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Books on the topic 'Church music Orchestral music'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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1

Finnish orchestral music. Helsinki: Foundation for the Promotion of Finish Music, Finnish Music Information Centre, 1995.

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2

Debussy orchestral music. London: BBC Books, 1987.

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3

Korhonen, Kimmo. Finnish orchestral music. Helsinki: Foundation for the Promotion of Finnish Music, Finnish Music Information Centre, 1995.

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4

Orchestral music: A handbook. 4th ed. Lanham, Md: Scarecrow Press, 2005.

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5

David, Daniels. Orchestral music: A handbook. 3rd ed. Lanham, Md: Scarecrow Press, 1996.

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6

Centre, Canadian Music. Canadian orchestral music catalogue. Toronto: Canadian Music Centre = Centre de musique canadienne, 1994.

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7

Daniels, David. Orchestral music: A handbook. 4th ed. Lanham, MD: Scarecrow Press, 2006.

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8

Handel, the orchestral music: Orchestral concertos, organ concertos, Water music, Music for the royal fireworks. New York: Schirmer Books, 1996.

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9

Mann, Alfred. Handel: The orchestral music : orchestral concertos, organ concertos, Water music, Music for the royal fireworks. New York: Schirmer Books, 1995.

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10

Robles, Germán Tejerizo. Villancicos barrocos en la Capilla Real de Granada: 500 letrillas cantadas la noche de Navidad (1673 a 1830). [Sevilla]: Junta de Andalucía, Consejería de Cultura, 1989.

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11

Orchestral "pops" music: A handbook. Lanham, Md: Scarecrow Press, 2009.

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12

Library, Somerset County. Catalogue of instrumental music, chamber music sets, orchestral parts sets and orchestral/study scores. [Bridgwater]: Somerset County Library, 1986.

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13

Copland, Aaron. Ceremonial music. U.S.A: Boosey & Hawkes, 1990.

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14

American orchestral music: A performance catalog. Metuchen, N.J: Scarecrow Press, 1992.

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15

Grażyna Bacewicz: Chamber and orchestral music. Los Angeles, Calif: Friends of Polish Music, University of Southern California School of Music, 1985.

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16

Bernstein's orchestral music: An owner's manual. Milwaukee: Amadeus Press, 2011.

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17

Centre, Australian Music. Orchestral music: Scores held at the Australian Music Centre Library. Grosvenor Place, N.S.W: Australian Music Centre, 1998.

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18

Torke, Michael. Bright blue music: For orchestra. [New York]: Adjustable Music, 1996.

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19

Sibelius: The orchestral music : an owner's manual. Pompton Plains, N.J: Amadeus, 2007.

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20

Schwantner, Joseph. Toward light: An orchestral set. Valley Forge, Pa: European American Music, 1987.

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21

Orchestral excerpts: A comprehensive index. Berkeley, Calif: Fallen Leaf Press, 1993.

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22

Klangprojektion in die Zeit: Ein Weg zum Orchesterwerk "Staub" von Helmut Lachenmann. Hofheim: Wolke, 2010.

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23

Mesquita, Marcos José Cruz. Klangprojektion in die Zeit: Ein Weg zum Orchesterwerk "Staub" von Helmut Lachenmann. Hofheim: Wolke, 2010.

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24

Buller, John. The theatre of memory. London: Unicorn-Kanchana, 1986.

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25

Ripper, João Guilherme. Música brasileira para orquestra: Catálogo geral. Rio de Janeiro RJ: FUNARTE, Instituto Nacional de Música/Projeto Orquestra, 1988.

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26

Ledbetter, Steven. A Handlist of compositions with orchestra by New England composers, ca. 1875-1925. [United States: s.n., 1987.

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27

Music, Royal Conservatory of. Orchestral instruments syllabus. [Oakville, Ont.]: F. Harris Music, 1999.

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28

Debussy, Claude. Debussy for daydreaming: Music to caress your innermost thoughts. [Baarn, The Netherlands]: Philips, 1995.

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29

Francis, Tovey Donald. Symphonies and other orchestral works. Oxford [England]: Oxford University Press, 1989.

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30

London College of Music and Media. Church music diplomas. London: LCM, 2001.

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31

The Anchor guide to orchestral masterpieces. New York: Anchor Books, 1995.

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32

Library, Lancashire County. Catalogue of orchestral sets. Preston: Lancashire County Council, Library, Museums and Arts Committee, 1990.

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33

E, Helman James, Adams Jere V, and Armstrong Gerald P, eds. Orchestral concepts in today's church. Nashville: Convention Press, 1991.

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34

In Praise (In Classical Mood). International Masters Publishers, 1998.

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35

L, Pearson Peggy, Adams Jere V, and Armstrong Gerald P, eds. Instruments of the church orchestra. Nashville, Tenn: Convention Press, 1987.

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36

Sposato, Jeffrey S. Church Music and the Rise of the Public Concert, 1743–1785. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190616953.003.0002.

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This chapter is the first of three chapters to look at the relationship between a Thomaskantor, who oversaw the church music, and a Kapellmeister (music director) of the public concerts. Thomaskantor Johann Friedrich Doles and Kapellmeister Johann Adam Hiller are highlighted. The chapter examines developments in church music repertoire under Johann Sebastian Bach; his immediate successor, Gottlob Harrer; and Doles. Hiller began his career in Leipzig as director of the public Grosse Concert in 1743. After directing the Musikübende Gesellschaft and the Gewandhaus orchestra, he became Thomaskantor in 1789. Public concert music under Hiller continued to be heavily influenced by trends in church music. Hiller replaced Doles as Thomaskantor in 1789.

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37

Da Capo: A History of the Mennonite Community Orchestra. Winnipeg, Canada: Centre for Mennonite Brethren Studies, 1993.

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38

Sposato, Jeffrey S. Hiller, Schicht, and the Crises of Church and State, 1785–1823. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190616953.003.0003.

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This chapter is the second of three chapters to look at the relationship between a Thomaskantor, who oversaw the church music, and a Kapellmeister (music director) of the public concerts. Thomaskantor Johann Adam Hiller and Kapellmeister Johann Gottfried Schicht are examined. Schicht succeeded Hiller as Gewandhaus orchestra director in 1785, and eventually became Thomaskantor in 1810, succeeding August Eberhard Müller. At the Gewandhaus, Schicht increased the amount of sacred music performed, while adjusting the concert repertoire to reflect changes that Hiller, in partnership with Church Superintendent Johann Georg Rosenmüller, implemented in the churches. The invasion of Napoleon into Saxony affected the public performance of music. When Schicht became Thomaskantor, church attendance was down. Schicht geared the performance of church music to attract middle-class concert audiences to the church. The Gewandhaus was now the dominant music institution in Leipzig, and church music would imitate it.

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39

Cox, David. Debussy Orchestral Music (Ariel Music). Gloucester, 1996.

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40

McCabe. Bartok Orchestral Music. Olympic Marketing Corp, 1987.

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41

Daniels' Orchestral Music. Rowman & Littlefield Publishers, Incorporated, 2015.

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42

Orchestral music in print. Philadelphia: Musicdata, 1994.

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43

K, Farish Margaret, ed. Orchestral music in print. Philadelphia: Musicdata, 1994.

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44

Orchestral music in print. Philadelphia: Musicdata, 1999.

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45

Philip, Robert. Classical Music Lover's Companion to Orchestral Music. Yale University Press, 2018.

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46

Philip, Robert. Classical Music Lover's Companion to Orchestral Music. Yale University Press, 2020.

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47

The Classical Music Lover's Companion to Orchestral Music. Yale University Press, 2018.

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48

Henderson, William James. The Orchestra and Orchestral Music (Music Lover's Library). Library Reprints, 2001.

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49

Henderson, W. J. The Orchestra and Orchestral Music. Kessinger Publishing, LLC, 2004.

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50

Directory of Choral-Orchestral Music. Routledge, 2006.

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