Relevant bibliographies by topics / Church of St. Alphonsus (New Orleans, La.)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Church of St. Alphonsus (New Orleans, La.)'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Church of St. Alphonsus (New Orleans, La.)"

1

Hamilton, Bernard, and Janet Hamilton. "St. Symeon the New Theologian and Western Dissident Movements." Studia Ceranea 2 (December 30, 2012): 137–44. http://dx.doi.org/10.18778/2084-140x.02.12.

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The trial at Orleans in 1022 of a group of aristocratic clergy, who included the confessor of Queen Constance of France, and their followers on the charge of heresy is the most fully reported among the group of heresy trials which were conducted in the Western Church during the first half of the eleventh century. Although the alleged heretics of Orleans are usually considered a part of a wider pattern of Western religious dissent, the charges brought against them differ considerably from those levelled against the other groups brought to trial in that period. The heterodox beliefs with which t
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Delpar, Helen. "Frank Tannenbaum: The Making of a Mexicanist, 1914-1933." Americas 45, no. 2 (1988): 153–71. http://dx.doi.org/10.2307/1006782.

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On April 19, 1914—two days before the seizure of Vera Cruz by United States marines—North American radicals gathered at Carnegie Hall in New York City to protest the expected use of force against Mexico by the administration of Woodrow Wilson. One of the speakers, William (“Big Bill”) Haywood of the Industrial Workers of the World, threatened a nationwide general strike should the United States go to war against Mexico, and the crowd approved a resolution condemning any act of armed intervention.But the Mexican crisis was not the only issue that aroused the crowd at Carnegie hall. A second res
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3

Wegmann, Andrew N. "Rev. Jerome G. LeDoux, S.V.D., War of the Pews: A Personal Account of St. Augustine Church in New Orleans. Donaldsonville: Margaret Media, Inc., 2011. Pp. 398. Paper $22.00." Journal of African American History 98, no. 4 (2013): 654–56. http://dx.doi.org/10.5323/jafriamerhist.98.4.0654.

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4

Varavkina-Tarasova, Nadiya. "Joan’s of Arc Aria No. 7 from the opera "The Maid of Orleans" by P. Tchaikovsky: the spiritual symbolism of the canon of repentance when "trialed under the sign"." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (2018): 19–35. http://dx.doi.org/10.34064/khnum2-49.02.

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The article examines the spiritual symbols of the musical and sound structure of Joan’s Aria No. 7 " Forgive me, hills and native fields " from the opera "The Maid of Orleans" by P. Tchaikovsky. The subject of the study is the iconic expositional characteristics of the dramatic development of the image of the protagonist of the opera as a vividly representative historical and symbolic phenomenon, expressed through the centuries-old context of musical spiritual symbols. "Liturgy of John Chrysostom" and "The Maid of Orleans" were marked by a powerful creative core, bravely creating a new level o
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Varavkina-Tarasova, Nadiya. "Joan’s of Arc Aria No. 7 from the opera "The Maid of Orleans" by P. Tchaikovsky: the spiritual symbolism of the canon of repentance when "trialed under the sign"." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (2018): 19–35. http://dx.doi.org/10.34064/khnum1-49.02.

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The article examines the spiritual symbols of the musical and sound structure of Joan’s Aria No. 7 " Forgive me, hills and native fields " from the opera "The Maid of Orleans" by P. Tchaikovsky. The subject of the study is the iconic expositional characteristics of the dramatic development of the image of the protagonist of the opera as a vividly representative historical and symbolic phenomenon, expressed through the centuries-old context of musical spiritual symbols. "Liturgy of John Chrysostom" and "The Maid of Orleans" were marked by a powerful creative core, bravely creating a new level o
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6

Vavasour, Kris. "Pop Songs and Solastalgia in a Broken City." M/C Journal 20, no. 5 (2017). http://dx.doi.org/10.5204/mcj.1292.

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IntroductionMusically-inclined people often speak about the soundtrack of their life, with certain songs indelibly linked to a specific moment. When hearing a particular song, it can “easily evoke a whole time and place, distant feelings and emotions, and memories of where we were, and with whom” (Lewis 135). Music has the ability to provide maps to real and imagined spaces, positioning people within a larger social environment where songs “are never just a song, but a connection, a ticket, a pass, an invitation, a node in a complex network” (Kun 3). When someone is lost in the music, they can
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Dissertations / Theses on the topic "Church of St. Alphonsus (New Orleans, La.)"

1

Green, Alvah J. III. "Fighting Spirit: A History of St. Henry's Catholic Church New Orleans 1871-1929." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/2078.

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In 2009, the Archdiocese of New Orleans went through a reorganization that resulted in the closure of numerous parishes under its direction. This thesis will look at how one of the parishes closed during this reorganization, St. Henry’s, had already faced, and survived, numerous attempts at closure. A study of these previous attempts reveals that internal church politics were often on display and the driving force behind the decisions. Using documents from the Archdiocesan Archives of New Orleans, this thesis looks at the history and leadership of St. Henry’s parish, and examines how the survi
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2

Vest, Katherine. "La Fièvre Jaune: An Exhibition Plan on St. Patrick’s Cemetery, Irish Immigrants, and the Role of the Catholic Church During the 1853 Yellow Fever Epidemic in New Orleans." ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2651.

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The proposed public history project, La Fièvre Jaune, will be one component of a larger exhibit sponsored by the Archdiocese of New Orleans, Office of Archives and Records entitled Song of Farewell: Catholic Cemeteries of New Orleans, focusing on New Orleans’s historic Catholic cemeteries, funeral chapels, relics, and burial rights. Using cemetery and death records, La Fièvre Jaune documents many of the Catholic, largely Irish immigrants struck by yellow fever in 1853 and the role of St. Patrick’s cemetery as the burial site for this population. The epidemic took the lives of some 8,000 people
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3

Smith, Melissa Lee. "Merging Identities: A Glimpse into the World of Albert Wicker, An African American Leader in New Orleans, 1893-1928." ScholarWorks@UNO, 2007. http://scholarworks.uno.edu/td/606.

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The life and career of Albert Wicker, Jr. (1869-1928), reflects the growth of the new urban African-American middle class in New Orleans, Louisiana, in the early years of the twentieth century. He spent his career working for advances in education while using memberships in churches, Masonic groups, insurance companies, benevolent societies, and educational leagues to achieve his personal and professional goals. The networks created by him and others along the way illustrate not only complexity of black life in New Orleans but also the growing tendency of differing ethnic groups to work
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Nuttli, Emily E. "“Fixing the Italian Problem”: Archbishop of New Orleans John W. Shaw and the Oblates of Mary Immaculate, 1918-1933." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2178.

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In 1918, Archbishop Shaw invited the Texas Catholic religious order, Missionary Oblates of Mary Immaculate, to New Orleans to manage the St. Louis Cathedral and its filial parish for Southern Italians, St. Mary’s Church. This thesis will look at the personalities and preferentialism that affected this early 20th century transfer of religious power from secular priests to a religious order. Comparing the language used by Archbishop Shaw in correspondence with Oblate Fathers with the language he used with his secular priests will determine that Shaw displayed favoritism in his decision to invite
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5

Harris, James Wesley. "Wholly Innocent." ScholarWorks@UNO, 2008. http://scholarworks.uno.edu/td/873.

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Why would a relatively normal eighteen year-old boy from New Orleans decide to dedicate his life to God as a Jesuit priest at the tail-end of the twentieth century? What obstacles would he meet along the way? What would sustain him in religious life? Why would he leave after seven years? Can one be sexually and emotionally healthy as a celibate? Is celibacy different for homosexuals than it is for heterosexuals? What is essential in the spiritual life?
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"The Gospel according to St. Mark's: Methodist women embodying a liberating theology from the Social Gospel Era to the Civil Rights Era at a deaconess-run settlement house in the French Quarter of New Orleans." Tulane University, 2002.

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This study focuses on St. Mark's Community Center and St. Mark's United Methodist Church, which share a building in New Orleans, Louisiana. In 1895, Methodist women, motivated by Social Gospel studies, adopted a struggling mission, and in 1909, expanded the work to the French Quarter, where Methodist deaconesses established a settlement serving white immigrants Women's work at Methodist settlement houses has been undervalued, discounted by the church as too secular, and by non-sectarian settlement workers and historians as too religiously motivated. I argue that examining the work of southern
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Books on the topic "Church of St. Alphonsus (New Orleans, La.)"

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Samuel, Wilson. The Church of St. Alphonsus. Friends of St. Alphonsus, 1996.

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2

LeDoux, Jerome G. War of the pews: A personal account of St. Augustine Church in New Orleans. Margaret Media, 2011.

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3

Krotzer, Dorothy Stewart. St. Alphonsus church, New Orleans, Louisiana: Documentation, analysis and interpretation of interior finishes. 2001.

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4

Bozant, Kevin J. St. Paul Lutheran Church of New Orleans: The First 80 Years 1840-1920. Independently Published, 2019.

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5

Blue, Ellen. St. Mark's and the Social Gospel: Methodist Women and Civil Rights in New Orleans, 1895¿1965. University of Tennessee Press, 2014.

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6

Blue, Ellen. St. Mark's and the Social Gospel: Methodist Women and Civil Rights in New Orleans, 1895-1965. University of Tennessee Press, 2011.

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7

Thompson, T. P. St. Louis Cathedral of New Orleans : A Sketch: Commemorating the Bicentenary of the Founding of This Parent Church of the Mississippi Valley. Creative Media Partners, LLC, 2023.

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Book chapters on the topic "Church of St. Alphonsus (New Orleans, La.)"

1

Tidwell, John Edgar, and Mark A. Sanders. "“Sister Cities”." In Sterling A. Brown’s, A Negro Looks At The South. Oxford University PressNew York, NY, 2007. http://dx.doi.org/10.1093/oso/9780195313994.003.0020.

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Abstract I have not been down to Charleston in Azalea time. Nor on any of my three trips have I climbed to the top of Charleston’s highest building to look down on the historic spots, which, the natives tell me, outnumber those to be seen from any similar vantage in America. But I am acquainted with some of the memorials to Charleston’s past: the long, double-humped Cooper River Bridge, venerable St. Philip’s Church, whose chimes cast into Confederate cannon, were never replaced; St. Michael’s Church, whose four-dialed clock in the steeple tells the time by which old Charlestonians go, regardl
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