Log in

Relevant bibliographies by topics / Church music. Instrumental music. Music theory / Books

To see the other types of publications on this topic, follow the link: Church music. Instrumental music. Music theory.

Books on the topic 'Church music. Instrumental music. Music theory'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'Church music. Instrumental music. Music theory.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Praetorius, Michael. De organographia: Estratto dal Syntagma musicum : 1616. Udine: Pizzicato, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Praetorius, Michael. Syntagma musicum.: Parts I and II. Oxford [Oxfordshire]: Clarendon Press, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Praetorius, Michael. Syntagma musicum.: Parts I and II. Oxford [Oxfordshire]: Clarendon Press, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Praetorius, Michael. De organographia: Estratto dal Syntagma musicum : 1616. Udine: Pizzicato, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Barrett, Bob. Contemporary music styles. Mission Viejo, Calif: Taylor Made Music, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Thrasher, Alan R. Sizhu instrumental music of South China: Ethos, theory and practice. Leiden: Brill, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Thrasher, Alan R. Sizhu instrumental music of South China: Ethos, theory and practice. Leiden: Brill, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Thrasher, Alan R. Sizhu instrumental music of South China: Ethos, theory and practice. Leiden: Brill, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

The instrumental music of Iannis Xenakis: Theory, practice, self-borrowing. Hillsdale, NY: Pendragon Press, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Brooks, Tom. The language of music: Practical music theory for the worshipping musician. Montclair, NJ: Hal Leonard Books, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

Zanolini, Bruno. La tecnica del contrappunto strumentale nell'epoca di Bach. Milano: Suvini Zerboni, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Sayrī dar mūsīqī. [Afghanistan]: M.D. Muḥsin Dāvūdī, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

Victorian cathedral music in theory and practice. Cambridge [Cambridgeshire]: Cambridge University Press, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

Barrett, David. Elementary music theory for orthodox liturgical singing. Southbury, CT: Orthodox Liturgical Press, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Music in mission: Mission through music : a South African case study. Pietermaritzburg, South Africa: Cluster Publications, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

Bernhard, Meier. Alte Tonarten: Dargestellt an der Instrumentalmusik des 16. und 17. Jahrhunderts. 2nd ed. Kassel: Bärenreiter, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

Fraser, John. Address by Rev. John Fraser, of Kincardine, in the debate on instrumental music at the Synod in Montreal, June 12th, 1868. [Kincardine, Ont.?: s.n., 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

Hepokoski, James A. Elements of sonata theory: Norms, types, and deformations in the late eighteenth-century sonata. New York, NY: Oxford University Press, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

Möller-Weiser, Dietlind. Untersuchungen zum I. Band des Syntagma musicum von Michael Praetorius. Kassel: Bärenreiter, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

Brett, Ursula. Music and ideas in seventeenth-century Italy: The Cazzati-Arrestipolemic. New York: Garland Pub, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

Brett, Ursula. Music and ideas in seventeenth-century Italy: The Cazzati-Arresti polemic. New York: Garland Pub., 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

22

Zimmermann, Heinz Werner. Komposition und Reflexion: Neue Überlegungen und Untersuchungen zu Musikästhetik und Musiktheorie. Tutzing: H. Schneider, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

Zimmermann, Heinz Werner. Komposition und Kontemplation: Überlegungen und Untersuchungen zu Musikästhetik und Musiktheorie. Tutzing: Schneider, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

Warren, Darcy, ed. Elements of sonata theory: Norms, types, and deformations in the late eighteenth-century sonata. New York: Oxford University Press, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

25

Classical form: A theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven. Oxford: Oxford University Press, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

26

Caplin, William Earl. Classical form: A theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven. New York: Oxford University Press, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

27

E, Gert͡sman. Peterburgskiĭ teoretikon =: To theōrētikon tēs Petroupoleōs = Petersburg theoreticon. Odessa: Izd-vo "Variant,", 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

28

Gert︠s︡man, E. Peterburgskiĭ teoretikon =: To theōrētikon tēs Petroupoleōs = Petersburg theoreticon. Odessa: Izd-vo "Variant,", 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

29

Gerbert, Martin. Scriptores ecclesiastici de musica sacra potissimum: Ex variis Italiae, Galliae & Germaniae codicibus manuscriptis collecti et nunc primum publica luce donati. Hildesheim: G. Olms, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

30

Parks, Joe E. Song leading made easy: Detailed, step-by-step instructions on the basic techniques of song leading/conducting skills for the beginning or inexperienced church music director. Nashville, Tenn: Convention Press, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

31

Stevenson, A. The vocal preceptor, or, Key to sacred music from celebrated authors. Montreal: [s.n.], 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

32

Cur cantatur?: Die Funktionen des liturgischen Gesanges nach den Autoren der Karolingerzeit. Stockholm, Sweden: Almquist & Wiksell, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

33

Ēliopoulos, Dionysios P. Methodos vyzantinēs ekklēsiastikēs mousikēs: Theōria kai askēseis. 6th ed. Athēna: [s.n.], 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

34

Kodžabašija, Jane. Učebnik po istočno crkovno peenje. Skopje: Centar za vizantološki studii, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

35

Zvukovoĭ mir muzyki ti︠u︡rkskikh narodov: Teorii︠a︡, istorii︠a︡, praktika (na materiale instrumentalʹnykh tradit︠s︡iĭ T︠S︡entralʹnoĭ Azii) = Sound world of music of the Turkic peoples: theory, history, practice (on the material of the Central Asian instrumental traditions). Moskva: Izdatelʹstvo "Kompozitor,", 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

36

Boethius: The consolations of music, logic, theology and philosophy. Oxford: Clarendon, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

37

Chadwick, Henry. Boethius: The consolations of music, logic, theology, and philosophy. Oxford: Oxford University Press, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

38

de, Klundert Sieglinde van, ed. Tractatus de tonis. Bubenreuth: Hurricane, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

39

Büttner, Fred. Klang und Konstruktion in der englischen Mehrstimmigkeit des 13. Jahrhunderts: Ein Beitrag zur Erforschung der Stimmtauschkompositionen in den Worcester-Fragmenten. Tutzing: H. Schneider, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

40

Choate, Julian Ernest. Sounding brass and clanging cymbals: The history and significance of instrumental music in the Restoration movement, 1827-1968. Henderson, Tenn: Freed-Hardeman University, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

41

Fortunatissime cantilene!: Padre Martini und die Tradition des gregorianischen Chorals. Eisenach: K.D. Wagner, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

42

Kodžabašija, Jane. Crkovnoto peenje vo Makedonija. Skopje: Centar za vizantološki studii, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

43

Sumner, Melody, Michael Sumner, Kathleen Burch, and John Cage. The Guests go in to supper. Oakland, Calif: Burning Books, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

44

Schmidt, Dennis. An organist's companion to the Hymnal 1982. Albuquerque, N.M: The author, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

45

Augustine. Musica. Milano: Rusconi, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

46

Augustine. Św. Augustyna traktat "O muzyce". 2nd ed. Lublin: Red. Wydawnictw Katolickiego Uniwersytetu Lubelskiego, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

47

Augustine. De musica: Traité de la musique. Paris: Sandre, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

48

Praetorius, Michael, and David Z. Crookes. Syntagma Musicum II: (A New translation from the edition of 1619) De Organographia Part I and II (Oxford Early Music Series). Oxford University Press, USA, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

49

Zon, Bennett. Music. Edited by Joel D. S. Rasmussen, Judith Wolfe, and Johannes Zachhuber. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198718406.013.40.

Full text

Abstract:

Because music is unable to communicate its meaning as directly as words, it has always relied upon thought to help convey its meaning. Nineteenth-century musical thought therefore comes in two interrelated forms: (1) as literature about music (‘music-in-thought’), such as music history, philosophy, or theology; and (2) as music itself (music-as-thought) written for soloists, instruments, and voices in secular or sacred contexts like the concert hall or church. This chapter traces their complex metaphysical interrelationship by using Romantic philosophical and theological concepts of musical meaning to probe understandings of created natural order, from the sound of nature to birdsong, and from the music of man to the music of God. The Great Chain of Musical Being provides a foil for gauging the resilience of the Romantic period’s theological commitment to an incarnational Christianity straining under the influence of secularization.

APA, Harvard, Vancouver, ISO, and other styles

50

Thrasher, Alan R. Sizhu Instrumental Music of South China: Ethos, Theory and Practice. Ebsco Publishing, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!