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Books on the topic 'Church music South Australia'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

This side of heaven: A history of Methodism in South Australia. Adelaide: Lutheran Pub. House, 1985.

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2

Aboriginal music, education for living: Cross-cultural experiences from South Australia. St. Lucia, Qld: University of Queensland Press, 1985.

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3

Reed, T. T. Anglican clergymen in South Australia in the nineteenth century. Gumeracha, S. Aust: Gould Books, 1986.

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4

Music in mission: Mission through music : a South African case study. Pietermaritzburg, South Africa: Cluster Publications, 2007.

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5

Godliness and good order: A history of the Anglican Church in South Australia. Netley, S. Aust: Wakefield Press, 1986.

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6

Don, Wright. The Methodists: A history of Methodism in New South Wales. St. Leonards, NSW: Allen & Unwin, 1993.

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7

Emilsen, Susan E. A whiff of heresy: Samuel Angus and the Presbyterian Church in New South Wales. Kensington, NSW: New South Wales University Press, 1990.

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8

Silsbury, Elizabeth. State of opera: An intimate new history of the State Opera of South Australia, 1957-2000. Kent Town, S. Aust: Wakefield Press, 2001.

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9

White soul: Country music, the Church, and working Americans. Nashville, TN: Abingdon Press, 1996.

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10

International Council for Traditional Music. Colloquium. Music and dance of aboriginal Australia and the South Pacific: The effects of documentation on the living tradition : papers and discussions of the Colloquium of the International Council for Traditional Music, held in Townsville, Queensland, Australia, 1988. Edited by Moyle Alice M. Sydney: University of Sydney, 1992.

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11

International Council for Traditional Music. Colloquium. Music and dance of aboriginal Australia and the South Pacific: The effects of documentation on the living tradition :papers and discussions of the Colloquium of the International Council for Traditional Music, held in Townsville, Queensland, Australia, 1988. Edited by Moyle Alice M. Sydney: University of Sydney, 1992.

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12

Wesley, Arun Kumar. Liturgy as worship: Towards a form of worship in song, word, and drama. Bangalore: Asian Trading Corp., 2002.

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13

Bunyan, John Reynolds. Circle of the south land: People, passages and prayers for the Australian year ; including part two of Towards an Australian Book of Common Prayer. Sydney: John Bunyan, 1989.

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14

Three unknown Carthusian liturgical manuscripts with music of the 14th to the 16th centuries in the Grey Collection, South African Library, Cape Town. Salzburg: Institut für Anglistik und Amerikanistik, 2000.

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15

Escobar, Luis Antonio. La música en Santafé de Bogotá. [Colombia?: s.n., 1987.

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16

Barnes, Peter. Theological controversies in the Presbyterian Church of New South Wales, 1865-1915: The rise of liberal evangelicalism. Lewiston, N.Y: Edwin Mellen Press, 2008.

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17

Theological controversies in the Presbyterian Church of New South Wales, 1865-1915: The rise of liberal evangelicalism. Lewiston, N.Y: Edwin Mellen Press, 2008.

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18

Illing, Robert. An illustrated catalogue of the early editions of Handel in Australia. [Melbourne]: University of Melbourne Library, 1988.

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19

Robert Menzies College. Centre for the Study of Australian Christianity., ed. Iron in our blood: A history of the Presbyterian Church in NSW, 1788-2001. Sydney: Ferguson Publications and the Centre for the Study of Australian Christianity, 2001.

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20

Sonic spaces of the Karoo: A groundbreaking study of music in an ethnically marginalized South African community. Philadelphia: Temple University Press, 2011.

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21

1953-, Kelton Tim. Underground in the City of Churches: Rock Music in South Australia, Interviews with Adelaide Rock Musicians with Comments by Professionals Associated with the Recording Industry. Adelaide: WAV Publications, 1986.

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22

Illing, Robert. An illustrated catalogue of the early editions of Handel in Australia: A second supplement. Melbourne: [R. Illing], 1990.

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23

Songs Of Seoul An Ethnography Of Voice And Voicing In Christian South Korea. University of California Press, 2014.

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24

Songs Of Seoul An Ethnography Of Voice And Voicing In Christian South Korea. University of California Press, 2014.

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25

Emilsen, Susan E. A whiff of heresy: Samuel Angus and the Presbyterian Church in New South Wales (The modern history series). Distributed by International Specialized Book Services, 1991.

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26

From Colonel Light into the footlights: The performing arts in South Australia from 1836 to the present. Norwood, S. Aust: Pagel, 1988.

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27

Jill, Stubington, and University of New South Wales., eds. Collecting folk music in Australia: Report of a forum held at The University of New South Wales, 4-6 December, 1987. Kensington, NSW: The University of New South Wales assisted by the Performing Arts Board of the Australia Council, 1989.

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28

Towards an Australian Book of Common Prayer: A bicentenary revision of the Book of Common Prayer brought to New South Wales in 1788. Sydney: J. Bunyan, 1988.

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29

Jorritsma, Marie. Hidden Histories of Religious Music in a South African Coloured Community. Edited by Jonathan Dueck and Suzel Ana Reily. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199859993.013.13.

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This chapter explores persistent traces of both indigenous and Euro-colonial music traditions in the church music of South African coloured people (a group of mixed racial heritage that was marginalized and oppressed by the apartheid regime). The author characterizes these persistent historical traces in coloured people’s performance style as “hidden transcripts” (following James Scott). Through the powerful historiographic tool of ethnomusicological listening, this chapter points to colonial as well as “African” traces surviving in contemporary musics and locates both encounter and resistance

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30

Gennadios, Limouris, ed. Come, Holy Spirit, renew the whole creation: An Orthodox approach for the Seventh Assembly of the World Council of Churches, Canberra, Australia, 6-21 February, 1991. Brookline, Mass: Holy Cross Orthodox Press, 1990.

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31

Johansen, Bruce, and Adebowale Akande, eds. Nationalism: Past as Prologue. Nova Science Publishers, Inc., 2021. http://dx.doi.org/10.52305/aief3847.

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Nationalism: Past as Prologue began as a single volume being compiled by Ad Akande, a scholar from South Africa, who proposed it to me as co-author about two years ago. The original idea was to examine how the damaging roots of nationalism have been corroding political systems around the world, and creating dangerous obstacles for necessary international cooperation. Since I (Bruce E. Johansen) has written profusely about climate change (global warming, a.k.a. infrared forcing), I suggested a concerted effort in that direction. This is a worldwide existential threat that affects every living t

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32

Marovich, Robert M. Sing a Gospel Song. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039102.003.0009.

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This chapter discusses some important developments that enabled gospel music gain a greater foothold in Chicago during the 1940s. Migration from the South continued unabated into the 1940s, leading to increased membership in church congregations. In addition, gospel singers and musicians were popping up on the South and West Sides. This chapter first examines the contributions of the First Church of Deliverance and its stable of soloists, including Myrtle Jackson, Edna Mae Quarles, Elizabeth Hall, and R. L. Knowles, to Chicago gospel music. It then looks at “song battles” between two or more g

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33

Marovich, Robert M. “He Could Just Put a Song on His Fingers”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039102.003.0014.

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This chapter focuses on the rise of second-generation gospel choirs in Chicago. On July 6, 1959, Robert Anderson and Eddie Robinson sponsored the “Mountain of Gospel Music,” starring James Cleveland and the Voices of Tabernacle Choir from Detroit's Prayer Tabernacle Church, at the First Church of Deliverance. Cleveland's triumph with the Voices of Tabernacle turned him from “years of struggling” into a major gospel attraction. This chapter begins with a discussion of Chicago-based community choirs devoted to second-generation gospel music, including the Thompson Community Singers, the Wooten C

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34

Slobin, Mark. Local Traffic. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190882082.003.0004.

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This chapter surveys the “neighborhood” music of Detroit’s many subcultures in a city based on massive migration for auto industry work: European immigrants (including Polish, Armenian, Greek, Croatian, and others); southern white immigrants, with a focus on country music; and African Americans from the South, bringing jazz, blues, church, and other community musical expressions. Details include the networks and institutions each community built in Detroit, with regional and national connections.

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35

Hill, Kimberly D. A Higher Mission. University Press of Kentucky, 2020. http://dx.doi.org/10.5810/kentucky/9780813179810.001.0001.

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Throughout the first three decades of the twentieth century, alumni and students from historically black colleges and universities contributed to the American Protestant mission movement in West Africa. Those contributions extended beyond the manual labor endeavors promoted by Booker T. Washington and the Phelps Stokes Fund; African American missionaries also adapted classical studies and self-help ideology to a transnational context. This book analyzes the effects and significance of black education strategies through the ministries of Althea Brown and Alonzo Edmiston from 1902 to 1941. Brown

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