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1

Byzantine neumes: A new introduction to the Middle Byzantine musical notation. Copenhagen: Museum Tusculanum Press, 2011.

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2

author, Costea G., Croitoru I. author, and Moldoveanu Nicu editor, eds. Gramatica muzicii psaltice bisericești: Studiu comparativ cu notația liniară. București: Editura Institutului Biblic și de Misiune Ortodoxă, 2013.

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3

I︠A︡synovsʹkyĭ, I︠U︡ P. Vizantiĭsʹka hymnohrafii︠a︡ i t︠s︡erkovna monodii︠a︡ v ukraïnsʹkiĭ ret︠s︡ept︠s︡iï rannʹomodernoho chasu: Mohohrafichne doslidz︠h︡enni︠a︡. Lʹviv: Instytut ukraïnoznavstva im. I. Krypʹi︠a︡kevycha NAN Ukraïny, 2011.

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4

Papachristopoulos, Ioannis. Beziehungen zwischen den drei Subkategorien der heirmologischen Gesänge-Hauptgattung in der griechischen Kirchenmusik: Verdeutlicht am Fall eines im Dritten Echos vertonten und durch das analytische Notationssystem transkribierten dreifachen Melos' aus dem 18. und 19. Jahrhundert. Frankfurt am Main: Peter Lang, 2011.

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5

Muro, Don. The church musician's guide to music technology. Chicago: GIA Publications, 2004.

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6

Catholic Church. A manual of liturgic chants in modern notation, and sacred melodies. Montreal: [Brothers of Christian Instruction, 1994.

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7

Nat︠s︡ionalen fond "Nauchni izsledvanii︠a︡." and Bulgaria. Ministerstvo na obrazovanieto, mladezhta i naukata, eds. Slavi︠a︡nski muzikalni rŭkopisi v Rilskii︠a︡ manastir. Sofii︠a︡: Iztok-Zapad, 2012.

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8

Ştefan, Răzvan-Constantin. Stihirile dogmatice anastasime ale Vecerniei Sâmbetelor Octoihului: Izvoarele liturgice şi tradiţia muzicala (din secolul al Xl-lea până în prima jumătate a secolului al XIX-lea. Bucureşti: Editura Basilica, 2014.

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9

McGrain, Mark. Music notation. Boston, Mass: Berklee College of Music, 1986.

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10

Konet︠s︡ vremeni kompozitorov. Moskva: Russkiĭ putʹ, 2002.

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11

McGrain, Mark. Music notation: Theory and technique for music notation. Boston, Mass: Berklee, 1986.

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12

El-Mallah, Issam. Arab music and musical notation. Tutzing: H. Schneider, 1997.

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13

Praetorius, Michael. De organographia: Estratto dal Syntagma musicum : 1616. Udine: Pizzicato, 2003.

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14

Praetorius, Michael. Syntagma musicum.: Parts I and II. Oxford [Oxfordshire]: Clarendon Press, 1991.

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15

Praetorius, Michael. Syntagma musicum.: Parts I and II. Oxford [Oxfordshire]: Clarendon Press, 1986.

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16

Praetorius, Michael. De organographia: Estratto dal Syntagma musicum : 1616. Udine: Pizzicato, 2003.

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17

Reed, Thomas S. Directory of music notation proposals. Kirksville, Mo., U.S.A: Notation Research Press, 1997.

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18

Roemer, Clinton. The art of music copying: The preparation of music for performance. 2nd ed. Sherman Oaks, Calif: Roerick Music Co., 1985.

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19

The Norton manual of music notation. New York: W.W. Norton, 1987.

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20

Parrish, Carl. The notation of medieval music. New York: Pendragon Press, 2009.

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21

Parrish, Carl. The notation of medieval music. New York: Pendragon Press, 2009.

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22

Mohn, Michael. Preparing traditional music manuscript: Including a handbook of instrumentation, theory, and music terms. [San Luis Obispo, Calif.]: M. Mohn, 1987.

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23

How to write music manuscript: A workbook in the basics of music notation. New York: Schirmer Books, 1986.

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24

Brennink, Albert. Equal temperament music notation: The Ailler-Brennink chromatic notation : results and conclusions of the music notation reform by the Chroma Foundation. Victoria, B.C: Ed. Chroma, 1992.

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25

Read, Gardner. Sourcebook of proposed music notation reforms. Westport, Conn: Greenwood, 1987.

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26

Keislar, Doug. Music notation evaluation procedure: With summary. Kirksville, Mo: Notation Research Press, 1994.

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27

Music manuscript preparation: A concise guide. Metuchen, N.J: Scarecrow Press, 1991.

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28

The notation of Western music: An introduction. 2nd ed. Leeds: Leeds University Press, 1998.

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29

Source book of proposed music notation reforms. New York: Greenwood Press, 1987.

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30

Read, Gardner. 20th-century microtonal notation. New York: Greenwood Press, 1990.

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31

Lassfolk, Kai. Music notation as objects: An object-oriented analysis of the common western music notation system. Imatra: International Semiotics Institute at Imatra : Semiotic Society of Finland : Department of Musicology, University of Helsinki, 2003.

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32

Music notation as objects: An object-oriented analysis of the common western music notation system. Imatra, Finland: International Semiotics Institute, 2004.

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33

Behind Bars: The Definitive Guide to Music Notation. London: Faber Music Ltd, 2011.

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34

Inc, Lippens Keyboard. A music notation that makes sense: A fresh look at an old problem, a new key to music literacy. Wayside, NJ: Distributed by Lippens Keyboard, 1992.

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35

John, Underwood. The do-re-mi system of music notation shorthand. Pittsburgh, Pa: Dorrance Pub., 2003.

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36

Sibelius 7 music notation essentials. Boston, MA: Course Technology/Cengage Learning, 2013.

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37

Kurkela, Kari. Note and tone: A semantic analysis of conventional music notation. Helsinki: Suomen Musiikkitieteellinen Seura, 1986.

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38

Hemidemisemiquavers-- and other such things: A concise guide to music notation. Dayton, Ohio: Heritage Music Press, 1989.

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39

Hebborn, Barbara. Die Dasia-Notation. Bonn: Orpheus, 1995.

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40

Software, Coda Music. Finale: The art of music notation. 3rd ed. Eden Prairie, MN: Coda Music Software, 1992.

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41

Grover, John. A computer-oriented description of music notation. Oslo: University of Oslo, Dept. of Informatics, 1989.

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42

20th-century microtonal notation. New York: Greenwood Press, 1990.

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43

Ḍhakāla, Nararāja. Saṅgīta-surasa. Kāṭhamāḍāuṃ: Nepāla Rājakīya Prajñā-Pratishṭhāna, 1998.

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44

Ḍhakāla, Nararāja. Saṅgīta-surasa. Kāṭhamāḍāuṃ: Nepāla Rājakīya Prajñā-Pratishṭhāna, 1998.

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45

Lucia, Christine. Music notation: A South African guide. Pretoria: Unisa Press, 2011.

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46

The origins of western notation. New York: Peter Lang, 2011.

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47

Gopalam, Sharada. Facets of notation in South Indian music. Delhi: Sundeep Prakashan, 1991.

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48

Singhal, Jane. Creature feature: A musical menagerie. Belmont, Calif: Singing House, 2000.

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49

Rudolph, Thomas E. Finale: An easy guide to music notation. Boston, MA: Berklee Press, 2002.

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50

A, Leonard Vincent, ed. Finale: An easy guide to music notation. Boston, MA: Berklee Press, 2002.

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