Relevant bibliographies by topics / Church architecture Space (Architecture)

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Church architecture Space (Architecture)'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Church architecture Space (Architecture)"

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Wu, Xiaowen, and Claudio Gambadella. "Religions Culture Sharps the Space." Resourceedings 2, no. 3 (2019): 184. http://dx.doi.org/10.21625/resourceedings.v2i3.658.

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Religious culture shapes the characters of space and it reflects people’s attitudes towards the relationships between people and gods. Every religious architecture, such as a temple or a church, demonstrates its physical connections with life. This paper focuses on comparing different countries’ religious architectures to better understand the dominant cultural elements which influence design concepts of these architectures. In Western cultures, the religious architecture format is the church. However, Tadao Ando designs the Church of the Light with oriental features. It changes western religious cultures to adapt to local conditions. Ando’s work is just one of many examples in which the local culture can transform religious architecture form with their own characters, and nake it become an iconic mark to represent their country. This paper, analyzing project thinking and development invovling a local citizen, user, artist, and architect, tries to find out how design concepts, decisions on site location, and construction method will be determined. In these case studies on architectural formats from all over the world, this paper uses valuable data to show what elements will be the most critical ones to influence people’s thinking about religious cultures and religious architectural transformation. Furthermore, in this research, it compares religious cultural characters between western and oriental regions. This research also answers questions about how cultures change local people’s behaviors. This is the most valuable point of religious architectures, because they can comfort people and mitigate their sorrow. The research demonstrates how religious cultures and understanding about life can further develop architecture forms. Local materials and conditions are key factors which greatly influence architectural designs. Moreover, this paper compares the latest technology and development of construction materials to illustrate how technology reshapes religious designs in our age. It links local cultures with contemporary architectures to help local architectures continue to develop with their unique characters instead of being eliminated by globalization.
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So, John. "The Origin of Korean Church Architecture." Religion and the Arts 23, no. 3 (2019): 217–39. http://dx.doi.org/10.1163/15685292-02303002.

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Abstract This article examines the characteristics of Korean church architecture from the perspective of the hanok (the traditional Korean house). Previously, Western commentators criticized Korean church architecture as not reflecting a theological ideology and lacking a consistent architectural style. However, examining Korean church architecture through the lens of Western church architecture does not allow for the adequate appreciation or understanding of this form. This study, therefore, considers the development of Korean churches through an examination of the hanok, including floor plans, the concept of spatial expansion, and attitudes toward daylight. In addition, gender-based seating arrangements, the horizontal extension of space, and windows that admit horizontal daylight also reflect common aspects of the hanok. Beyond showing how a distinctly Korean church architecture developed over time, these characteristics also demonstrate the central role of women and the congregation in Korean churches, in contrast to the clergy-centric design of Western churches.
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Baku, Eszter, Erzsébet Urbán, and Zorán Vukoszávlyev. "Protestant Space-Continuity." Actas de Arquitectura Religiosa Contemporánea 5 (July 25, 2018): 122–31. http://dx.doi.org/10.17979/aarc.2017.5.0.5146.

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Intensive efforts started in the last decades to get to know the Central and Eastern European and the Hungarian church architecture. In this historically depressed period (1920/1945/1989), church buildings were important identity forming potencies in the life of the Protestant communities newly emerged by the rearrangement of country's borders. The modern architectural principles, the structural and liturgical questions gave opportunity for continuous experimentations in the examined period, which resulted a centralizing tendency between the two world wars. Analysing the Protestant space organization, it is verifiable that these centralizing tendencies with identification character did not pull out from the de-emphasizing church architecture in spite of the historical–political events of World War II. The primary importance of the study is the holistic examination of the Protestant church architecture of the 20th century. The study shows the Protestant Church activity of the period through the two most significant denominations —the Calvinist and the Lutheran church architecture—, thereby providing a typological approach.
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Permilovskaya, Anna B. "Mythology of the russian orthodoxy and wooden church architecture." Yaroslavl Pedagogical Bulletin 2, no. 119 (2021): 151–58. http://dx.doi.org/10.20323/1813-145x-2021-2-119-151-158.

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This research topic is the initial stage of new work. The influence of the mythopoetic worldview of Russians and Orthodoxy on the architectural structure and symbolism in the concept of wooden temple building in the northern and arctic territories is considered an integrative scientific field in the article. This is founding a confirmation in the organization of the cultural and sacred landscape, in historical traditions and legends about the choosing of a place for the building of a temple (chapel). As well as the special status of «sacred» and «roadside» groves of trees, the selection of these trees for construction in a sacred meaning and using of individual parts of these temples as a community center and place for ancient rituals. The lexis, connected with the folk architecture, indicates the anthropomorphic nature of the architectural space of the temple. The construction, as it were, is assembled from «large», qualitatively significant components of the human body: head, neck, face, eyes, kokoshnik, forehead, rib, human bust, etc. This tradition is preserved and strengthened by the circumstance that since ancient times, the proportions of the human body acted as a tectonic (building) model of the entire architectural structure. The research substantiates an algorithm for the interactionof the mythopoetic worldview and the Orthodoxy on the architectural structure, and the significance of church architecture. The temple occupied a central place in the sacred space of the northern peasant world. The conducted research made it possible to convincingly prove that wooden churches are a symbolic heritage of the Russian North and the Arctic. The pinnacle of the development of wooden architecture, embodied in the northern temple architecture, was a natural result of ancient Russian architectural – constructional traditions and a reflection of the talent of the Russian people, which allows us to translate the concept of «Russian carpenter» into the category of «Russian architect».
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Kovalchuk, Lada Igorevna. "Specificity of arrangement of apse space in the Franciscan Church of San Lorenzo Maggiore in Naples (1260-1340)." Исторический журнал: научные исследования, no. 4 (April 2020): 146–54. http://dx.doi.org/10.7256/2454-0609.2020.4.32913.

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This article explores the peculiarities of spatial planning and construction phases of apse in the Franciscan Church of San Lorenzo Maggiore in Naples. Gothic deambulatory with a crown of radial chapels in the Church of San Lorenzo Maggiore is a unique typology of apse structure for the architecture of Franciscans in Italy. The architectural monument is ranked with a number of other Franciscan churches in Naples, built under the patronage of the monarchs of the Kingdom of Naples from Anjou Dynasty. Analysis is conducted on engineering aspects and system of orders of the Neapolitan Church. The analysis of formal-stylistic features and taking and consideration of historical peculiarities of the architectural monuments, the author suggests possible influence of the architectural language of French Gothicism upon the plan of the Church of San Lorenzo Maggiore. The article revises historiography of the question of origin of oriental hue in the Church of San Lorenzo Maggiore. The author substantially broadens the vector of research problems and interpretations associated with examination of French influence upon the plan of the apse of the Church of San Lorenzo Maggiore. The novelty of consists in the analysis of apse of the Church of San Lorenzo Maggiore the context of logics of the development of deambulatory in French Gothicism, rather than borrowing of this shape from medieval Italian architecture.
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Johnson ; Roni Sugiarto, Javier. "DYNAMICS CONNECTION OF SOUNDSCAPE WITH ARCHITECTURAL ELEMENTS CASE STUDY: THE SEVEN SORROWS OF VIRGIN SAINT MARY CHURCH." Riset Arsitektur (RISA) 3, no. 03 (2019): 240–57. http://dx.doi.org/10.26593/risa.v3i03.3334.240-257.

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Abstract- Nowadays, spatial experience still plays important role in the making of the good quality of architectural spaces. The experience of the space is a multi-sensory experience, so architecture should emphasize its attention not only to visual experience but also other experience like auditory experience. The study was conducted to determine the dynamics connection of soundscape experience and The Seven Sorrows of Virgin Saint Mary Church, Pandu Street, Bandung.The research method is qualitative and descriptive analysis. The analysis is done through questionnaire distribution, field observation, analysis, and by relating it with the study of theories about church architecture, soundscape, sense of place, intention of architecture, and perception theory.In The Seven Sorrows Of Virgin Saint Mary Church are found quite a lot of source of noise which are considered as sounds that decline the quality of the people spatial experience. The noise sounds that are found there are the sound of airplane, motor vehicle, and many more. Those noises can disturb the praying activity. This indicates that there are some architectural elements that have not been able to work optimally. It can be the material, activity settings, building and site shape or character. Furthermore, relation between activity schedule and noises climax will be analized.Through design that concern in the multi-sensory aspects of experience, especially in auditory experience, the experience of space can be felt thoroughly and the quality of a public space can be increased. Key Words: Soundscape, Architectural Elements, Church, The Seven Sorrows of Virgin Saint Mary Church
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Ikeda, Michel-Masafumi. "The Vision of Paradise for People in Difficulties: The Solution Shown by a Russian Architect." Resourceedings 2, no. 3 (2020): 210. http://dx.doi.org/10.21625/resourceedings.v2i3.734.

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The Eastern Orthodox is a minority in Japan. However, it played an important role in the modernization of architecture. This paper aims to review their early architectural activities, and further to uncover the influences they received from the Russian architect whose name was Mikhail Aref'evich Shchurupov.The architecture of Orthodox Church in Japan began from the conversion of existing private houses to chapels. The eclectic chapels followed them. The Resurrection Cathedral in Tokyo, designed by Shchurupov, made an epoch in the history of architecture in Japan. Needless to say, its greatest impact was on the Orthodox Church itself. The believers opened their eyes to the authentic western architecture. The churches at each stage can be seen in Kashiwa, Ishinomaki, and Odate.Shchurupov left a number of churches in Russia. Three of them, still existing around St. Petersburg, show the trajectory on which he explored the lightweight and inexpensive structure to build churches for the economically challenged parishes facing difficult geological conditions. At first, he showed a structural rationalism. Then, he tried to build a dome with wood. At last, he reached to the steel structure.At the Orthodox Churches, the division of interior space is emphasized and visualized. Each space symbolically plays various roles during the liturgy, and gives the believers the pseudo experience of the visit of heaven, which enables them to pass the faith across generations. The fact that the early believers in Japan projected the vision of paradise to the nave of their chapel means that they had reached the essence of church architecture.Shchurupov's architectural features were suitable to the Orthodox Church in Japan in various difficulties as a religious minority. His idea and concept reflected in the Resurrection Cathedral enabled the believers in Japan to maintain their worship facilities for a long time.
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Vukoszávlyev, Zorán. "Space forming a community, community forming a space." Actas de Arquitectura Religiosa Contemporánea 5 (July 25, 2018): 26–51. http://dx.doi.org/10.17979/aarc.2017.5.0.5141.

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The identity is expressed in a self-picture, which has visible and immaterial marks. The church architecture is the essential appearance form of this, because it represents not the individual but the community. It gives an account of the self-identity conscience of the church through the community. In this way, architecture gets a great task: physically visualising this immaterial identity. This picture is formed with respect to the technical and aesthetic knowledge.Does the basically recognizable protestant form exist? Are there ground-plans or spatial form elements, which are the obligate characteristics of these churches? Reflected well on the theological questions, we seek to detect what can determine the identity of the protestant churches in an aesthetic sense by a research highlighting the most important decesions on theological background and churches built in a term of a century.
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Knyazeva, Marina V., and Anastasia V. Korobova. "Finding one's way: contemporary churches of Ryazan in the works of priest Konstantin Kamyshanov." Vestnik MGSU, no. 3 (March 2020): 330–52. http://dx.doi.org/10.22227/1997-0935.2020.3.330-352.

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Introduction. The research goal is to identify and analyze the architectural features of the orthodox church buildings, designed and built in Ryazan since the early 2000ies. A number of objectives are to be accomplished to achieve this pre-set goal: one must identify and study the church buildings constructed in Ryazan, analyze the space-planning solutions and break them down into typological groups; besides, one should study the biography of their architect, as his professional track record influences the city’s historical and architectural appearance. This research is focused on contemporary church architecture exemplified by orthodox church buildings.
 Materials and methods. Field studies serve as the backbone of this research which encompasses fact finding and photographic recording of the source material, information analysis and generalization, tabulation, making conclusions and formulating the opinion.
 Results. The co-authors have analyzed the problems of contemporary church architecture and made a brief analysis of the history of orthodox church building in Ryazan. The overview encompasses 12 orthodox church buildings constructed in 2000–2014, as well as the key facts and dates associated with their construction. The co-authors have also identified compositional and other unique features of the new church buildings. They have outlined the milestones in the creative biography of the architect who designed these items of contemporary church architecture.
 Conclusions. The research findings comprise a scholarly insight into contemporary church architecture. The analysis of new church buildings has helped to identify the features, peculiarities and architectural techniques, applied by the architect. The features, identified by the co-authors, define the appearance/typology of contemporary church buildings and their constructions.
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Barashkov, V. V. "Modern Church Architecture as an Intercultural Space of Aesthetic and Moral Communication." Concept: philosophy, religion, culture 4, no. 3 (2020): 149–57. http://dx.doi.org/10.24833/2541-8831-2020-3-15-149-157.

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The paper analyses the messages modern architecture communicates to audience and to individual. Architects and theologians regard a church as a community place, and raise questions of aesthetic features of church buildings. At the same time, church space is essential to the visitors’ abilities to remember, to compassionate and to concentrate.The article focuses on the concepts of three modern theologians: Thomas Erne, Bert Daelemans and Sigurd Bergmann. According to Erne, churches are becoming a space of self-transcendence; they are open to various social and aesthetic values within the sphere of the infinite. Daelemans formulates three dimensions of a church building — synaesthetic, kerygmatic and eucharistic — and doing so, establishes the notion of theotopy, the nonverbal theology of architecture. Bergmann considers the sacred place as a critical place. In addition, architects seek not only the theological reflection on such spaces, but also on solutions that reveal their transcendental dimension.Church architecture gives an opportunity to express the inexpressible by figurative means, keeping in mind the thoughts of the visitors. A complex religious space, a church is presented to a person and, therefore, can be grasped in a range of ways. So the church space is constructed. Overall, as a space for dialogue and communication, which is not only a religious, but also an aesthetic and moral construct, a temple remains significant despite secularization trends.
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Dissertations / Theses on the topic "Church architecture Space (Architecture)"

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LITTLE, DAVID BRUCE. "VALUES IN CHURCH ARCHITECTURE." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1053547720.

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Williams, Malachy Marie. "Sacred space God's architectural design for God-centered worship /." Theological Research Exchange Network (TREN), 2004. http://www.tren.com.

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To, Tai-fai Peter. "An urban "Catholic" space." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25956401.

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Douglas, Courtney. "United in diversity an exploration of spiritual space /." This title; PDF viewer required. Home page for entire collection, 2005. http://archives.udmercy.edu:8080/dspace/handle/10429/9.

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Lara, James R. "Bipolar liturgical space in medieval Spain the c̲o̲r̲o̲ b̲a̲j̲o̲ and v̲i̲a̲ s̲a̲c̲r̲a̲ /." Theological Research Exchange Network (TREN), 1990. http://www.tren.com.

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Valencia, Javier. "Redesigning the megachurch: reintroduction of sacred space into a highly functional building." Scholar Commons, 2009. http://scholarcommons.usf.edu/etd/4973.

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"Megachurches offer a unique way of being religious in modern society; one that fits the social and religious context of many people says Scott Tumma “Beyond Megachurch myths”. These Massive congregations of two to fifteen thousand participants occupy an undeniable space in the religious and social landscape. It is not only their massive buildings, locations, activities or television broadcasts that make these churches important. It is the role that they play in changing society (Hartford, 2006)” Architecturally the Megachurch has failed today, it has become a “big box”, a well developed building which houses thousands of members and provides them with all the necessary entertainment and functions that are needed; but, has lost its essence. The Megachurch today has lost its focus; it is focused on the function that the building has to offer and has failed to recognize the purpose of the space. By achieving a highly functional space the sacredness of this space has disappeared. This thesis presents an investigation into how to deal with the notion of sacred space in today’s Megachurch; it will introduce the sacred biblical pattern of coming into the presence of God trough architecture, it will deal with how to make an extremely massive space into a personal and spiritual. The goal of this thesis is to redesign the Megachurch as a highly efficient building that provides the user with the sense of awe, majesty and reverence that is lost in today’s Megachurches. The sacred aspect of this thesis project will be emphasized in the architectural poetics thru the use of symbolism represented in the right use of spatial organization and embedded religious cues; also will be focused on the materiality and the archetypes used to express a sacred feeling; Furthermore the study of natural light and structural systems for vast large spaces in a sacred manner will be investigated. The outcome of this project intends to change the negative connotation of the Megachurch today; it intends to teach society that this institution can be a sacred place to worship God and not just a place to be entertained.
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To, Tai-fai Peter, and 杜泰輝. "An urban "Catholic" space." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31984162.

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Dogan, Fehmi. "The role of conceptual diagrams in the architectural design process case studies of the First Unitarian Church by Louis Kahn, the staatsgalerie by Stirling & Wilford Associates, and the Jewish Museum by Daniel Libeskind /." Diss., Georgia Institute of Technology, 2003. http://hdl.handle.net/1853/5398.

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Kerr, Philip Gregory. "Liturgical spaces : procession in the Catholic church." Thesis, Georgia Institute of Technology, 1985. http://hdl.handle.net/1853/21641.

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Brasaemle, Karla Anne. "For glory and for beauty implications of the theology of beauty for creating worship space /." Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.

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Books on the topic "Church architecture Space (Architecture)"

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Acoustics in the worship space. Concordia Pub. House, 1986.

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Tadgell, Christopher. Imperial space: Rome, Constantinople and the early church. Ellipsis, 1998.

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Tadgell, Christopher. Imperial space: Rome, Constantinople and the early church. Whitney Library of Design, 1998.

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Laura, Moretti, ed. Sound and space in Renaissance Venice: Architecture, music, acoustics. Yale University Press, 2009.

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Arhitectura sacră contemporană =: Sacred architecture today. Noi Media Print, 2003.

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Chartres: Sacred geometry and mystical space. Floris, 2003.

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Sacred power, sacred space: An introduction to Christian architecture and worship. Oxford University Press, 2008.

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Theis, Lioba. Flankenräume im mittelbyzantinischen Kirchenbau: Zur Befundsicherung, Rekonstruktion und Bedeutung einer verschwundenen architektonischen Form in Konstantinopel. Reichert, 2005.

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Spiritual space: The religious architecture of Pietro Belluschi. University of Washington Press, 1992.

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Stairway to heaven: The functions of Medieval upper spaces. Oxbow Books, 2014.

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Book chapters on the topic "Church architecture Space (Architecture)"

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Valenti, Rita, and Emanuela Paternò. "Imagined Spaces in Church Architectural Furnishings: Solomon’s Temple in Small-Scale Architectural Language." In Advances in Utopian Studies and Sacred Architecture. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-50765-7_17.

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Fross, Klaudiusz, and Maria Bielak-Zasadzka. "Space Architecture." In Advances in Human Factors, Sustainable Urban Planning and Infrastructure. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-94199-8_33.

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Colomina, Beatriz. "Multi-screen Architecture." In Public Space, Media Space. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137027764_3.

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Hemmerling, Marco, Carlo de Falco, Alessio Mazzucchi, et al. "(Un)Folding Space." In Informed Architecture. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-53135-9_22.

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Bookman, Lawrence A. "Memory Architecture." In Trajectories through Knowledge Space. Springer US, 1994. http://dx.doi.org/10.1007/978-1-4615-2780-0_3.

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Mathew, A. M. "Iconography, Church Architecture, Church Decoration." In The Harp (Volume 17), edited by Geevarghese Panicker, Rev Jacob Thekeparampil, and Abraham Kalakudi. Gorgias Press, 2011. http://dx.doi.org/10.31826/9781463233051-006.

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Bjone, Christian. "Sculptural Space Becomes Architectural Space." In Art and Architecture. Birkhäuser Basel, 2009. http://dx.doi.org/10.1007/978-3-0346-0377-5_8.

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Nether, Ulrich. "Human, Space and Digitization." In Informed Architecture. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-53135-9_11.

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Davies, Richard S. "Communications Architecture." In Space Mission Analysis and Design. Springer Netherlands, 1992. http://dx.doi.org/10.1007/978-94-011-2692-2_13.

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Davies, Richard S. "Communications Architecture." In Space Mission Analysis and Design. Springer Netherlands, 1991. http://dx.doi.org/10.1007/978-94-011-3794-2_13.

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Conference papers on the topic "Church architecture Space (Architecture)"

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Mele, Maria Grazia Rosaria. "Cagliari capitale e città di frontiera nel Mediterraneo di età moderna: l’utilizzo dello spazio e le mura nelle fonti d’archivio." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11547.

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Cagliari capital and frontier city in the Mediterranean of the modern age: the use of space and walls in archival sourcesIn a city already formed in its essential traits, with its historic districts of Castello, Stampace, Villanova and Llapola, the Hispanic Monarchy had a great influence on Cagliari urban structure adapting the defenses to the new war needs, exploiting to the most the internal walls space and encouraging the cultivation of extra moenia areas left in a state of abandonment. Cagliari was a composite city, were the inner integration between Catalans-Aragonese and Sardinians progressively settled and interacted with different ethnicities, as in other urban realities of the Mediterranean frontiers of that time. Through the archive sources (emphyteusis concessions of state property and notarial acts), it is possible to perceive a lively city and locate the sacred and profane places: palaces, streets, squares, fountains, churches and convents are cited as fundamental citizen reference points. The emphyteusis give us an important basic framework which allows us to know both the urban structure and the policy of the Crown at the same time, through the management of the state properties. Notary’s acts integrate these data bringing interesting information on private estates and on architectural characteristics of the realty.
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Lacagnina, Michele, Francesco Petrone, and Rosario Sinatra. "Application of a Five-Axis Robot Manipulator to Maintenance Operations." In ASME 1999 Design Engineering Technical Conferences. American Society of Mechanical Engineers, 1999. http://dx.doi.org/10.1115/detc99/vib-8400.

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Abstract This paper describes the application of a five-axis manipulator with a particular architecture containing only revolute joints to the performance of maintenance operations on the concrete spire of the “Madonna delle Lacrime” church, in Siracusa, Italy. The kinematics model is derived and a computation of the joint coordinates and their time rates are calculated by the least-squares approximation, as proposed by Angeles. The Newton-Eulero algorithm is implemented for a simulation of the inverse dynamics of a not-simple trajectory in Cartesian space required to perform the maintenance task.
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Isbasoiu, Iulian. "CHURCH ARCHITECTURE IN THE ROMANIAN ORTHODOX CHURCH. THE ROMANIAN ARCHITECTURAL CHURCH STYLES." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s15.070.

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Vlasov, Victor. "NOVORUSSKY STYLE IN RUSSIAN CHURCH ARCHITECTURE XX-XXI CENTURES." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s15.102.

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Empler, Tommaso, Fabio Quici, Adriana Caldarone, Alexandra Fusinetti, and Maria Laura Rossi. "Chiese fortificate all’Isola d’Elba tra l’XI e XVI secolo." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11483.

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Fortified churches between the eleventh and sixteenth centuries on Elba IslandAgainst the threat of Islamic, Norman and Greek pirates, starting from the eighth century, or due to conflicts with the Genoese, Catalans, Neapolitans and French, up to the English and Dutch corsairs from the sixteenth century, Elba island is organized with a respectable defensive apparatus, especially thanks to the Pisans and the Lordship of the Appiano. In addition to a system of fortresses, towers positioned on the shore of the beaches and watch towers placed on the mountain, the presence of some fortified churches from the eleventh century until the sixteenth century is very unusual: the church of San Niccolò in San Piero in Campo, the church of Sant’Ilario, the church of San Niccolò in Poggio, and of the church of Saints Martyrs Giacomo and Quirico in Rio nell’Elba. Main tasks of the research are: study of the transformations of the churches of San Niccolò in San Piero in Campo and of the church of Sant’Ilario, located on the southern slope of Monte Capanne, where was used the construction technique of the granite of the Elba; the way of communicating cultural heritage among scholars or tourists who are fascinated by such structures. Through an initial operation of instrumental survey with 3D laser scanning and drone photogrammetry it is possible to return the current 3D models of the churches. The second step goes on two main directions: on one hand identifying the conservative restoration operations for the fortified churches; on the other hand allowing the dissemination to a wider public of the history of the two fortified churches.
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6

Polit Casillas, Raul. "Applied Space Architecture." In 40th International Conference on Environmental Systems. American Institute of Aeronautics and Astronautics, 2010. http://dx.doi.org/10.2514/6.2010-6108.

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7

Ricker, Fred. "NPOESS System Architecture." In Space 2004 Conference and Exhibit. American Institute of Aeronautics and Astronautics, 2004. http://dx.doi.org/10.2514/6.2004-6059.

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8

Lynch, David, and Eric Jensen. "Space Radar Architecture Tradeoffs." In AIAA SPACE 2009 Conference & Exposition. American Institute of Aeronautics and Astronautics, 2009. http://dx.doi.org/10.2514/6.2009-6787.

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9

Richards, Chet L. "A New Space Architecture." In AIAA SPACE 2015 Conference and Exposition. American Institute of Aeronautics and Astronautics, 2015. http://dx.doi.org/10.2514/6.2015-4665.

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Durao, Maria. "Color in Space Architecture." In AIAA Space Architecture Symposium. American Institute of Aeronautics and Astronautics, 2002. http://dx.doi.org/10.2514/6.2002-6107.

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Reports on the topic "Church architecture Space (Architecture)"

1

Atkins, Rob, Aaron Bass, Mike Francis, et al. An Operationally Responsive Space Architecture for 2025. Defense Technical Information Center, 2008. http://dx.doi.org/10.21236/ada486765.

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2

Brown, Owen. Reducing Risk of Large Scale Space Systems Using a Modular Architecture. Defense Technical Information Center, 2004. http://dx.doi.org/10.21236/ada510666.

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Lane, Thomas G. A Design Space and Design Rules for User Interface Software Architecture. Defense Technical Information Center, 1990. http://dx.doi.org/10.21236/ada237049.

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4

JM Ross. Space Power Program, Instrumentation and Control System Architecture, Pre-conceptual Design, for Information. Office of Scientific and Technical Information (OSTI), 2005. http://dx.doi.org/10.2172/883393.

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Nishino, Akihiko. Propose of Architecture Design for Early Warning System with Space and Terrestrial Infrastructure. Purdue University, 2021. http://dx.doi.org/10.5703/1288284317284.

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Katz, Irvin R., Michael E. Martinez, Kathleen Sheehan, and Kikumi K. Tatsuoka. Extending the Rule Space Model to a Semantically-Rich Domain: Diagnostic Assessment in Architecture. Defense Technical Information Center, 1993. http://dx.doi.org/10.21236/ada273789.

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Qi, Fei, Zhaohui Xia, Gaoyang Tang, et al. A Graph-based Evolutionary Algorithm for Automated Machine Learning. Web of Open Science, 2020. http://dx.doi.org/10.37686/ser.v1i2.77.

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As an emerging field, Automated Machine Learning (AutoML) aims to reduce or eliminate manual operations that require expertise in machine learning. In this paper, a graph-based architecture is employed to represent flexible combinations of ML models, which provides a large searching space compared to tree-based and stacking-based architectures. Based on this, an evolutionary algorithm is proposed to search for the best architecture, where the mutation and heredity operators are the key for architecture evolution. With Bayesian hyper-parameter optimization, the proposed approach can automate the workflow of machine learning. On the PMLB dataset, the proposed approach shows the state-of-the-art performance compared with TPOT, Autostacker, and auto-sklearn. Some of the optimized models are with complex structures which are difficult to obtain in manual design.
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Hunter, Fraser, and Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.

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The main recommendations of the panel report can be summarised under five key headings:  Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There is a pressing need to revisit the archives of excavated sites to extract more information from existing resources, notably through dating programmes targeted at regional sequences – the Western Isles Atlantic roundhouse sequence is an obvious target. o Many areas still lack anything beyond the baldest of settlement sequences, with little understanding of the relations between key site types. There is a need to get at least basic sequences from many more areas, either from sustained regional programmes or targeted sampling exercises. o Much of the methodologically innovative work and new insights have come from long-running research excavations. Such large-scale research projects are an important element in developing new approaches to the Iron Age.  Daily life and practice: There remains great potential to improve the understanding of people’s lives in the Iron Age through fresh approaches to, and integration of, existing and newly-excavated data. o House use. Rigorous analysis and innovative approaches, including experimental archaeology, should be employed to get the most out of the understanding of daily life through the strengths of the Scottish record, such as deposits within buildings, organic preservation and waterlogging. o Material culture. Artefact studies have the potential to be far more integral to understandings of Iron Age societies, both from the rich assemblages of the Atlantic area and less-rich lowland finds. Key areas of concern are basic studies of material groups (including the function of everyday items such as stone and bone tools, and the nature of craft processes – iron, copper alloy, bone/antler and shale offer particularly good evidence). Other key topics are: the role of ‘art’ and other forms of decoration and comparative approaches to assemblages to obtain synthetic views of the uses of material culture. o Field to feast. Subsistence practices are a core area of research essential to understanding past society, but different strands of evidence need to be more fully integrated, with a ‘field to feast’ approach, from production to consumption. The working of agricultural systems is poorly understood, from agricultural processes to cooking practices and cuisine: integrated work between different specialisms would assist greatly. There is a need for conceptual as well as practical perspectives – e.g. how were wild resources conceived? o Ritual practice. There has been valuable work in identifying depositional practices, such as deposition of animals or querns, which are thought to relate to house-based ritual practices, but there is great potential for further pattern-spotting, synthesis and interpretation. Iron Age Scotland: ScARF Panel Report v  Landscapes and regions:  Concepts of ‘region’ or ‘province’, and how they changed over time, need to be critically explored, because they are contentious, poorly defined and highly variable. What did Iron Age people see as their geographical horizons, and how did this change?  Attempts to understand the Iron Age landscape require improved, integrated survey methodologies, as existing approaches are inevitably partial.  Aspects of the landscape’s physical form and cover should be investigated more fully, in terms of vegetation (known only in outline over most of the country) and sea level change in key areas such as the firths of Moray and Forth.  Landscapes beyond settlement merit further work, e.g. the use of the landscape for deposition of objects or people, and what this tells us of contemporary perceptions and beliefs.  Concepts of inherited landscapes (how Iron Age communities saw and used this longlived land) and socal resilience to issues such as climate change should be explored more fully.  Reconstructing Iron Age societies. The changing structure of society over space and time in this period remains poorly understood. Researchers should interrogate the data for better and more explicitly-expressed understandings of social structures and relations between people.  The wider context: Researchers need to engage with the big questions of change on a European level (and beyond). Relationships with neighbouring areas (e.g. England, Ireland) and analogies from other areas (e.g. Scandinavia and the Low Countries) can help inform Scottish studies. Key big topics are: o The nature and effect of the introduction of iron. o The social processes lying behind evidence for movement and contact. o Parallels and differences in social processes and developments. o The changing nature of houses and households over this period, including the role of ‘substantial houses’, from crannogs to brochs, the development and role of complex architecture, and the shift away from roundhouses. o The chronology, nature and meaning of hillforts and other enclosed settlements. o Relationships with the Roman world
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