fuchū-shi: Tōkyō Gaikokugo Daigaku Ajia Afurika Gengo Bunka Kenkyūjo, 2009.

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38

Dragan, Radu. Symbols and language in sacred Christian architecture. Lewiston, N.Y: E. Mellen Press, 1996.

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39

Sacred text, sacred space: Architectural, spiritual, and literary convergences in England and Wales. Leiden: Brill, 2011.

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40

Ousterhout, Robert G. Architecture of the sacred: Space, ritual, and experience from classical Greece to Byzantium. Cambridge: Cambridge University Press, 2012.

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41

Secrets of sacred space: Discover and create places of power. St. Paul, Minn: Llewellyn Publications, 1999.

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42

Spiritual path, sacred place: Myth, ritual, and meaning in architecture. Boston: Shambhala, 1996.

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43

Acoustics in the worship space. St. Louis: Concordia Pub. House, 1986.

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44

Christoph, Engels. 1000 heilige Orte: Die Lebensliste für eine spirituelle Weltreise. Potsdam: h.f. ullmann, 2010.

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45

Arquitectura andina: Formas e historia de los espacios sagrados. Lima, Perú: Apus Graph Ediciones, 2010.

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46

1953-, Kuryłowicz Ewa, International Union of Architects, and UIA Working Programme "Spiritual Places", eds. Architektura--bezgłośny przekaz głośnych emocji: Integracyjna rola miejsc duchowych dla mieszkańców miast XXI wieku : III Międzynarodowa Konferencja PR UIA "Miejsca duchowe", Warszawa, 6 października 2007 roku. [Warsaw]: Kanon, 2007.

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47

Strachan, Gordon. Chartres: Sacred Geometry, Sacred Space. Floris Books, 2003.

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48

Bogdanovic, Jelena. The Framing of Sacred Space. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190465186.001.0001.

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The Framing of Sacred Space offers the first topical study of canopies as essential spatial and symbolic units in Byzantine-rite churches. Centrally planned columnar structures—typically comprising four columns and a roof—canopies had a critical role in the modular and additive processes of church design, from actual church furnishings in the shape of a canopy, to the church’s structural core defined by four columns and a dome. As architectonic objects of basic structural and design integrity, canopies integrate an archetypical image of architecture and provide means for an innovative understanding of the materialization of the idea of the Byzantine church and its multifocal spatial presence. The book considers both the material and conceptual framing of sacred space and explains how the canopy bridges the physical and transcendental realms. As a crucial element of church design in the Byzantine world, a world that gradually abandoned the basilica as a typical building of Roman imperial secular architecture, the canopy carried tectonic and theological meanings and, through vaulted, canopied bays and recognizable Byzantine domed churches, established organic architectural, symbolic, and sacred ties between the Old and New Covenants. In such an overarching context, the canopy becomes an architectural parti, a vital concept and dynamic design principle that carries the essence of the Byzantine church. The Framing of Sacred Space highlights significant factors in understanding canopies through specific architectural settings and the Byzantine concepts of space, thus also contributing to larger debates about the creation of sacred space and related architectural “taxonomy.”

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49

Sacred Power, Sacred Space: An Introduction to Christian Architecture. Oxford University Press, USA, 2008.

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50

Bogdanović, Jelena. The Micro-Architectural Framing of Sacred Space. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190465186.003.0005.

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A critical feature of canopies is their micro-architectural quality, which highlights the essence of design practices in Byzantine religious architecture. This chapter examines various canopies as columnar and vaulted installations and relates them to the meaning and form of the canopy as a basic spatial unit of the Byzantine church. Specific architectural solutions reveal the various spatial relations and meanings between different canopied installations. The analysis shows how altar canopies, for example, resulted from the complex circumstances of diverse liturgical needs, devotional practices, and movement-directing channels within a given church and may have originated from concepts related to funerary (funerary altars and tomb canopies), civic (tetrapyla and imperial canopies), and sacred architecture (shrines and sacrificial altars). Case studies include the shrines of Old St. Peter’s in Rome and early Christian churches in the Mediterranean, of St. Euphemia in Constantinople, St. Demetrios in Thessaloniki, and Blessed Loukas in Boeotia.

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