Relevant bibliographies by topics / Church music Lutheran Church

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Church music Lutheran Church'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2024

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Journal articles on the topic "Church music Lutheran Church"

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Hage, Jan, and Marcel Barnard. "Muziek als missie: Over Willem Mudde en zijn betekenis voor de kerkmuziek." NTT Journal for Theology and the Study of Religion 66, no. 4 (November 18, 2012): 283–98. http://dx.doi.org/10.5117/ntt2012.66.283.hage.

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Under the influence of Calvinism, the musical situation in the Protestant churches in the Netherlands was for a long time marked by sobriety, with attention focused on congregational singing. In the 20th century, church music gained importance through a dominant flow of Lutheran influence. Generally, the liturgical movement highlighted the role of music in worship. The Lutheran church musician Willem Mudde successfully called attention to the German church music reform movement. Inspired by the writings of the German theologian Oskar Söhngen, he strived to apply the ideals and practices of thi
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Robin, A. Leaver. "Motive and Motif in the Church Music of Johann Sebastian Bach." Theology Today 63, no. 1 (April 2006): 38–47. http://dx.doi.org/10.1177/004057360606300105.

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Johann Sebastian Bach stands in a long line of Lutheran composers who used musical forms to convey theological concepts that reaches back to Luther himself. Lutheran theologians and musicians used the Latin formula viva vox evangelii to define their understanding of music as the living voice of the gospel. Here is presented first an overview of this Lutheran tradition, and then an examination of specific examples from Bach's musical works that expound specific theological concepts such as the doctrine of the Trinity, the distinction between law and gospel, the nature of discipleship, and chris
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Remes, Hanna. "”Sävelet tekevät tekstin eläväksi”: paaston ja pääsiäisajan liturginen kuoromusiikki sanoman kannattelija." Trio 10, no. 1 (July 10, 2021): 91–100. http://dx.doi.org/10.37453/trio.110132.

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Hanna Remes’s artistic doctoral degree, which focuses on choral church music in worship, is the first of its kind in Finland. The demonstration of proficiency carried out 2016–2020 comprises two masses, a worship service, a passion drama and an Easter concert. She elucidates changes in guidelines for the liturgical use of the choir according to the Evangelical Lutheran Church of Finland’s 2000 church manual from those of the 1968 church manual. The dissertation stands at the junction of liturgy and the history of church music. Remes compares and analyses the liturgical role of the choir in the
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Wiese, Soraya. "Re-forming Music: Martin Luther’s Impact on Church Music through the Lutheran Reformation." Musical Offerings 12, no. 2 (2021): 51–62. http://dx.doi.org/10.15385/jmo.2021.12.2.2.

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Leaver, Robin A. "Brahms's Opus 45 and German Protestant Funeral Music." Journal of Musicology 19, no. 4 (2002): 616–40. http://dx.doi.org/10.1525/jm.2002.19.4.616.

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Brahms's German Requiem stands at the end of a long line of Lutheran funerary music. Luther reworked funeral responsories into a new, totally Biblical form, and later Lutherans collected anthologies of Biblical texts on death and dying. Such sources were used by later composers, including Schüütz and Bach, to compose funeral pieces on Biblical texts together with appropriate chorales. Brahms's opus 45 is similar in that its text is made up of Biblical verses assembled by the composer, and connections may be drawn between chorale usage in this work and the composer's Protestant upbringing in Ha
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Garratt, James. "Prophets Looking Backwards: German Romantic Historicism and the Representation of Renaissance Music." Journal of the Royal Musical Association 125, no. 2 (2000): 164–204. http://dx.doi.org/10.1093/jrma/125.2.164.

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AbstractCrucial to understanding the reception of Renaissance music in nineteenth-century Germany is an appreciation of the contradictory components of Romantic historicism. The tension between subjective and objective historicism is fundamental to the historiographical reception of Renaissance music, epitomizing the interdependency of historical representation and modern reform. Protestant authors seeking to reform church music elevated two distinct repertories — Renaissance Italian music and Lutheran compositions from the Reformation era — as ideal archetypes: these competing paradigms refle
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Scott, Allen. "Simon Lyra and the Lutheran liturgy in the second half-century of the Reformation in Breslau." Muzyka 65, no. 1 (April 2, 2020): 3–18. http://dx.doi.org/10.36744/m.309.

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In 1593, Simon Lyra (1547-1601) was appointed cantor of the St. Elisabeth Church and Gymnasium in Breslau/Wrocław. In the same year, he drew up a list of prints and manuscripts that he considered appropriate for teaching and for use in Lutheran worship. In addition to this list, there are six music manuscripts dating from the 1580s and 1590s that either belonged to him or were collected under his direction. Taken together, Lyra’s repertoire list and the additional manuscripts contain well over a thousand items, including masses, motets, responsories, psalms, passions, vespers settings, and dev
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Lampinen, Leena. "Choral music and identities in Tanzania." Trio 12, no. 1 (June 29, 2023): 49–56. http://dx.doi.org/10.37453/tj.131223.

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In her doctoral research, Lampinen explored the connection between choral repertoiresand identities within church choirs in one Lutheran Diocese in Northern Tanzania. The participantsin this research were a group of choir conductors in this diocese. The concept ofidentities was approached from individual, social, and group aspects as well as religious,ethnic, and national viewpoints.
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Trocmé-Latter, Daniel. "The psalms as a mark of Protestantism: the introduction of liturgical psalm-singing in Geneva." Plainsong and Medieval Music 20, no. 2 (September 15, 2011): 145–63. http://dx.doi.org/10.1017/s0961137111000039.

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ABSTRACTIt is widely believed that musical creativity suffered under the control of many sixteenth-century Protestant church leaders, especially in the Reformed (as opposed to Lutheran) branch of Protestantism. Such views are generalisations, and it is more accurate to say that music in Geneva and other Reformed strongholds developed in a very different way from the music of the Lutheran Church. The very specific beliefs about the role of music in the liturgy of Jean Calvin, Genevan church leader, led to the creation and publication of the Book of Psalms in French, in metre, and set to music.
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Holm, Anders. "- Luthertolkningen i 1812-krøniken." Grundtvig-Studier 64, no. 1 (May 29, 2015): 109–22. http://dx.doi.org/10.7146/grs.v64i1.20923.

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Luthertolkningen i 1812-krøniken[The Interpretation of Luther in Grundtvig’s World Chronicle of 1812]By Anders HolmGrundtvig grew up in two Lutheran vicarages. Both homes were characterized by Lutheran orthodoxy but could not ignore the critical thoughts of the Enlightenment. During his studies at the University of Copenhagen Grundtvig was convinced of the truth of the new philosophy of reason. His father’s wish in 1810, however, that he become his curate demanded that he reconsidered the world-view which he thought to have left behind. It all ended in a crisis and a nervous breakdown, which r
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Dissertations / Theses on the topic "Church music Lutheran Church"

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Weber, Karl A. "What is at stake for Lutheran hymnody in a postmodern age." Online full text .pdf document, available to Fuller patrons only, 2002. http://www.tren.com.

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Sander, Katherine Joan. "Johann Walter and Martin Luther, theology and music in the early lutheran church." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0001/MQ28907.pdf.

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Wolfram, Richard J. "Helping contemporary people use historic liturgy." Online full text .pdf document, available to Fuller patrons only, 2000. http://www.tren.com.

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Schultz, Randy P. "An evaluation of praise music as a genre for incorporation into Lutheran worship." Online full text .pdf document, available to Fuller patrons only, 1999. http://www.tren.com.

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Alley, Zachary W. "Michael Praetorius's Theology of Music in Syntagma Musicum I (1615):A Politically and Confessionally Motivated Defense of Instruments in The Lutheran Liturgy." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1402316351.

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Michel, Stefan. "Gesangbuchfrömmigkeit und regionale Identität : ihr Zusammenhang und Wandel in den reußischen Herrschaften vom 17. bis zum 20. Jahrhundert /." Leipzig : Evang. Verl.-Anst, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2963693&prov=M&dokv̲ar=1&doke̲xt=htm.

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Baek, Jung Jin. "A Conductor’s Guide to J. S. Bach’s Quinquagesima Cantatas." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337101464.

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Hickenlooper, Benjamin A. "The philosophy of church music in German Lutheranism from Luther to Bach and its impact on vital worship." Theological Research Exchange Network (TREN), 1989. http://www.tren.com.

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Arand, Charles Paul. "Historiography of the Lutheran Confessions in America, 1830-1930." Theological Research Exchange Network (TREN), 1987. http://www.tren.com.

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Davidson, John C. "The indirect method of preaching." Theological Research Exchange Network (TREN), 1996. http://www.tren.com.

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Books on the topic "Church music Lutheran Church"

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Bobb, Barry L. Proclaim: A guide for planning liturgy and music. Series C. Saint Louis, Mo: Concordia Pub. House, 1985.

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Bobb, Barry L. Proclaim: A guide for planning liturgy and music. Series B. Saint Louis: Concordia Pub. House, 1987.

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Bobb, Barry L. Proclaim: A guide for planning liturgy and music. Series A. Saint Louis, Mo: Concordia Pub. House, 1986.

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1939-, Kress Volker, and Ev Luth Landeskirchenamt Sachsens, eds. Alles, was Odem hat, lobe den Herrn!: Kirchenmusik in Sachsen in Vergangenheit und Gegenwart. Leipzig: Evangelische Verlagsanstalt, 2004.

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Stalmann, Joachim. Kompendium zur Kirchenmusik: Überblick über die Hauptepochen der evangelischen Kirchenmusik und ihre Vorgeschichte. Hannover: Lutherisches Verlagshaus, 2001.

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Schlage, Karl-Hermann. Evangelische Kirchenmusik in Mannheim: Ihre Entwicklung vom 19. zum 20. Jahrhundert. Mannheim: Palatium, 2000.

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Jalkanen, Kaarlo. Lukkarin- ja urkurinvirka Suomessa 1721-1809. Helsinki: Suomen Kirkkohistoriallinen Seura, 1986.

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Pekkanen, Kaj. Jumala rakastaa musiikkia: Ajatuksia ja kokemuksia seurakuntamusiikista. Hämeenlinna: Päivä, 2009.

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Henryk, Orzyszek, Bocek-Orzyszek Ewa, and Kościół Ewangelicko-Augsburski (Poland). Diecezja Katowicka., eds. Gloria in excelsis: Monografia ewangelickich chórów i zespołów Diecezji Katowickiej Kościoła Ewangelicko-Augsburskiego w RP. Katowice: "Głos Życia", 2005.

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Körner, Wolfgang. Kirchenmusik im Plural: Musik im Raum der Kirche in Deutschland, 1945-2001. Nürnberg: Mabase-Verlag, 2003.

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Book chapters on the topic "Church music Lutheran Church"

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Hlaváček, Petr. "Lutheran Culture in Bohemia." In Medieval Church Studies, 165–92. Turnhout: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.mcs-eb.5.110907.

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Aarflot, Andreas Henriksen. "A Lutheran perspective." In Church Laws and Ecumenism, 106–27. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003084273-7.

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Ekka, Batuel. "Lutheran Church in India." In Christianity, 539–43. Dordrecht: Springer Netherlands, 2023. http://dx.doi.org/10.1007/978-94-024-2241-2_31.

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Thomas, Chance. "Church Music." In Making it HUGE in Video Games, 301–15. Boca Raton: CRC Press, 2023. http://dx.doi.org/10.1201/9781003199311-21.

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Ingalls, Monique M. "Just Like Church, Not Like Church, or Better Than Church?" In Black British Gospel Music, 62–82. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003259800-4.

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Steuernagel, Marcell Silva. "Performing church music." In Church Music Through the Lens of Performance, 162–85. [1.] | New York : Routledge, 2021. | Series: Congregational music studies series: Routledge, 2021. http://dx.doi.org/10.4324/9781003080329-1g.

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Wangsgaard Jürgensen, Martin. "The Arts and Lutheran Church Decoration." In The Myth of the Reformation, 356–80. Göttingen: Vandenhoeck & Ruprecht, 2013. http://dx.doi.org/10.13109/9783666550331.356.

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Wagner, Tom. "Hillsong Church." In Music, Branding, and Consumer Culture in Church, 47–74. New York : Routledge, 2020. |: Routledge, 2019. http://dx.doi.org/10.4324/9780429507953-3.

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Golding, Rosemary. "Anon., ‘On Church Music’." In Music in Nineteenth-Century Britain, 29–43. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003003892-3.

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Haar, Miriam. "Authority and Change: The Role of Authority in the Anglican Communion and the Lutheran World Federation." In Changing the Church, 259–68. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53425-7_30.

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Conference papers on the topic "Church music Lutheran Church"

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Amaral, Filomena Soares, Rita Milyartini, and Diah Latifah. "Inculturation of Tradition Hamulak Music Fohorem Church." In 4th International Conference on Arts and Design Education (ICADE 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220601.026.

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Lapian, Alrik. "Music and Testifying in Congregational Church: Faith Testimony (Marturia) in the Context of Church Music Festival at GMIM Territory." In Proceedings of the First International Conference on Christian and Inter Religious Studies, ICCIRS 2019, December 11-14 2019, Manado, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.11-12-2019.2302143.

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CHAVEZ, V. "ACOUSTIC DESIGN FOR LA ROMIEU CHURCH CHAMBER MUSIC." In Auditorium Acoustics 2015. Institute of Acoustics, 2023. http://dx.doi.org/10.25144/16183.

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Reuter, Christoph, Michael Plitzner, Marik Roos, Isabella Czedik-Eysenberg, Veronika Weber, Saleh Siddiq, Michael Oehler, and Andreas Rupp. "The Sound of Bells in Data Cells – Perceived Quality and Pleasantness of Church Bell Chimes." In Fourth Vienna Talk on Music Acoustics. ASA, 2022. http://dx.doi.org/10.1121/2.0001661.

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Рidhorbunskyi, M. A. "South-eastern influences the formation and establishment of church music in Kievan Rus." In IX International symposium «Humanities and Social Sciences in Europe: Achievements and Perspectives». Viena: East West Association GmbH, 2016. http://dx.doi.org/10.20534/ix-symposium-9-23-27.

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Limbong, Nurelni. "Congregation Satisfaction Levels on the Quality of Priests, Services from Alumna of Theology of STAKPN / IAKN Tarutung in Lutheran Church in Tapanuli Utara." In 1st International Conference on Education, Society, Economy, Humanity and Environment (ICESHE 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200311.043.

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CHIRCEV, Elena. "Reflection of the Other in the Byzantinologist Gheorghe C. Ionescu’s Lexicographic Pursuits." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0002.

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Teacher, conductor, Byzantine musicologist, Gheorghe C. Ionescu (1920- 1999) devoted the last years of his life to researching the history of Romanian Byzantine music and published in specialized journals several comprehensive papers that address various topics and bring back in focus personalities of the past. Due to his solid musical and theological training, guided by prestigious teachers from the interwar period, the distinguished musician had a rich artistic and cultural contribution to the second half of the previous century. The change of the political regime in Romania allowed him to r
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Simanjuntak, Robert. "Exploration Of Children's Music Talents As A Solution For The Development Of Millennial Generations In The Church Of Bethany Tanjung Anom Deli Serdang." In Proceedings of the 1st International Conference of Global Education and Society Science, ICOGESS 2019,14 March, Medan, North Sumatera, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.14-3-2019.2292033.

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Ceastina, Ala. "The outstanding architect Alexander Iosifovich Bernardazzi (1831–1907)." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.20.

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This year marks the 190th birthday of the famous Swiss architect of Italian origin A.I. Bernardazzi, who is also known for creating various historic buildings in Ukraine, Bessarabia and Poland. Archival documents were an evidence of the beginning of architectural career of Bernardazzi, when the Bessarabian Road and Construction Commission appointed him as the technician for urban planning of Akkerman and Bendery in 1853 and also for building some bridges and causeways in those districts. He took part in the organization of the third market in the Forest Square in Kishinev in September of 1855.
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Galaicu, Violina. "The historical trajectory of Byzantine religious music in the Romanian space: volutes and milestones." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.04.

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The trajectory of the Romanian cult music is intertwined with the trajectory of the Byzantine cult music, the mega-phenomenon and its zonal manifestation conditioning and enhancing each other. Respectively, any attempt to stage the evolution of sacred singing in the reference area refers to the transformations supported by Byzantine music as a whole. In the historiography of the field, we found several variants of systematization of the Byzantine ecclesiastical music on the Romanian territories: according to historical epochs, according to the stages of consolidation of the national Church, ac
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